Carl Freedman Gallery, Margate
Munch, Bourgeois, Gormley and Baselitz go shoulder to shoulder with up-and-coming artists in an exhibition that revels in its stygian gloom

Tracey Emin catches me looking from her self-portrait to her as I try to assess the closeness of the resemblance. Not that close. This inky screenprint is bigger than she is, its face wider and taller. But it’s not a picture of the outer person but an inner vision. As we stand in front of it I seem to fall into radiating pools of blackness – to cross into darkness.

Emin has curated an exhibition for the depths of winter. It’s a generous, unexpected show with an eclectic yet profound openness to kinds of creativity many might think incompatible: paintings, installations, performance art all face the night here. She sets artists she nurtures at the Emin Studios alongside her heroes Edvard Munch, Louise Bourgeois and other luminaries of modern art – if luminary is the right word in this stygian setting. For, by a stroke of lighting genius, the Carl Freedman Gallery has been plunged into nocturnal shadow that still lets you see the art.

Aliens drawn by a 2000AD artist, graphics echoing the Dark Side of the Moon cover, Dennis the Menace fronting bacon and baked bean flavour … we pop open a new 140-page celebration of the weirdest, wildest crisp bags ever

Would you eat a smoky spider flavour Monster Munch? What about a Bovril crisp, cooked up to celebrate the release of Back to the Future? Then there’s hedgehog flavour – and even a Wallace and Gromit corn snack designed to capture the unique taste of moon cheese, which the duo rocketed off to collect in A Grand Day Out.

All these salty, crunchy and perhaps even tasty snacks are celebrated in UK Crisp Packets 1970-2000, a 140-page compendium that delves into the colourful, often strange and occasionally wild world of crisp packet design. The book will come as a heavy hit of nostalgia for many people, featuring various childhood favourites – Chipsticks, Frazzles, Snaps – along with the lesser known and the rare.