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index.feed.received.today — 7 mars 2025

How MJ the Musical sanitised Michael Jackson’s story: ‘Can we really sit in a theatre and pretend?’

6 mars 2025 à 15:00

MJ the Musical has already made millions for Jackson’s estate. But as the Broadway hit opens in Australia and the estate prepares to face two of Jackson’s alleged victims in court, fans may ask: is buying a ticket OK?

There’s a moment in MJ the Musical where the King of Pop tells a prying reporter: “I want to keep this about my music.”

Over the last four years, as the jukebox musical has swept through the US, London and Hamburg, netting four Tony awards and more than US$245m to date on Broadway alone, the debate that has followed it has mirrored that which followed the bombshell allegations aired in the Emmy-winning 2019 documentary Leaving Neverland: can we separate Michael Jackson’s impeccable musical legacy from his deeply tarnished public image?

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© Photograph: Bianca De Marchi/AAP

© Photograph: Bianca De Marchi/AAP

index.feed.received.yesterday — 6 mars 2025

Lady Gaga: Mayhem review – a fabulous return to her freaky first principles

6 mars 2025 à 19:30

(Interscope)
After some noteworthy musical and cinematic misfires, Gaga gets back to her core themes of sex, sleaze and celebrity on an album that sounds not retro, but relevant

Lady Gaga’s single Abracadabra is enjoying its fifth consecutive week in the UK Top 10. You can imagine a collective sigh of relief chez Gaga: she has been experiencing what you might call a case of career sea sickness, in which unadulterated commercial triumphs have been followed by very public flops. In the credit column, there’s Die With a Smile, a power-ballad duet with Bruno Mars that went to No 1 in 28 countries and spent 10 weeks as the world’s biggest-selling single. (Released last August, it also appears on Mayhem.) In the debit, there was her starring role in the disastrous Joker: Folie à Deux, a film that was estimated to have lost Warner Brothers something in the region of $150m (£116m), and which seemed to take both the Gaga-heavy soundtrack and her own, jazz-based “companion album” Harlequin down with it. You might have expected the legions of Little Monsters (as her fans are known) to rally around the latter, but apparently not. Outside of a couple of remix collections, it was the lowest-selling Lady Gaga album to date and her second jazz album to noticeably underperform: a follow-up collection of duets with the late Tony Bennett, 2021’s Love for Sale, failed to replicate the success of its predecessor, Cheek to Cheek.

One theory is that Gaga’s eclecticism might have succeeded in confusing people. The fact that you never quite know what she’s going to throw out next – electronic dance-pop, soft rock, jazz, country, AOR – should be cause for celebration, but perhaps it has proved a bit much in a world dominated by streaming’s overload, where artists are advised to maintain a clear brand lest they get lost amid the sheer torrent of new music. Maybe what was needed was a bold restatement of Gaga’s original core values. That was precisely what Abracadabra, and indeed its predecessor, Disease, provided: big dirty synths; big noisy choruses; high-camp, fashion-forward videos and, in the case of Abracadabra, a hook apparently designed to remind listeners of the word-mangling intro to 2009’s Bad Romance.

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© Photograph: Frank Lebon

© Photograph: Frank Lebon

He Sang in Praise of Women Exposing Their Hair. Iran Flogged Him.

6 mars 2025 à 18:07
Mehdi Yarrahi, a popular Iranian musician, was arrested in a 2023 crackdown after releasing a song that praised women who rejected the mandatory hijab rule.

© Agence France-Presse — Getty Images

Protests in western Iran in 2022 over the death of a 22-year-old woman who had been arrested on accusations of violating the country’s hijab rule. The musician Mehdi Yarrahi was arrested in a wave of detentions that aimed to quell any protests marking the anniversary of that uprising.

Edwyn Collins: ‘Could an Orange Juice reunion ever be on the cards? No!’

6 mars 2025 à 16:00

The singer-songwriter on breaking up his band, recovering from a stroke, being too old to be a punk, and the chaos of recording with Mark E Smith

In these deeply troubled, fractured, febrile times, why did you call the new record Nation Shall Speak Unto Nation? smileywombat
It was Grace’s choice [Grace Maxwell, his wife and musical collaborator]. Up in Helmsdale [in the Scottish Highlands], in my studio, I have an art deco radiogram speaker which has a sort of sunburst thing with that phrase written on it. For £60 on eBay – pristine! It was the BBC World Service motto. When we were casting about for a title for the new record, it seemed like a great expression. Grace said, if you’re going to call it that you have to write a song with that title. So I did.

I very much enjoyed the new song Knowledge and the video, shot in Helmsdale. Do you like to travel much these days or are you pretty much happy at home? nogs09
I like Helmsdale, and Grace loves it. When I was seven, eight years old, I spent every holiday in Helmsdale, walking with Stuart, my grandfather. And, one year, Mum and Dad said, I think we’ll go to Spain. I said, you can go wherever you like – I’m going to Helmsdale. We’ve been abroad loads of times since I had the stroke [in 2005] – to Japan once, to Australia. But I love getting home to the studio. That fragrance of the air. The fresh air. It’s beautiful.

