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New year, old warnings: what can films set in 2026 teach us?

From Doom and Dawn of the Planet of the Apes to Metropolis, Hollywood hasn’t predicted the most stable of years ahead

2025 sounds more futuristic. Maybe it’s the “f” sound on “five.” But 2026 is one step beyond, and it’s where we are now, with every science-fiction-style development – principally the widespread adoption of AI – looking dystopian, or maybe worse. (Doesn’t it feel like in a proper dystopia, the brain-numbing corporate-backed anti-human technology would actually work a bit better?) Didn’t anyone warn us about this?

The answer, at least with regards to our sci-fi movies years ago (or occasionally months ago) positioned in 2026, is yes and no. Some of those warnings are broadly applicable (global catastrophe) but specifically far-fetched (when mankind is inevitably decimated, we will almost certainly take the ape population with us). Some of them are visionary; others just look like bad green screen. But it’s worth examining where various film-makers, from geniuses to grunts, thought we would be situated by this time in our planet’s evolution. So let’s take a look at some of the movies that have been set in 2026 over the years and see if they have anything to teach us.

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© Photograph: Moviestore Collection/REX

© Photograph: Moviestore Collection/REX

© Photograph: Moviestore Collection/REX

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Staying in with the old: the best films to watch on New Year’s Eve

For those not going out to celebrate, you can still party with Harry and Sally, play cards with Jack Lemmon and make merry hell at the Overlook Hotel

At the end of any especially troublesome year it’s always good to revisit The Apartment, Billy Wilder’s brilliantly bleak comedy of office politics and festive bad cheer. It memorably ends on the stroke of midnight as heartsick Fran Kubelik (Shirley MacLaine) abandons a drunken new year’s party to be with hapless, jobless CC Baxter (Jack Lemmon) instead. Is The Apartment suggesting that Kubelik and Baxter then live happily ever after? Probably not, because I’ve never been convinced that these two lovers are going to stay the course. They’re too mismatched and desperate; their wounds are still too fresh. What the ending gives us is the next best thing: a sudden sense of hope and freedom, with everything packed in boxes except for a bottle, two glasses and a deck of cards. Nothing to lose and nowhere to go. “Shut up and deal.” A clean break, a fresh start. Xan Brooks

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© Photograph: RONALD GRANT

© Photograph: RONALD GRANT

© Photograph: RONALD GRANT

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