Composer says values of Trump-dominated Kennedy Center ‘are in direct conflict’ with symphony’s message
Philip Glass, the celebrated US composer, has withdrawn the world premiere of his latest symphony at Washington DC’s John F Kennedy Center in protest of Donald Trump’s presidency.
In a statement on Tuesday, the 88-year-old composer said: “After thoughtful consideration, I have decided to withdraw my Symphony No 15 ‘Lincoln’ from the John F Kennedy Center for the Performing Arts. Symphony No 15 is a portrait of Abraham Lincoln, and the values of the Kennedy Center today are in direct conflict with the message of the symphony.
It succeeds in fits and starts – I laughed more than I have at many a comedy in the past year – but its wild, scattershot humour is so hit and miss, too many jokes going nowhere, that it’s not quite the rousing win I wanted it to be. Wain has previously toyed with more conventional studio comedies like Wanderlust and Role Models (which for me was one of the best examples of the form in the 2000s) and spoofs, targeting 80s sex comedies with Wet Hot American Summer and romcoms with They Came Together. Gail Daughtry belongs in the latter group but it doesn’t have quite as direct of an aim, a Wizard of Oz-inspired, Hollywood-set action comedy about marriage, fame, espionage and the burning desire to have sex with Jon Hamm.
Gail Daughtry and the Celebrity Sex Tape is screening at the Sundance film festival and is seeking distribution
A quietly revolutionary account of cohabiting captured a nation’s heart – but what does it mean for the rest of the world?
When Sunwoo and Hana met on Twitter, they were in their 40s and committed bachelorettes. Both raised by the sea in Busan, they studied in Seoul before entering the city’s famously brutal rat race, Sunwoo as a fashion journalist, Hana as a copywriter. They shared the same taste in music and books, and importantly, both had rejected marriage. No wonder. In South Korea’s stubbornly patriarchal culture, women in dual-income families spend nearly three hours more a day on household chores than men. Instead, Sunwoo and Hana joined the large numberof South Koreans living alone. At first, independence felt exhilarating. By middle age however, loneliness was beginning to gnaw, and their boxy studio apartments felt oppressively small.
Two Women Living Together, a 2019 South Korean bestseller that spawned a popular podcast, charts Sunwoo and Hana’s decision to buy a sunlit house together and live not as a romantic couple but as friends. Across 49 warm, chatty essays, they invite us into the life they share with four cats, reflecting on everything from the food they love to their retirement fantasies.
Sundance film festival: strong performances from Kingsley Ben-Adir and Rob Morgan anchor a sensitive film about caregiving as a form of rehabilitation
One of the greatest achievements of a certain kind of Sundance movie is the ability to shine a light on an experience or a community we hadn’t previously been aware of. This year’s stoic and sensitive drama Frank & Louis takes us behind bars, a place we’ve been many times before at this festival, but to shadow the taxing work of inmates taking care of those who have dementia, a specifically difficult job in an already difficult place. Petra Volpe, the Swiss writer-director, who last explored a far more known form of caregiving in Late Shift, an exhausting nursing drama, makes her English-language debut with a film inspired by the “Gold Coats” peer support program at the California Men’s Colony state prison.
As with her previous film, there’s real rigour to how she zeroes in on the grind of under-appreciated labour, but while Late Shift was more naturalistic and experiential, Frank & Louis is far more formulaic and emotional, a clearer bid for the heartstrings. It’s a topic that’s hard not to get emotional about, the slow loss of one’s mental abilities, something many of us might be horribly familiar with, and it’s a tough, rather hopeless experience to witness on screen.
Frank & Louis is screening at the Sundance film festival and is seeking distribution
Crimefighting nuns, giant killer white balloons and Aubrey Plaza getting stuck in a wall … here are your favourite ever mind-bending TV series
Catterick is my favourite baffling TV show. It stars Vic and Bob and a stellar backup cast – Reece Shearsmith, Tim Healey, Mark Benton, Matt Lucas and Morwenna Banks. It starts off innocuously enough with Carl Palmer (Bob) returning to Catterick to visit his brother Chris (Vic) but quickly descends into anarchy. The extremely loose plot centres around the criminal antics of mummy’s boy Tony (Shearsmith) but there are more tangents than a geometry conference. From ripped up posters of George Clooney and haunting dance routines to Chris Rea and Foreigner, Catterick should be top of your TV destinations. Tom Whelan, South Shields
Signed at 13 and dropped by 16, Beer’s path to stardom has not been easy. Now 26, she says she’s finally making music for herself and happy to wear her heart on her sleeve
Madison Beer may only be 26, but she is something of a veteran in the pop industry. She got her start at 13, after Justin Bieber tweeted a link to a YouTube video of her covering Etta James’s At Last, and has spent the intervening decade-plus toiling away in mainstream pop, amassing a huge gen Z fanbase in the process – including more than 60 million followers between Instagram and TikTok. It’s an understatement to say that her career has been a slow burn: the day before we speak, it’s announced that her single Bittersweet, released in October, has become her first song to reach the US Hot 100 chart, entering at No 98. When I suggest congratulations are in order, she shrugs off the achievement. “I’m obviously super excited and thankful whenever a song performs well, but I think I’m at the point where I love what I make, and I’m proud of it regardless,” she says amiably, before laughing. “Only took me like, 15 years! But it’s cool.”
Beer’s attitude is indicative of someone whose career has progressed in fits and starts, a far cry from the kind of meteoric rise that fans and onlookers sometimes expect to see in aspirant pop stars. As she prepares for the release of her third album, Locket, she is in prime position to break through to pop’s upper echelon: Her 2023 album Silence Between Songs featured the sleeper hits Reckless and Home to Another One, the latter a sorely underrated Tame Impala-inspired cut, and in 2024 she released Make You Mine, a Top 50 single in the UK which was nominated for a best dance pop recording Grammy.
The adventurer on his family’s escape vessel, his crush on the Princess of Wales, and a disgusting toenail habit
Born in Northern Ireland, Bear Grylls, 51, served as a soldier in the 21 SAS regiment and went on to star in adventure series, including seven seasons of Discovery Channel’s Man vs Wild. Other shows are Running Wild With Bear Grylls, the Emmy award-winning You vs Wild, and Bafta-winning The Island With Bear Grylls. His new series, Wild Reckoning, starts on BBC One next month. He is married with three sons and lives in London, north Wales and Switzerland.
What is your greatest fear?
Small things make me anxious – like social things – but I have no big fears because I have faith in my heart.
Legendary Grammy-winning US artist Jill Scott returns with her first album in a decade, the extraordinary To Whom This May Concern. In this clip from the latest episode of Good Vibrations, she and Roisin dive into their mutual experiences in relationships.
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