The mashup Satisfaction Skank was unofficial for years but band allow Norman Cook to remake it using original stems of their 1965 hit

A classic bootleg recording by Fatboy Slim which samples the Rolling Stones’ (I Can’t Get No) Satisfaction has finally been released, as the band give it their blessing after 25 years.

Satisfaction Skank was a familiar track on turn-of-the-century dancefloors, as Fatboy Slim mashed up his own 1999 hit The Rockafeller Skank with the Stones’ 1965 classic, hurling Keith Richards’ iconic guitar riff into the “big beat” sound of the late 90s.

Singer told Jimmy Fallon that ‘the ink is not dry’ on a deal but the prospect of a stage version of her critically acclaimed album was ‘very exciting’

Lily Allen has said she is in discussions over adapting her hit album West End Girl into a play, possibly for the West End itself.

Speaking on The Tonight Show in the US, host Jimmy Fallon said: “In London, they’re trying to make West End Girl into a play.”

Australian psych-rockers, who removed their music from Spotify in protest against the streaming service, lament the appearance of AI band King Lizard Wizard

Spotify has removed an AI impersonator of popular Australian rockers King Gizzard and the Lizard Wizard from the streaming service, with the band’s frontman voicing despair at the situation.

King Gizzard removed their music from Spotify in July in a protest against the company’s chief executive Daniel Ek, who is the chair of military technology company Helsing as well as a major investor.

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• More on the best culture of 2025

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Connoisseurs of all things delicate and deeply felt will love the music put out by A Colourful Storm, the Melbourne-based DJ’s indie label

From Melbourne
Recommended if you like the C86 compilation, AU/NZ jangle-pop, Mess Esque
Up next Going Back to Sleep out now

Melbourne-based DJ Moopie, AKA Matthew Xue, is renowned for engrossing, wide-ranging sets that can run the gamut from gelid ambient music to churning drum’n’bass and beyond. He also runs A Colourful Storm – a fantastic indie label that massively punches above its weight when it comes to putting out charmingly moody experimental pop music, from artists as disparate as London-based percussionist Valentina Magaletti, dubby Hobart duo Troth, and renowned underground polymath Simon Fisher Turner.

In 2017, the label released I Won’t Have to Think About You, a compilation of winsome, C86-ish indie pop. Earlier this year, it put out Going Back to Sleep, a quasi-sequel to that record which also functions as a neatly drawn guide to some of the best twee-pop groups currently working. Sydney band Daily Toll, whose 2025 debut A Profound Non-Event is one of the year’s underrated gems, contribute Time, a seven-minute melodica-and-guitar reverie. Chateau, the duo of Al Montfort (Terry, Total Control) and Alex Macfarlane (the Stevens, Twerps), push into percussive, psychedelic lounge pop on How Long on the Platform, while Who Cares?, one of Melbourne’s best new bands, channel equal parts Hope Sandoval and Eartheater on Wax and Wane.

Elsewhere, Going Back to Sleep features tracks from San Francisco indie stalwarts the Reds, Pinks and Purples; minimalist Sydney group the Lewers; and sun-dappled folk-pop from Dutch duo the Hobknobs. It’s an unassuming compilation that’s almost certain to become well-loved and frequently referenced among connoisseurs of all things delicate and deeply felt. Shaad D’Souza