The hypnotic third novel in the hit Danish series grapples with the philosophical realities of being stuck on repeat in 18 November

The time loop story, in which characters repeatedly relive the same span of time, has become synonymous with the 1993 film Groundhog Day, but the idea has much older roots. In PD Ouspensky’s 1915 novel Strange Life of Ivan Osokin, the feckless Osokin is given the chance to live his life over again, only to find himself making all the same mistakes. Like Groundhog Day’s insufferable Phil Connors, Osokin can change nothing without changing himself.

Solvej Balle’s much-lauded series On the Calculation of Volume takes a very different approach. She first began working on the idea decades ago, several years before Groundhog Day was released. The film, she says, “helped me with research by trying out some of the roads I did not want to take”. The books, five so far with two more planned, have proved a literary sensation in her native Denmark, with the first three volumes together scooping the 2022 Nordic Council Literature prize, the highest literary honour in Scandinavia. This is the third to be published in English this year; the first was shortlisted for the 2025 International Booker prize.

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© Photograph: Bernhard Lang/Getty Images

© Photograph: Bernhard Lang/Getty Images

© Photograph: Bernhard Lang/Getty Images

Written in 1951 and now translated into English for the first time, this family saga by the acclaimed German author recaptures a golden age for Jewish life

In 1948, the German Jewish author Gabriele Tergit travelled to Berlin. There, in ruins, was the city in which she was born and grew up, reported on, then chronicled in fiction. Tergit had been one of the shining lights of interwar Berlin’s flourishing journalistic scene; she had also married into one of the city’s most prominent Jewish families. In 1931 her debut novel announced her as a literary phenomenon.

Then the Nazis came to power. Tergit was on an enemies list. She fled, first to Czechoslovakia, then to Palestine, and finally to London, where she lived from 1938 until her death in 1982. Never again did she call Berlin home. When she visited after the war, she found no real place in the conservative postwar German literary world – and no real audience for The Effingers, her newly completed magnum opus. A version was printed in 1951, but to little acclaim; only recently has a critical rediscovery in Germany established Tergit as one of the country’s major authors. Now, thanks to an excellent translation by Sophie Duvernoy, The Effingers is appearing in English.

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© Photograph: INTERFOTO/Alamy

© Photograph: INTERFOTO/Alamy

© Photograph: INTERFOTO/Alamy

En cette fin d’année, prenons le temps de découvrir les nouveautés dans les podcasts Futura.

En cette fin d’année, prenons le temps de découvrir les nouveautés dans les podcasts Futura.

Alors que la saison 5 de Stranger Things débute sur Netflix, LEGO marque l’événement avec un set spectaculaire : la maison Creel. Un modèle riche en détails et en mécanismes inédits, pensé pour replonger les fans dans l’ambiance sombre et mythique de la série. Attention aux spoilers !

An eco-masterpiece, icy intrigue, cyberpunkish cyborgs, memory-eating aliens and super-fast travel sends the world spinning out of control

Circular Motion
Alex Foster (Grove)
Alex Foster’s novel treats climate catastrophe through high-concept satire. A new technology of super-fast pods revolutionises travel: launched into low orbit from spring-loaded podiums, they fly west and land again in minutes, regardless of distance. Since every action has an equal and opposite reaction, our globe starts to spin faster. Days contract, first by seconds, then minutes, and eventually hours. It’s a gonzo conceit, and Foster spells out the consequences, his richly rendered characters caught up in their own lives as the world spirals out of control. As days become six hours long, circadian rhythms go out of the window and oceans start to bulge at the equator. The increasing whirligig of the many strands of storytelling converge on their inevitable conclusion, with Foster’s sparky writing, clever plotting and biting wit spinning an excellent tale.

When There Are Wolves Again
EJ Swift (Arcadia)
There are few more pressing issues with which fiction can engage than the climate crisis, and SF, with its capacity to extrapolate into possible futures and dramatise the realities, is particularly well placed to do so. Swift’s superb novel is an eco-masterpiece. Its near-future narrative of collapse and recovery takes us from the rewilding of Chornobyl and the return of wolves to Europe, through setback and challenge, to 2070, a story by turns tragic, alarming, uplifting, poetic and ultimately hopeful. Swift’s accomplished prose and vivid characterisation connect large questions of the planet’s destiny with human intimacy and experience, and she avoids either a too-easy doomsterism or a facile techno-optimism. We can bring the world back from the brink, but it will require honesty, commitment, hard work and a proper sense of stewardship.

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© Illustration: Debora Szpilman

© Illustration: Debora Szpilman

© Illustration: Debora Szpilman