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Reçu hier — 23 décembre 2025

Bold docuseries or dull branding exercise? What The End of an Era really told us about Taylor Swift

23 décembre 2025 à 18:04

Swift’s six-parter charting her Eras tour began with some riveting revelations – but the drama ebbed away, leaving another piece of mere product for fans

In the behind-the-scenes documentary series Taylor Swift: The End of an Era, the singer Florence Welch ascends to the stage to perform their duet Florida!!! to a crowd of 90,000 people. Welch later reflects on their duet at Wembley Stadium with a mix of awe and bemusement. “Taylor is my friend,” she says. “I know her as this very cosy person, and I came out of that lift and I was like, ‘Oh my God, it’s fucking Taylor Swift.’”

If Swift is a cosy person, The End of an Era – now complete, with its concluding episodes dropping today – is certainly a cosy watch; the sort of lighthearted, low-demand viewing that feels especially welcome in the lazy days leading up to Christmas and stretching towards the new year. Viewers will be familiar with the story. The Eras Tour was great, it tells us. It broke records, burst hearts and boosted the economy. We know she pulled it off. This is only a problem insofar as it means there is almost zero jeopardy in the series, which feels repetitive and thinly stretched over its six hour-long episodes.

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© Photograph: John Shearer/TAS24/Getty Images for TAS Rights Management

© Photograph: John Shearer/TAS24/Getty Images for TAS Rights Management

© Photograph: John Shearer/TAS24/Getty Images for TAS Rights Management

Streaming musical en 2025 : comment l’IA bouscule la transparence, la rémunération et la découverte

Par :Djib's
23 décembre 2025 à 16:32

En 2025, l’intelligence artificielle n’est plus un simple outil dans l’industrie musicale : elle devient une source massive de contenus, un défi opérationnel pour les plateformes et un sujet de confiance pour les auditeurs. Le streaming se retrouve face à une équation nouvelle : accueillir l’innovation (assistants de …

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L’article Streaming musical en 2025 : comment l’IA bouscule la transparence, la rémunération et la découverte est apparu en premier sur KultureGeek.

Streaming musical en 2025 : comment l’IA bouscule la transparence, la rémunération et la découverte

Par :Djib's
23 décembre 2025 à 16:32

En 2025, l’intelligence artificielle n’est plus un simple outil dans l’industrie musicale : elle devient une source massive de contenus, un défi opérationnel pour les plateformes et un sujet de confiance pour les auditeurs. Le streaming se retrouve face à une équation nouvelle : accueillir l’innovation (assistants de …

Lire la suite

Aimez KultureGeek sur Facebook, et suivez-nous sur Twitter

N'oubliez pas de télécharger notre Application gratuite iAddict pour iPhone et iPad (lien App Store)


L’article Streaming musical en 2025 : comment l’IA bouscule la transparence, la rémunération et la découverte est apparu en premier sur KultureGeek.

OpenAI dévoile une rétrospective personnalisée pour les utilisateurs de ChatGPT

23 décembre 2025 à 15:00

Le chatbot d’OpenAI adopte le concept popularisé par Spotify et lance sa propre version de bilan annuel. Baptisée Your Year with ChatGPT, la fonctionnalité arrive progressivement pour certains consommateurs dans plusieurs marchés anglophones, incluant les États-Unis. Cette initiative marque une évolution notable dans la façon dont OpenAI engage sa communauté d’utilisateurs, transformant les données d’interaction ... Lire plus

L'article OpenAI dévoile une rétrospective personnalisée pour les utilisateurs de ChatGPT est apparu en premier sur Fredzone.

CDs return to Christmas shopping lists as gen Z embrace ‘retro renaissance’

23 décembre 2025 à 15:25

Demand for CD players rises 74% this year amid deluxe releases from artists such as Taylor Swift and Pink Floyd

Forget the vinyl revival. CD players and compact discs are back on Christmas lists this year amid a wave of 90s nostalgia and coveted “deluxe” releases from big acts such as Taylor Swift and Pink Floyd.

Demand for compact discs peaked in the mid-00s and many households ditched their systems and libraries as digital music took off. But the distinctive whirr is returning to bedrooms around the country, with retailers and marketplaces experiencing an uptick in appetite for vintage tech and music to play on it.

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© Photograph: John Taggart/EPA

© Photograph: John Taggart/EPA

© Photograph: John Taggart/EPA

‘It contains the greatest song ever about an ice cream truck’: readers’ favourite albums of 2025

23 décembre 2025 à 15:00

The beautiful despair of Cameron Winter, the perfectly imperfect life of Lily Allen, the maximalist R&B of Dijon and more: here’s what our readers have had on heavy rotation
The 50 best albums of 2025

The production is uniquely rhythmic and layered, the instrumental performances are all pretty bulletproof, and Cameron Winter’s writing is just ridiculously good. He is able to show us beauty and despair, and the beauty in despair and the despair in beauty. The best track to me is Islands of Men, which builds over this hypnotic instrumental while Winter sings about isolation and self-illusion. Other highlights would be the title track and Half Real, which feels like a dizzy, intoxicated folk song. Geese are the next big thing. Freddie, 18, Surrey

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© Photograph: Vianney Le Caer/Invision/AP

© Photograph: Vianney Le Caer/Invision/AP

© Photograph: Vianney Le Caer/Invision/AP

OpenAI dévoile une rétrospective personnalisée pour les utilisateurs de ChatGPT

23 décembre 2025 à 15:00

Le chatbot d’OpenAI adopte le concept popularisé par Spotify et lance sa propre version de bilan annuel. Baptisée Your Year with ChatGPT, la fonctionnalité arrive progressivement pour certains consommateurs dans plusieurs marchés anglophones, incluant les États-Unis. Cette initiative marque une évolution notable dans la façon dont OpenAI engage sa communauté d’utilisateurs, transformant les données d’interaction ... Lire plus

L'article OpenAI dévoile une rétrospective personnalisée pour les utilisateurs de ChatGPT est apparu en premier sur Fredzone.

