Goodbye June review – Kate Winslet’s Christmas heartwarmer is like a two-hour John Lewis ad

11 décembre 2025 à 18:00

Star turns from Helen Mirren, Andrea Riseborough and Toni Colette can’t stop cartoony sentimentality smothering this film directed by Winslet and written by her son Joe Anders

Kate Winslet’s feature directing debut is a family movie, scripted by her son Joe Anders; it’s a well-intentioned and starrily cast yuletide heartwarmer, like a two-hour John Lewis Christmas TV ad without the logo at the end. There are one or two nice lines and sharp moments but they are submerged in a treacly soup of sentimentality; in the end, I couldn’t get past the cartoony quasi-Richard Curtis characterisation and the weird not-quite-earthlingness of the people involved. Having said this, I am aware of having been first in the queue to denigrate Winslet’s Christmas film The Holiday, that is regarded by many as one of the most successful films of all time.

Helen Mirren is the June of the title, an affectionate but sharp-tongued matriarch who is diagnosed with terminal cancer in the run-up to Christmas, and her entire quarrelling clan will have to assemble in her hospital room. June, with a kind of benign cunning, realises that she can use her last days as a cathartic crisis that will cure her adult children’s unspoken hurt. They are a stressed careerist (Winslet), a stay-at-home mum (Andrea Riseborough), a hippy-dippy natural birth counsellor (Toni Collette) and a troubled soul (Johnny Flynn), plus all their various kids. There is also June’s daft old husband Bernie, played by Timothy Spall, who likes a drink and can’t talk about his feelings, and whose scatterbrained goofiness has a sad origin. Stephen Merchant plays Riseborough’s lovably useless husband and a gentle hospital nurse, played by Fisayo Akinade, is the ensemble’s self-effacing guide to a wiser future.

Quentin Tarantino needs to stop criticising films and start making them again | Peter Bradshaw

The Guardian

Par :Peter Bradshaw

10 décembre 2025 à 14:32

Trolling wokesters, disparaging Paul Thomas Anderson, insulting Paul Dano … the controversial director plays to type with his list of the top 20 best films of the 21st century

Did Quentin Tarantino just put Paul Dano into the alpha league of the world’s most loved and admired movie actors?

His recent insults aimed at Dano counterprovoked a flood of defensive praise, with Daniel Day-Lewis, Dano’s costar in There Will Be Blood, publicly endorsing it. But was Tarantino’s pronouncement just bluster and flex? Will he end up casting Dano in his next film – a turnaround like Donald Trump making nice with North Korean leader Kim Jong-un after pretty much threatening him with nuclear war? Or are we witnessing a kind of midlife emotional crisis in the heart of one of the most brilliant directors of his generation? I speak as a superfan with reservations.

Preparation for the Next Life review – deeply felt story of love among the marginalised in New York

The Guardian

Par :Peter Bradshaw

9 décembre 2025 à 12:00

Bing Liu’s film is an unflinching portrait of an undocumented Uyghur immigrant and a traumatised US veteran whose fragile connection is strained by their pasts

Chinese-American film-maker Bing Liu made an impression with the poignant documentary Minding the Gap about people from his home town in Illinois; now he pivots to features with this sad and sombre study of romance and life choices among those on the margins of US society, adapted from the prize-winning novel of the same name by Atticus Lish.

The scene is the no-questions-asked world of New York’s Chinatown; newcomer Sebiye Behtiyar plays Aishe, a Chinese Uyghur Muslim undocumented immigrant. One day she catches the eye of Skinner, played by Fred Hechinger, a young military veteran who impulsively starts to talk to her. There is a spark between them and then something more.

Sydney Sweeney, Richard Linklater and Emma Thompson are up for most egregious snub in the 2026 Golden Globe nominations

The Guardian

Par :Peter Bradshaw

8 décembre 2025 à 18:43

Linklater is missing from the best director list despite having two nominated films, and actors including Sydney Sweeney and Josh O’Connor are nowhere to be seen. It looks like Paul Thomas Anderson’s year

It’s become traditional to look for the snubs in any award list – and heaven help anyone whose job it is to curate the “in memoriam” montage on the night and then the next morning apologise for the inevitable hurtful omissions.

Snubs have become a cliche of awards season commentary, but you have to wonder about the best director list of this year’s Golden Globes nominations. No Richard Linklater? This amazing director actually has two films in the “best musical or comedy” section (so I guess he can’t really be that depressed). There’s his amazingly witty and poignant chamber piece Blue Moon, with Globe-nominated Ethan Hawke playing depressed Broadway lyricist Lorenz Hart, and his eerily accomplished pastiche-homage Nouvelle Vague, about the making of Godard’s classic Breathless, shot not in the boring old colour in which these events happened but in a beautifully realised monochrome – a little reverential for my tastes but still a marvellously accomplished picture. Two films in one year, and such different films. Quite a feat.

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