K-pop band to start tour in April after nearly four-year hiatus due to all seven members needing to complete South Korea’s mandatory military service
The BTS comeback is upon us: the K-pop septet has announced a 2026-2027 world tour, kicking off in South Korea in April and running through to March 2027 with more than 70 dates across Asia, North America, South America, Australia and Europe.
The tour marks the group’s first headline performances since their 2021–22 Permission to Dance on Stage tour.
Shazam has published its annual Fast Forward list, and an accompanying Apple Music playlist. The list takes a look ahead at some of the most exciting music artists who are being discovered through the song identification tool. 2026's list features more than 60 music artists who are poised to have a breakthrough year.
Here is how Apple describes this year's playlist:
Every day, Shazam gets millions of requests from users around the world who are curious about the artist behind a song. These requests come from all over-TikTok videos, car commercials, overhearing something in the wild-which makes it a powerful tool for predicting tomorrow's heavy hitters. For 2026, we've assembled a playlist featuring over 60 artists-based on Shazam data and reviewed by our editors-that are poised to have a breakthrough year. From K-pop group CORTIS to Alabama country crooner Kashus Culpepper to Irish rock band Florence Road, it's a remarkably diverse group of artists hailing from all corners of the globe. Have a listen and add the ones you love to your library before the world catches on.
Some well-known music artists, including Benson Boone, Ice Spice, and Ayra Starr, were featured in Shazam's previous Fast Forward lists.
Apple acquired Shazam in 2018, and the tool is deeply integrated across its platforms.
A murderous Clockwork-Orangey gang take on the zombies in this gruesome and energised fourquel. It’s the finest of the 28 franchise by a blood-curdling mile
It’s very rare for a fourquel to be the best film in a franchise, but that’s how things stand with the chequered 28 Days Later series. In this one, which follows immediately on from the previous episode, 28 Years Later, Ralph Fiennes and Jack O’Connell bring pure death-metal craziness. There is real energy and drama in this latest iteration of the post-apocalyptic zombie horror-thriller saga, created by director Danny Boyle and screenwriter Alex Garland back in 2003, with Nia DaCosta taking over directing duties for this film. Fiennes’s dance to Iron Maiden’s The Number of the Beast is basically one of the most extraordinary moments of his career. At the screening I attended, we were on our feet, looking for a speaker bin to headbang into. The band surely has to rerelease this track with Fiennes’s performance as a new official video. His Voldemort was never so freaky.
It is just so exhilarating to see this intergenerational face-off between such superb actors as Fiennes and O’Connell. That brings us to the point of my agnosticism about this whole franchise; Bone Temple is the best for an interesting reason – because the zombies are almost entirely irrelevant and are at a minimum. The always slightly dull business of zombieism is de-emphasised, and what counts is the conflict between sentient human beings. Even the one important zombie here is interesting because he is being transformed into something else.
The former Arista Records chief executive had faced allegations that he derailed the career of former employee Drew Dixon after she rejected his advances
The Grammy-winning music executive LA Reid settled a lawsuit by a former employee who accused him of sexual assault and harassment, on the day the civil trial was due to begin.
In 2023, Drew Dixon alleged that the former Arista Records chief executive born Antonio Reid – who helped develop Mariah Carey, TLC, Pink and Usher – derailed her career after she rejected his advances in 2021. Dixon said that he groped, kissed and digitally penetrated her without consent on two occasions.
Motorpoint Arena, Nottingham Coming off the back of a rough period, the Scottish band find reconnection, renewal and purpose in their singular mix of pop, rock and metal
‘With a little love, we can conquer all,” Simon Neil croons on Biffy Clyro’s opening song A Little Love, over its huge, infectious arena-rock chorus. It’s a line that feels like a mantra for the Scottish band 30 years and 10 albums in: they’re currently touring 2025’s Futique having come through a rough period. They experienced major burnout, band members fell out for the first time and founding member James Johnston pulled out of this tour due to mental health and addiction issues. But their new songs feel rooted in renewal, reconnection and newfound purpose. Neil pays tribute to his departed bandmate on the urgent and zippy Friendshipping, which is an ode to the importance of maintaining such relationships.
