The no-nonsense comic actor and author further cements her status as a national treasure with her trademark gobby one-liners

A lot of terrible things happen to Kathy Burke in her memoir, though you won’t find her mired in self-pity. Burke was a toddler when her mother died from stomach cancer, meaning she has no memory of her. In the Islington council flat where she grew up, she shared a bedroom with her alcoholic dad who would give up booze only to fall off the wagon and, at his worst, became violent. When a stranger on the estate called her ugly in front of her friends, she cannily deflected the insult with laughter. “I’m the best dancer at the ugly bug ball though,” she hooted, and did a little dance.

Burke would find her tribe on London’s punk scene and, in her teens, got the acting bug and a place at London’s Anna Scher Theatre school. This put her on the path to a brilliant and varied acting and writing career that saw her appearing in comedy sketches with Harry Enfield and French and Saunders, being called a genius by Peter Cook and taken by Luc Besson’s private jet to collect the prize for best actress at Cannes film festival for Gary Oldman’s 1997 film Nil By Mouth. There, much to her chagrin, she found herself “accepting a bellini cocktail from Harvey fuckface Weinstein”.

Her post-punk trailblazers were a key influence on riot grrrl. Now, after decades working as a lawyer, she is taking the name – though, contentiously, not the rest of the band – back on the road. ‘I haven’t given the best of me yet’, she says

At the height of her music career in the early 1980s, Lesley Woods got accustomed to dealing with irate men. As the singer and guitarist of Au Pairs, the Birmingham post-punk four-piece, she recalls “guys being aggressive purely because you were a woman on stage”. At one show, the band were on the bill with UB40 and the Angelic Upstarts, only the latter didn’t turn up. “So the audience, who were 95% skinheads, were gobbing at us and throwing anything they could get their hands on – which included a bin.” Was she scared? “No, I was bolshie back then. I just went to the front of the stage and said: ‘You missed.’”

After the band split in 1983, Woods hoped her days of dealing with overt misogyny were behind her. But then she retrained and became a lawyer. “When I came to the bar [in the 1990s], women couldn’t even wear trousers. I used to get men saying: ‘What colour knickers are you wearing today, Lesley?’ It’s better now, but back then law was way worse than music in how it treated women.”