The singer’s tears over the Islamic State terrorist plot against her show and Southport attack make this behind-the-scenes docuseries about her world-conquering tour more moving than anyone could have anticipated

Swifties had long guessed that there would be a documentary going behind the scenes of Taylor Swift’s blockbuster Eras tour. The 2023 Eras Tour concert movie didn’t show any of the inner workings of this three-and-a-half-hour behemoth, which ran for 149 dates from 2023-24. Fans put some bits together, such as how Swift arrived on stage being pushed inside a cleaning cart. Plus, given the two albums she wrote during and about the Eras tour – 2024’s The Tortured Poets Department and this year’s The Life of a Showgirl – it wouldn’t be Swiftian to overlook another lucrative IP extension.

What fans could never have imagined was that Disney was set to start filming as the Eras tour was due to hit Vienna on 8 August 2023 – the first of three shows in the Austrian capital that were cancelled owing to an Islamic State terrorist plot. We learn this in episode one of the six-part docuseries The End of an Era, when Swift and her longtime friend Ed Sheeran are backstage at Wembley, hours before he guests at her first concert after the thwarted attack. “I didn’t even get to go,” Swift tells him of Vienna. “I was on the plane headed there. I just need to do this show and re-remember the joy of it because I’m a little bit just like …” She can’t find the words.

The singer has filmed a docuseries and a movie-length concert film

He’ll soon be going back on the hunt for bent coppers – but not before a wild revenge tale of divorcees going rogue. The star talks feeling inferior to Meera Syal, his life in the US and why he’s thrilled to be typecast

While we embark on the inhumanly long wait for the new season of Line of Duty, which starts shooting in January, you’ll see Martin Compston – the show’s hero and true north – a number of times. Twice as you’ve never seen him before, and once, in Red Eye, in the form that you’ve come to know and love him: brisk and taciturn, brave and speedy, the man you’d trust to save the world while the dopes all around him can’t even see it needs saving.

But first, The Revenge Club, in which he is a revelation. The setting is a support group for divorcees, a ragtag gang united by nothing but the fact that they’ve been summarily dismissed by their spouses. “There’s no other reason for these characters to be in each other’s lives,” Compston says from his home in Las Vegas (more on that later – much more). “They’re all desperate and lonely and in dire need of companionship. They’re all, in their own ways, broken, which makes for this explosive mix.”

Late-night hosts discussed Donald Trump’s unconvincing “A+++++” grade for the economy and his rambling speech in Pennsylvania

Late-night hosts recapped Donald Trump’s attempts to reassure Americans on the economy as the private sector sheds jobs and grocery prices keep rising.

It is really satisfying to see beautiful, cranky lesbians take the lead in TV’s buzziest new shows, Pluribus and The Beast in Me

I recently went on a holiday for a few days and, as part of that holiday, I caught up on a lot of television shows. Don’t judge me, we all relax in our own ways! I looked at nature too! It’s sort of part of my job! (and other defences).

I am someone who keeps up with new TV shows. I watch everything that is popping off – but I’m happy to admit that, as a didn’t-grow-up-with-women-kissing-each-other-on-TV lesbian, I will go out of my way to seek out ANY shows about queer people, especially if women are going to kiss each other.

Trump and Vance head to South Park in Christmas gear for a big showdown – only for Jesus to show up. At one point, you can almost feel Trey Parker and Matt Stone taking a stand against the US government

Coming off its most controversial and highest rated season in years, South Park had high expectations to meet with its season finale. Given how infamously down-to-the-wire its production schedule is – showrunners Matt Stone and Trey Parker often don’t start writing scripts until the week they’re set to air, working up to the 11th hour to turn in a completed episode (a method that caused them to miss a deadline earlier this year) – there was some question as to whether they would be able to tie everything up at all, let alone in a satisfying manner.

Most viewers were probably anticipating a giant, apocalyptic climax to the various long-running storylines – chief among them Donald Trump’s attempts to kill his and his lover Satan’s soon-to-be-born spawn. Instead, Stone and Parker swerved expectations, delivering an introspective and ultimately melancholy climax, one that managed to balance hope and despair in equal measure, alongside the outrageous shock humour for which they’re famous.

Menopausal punks, one of the most exciting comedies of our age and TV’s most joyous chatshow … it’s been another fantastic year of television. Our countdown of the very best continues
• More on the best culture of 2025

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This Netflix show starts off feeling like a documentary, and winds up as another attempt to recreate The X-Factor. It really cannot be overstated how much of a rehash this boyband contest is

Ladies and gentlemen, the most cynical bait and switch of the year has finally arrived. To the casual viewer, Netflix’s new series Simon Cowell: The Next Act may appear to be yet another quasi-unvarnished authorised documentary series.

And that would make sense, because those things are everywhere at the moment. Everyone from David Beckham to Robbie Williams to Charlie Sheen has made one, allowing a film crew into their lives to offer just enough grit to fool people into thinking they are watching anything other than a heavily sanitised publicity project. And, really, who deserves one of these more than Simon Cowell?