With no dragons and no warring dynasties, HBO’s “A Knight of the Seven Kingdoms” is the first test of whether the “Thrones” formula works on a human scale.

From home cinema to on-wall art, the latest 4k HDR TVs can do it all - but which is the best for you? I compare the best new televisions boasting the latest technologies

© Steve May/The Independent

The “Late Night” host said there was no way President Trump drank milk, “unless someone tricked you into thinking your Diet Coke came from a cow.”

She was a star at 14, learned how to act with the whole world watching, then stepped away to discover herself. Now she’s back in the new Tomb Raider – and a Die Hard-style thriller

Sophie Turner has a screwball comedy vibe in real life – elegant trouser suit, arch but friendly expression, perfect hair, she looks ready for some whipsmart repartee and a sundowner. She seems very comfortable in her own skin, which is unusual anyway when you’re not quite 30, but especially incongruous given her various screen personas: first, in Game of Thrones. Thirteen when she was cast as Sansa Stark, 14 when she started filming, she embodied anxious, aristocratic self-possession at an age when a regular human can’t even keep track of their own socks. Six seasons in, arguably at peak GoT impact, she became Jean Grey in X-Men: Apocalypse, a role she reprised in 2019 for Dark Phoenix, action-studded and ram-jammed with superpowers.

Now she’s the lead in Steal, a Prime Video drama about a corporate heist, though that makes it sound quite desk and keyboard-based when, in fact, it is white-knuckle tense and alarmingly paced. The villains move in a malevolent swarm like hornets; hapless middle managers are slain almost immediately; it’s impossible to tell for the longest time whether we’re looking at gangster thugs or hacking geniuses, motivated by avarice or anarchy. It’s a first-time screenplay by novelist Sotiris Nikias (who writes crime under a pseudonym, Ray Celestin), and it feels original, not so much in the action and hyperviolence as in the trade-offs it refuses to make: whatever explosions are going on, however much chasing around a dystopian pension-fund investment office, you still wouldn’t call it an action drama. It has a novelistic feel, like characters from a David Nicholls book woke up in Die Hard, and there’s a constant swirl, as you try to figure out who’s the assailed and who’s the assailant.

Continue reading...

© Photograph: Marco Grob/Prime

© Photograph: Marco Grob/Prime

© Photograph: Marco Grob/Prime

With no dragons and no warring dynasties, HBO’s “A Knight of the Seven Kingdoms” is the first test of whether the “Thrones” formula works on a human scale.