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The Night Agent season two review – this thrilling spy drama is like Homeland all over again

Par : Jack Seale

When it gets going, the Netflix show is a pleasingly fraught watch about an Iranian mole, packed with risky missions and heroic acts. Breathtaking stuff

The Night Agent started life as a determined little underdog. Uncool, old-fashioned and on the wrong side of Netflix’s tendency to hype some shows while leaving others unloved, it had to fight its way into the streaming platform’s most-viewed section and critics’ best-of-2023 lists, which it did simply by being a sturdily constructed, twist-packed conspiracy thriller. Once viewers switched it on, they couldn’t switch it off.

It concerns Night Action, an awkwardly named arm of the American intelligence services that is so secret it doesn’t officially exist. When we met him, Peter Sutherland (Gabriel Basso) was its most junior employee, answering the landline phone that rang in the White House basement when an agent needed assistance. By the end of the first season, Peter’s courage, hand-to-hand combat skills and, most of all, his unswerving, country-serving, square-jawed moral code had seen him single-handedly foil a presidential assassination plot.

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© Photograph: SIVIROON SRISUWAN/NETFLIX

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© Photograph: SIVIROON SRISUWAN/NETFLIX

National Portrait Gallery accused of nepotism over Zoë Law exhibition

The photographer’s exhibition, which features images of Noel Gallagher, took place after donation to the gallery’s £40m makeover

The National Portrait Gallery (NPG) has been accused of nepotism after it hosted a photography exhibition by a large donor to its £40m makeover.

Zoë Law’s work is on display until 2 March in the Studio Gallery and Spotlight Space, with the organisation also acquiring her portrait of Noel Gallagher for its permanent collection.

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© Photograph: Dave Benett/Getty Images for ZOË LAW

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© Photograph: Dave Benett/Getty Images for ZOË LAW

It’s the reign of King Donald: now a people who fled cruel monarchs have their own | Martin Kettle

We see untrammelled power with fawning courtiers. George Washington would have recognised the new system at the White House

Donald Trump’s triumphal return to the White House was American political theatre on steroids. This was, of course, exactly the returning president’s intention. “Shock and awe” was the en vogue phrase in the Trump camp to describe it, as the president sought to obliterate the Biden era in a blizzard of executive presidential orders and day-one Maga movement payoffs.

Trump’s second inauguration was exceptionally well worked. Where or whether it all lands in the form of delivered policy is a different issue. To some, it may feel petty to note that the last US “shock and awe” exercise – the Iraq invasion of 2003 – also generated a feast of indelible images of American power. But that one certainly did not end well.

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© Illustration: Sebastien Thibault/The Guardian

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© Illustration: Sebastien Thibault/The Guardian

With the knives out on development spending, have we reached ‘peak aid’? | Nilima Gulrajani and Jessica Pudussery

From Trump’s Project 2025 to a huge aid cut by the Dutch, donors are turning their backs on the developing world

Foreign aid spending reached a record high of $223bn (£180bn) in 2023, new figures released this week from the Organisation for Economic Co-operation and Development (OECD) confirmed.

Yet, in 2024, eight wealthy countries announced $17.2bn in cuts to official development assistance (ODA), and three others hinted at reductions, all to take effect over the next five years.

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© Photograph: UNICEF/Reuters

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© Photograph: UNICEF/Reuters

British crime writer Mick Herron wins Crime Writers’ Association lifetime achievement award

Par : Ella Creamer

The author of books such as Slow Horses and Down Cemetery Road receives the prestigious Diamond Dagger award for his contribution to the genre

British writer Mick Herron, best known for his Slough House series beginning with Slow Horses, has been awarded the Crime Writers’ Association (CWA) Diamond Dagger award for lifetime contribution to crime writing.

“To receive this accolade from these friends and colleagues is a career highlight and a personal joy,” said Herron. “I’m touched and thrilled beyond measure, and will try to live up to the honour.”

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© Photograph: David Levene/The Guardian

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© Photograph: David Levene/The Guardian

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