Study of man often featured in works by the Flemish master reveals hidden painting of woman beneath model’s beard

Is it a bald elderly man with a big bushy beard and a wine-addled stare? Or a friendly young woman with flowing locks and a crown of braids?

To Belgian art dealer Klaas Muller, an answer to that question mattered less than the fact that this particular take on the duck-rabbit optical illusion was painted by one Peter Paul Rubens.

This week’s best wildlife photographs from around the world

Nieuwe Instituut, Rotterdam
They have poisoned emperors, taken over insect brains and survived atomic bombs. This Dantean journey through fungal hell is riveting – though frogs may disagree

Sylvia Plath’s poem Mushrooms is a sinister paean to the natural world. Her observations on fungi are freighted with foreboding, noting how “very / Whitely, discreetly, / Very quietly” they “Take hold on the loam, / Acquire the air”. The poem ends: “We shall by morning, / Inherit the earth. / Our foot’s in the door.”

Plath’s ominous ode from 1959 forms the opening salvo in an exhibition dedicated to fungi’s creepy omniscience. Far from merely getting a foot in the door, the door has been blasted off its hinges by fungi’s preternatural capacity to reproduce, spread, evolve – and annihilate. How they thrive with a perverse intensity on discarded, dead and dying things, impelling the cycle of decay and regrowth. As coprophiliacs, necrophiliacs and silent assassins, they are legion, and have been around for over a billion years.

On Ulva, in the Inner Hebrides, Banjo Beale and his husband are transforming a rundown mansion into their dream hotel, while another adventurous couple have created a charming bothy for hardier folk

Ulva House is a building site. There are workmen up ladders, hammering, plastering, but I leave my muddy walking boots by the door. There’s no central heating or hot water and Banjo Beale and his husband, Ro, have been camping out here for weeks, but he greets me, dazzlingly debonair, in a burnt orange beanie and fabulous Moroccan rug coat.

The 2022 winner of the BBC’s Interior Design Masters, who went on to front his own makeover show Designing the Hebrides, Banjo’s vibe is more exuberant Laurence Llewelyn-Bowen than quizzical Kevin McCloud. His latest project with Ro, the transformation of a derelict mansion on the small Hebridean island of Ulva into a boutique hotel, is the subject of a new six-part series, airing on BBC Scotland. I’m here for a preview of the finished rooms.

The president has vowed to kill off ‘woke’ in his second term in office, and the venerable cultural institution a few blocks from the White House is in his sights

On 30 May last year, Kim Sajet was working in her office in the grandly porticoed National Portrait Gallery in Washington DC. The gallery is one of the most important branches of the Smithsonian Institution, the complex of national museums that, for almost 200 years, has told the story of the nation. The director’s suite, large enough to host a small party, has a grandeur befitting the museum’s role as the keeper of portraits of the United States’ most significant historical figures. Sajet was working beneath the gaze of artworks from the collection, including a striking 1952 painting of Mary Mills, a military-uniformed, African American nurse, and a bronze head of jazz and blues singer Ethel Waters.

It seemed like an ordinary Friday. Until, that is, an anxious colleague came in to tell Sajet that the president of the United States had personally denounced her on social media. “Upon the request and recommendation of many people I am herby [sic] terminating the employment of Kim Sajet as Director of the National Portrait Gallery,” Donald Trump had posted on Truth Social. According to the post, Sajet was “a highly partisan person” and a “strong supporter” of diversity and inclusion programmes, which by an executive order on his inauguration day, 20 January, he had eradicated from federal agencies. “Her replacement will be named shortly,” continued the message. “Thank you for your attention to this matter!”

Reading for pleasure rates are shockingly low in young people. So we should all get behind a new drive to turn them into avid readers. Why not start with books about art?

A girl on the cusp of adolescence gazes down at a book. Her left hand rests against her flushed pink cheeks, while her right clutches the pages, ready to turn to find out what happens next. She has porcelain-like skin and golden hair seemingly full of air, executed in textures that contrast with the scratchy, loose marks that make up her shirt and the book’s pages. When I look at this drawing, I am struck by how the artist, the American-born impressionist Mary Cassatt, has perfectly captured the all-consuming sensation of being submerged in a book – the feeling that the whole world is dissolving around you. For a moment, only that story matters.

Cassatt, who worked in Paris for most of her adult life when women were finally beginning to be accepted as artists (and deserving of state-funded art education), was hailed for her intimate portrayals of women and children. They are glimpses into their minds, their private worlds, yet they also emphasise intellect and ambition. Young Girl Reading is one such example. I often wonder if she is reading something like Louisa May Alcott’s Little Women, published nearly three decades before, which tells the story of the four March sisters, who are figuring out their journey to womanhood themselves.

‘I have outtakes of them all standing up – there’s no safety equipment and they’re not hanging on to anything. They just said to me, “Hurry up, Beez!”’

At the age of 12 I was working for the Clash, handing out flyers. I looked older than I was and got to see all the punk bands before getting into reggae sound systems. Multicultural Bristol was a great place to grow up, and by the time I was 14 or 15 I’d be going out late most nights and coming home mid-morning.

Having failed the entrance exam to be a gas fitter, I enrolled on an audio-visual course – one of Thatcher’s new National Training Initiatives. I specialised in photography and started documenting all those nights out – my friends and the scenes I was already part of – offering an insider’s perspective. Photography also gave me an opportunity to explore new environments. If there’s something you’re not sure about, a camera is a good way to have a look at it, be part of it, and then learn from it.

