The director’s incredible versatility and talent meant that he could reduce to tears with anguish or laughter, effortlessly pivoting from comedy to courtroom drama, romcom to rock mockumentary

Obviously The Shining remains the greatest Stephen King adaptation ever made, but Stand By Me is the one I love beyond all measure. It’s the warmest, the saddest and the funniest, too: a lovely, grubby ode to the joys of misspent youth. “I never had any friends later on like the ones I had when I was 12,” remarks small-town adventurer Gordie Lachance, who sets off with his pals to find a dead body in the woods. “Jesus, does anyone?”

After years as Hollywood’s romcom darling, Hudson is putting music at the centre of her career – and after her show-stealing turn in Song Sung Blue, the Oscar buzz is growing

The first voice I hear when I enter the hotel room to meet Kate Hudson belongs to her 21-year-old son, Ryder, who speaks from the end of a phone: “Love you, Mum!”

Doesn’t everyone? You don’t have to be related to Hudson to consider her a joyous proposition – a great performer who hasn’t yet made a great film. It was a quarter-century ago in Almost Famous, her breakthrough picture, that she first proved she could hoist a movie out of the doldrums while making the task appear as effortless as blow-drying her hair. Without her performance as Penny Lane, the rock’n’roll muse who describes herself as a “band-aid” rather than a groupie, Cameron Crowe’s dopey valentine to the 1970s of his youth would have been Almost Forgettable.