Post your questions for Bill Callahan

23 décembre 2025 à 09:49

Ahead of his new album, My Days of 58, the US singer-songwriter will answer your questions for the Guardian’s reader interview

In a career hardly plagued with lows, Bill Callahan has been on a hot streak recently. Since 2019’s Shepherd in a Sheepskin Vest, the Maryland-born songwriter has shared his beguiling meditations on being changed by parenthood and marriage, while his music has loosened and expanded accordingly. The latter is in part down to the chemistry that Callahan has formed with his live band – guitarist Matt Kinsey, saxophonist Dustin Laurenzi and drummer Jim White also of the Dirty Three – audible on the extraordinary 2024 live album Resuscitate! It’s this ensemble and their facility for improv that powers Callahan’s forthcoming solo record, My Days of 58, the first tastes of which offer up some Callahan wisdom.

The song Lonely City, he said, was an odd one for him to write, being generally more concerned with “humans and the spirit within”.

So writing about concrete and steel felt like a no go. Like I’m going to write a song about a car next? But of course cities are made by humans so they are human, too. You have a relationship with them, like friends.

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© Photograph: Bill McCullough

© Photograph: Bill McCullough

© Photograph: Bill McCullough

‘With Lily Allen, we blacked out and had an album’: How songwriters help artists make their most personal music

23 décembre 2025 à 07:00

The behind-the-scenes content shared from Lily Allen and her team for ‘West End Girl’ gave the public a rare insight into the usually unsung work of songwriters. What is it like to be involved in such an immensely emotional and personal project, Hannah Ewens asks Lily Allen co-writer Chloe Angelides, and Jessie Ware and Perrie Edwards co-writer and singer-songwriter Nina Nesbitt

© Chloe's own

The 10 best global albums of 2025

23 décembre 2025 à 08:00

Lebanese singer-songwriter Yasmine Hamdan returns with mournful minimalism, Mohinder Kaur Bhamra’s 1982 album of Punjabi disco makes a comeback and Venezuelan-Guatemalan duo Titanic serve up ecstatic tracks
The 50 best albums of 2025
More on the best culture of 2025

A 40-minute suite of continuous, repetitive drumming might not sound like the most accessible music but south Asian percussionist and producer Sarathy Korwar’s latest album, There Is Beauty, There Already, turns this concept of insistent rhythm into strangely alluring work. Leading an ensemble of three drummers, Korwar develops a dense percussive language throughout the record’s 10 movements, channelling Steve Reich’s phasing motifs as well as Indian classical phrasing and anchoring each in the repetition of a continual, thrumming refrain. As the album continues, the refrain begins to emulate the hypnotic repetition of ceremonial rhythm, drawing us further into Korwar’s percussive world the longer we listen.

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© Photograph: Ada Navarro

© Photograph: Ada Navarro

© Photograph: Ada Navarro

Reçu avant avant-hier

Timeless Christmas hit is the gift that keeps on giving for Wizzard

Research shows 97% of band’s streaming revenue comes from 1973 single I Wish It Could Be Christmas Everyday

If you listen closely to the start of Wizzard’s yuletide standard I Wish It Could Be Christmas Everyday, you’ll hear the kerching of a cash register.

The sound might have been “a winning speck of cynicism in the tinselly facade” of 70s consumerism, according to the Guardian’s Alexis Petridis, but five decades on it has proved prophetic – the song accounts for nearly all of the band’s streams on Spotify.

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© Photograph: Michael Putland/Getty Images

© Photograph: Michael Putland/Getty Images

© Photograph: Michael Putland/Getty Images

The 10 best experimental albums of 2025

22 décembre 2025 à 08:00

Raisa K’s solo album is primitive and intimate, Saeko Killy adds a euphoric touch to her dimly lit sound and Bitchin Bajas get blissed out
The 50 best albums of 2025
More on the best culture of 2025

Chicago minimalist trio Bitchin Bajas are experts in crafting the ultimate slow burn, with a discography full of soundscapes that often stretch languorously around or beyond the 10-minute mark. Their latest record follows suit with four winding, blissed-out tracks over a 40-minute run time. But it’s not just overindulgent lounge music: the analogue loops quietly build to transcendental heights, nudged along by wandering sax solos, spritely keys and other cosmic flourishes. It’s a lush, often moving odyssey which, towards the end of the epic 18-minute closer, climaxes in an effervescent flurry.

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© Photograph: Galya Feierman

© Photograph: Galya Feierman

© Photograph: Galya Feierman

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