A few of our favourite photographs taken by women from the global south and capturing moments of everyday life and art

Engaging in creativity can reduce depression, improve immunity and delay ageing – all while you’re having fun

For some reason, we have collectively agreed that new year is the time to reinvent ourselves. The problem, for many people, is that we’ve tried all the usual health kicks – running, yoga, meditation, the latest diets – even if we haven’t really enjoyed them, in a bid to improve our minds and bodies. But have any of us given as much thought to creativity? Allow me to suggest that this year be a time to embrace the arts.

Ever since our Paleolithic ancestors began painting caves, carving figurines, dancing and singing, engaging in the arts has been interwoven with health and healing. Look through the early writings of every major medical tradition around the world and you find the arts. What is much newer – and rapidly accelerating over the past two decades – is a blossoming scientific evidence-base identifying and quantifying exactly what the health benefits of the arts are.

The next 12 months promise blockbuster surveys of noted greats and introductions to intriguing lesser-known artists

From old masters to pop artists, contemporary greats and even a major Mexican film-maker, art museums and galleries across the US have some dazzling shows coming up in 2026.

Cost-saving plan to transfer Antwerp museum’s entire collection to another city described as ‘simply insane’

Prominent artists have spoken out against an “arbitrary reshaping” of Belgium’s museum landscape, as the Flanders region seeks to cut public spending by dismantling the country’s oldest contemporary art museum and transplanting its entire collection to another city.

At a press conference in Antwerp on Tuesday, the directors of the city’s Museum of Contemporary Art (M HKA), which was founded in 1985, decried what they called the “flagrant illegalities” of the museum sector shake-up, which is due to be debated in Belgium’s parliament on Friday.

When the Afrobeat sensation first saw Lemi Ghariokwu’s work, he said, ‘Wow!’ Then he plied him with marijuana and asked him to design his album sleeves. The artist recalls their extraordinary partnership – and the day Kuti’s Lagos HQ burned

‘There were flames everywhere. Soldiers with bayoneted rifles were dragging people out into the streets, staggering, naked and bleeding. Nobody knew if Fela was still inside the burning building.”

Lemi Ghariokwu pauses. For much of our video-call, the 70-year-old artist has joyfully revisited his years as friend and confidant of Fela Aníkúlápó Kuti, the Nigerian Afrobeat pioneer whose legacy has been celebrated recently by both a high-profile podcast produced by the Obamas and a career-spanning box-set, The Best of the Black President, designed by Ghariokwu.

From a thriving miniature city inside a Cairo cemetery to a goat sacrifice in Nigeria, the photojournalist’s eye-opening images are celebrated in a new book

•Warning: this gallery contains images that some readers may find distressing

Erik Irmer has been documenting the spread of invasive plant and animal species that disrupt native ecology across Europe. He focuses on humans’ interactions with these plants and animals. Aliens is published by Fotohof

From Britain’s medieval buildings to western pop and contemporary art, these creations showcase our interwoven stories

We are repeatedly sold a painfully two-dimensional picture of the motivations of those seeking shelter in Britain. According to this picture, migrants are eager to experience the benefits of our society, but they are also out to undermine it, because they come from cultures whose values are dramatically different from our own. Think of the ongoing “grooming gangs” scandal: an undeniably appalling series of events, institutional failures and victim-blaming that has been transformed into a narrative that suggests any “alien” is likely to be a sexual predator, since their predatory behaviour is a direct consequence of their religious and cultural background.

So often, all we are allowed to know about asylum seekers is that they are asking – with irritating persistence – for a place in our social fabric, as if they have no world of their own, no cultural hinterland, no really recognisable human values aside from mysterious and dangerous belief systems. This explains why there is now a feverish pressure to instantly reveal the ethnicity of any suspect in a major crime of unprovoked violence – as with the Cambridgeshire train attack (where, confusingly, it transpired that the hero of the day was a man of north African background), or the tabloid habit of illustrating stories about migrants with images of young men, usually of Middle Eastern appearance.

The photographer’s painted bottles and hoops enhanced a carefree afternoon on a Burmese beach

As a tuk-tuk driver, Moe Wai feels that he has honed both his observational and people skills. Wai lives and works in Myin Ka Par, a village in Myanmar, and became interested in mobile photography several years ago. In this instance, he used his phone to capture this gaggle of local children as they were returning home from school.

“They were playing on a sandbank with their own plastic bottles,” Wai recalls. He’d been collating props for some time; bottles and hoops he had painted in a variety of colours, including neon pink. “The children were happy to let me replace theirs with my own colourful ones for the purpose of this photo.” He later applied some minor edits using the Lightroom app.

This first newsletter of the new year looks at some of the big questions we hope will be answered in the next 12 months, across film, TV, music and games

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Welcome to 2026! I hope you are enjoying the final dribblings of the festive break, before reality bites on Monday. As is now tradition (well, we did it once before), this first newsletter of the new year looks at some of the big questions we hope will be answered in the next 12 months, across film, TV, music and games. Hopefully it will double up as a decent primer for the year ahead too, though for a more exhaustive rundown check the Guardian’s 2026 previews for film, music, TV, gaming, stage and art. Right, let’s get on with it:

Russian drone strikes hit Kyiv, flooding in California, the African Cup of Nations and New Year celebrations: the past seven days as captured by the world’s leading photojournalists