A fantasy figure for men and women, a victim of press intrusion, a defender of animals … the French actor was also a mouthpiece for racial hatred whose views grew uglier over time

Brigitte Bardot inspired many fantasies, from the wanton, panting reveries of assorted French auteurs in the 1950s and 60s, to the perky-nippled bust created in 1969 as a model for Marianne, the embodiment of the French Republic itself.

With her death on 28 December, another more contemporary Bardot illusion was shattered. The singer Chappell Roan, responding to Bardot’s passing at 91, posted a photo of the actor in her beehived prime on Instagram, saying she had inspired her song Red Wine Supernova and writing": “Rest in peace Ms Bardot.”

Three decades after its modest beginnings on Channel 4, the TV juggernaut now has its own channel and global subscribers

Thirty-two years ago, a small group of archaeologists gathered for a weekend in Somerset to make a TV programme about a field in Athelney, the site where once, 1,200 years ago, King Alfred the Great rallied resistance to the invading Viking army.

There weren’t many concessions to showbiz glitz. Instead, a group of blokes with unruly hair and a couple of women walked across a field, talked things over in the pub and, at one point, gathered around a dot matrix printer to watch it slowly disgorging some results. The most exciting artefact they found was a lump of iron slag. No soil was overturned.