Macaulay Culkin And Others Pay Tribute to Catherine O’Hara After Her Death

© Danny Moloshok/Reuters

© Danny Moloshok/Reuters
The death of the 71-year-old actor and comedian leaves behind a long line of unforgettably original comic creations, from Beetlejuice to Schitt’s Creek
One of the later and less beloved Christopher Guest comedies featuring his troupe of peerless, often SCTV-related improvisers is For Your Consideration, a medium-funny savaging of Hollywood’s feverish awards-season prestige campaigning.
The film’s unquestionable highlight is Catherine O’Hara, playing an actor who gets a whisper of awards buzz for a schlocky, still-filming drama called Home for Purim, and slowly loses her mind with the knowledge that she could maybe, possibly be recognized by her peers. O’Hara, known for her distinctively brassy yet malleable trill of her voice and her frequently red hair, peels back her performer’s bravado to expose the frenzied need beneath it. She somehow plays the outsized beneath the regular-sized, as her Marilyn Hack goes from plugging-away workhorse to desperate striver. Unsurprisingly, O’Hara briefly generated awards buzz of her own for playing this part; even less surprisingly, an Oscar nomination was not forthcoming. It couldn’t be; otherwise, it might have marred O’Hara’s masterclass in how certain actors, especially those specializing in comedy, are destined to go under-recognized in their lifetimes.
Continue reading...
© Photograph: Chris Pizzello/Invision/AP

© Photograph: Chris Pizzello/Invision/AP

© Photograph: Chris Pizzello/Invision/AP
Actor, also known for Beetlejuice and her work with Christopher Guest, died after a brief illness
Catherine O’Hara, actor known for Schitt’s Creek, Home Alone and Best in Show, has died at the age of 71.
Her manager confirmed the news to Variety. She died after a brief illness.
Continue reading...
© Photograph: Amy Sussman/Getty Images

© Photograph: Amy Sussman/Getty Images

© Photograph: Amy Sussman/Getty Images

© Ryan Pfluger for The New York Times

© Cole Burston for The New York Times
The space opera to end them all once blasted everything in its path. But a muddled approach has led to indecision and paralysis
A long time ago, in a galaxy far, far away, Star Wars was an actual movie that people watched. It drew people to cinemas in huge numbers, largely because it was completely unembarrassed about being a pulpy space adventure about comic wizards and laser swords. Nowadays, it is something else entirely. A TV show about a likable space dad and his cute, cheeky, telekinetically powered adopted alien son, or perhaps a divisive culture-war bellwether that vacillates between trying to destroy itself in a blaze of operatic self-importance and hamfistedly rebuilding itself.
These days Star Wars also seems mainly to be press releases and announcements, throwaway comments in interviews that gesture mournfully towards what once was and what might, one day, be again. Which brings us to Taika Waititi, the Oscar-winning director from New Zealand, who has been giving fresh updates on his episode in the long-running space saga. “I’m just trying to sort of go back and harness a little bit more of the fun from the original films,” he told Variety, adding of George Lucas’ original trilogy: “The stakes were very high [and] there were serious things going on but also there was a lot fun to be had in those films. That’s what I was trying to bring back.”
Continue reading...
© Photograph: Lucasfilm/Walt Disney Pictures/Allstar

© Photograph: Lucasfilm/Walt Disney Pictures/Allstar

© Photograph: Lucasfilm/Walt Disney Pictures/Allstar
Canadian PM swaps tough talk at Davos aimed at Donald Trump for some fun at a film gala with Hudson Williams
Last week, Mark Carney was at the World Economic Forum in Davos, giving global leaders a lesson in realism. His powerful speech about the end of the old order and the need for middle powers to unite in the face of fractured international norms received a standing ovation.
The economist and central banker struck a slightly different tone at a gala in Ottawa to promote the Canadian film industry on Thursday evening. Appearing on the red carpet with the Canadian actor Hudson Williams, star of the hit HBO ice hockey drama Heated Rivalry, Carney was in a playful mood.
Continue reading...
© Photograph: George Pimentel/Shutterstock

© Photograph: George Pimentel/Shutterstock

© Photograph: George Pimentel/Shutterstock
After a very hard landing into fame in the 00s, he decided to take a softer approach – and hit on a winning formula for classic comedy. The star talks about his fantastical new show Small Prophets, his obsession with middle-age and being ‘weird-looking’
In Small Prophets, BBC Two’s new six-parter, Mackenzie Crook plays Gordon, the manager of a massive DIY store. Sometimes it feels as if we’re falling through time, because it’s like watching Gareth, Crook’s breakthrough part in The Office, a quarter of a century on. “Pedantic and jobsworthy, he could be Gareth grown up, just with more disappointment, without the West Country accent,” says Crook. “I wrote Gordon as a monster, but by the end, I was actually quite fond of him.”
In person, Crook has a jumpy, modest energy. When he was young, on screen it used to look like nerves, but now looks more like curiosity. He has a surprising number of tattoos, but maybe I should stop being surprised when people have those.
Continue reading...
© Photograph: Matt Crockett

© Photograph: Matt Crockett

© Photograph: Matt Crockett
Be it The Night Manager’s Richard Roper or Blue Lights’s Gerry, classic TV characters are increasingly finding it hard to stay in the grave. Here are the 10 greatest televisual resurrections
On TV, you’re never really dead. When a beloved character is killed off on your favourite show, you can be forgiven some scepticism. Who’s to say they won’t be miraculously revived in future?
The BBC hit The Night Manager brought arms-dealing antagonist Richard Roper (Hugh Laurie) back to life mid-series to face off against his old adversary, MI6 agent Jonathan Pine (Tom Hiddleston). The action duly cranked up several gears, building temptingly towards Sunday’s finale. Will Roper be eliminated for good this time?
Continue reading...
© Photograph: HBO/2016 Home Box Office, Inc. All rights reserved. HBO® and all related programs are the property of Home Box Office, Inc.

© Photograph: HBO/2016 Home Box Office, Inc. All rights reserved. HBO® and all related programs are the property of Home Box Office, Inc.

© Photograph: HBO/2016 Home Box Office, Inc. All rights reserved. HBO® and all related programs are the property of Home Box Office, Inc.