Remote photography didn’t dilute the intimacy of this blissful moment in the Nevada sunshine

Sara Weir’s five children had just woken up and were roaming their home in Nevada when this shot was taken. It was 7am and photographer Kelli Radwanski was after the morning light; Weir had another child on the way and had hired Radwanski to capture their family life. All the kids were feeling playful, ready to show off their talents, silly faces and prize possessions. As the eldest son wandered into the frame, holding his pot-bellied pig, Radwanski captured the moment – while sitting in her office chair in Oregon.

“Remote photography was developed during the pandemic and a handful of us still use it as one of our primary art forms,” Radwanski says. “I used a special app that took over Sara’s phone camera, an iPhone 13, and the day before the shoot she showed me around her home from the phone, so I could seek out light and vignettes that would be compelling in telling their story. We used a tall standing tripod to hold the phone and I had Sara place it where I wanted it to go. It worked beautifully for moving all five of them in and out of scenes. I’ve photographed more than 500 people in 14 countries this way.”

You can tell a lot about someone from the vehicle they drive, as Martin Roemers’ collection of photographs show. Introduction by author William Boyd

In my novels I find that I very rarely write “a car” or “a van” or “a lorry” – I always tend to specify the marque and the model, often with some pedantic precision. Why should this be so? After all, I am a non-driver, someone who claims to be able to drive (I did learn), but who never passed his driving test. And yet, paradoxically, I’m something of a car enthusiast – a sort-of petrol-head, I confess – perhaps a consequence of spending many hours, or maybe that should be years,  in the back of minicabs that conveyed me here and there around London. In my long experience of minicab use I’ve found that most conversations with minicab drivers often end up being about cars. I’ve learned a lot.

There is another reason why I like to specify. I have a conviction that the type of car, or vehicle, that you drive is as much an expression of your personality as the clothes you wear or the decor of the home you call your own. Even the blandest of mid-price cars – the Toyota Prius, the Kia Picanto, the Volkswagen Jetta, for example – are making a covert statement about you, the owner. You chose that car – and your choice is surprisingly eloquent.

Study of man often featured in works by the Flemish master reveals hidden painting of woman beneath model’s beard

Is it a bald elderly man with a big bushy beard and a wine-addled stare? Or a friendly young woman with flowing locks and a crown of braids?

To Belgian art dealer Klaas Muller, an answer to that question mattered less than the fact that this particular take on the duck-rabbit optical illusion was painted by one Peter Paul Rubens.