Futique was recorded in Berlin; the band said that the ghosts of Bowie, Iggy and Nick Cave’s the Birthday Party “bled into the songs”. No such art-pop apparitions feel present tonight. Instead there’s a rousing pop sensibility to these new tracks. Goodbye is a slow-burn ballad that explodes into an arms-aloft anthem, while Shot One embodies the band’s knack for merging sugary melodies and meaty riffs – existing in the blurred middle ground between rock, pop and metal that they comfortably own.
The singer and songwriter who struck it big in the MTV era has a new take on the Great American Songbook — and a lot of wickedly funny revelations about his life.
Apple today announced that 2025 was a "record-breaking year" for many of its services, including the App Store, Apple Music, Apple TV, and Apple Podcasts.
"Apple services had a banner year, rolling out game-changing features for customers while shattering records," said Apple's services chief Eddy Cue, in a press release. "The numbers reflect the incredible enthusiasm of our customers, whether it's downloading an exciting new app or game, watching the hottest new show with family and friends, listening to their favorite songs, or shopping with peace of mind."
Here are some of the 2025 statistics shared in Apple's announcement:
App Store had over 850 million average weekly users across 175 countries and regions, and it set a new annual record for U.S. visitors.
App Store had a record number of visitors between Christmas Eve and New Year's Day.
Apple TV set a new record for monthly engagement in December, with total hours of content viewed on the streaming service up 36% on a year-over-year basis. This increase was driven by hits such as F1: The Movie and Pluribus.
Apple Music had its best year ever, breaking records for listenership and new subscribers.
Shazam generated over 1 billion recognitions per month.
Apple Pay is now available in 89 markets, and Apple says the payment service eliminated well over $1 billion in fraud globally.
Family statement said musician died ‘after a long battle with his mental health’
Matt Kwasniewski-Kelvin, the guitarist who was a member of acclaimed British experimental rock band Black Midi, has died aged 26.
A statement from his family said he died “after a long battle with his mental health. A talented musician and a kind, loving man finally succumbed; despite all efforts.
Howie Mandel warns new entertainers about spending early paychecks, sharing wealth-building tips from his 40+ year career and "AGT" judging experience.
Eddy Cue, vice-président des services d’Apple, qualifie 2025 d’année record pour l’écosystème de la marque. Dans un bilan, le dirigeant souligne une croissance marquée par une expansion mondiale et une innovation continue, allant des divertissements comme Apple TV et Apple Music aux outils du quotidien comme iCloud et Apple Pay. Des chiffres d’engagement inédits pour […]
Eddy Cue, vice-président des services d’Apple, qualifie 2025 d’année record pour l’écosystème de la marque. Dans un bilan, le dirigeant souligne une croissance marquée par une expansion mondiale et une innovation continue, allant des divertissements comme Apple TV et Apple Music aux outils du quotidien comme iCloud et Apple Pay. Des chiffres d’engagement inédits pour […]
Blake Shelton admitted he doesn't believe anything online anymore after constant false reports about his relationship with No Doubt singer Gwen Stefani.
From 46-minute jams to MTV video hits, here are the freedom-loving Dead guitarist and singer’s finest songs about ‘rainbows of sound’ and ‘enjoying the ride’
The Dead’s love for the road is in evidence on this segment from That’s It for the Other One, the four-part opening track of their second LP, Anthem of the Sun. A rare Bob Weir-penned lyric details the Dead’s youngest member being busted by the cops “for smiling on a cloudy day” – referencing a real-life incident when Weir pelted police with water balloons as they conducted what he took to be illegal searches outside the group’s Haight-Ashbury hangout. It then connects with the band’s spiritual forebears the Merry Pranksters by referencing Neal Cassady, driver of “a bus to never-ever land”. The song later evolved into The Other One, one of the Dead’s most played tunes and a launchpad for their exploratory jams – as in this languid, brilliant version at San Francisco’s Winterland in 1974.