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© Photograph: Fenella Lorimar

© Photograph: Fenella Lorimar

Alabaster DePlume: A Blade Because a Blade Is Whole review | Alexis Petridis's album of the week

6 mars 2025 à 13:00

(International Anthem)
While some listeners might baulk at the earnest spoken-word incantations, you can’t argue with DePlume’s outstanding melodies, played with tremulous vibrato

Alabaster DePlume’s seventh album comes with a statement of purpose. “What is it FOR?” asks the accompanying blurb, written by the artist, born Angus Fairbairn. “To inspire and facilitate our independent healing … Recently I told everyone to ‘go forward in the courage of your love’ and ‘be brazen like a baby’. Following this incitement to boldness it is only fair that I offer a perspective on healing whatever comes as a result.”

There is more – a lot more, including a poem – but you get the gist. An album arriving with an explicit mission statement is an unusual occurrence, but to anyone familiar with Fairbairn and his work, the obvious response is: well, of course it does. The only variable is whether you say that in a tone of delight or with a roll of the eyes. Since his 2020 breakthrough with the soothing To Cy and Lee: Instrumentals Vol 1, the saxophonist – known for his tremulous, vibrato-heavy style – and spoken-word artist has carved out a unique small space, so specific that it’s almost bound to be divisive.

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© Photograph: Alexander Massek

© Photograph: Alexander Massek

DJ Funk, trailblazing Chicago ghetto house producer, dies aged 54

Charles Chambers was a key innovator in dance music, speeding up beats and adding raunchy lyrics, and inspiring Daft Punk and Justice

DJ Funk, the producer who coined the term “ghetto house” and was one of the Chicago scene’s key innovators, has died aged 54.

His death was confirmed by close friend and collaborator DJ Slugo, who announced the news via a post on Instagram.

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© Photograph: -

© Photograph: -

Glastonbury 2025: the 1975, Neil Young and Olivia Rodrigo to headline

6 mars 2025 à 09:00

Charli xcx, the Prodigy and Loyle Carner will headline the Other stage, with first-time sets from Alanis Morissette, Doechii and En Vogue

This year’s Glastonbury set will feature two first-time headliners in the British pop-rock group the 1975 and the US pop-punk songwriter Olivia Rodrigo.

The band, led by Matty Healy, will top the Friday night billing on the Pyramid stage. Rodrigo will perform on Sunday. In 2022, the Drivers License singer performed on the Other stage, a set that boasted a guest spot from Lily Allen and an excoriation of the US supreme court following the overturning of Roe v Wade a day earlier.

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© Composite: Shutterstock/ Getty Images

© Composite: Shutterstock/ Getty Images

Roy Ayers, jazz-funk pioneer behind Everybody Loves the Sunshine, dies aged 84

Family announces on Facebook that the musician died in New York City after a long illness

Roy Ayers, the jazz-funk pioneer whose hit Everybody Loves the Sunshine has become a summer staple across the globe, has died aged 84.

A post on the musician’s official Facebook page said: “It is with great sadness that the family of legendary vibraphonist, composer and producer Roy Ayers announce his passing which occurred on March 4th, 2025 in New York City after a long illness.

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© Photograph: David Redfern/Redferns

© Photograph: David Redfern/Redferns

Iranian singer Mehdi Yarrahi given 74 lashes over protest song

5 mars 2025 à 21:38

Lashes were part of agreement to end criminal case against Yarrahi over song against Iran’s strict dress code for women

Mehdi Yarrahi, a well-known Iranian protest singer who spoke out against the country’s strict dress code for women, has been given 74 lashes as part of an agreement to end a criminal case against him.

Yarrahi was initially convicted in January 2024 of acting unlawfully by releasing a protest song in September 2023 entitled Your Headscarf (Roo Sarito) on the first anniversary of the “Women, Life, Freedom” uprising.

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© Photograph: Leon Neal/Getty Images

© Photograph: Leon Neal/Getty Images

index.feed.received.before_yesterday

‘The palace called and I heard myself saying yes’: how Errollyn Wallen went from Top of the Pops to Master of the King’s Music

5 mars 2025 à 17:44

Written off in her youth, the unstoppable Belize-born musician has overcome indifference, mockery and abuse to become one of Britain’s most acclaimed composers. You have to hang onto your own worth, she says

For at least half her life, the Belize-born British composer Errollyn Wallen, appointed last year to the title of Master of the King’s Music, has steered herself through a web of invisible rules. Classical composers, dead or alive, were male and white. Their Black and female counterparts were derided or ignored, excised from history. Then, slowly but definitively, things changed, and the institutions that used to give her the cold shoulder started to open up to the music they had dismissed. “People always want to put labels on things, on people,” Wallen says, without rancour. “Let them. You have to hang on to your own worth, see what needs doing. I was written off young, but then found a way through. There’s still so much work to be done.”

