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Eurovision used to be a campy joy – but it has become a cynical way to whitewash war | Arwa Mahdawi

The song contest continues with its mission of ‘unity and cultural exchange’ by rolling out the red carpet for Israel, even though at least four countries have pulled out in protest


A new acronym emerged a couple of months into Israel’s bombardment of Gaza: WCNSF. “Wounded child, no surviving family”. That acronym is unique to Gaza, experts like paediatrician Dr Tanya Haj-Hasan with Médecins Sans Frontières have said. Normally it’s rare for doctors to treat a child who has lost their entire family. But there has been nothing “normal” about the genocide in Gaza, where whole bloodlines have been wiped out and there are more child amputees than anywhere else in the world. Nothing normal about scores of doctors coming back from a landscape of rubble with reports of kids being deliberately targeted by Israeli snipers.

Despite a supposed ceasefire being in place, Gaza remains hell on earth. Essential medical supplies are not getting in and Amnesty International has said Israel is still committing genocide. (Israel has denied this, of course, just as it denies everything it is accused of.) But while traumatised orphans are now freezing in makeshift tent camps, there is a little heartwarming news: nothing is going to stop the Eurovision song contest from continuing with its mission of “unity and cultural exchange.” Eurovision will continue to roll out a blood-red carpet for Israel, even though at least four European countries (Netherlands, Spain, Ireland, Slovenia) have now pulled out in protest. Because this is what unity looks like, folks!

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© Photograph: Harold Cunningham/Getty Images

© Photograph: Harold Cunningham/Getty Images

© Photograph: Harold Cunningham/Getty Images

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Coordinated online attack sought to suggest Taylor Swift promoted Nazi ideas, research finds

Thousands of social media posts were traced to deliberate attempts to misrepresent the singer – and showed ‘significant user overlap’ with the campaign to attack actor Blake Lively

Analysis has found that a coordinated online attack sought to align Taylor Swift and her latest album, The Life of a Showgirl, with Nazi and rightwing imagery and values, from accounts feigning leftist critique and designed to encourage outrage.

The AI-driven behavioural intelligence platform Gudea produced a report examining more than 24,000 posts and 18,000 accounts across 14 social media platforms between 4 October, the day of the album’s release, and 18 October. These posts accused Swift of sowing dogwhistle references in her lyrics and alleged that a lightning bolt-style necklace from her merchandise line – a reference to the album track Opalite – resembled SS insignia.

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© Photograph: XNY/Star Max/GC Images

© Photograph: XNY/Star Max/GC Images

© Photograph: XNY/Star Max/GC Images

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‘We are truly doomed’: King Gizzard and the Lizard Wizard despair at AI clone appearing on Spotify

Australian psych-rockers, who removed their music from Spotify in protest against the streaming service, lament the appearance of AI band King Lizard Wizard

Spotify has removed an AI impersonator of popular Australian rockers King Gizzard and the Lizard Wizard from the streaming service, with the band’s frontman voicing despair at the situation.

King Gizzard removed their music from Spotify in July in a protest against the company’s chief executive Daniel Ek, who is the chair of military technology company Helsing as well as a major investor.

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© Photograph: Maclay Heriot

© Photograph: Maclay Heriot

© Photograph: Maclay Heriot

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Jubilant Sykes’ son arrested after Grammy-nominated opera singer stabbed to death

The 71-year-old performer’s son Micah has been arrested on suspicion of murder, Santa Monica police said

Jubilant Sykes, the Grammy-nominated opera and gospel singer, has died aged 71 after being stabbed to death at his home in California.

His 31-year-old son, Micah Sykes, was arrested on suspicion of murder, authorities said on Tuesday.

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© Photograph: Frazer Harrison/Getty Images

© Photograph: Frazer Harrison/Getty Images

© Photograph: Frazer Harrison/Getty Images

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Country star Raul Malo dead at 60

Grammy-winning Raul Malo, lead singer of The Mavericks, died Monday after battling colon cancer and rare leptomeningeal disease since early 2024. He was 60.

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The art of going ‘Instagram official’: how 10 celebrity couples shared their love with the world

Katy Perry and Justin Trudeau are the latest A-listers to announce their relationship status online. But there are many ways to do it - from fancy dress to panicked deletions

As a mark of pure intent, going Instagram official has become a firmly entrenched dating marker. To post a picture of you and your new partner on Instagram – on the grid, mind you, not hiding behind the cowardice of a story – is to not only declare that you are in love, but also that you are confident enough in your future to share it with the world.

As such, Katy Perry’s decision to go Instagram official with Justin Trudeau is a classic of the genre. Long dogged by rumours that they might be together, Perry this week debuted a sanctioned image of them both. They are cheek to cheek. They are smiling, albeit in that slightly strained hurry-up-and-take-it way you do when someone decides to shoot a whole reel of photos. Katy Perry is pulling the exact same face she did when she stared into the camera that time she sort of went into space, which is how you know that it is really serious. Good luck to the pair of them.

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© Photograph: Instagram/katyperry

© Photograph: Instagram/katyperry

© Photograph: Instagram/katyperry

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Raul Malo, frontman of band the Mavericks, dies aged 60

The musician, who led the Grammy-winning band, had been receiving treatment for colon cancer

Raul Malo, the soulful tenor and frontman of the genre-defying, Grammy-winning band the Mavericks, has died. He was 60.

Malo died on Monday night, his wife, Betty Malo, posted on his Facebook page. He had been diagnosed with cancer. The frontman of the Mavericks had documented his health journey on social media since he disclosed in June 2024 that he was receiving treatment for colon cancer.

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© Photograph: Stephen J Cohen/Getty Images

© Photograph: Stephen J Cohen/Getty Images

© Photograph: Stephen J Cohen/Getty Images

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Hannigan/Chamayou review – strange and beautiful musical magic

Wigmore Hall, London
Barbara Hannigan and Bertrand Chamayou were exhilarating and extraordinary in John Zorn’s monumental Jumalattaret; a beautifully intimate performance of Messiaen’s Chants de Terre et de Ciel completed an enthralling evening

One generation’s “unperformable” is another’s repertoire staple. Tristan und Isolde, Tchaikovsky’s First Piano Concerto and Beethoven’s Ninth were all once declared beyond reach. But when Barbara Hannigan – the fearless, seemingly limitless soprano with more than 100 world premieres to her name – admits that a work came close, reducing her to “a state of panic” over a multi-year study period, you believe her.

Inspired by Finland’s national epic the Kalevala, John Zorn’s Jumalattaret is less a song-cycle than a musical seance, summoning a series of spirits and goddesses in sound. The singer morphs from persona to persona in yelps and keening cries, guttural moans and shouts, sometimes anchored, sometimes released by the piano (here Bertrand Chamayou) – an ever-present sorcerer’s assistant.

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© Photograph: Sisi Burn

© Photograph: Sisi Burn

© Photograph: Sisi Burn

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