From Kaouther Ben Hania’s reconstruction of the killing of a five-year-old Gazan girl in The Voice of Hind Rajab to Ira Sachs use of a taped interview in Peter Hujar’s Day, real-life dialogue is being turned into drama

Alfred Hitchcock, the director behind some of the best films ever, supposedly said that just three essential ingredients are needed to make a great film: “The script, the script and the script.” For a film-maker, it might seem a godsend when a fully formed one lands in your lap. But behind a rising number of films is a simple hack: pinch all your dialogue from real people. An increasing number of film-makers are turning to transcripts and recordings to re-enact episodes on film, with the promise that they are as an exact a facsimile as possible. From Reality (2023), Tina Satter’s true-to-life portrayal of whistleblower Reality Winner, which progresses in real time from harmless small talk to a full-blown FBI grilling, to Radu Jude’s Uppercase Print (2020), in which a rebel teen is given the third degree in Ceaușescu-era Romania, the title-card proclamation “inspired by true events” is being taken to a wholly literal new level.

Within the space of a month, two more “verbatim” movies are in UK cinemas. Peter Hujar’s Day, Ira Sachs’ time capsule of 1974 New York and its colourful culturati, is based on candid conversation between Linda Rosenkrantz (Rebecca Hall) and her photographer pal Peter (Ben Whishaw), who would die from an Aids-related illness less than a decade later. Meanwhile, Kaouther Ben Hania’s The Voice of Hind Rajab is set in January 2024 amid the evacuation of Gaza City, revisiting beat for beat an emergency call centre’s attempts to rescue the six-year-old girl of the title to harrowing effect.

Installation remembers the names of over 18,000 children killed by Israel in Gaza between October 2023 and July 2025

First is وسام اياد محمد ابو فسيفس, or Wesam Iyad Mohammed Abu Fsaife, a 14-year-old boy. Last is صباح عمر سعد المصري, or Sabah Omar Saad al-Masri, an eight-year-old girl.

These names of two children mark the beginning and end of the Wall of Tears, a massive art installation paying homage to the 18,457 children killed in Gaza between 7 October 2023 and 19 July 2025. Created by artist Phil Buehler, it opened next to Pine Box Rock Shop bar at 12 Grattan Street in Brooklyn, New York, on Thursday.

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