Wallen’s musical range is ambitious, eclectic, often immediately appealing and expressive. Her huge catalogue includes works for ballet, brass bands, orchestras, choirs, solo singers, duos, pianists, chamber ensembles; her 22 operas make her almost as prolific as Verdi and nearly twice as productive as Puccini. She was the first Black woman to have music performed in the Proms, in 1998. Now among the most performed of living composers, she can’t quite remember how many world premieres she has in the next few weeks (after a recount, she decides it’s five), including two on the same night in different venues. She also has a new album out later this month: Errollyn Wallen Orchestral Works, played by the BBC Concert Orchestra. By any measure this is an achievement.

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© Photograph: Christian Sinibaldi/The Guardian

© Photograph: Christian Sinibaldi/The Guardian

No kant do: Eurovision bars Malta’s entry over title’s similarity to C-word

Singer Miriana Conte told to change title and lyrics owing to suggestive play on Maltese word for ‘singing’

Malta’s contestant at this year’s Eurovision contest will have to change the title and lyrics of her song owing to the phonetic resemblance between the Maltese word for “singing” and the C-word, the European Broadcasting Union (EBU) has ruled.

Miriana Conte, 23, will represent Malta at the five-day music event in Basel, Switzerland, on 13 to 17 May after winning the Maltese song contest last month with her song Kant.

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© Photograph: Eurovision 2025/Youtube

© Photograph: Eurovision 2025/Youtube

Rapper Offset to perform in Russia despite label boycott

5 mars 2025 à 17:07

Ex-Migos member plans Moscow arena concert despite his label’s parent company Universal halting operations there

The rapper Offset has announced an arena concert in Moscow despite a boycott from his label.

The former member of Migos, whose hits included Bad and Boujee, shared an Instagram story to reveal the news. He will play at the MTS Live Hall on 18 April after completing a solo tour last year in the US.

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© Photograph: Prince Williams/WireImage

© Photograph: Prince Williams/WireImage

The Wizard of Vinyl Is in Kansas

5 mars 2025 à 15:43
Chad Kassem is on a mission — saving listeners “from bad sound” — at the rural factory where he pores over LPs from some of music’s most important artists.

© David Robert Elliott for The New York Times

Peter Wolf on Faye Dunaway, David Lynch and Bob Dylan: ‘My mission was to be an observer’

5 mars 2025 à 15:33

The frontman of the J Geils Band has had an extraordinary life, living and working with celebrities along the way, detailed in a fascinating new book

During the peak of the pandemic, when many musicians spent their time writing songs, Peter Wolf did nothing but read. During that prolonged period of isolation and uncertainty, he comforted himself by devouring shelves full of books, including memoirs penned by other musicians. “After a while all those memoirs started to seem the same,” he said. “And I came to the realization that, unless you were a huge fan of that musician, the details of their story wouldn’t seem particularly captivating.”

Such thoughts had a major impact on Wolf when he was approached to tell his own story. As a result, his new book, titled Waiting on the Moon, threads the outlines of a memoir – highlighted by his years fronting the hit group J Geils Band – through a host of colorful anecdotes about what he describes as the “artists, poets, drifters, grifters and goddesses” he met along the way.

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© Photograph: George Brich/AP

© Photograph: George Brich/AP

Indian rock sensations Bloodywood: ‘What’s more metal than standing up for people you love?’

5 mars 2025 à 12:00

The trio’s playful mix of heft and traditional instrumentation sent them viral. But they’re also confronting racism and rape culture, and struggling in a Bollywood-dominated music industry

‘We’re serving a really nice dish called metal tikka masala,” jokes Bloodywood guitarist Jayant Bhadula. “It’s metal but with so many spices that it’ll overwhelm your senses. You will headbang and you will end up dancing with us.”

This is the tongue-in-cheek mission statement of one of metal’s most original bands. Formed in 2016, Bloodywood flavour the conventions of nu-metal with traditional Indian instruments, meaning their songs are as likely to feature crunching riffs as they are the flute or the dhol. The trio – bulked out to a six-piece on stage – became viral sensations covering pop songs and alternative hits on YouTube before writing original material. From there, their fortunes soared. Their first ever gig was at German metal festival Wacken Open Air in 2019. Four years later they drew a massive crowd to the UK’s Download festival, despite the tricky task of opening the main stage early on a Sunday. More recently, their song Dana-Dan was used in a pivotal action sequence in Dev Patel’s action thriller Monkey Man.

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© Photograph: Katja Ogrin/Redferns

© Photograph: Katja Ogrin/Redferns

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