Alice and Ellen Kessler, who died by joint assisted suicide this week, entertained – and occasionally scandalised – Europe with their glitzy and subversive pop music and classically informed dance

• The Kessler twins die together aged 89 – news

When Dean Martin announced the Kessler sisters’ appearance on his show in 1966, he remarked that he had been desperate to book them not just because the German-born dancer-singers were “so pretty and so talented”, but “also because they’re twins, that means there are two of them”. “They’re a double,” he added with a nod to his half-drunk crooner persona, “and there’s nothing I like more than a double”.

The two sisters, who died by joint assisted suicide earlier this week, also performed with Frank Sinatra, Harry Belafonte and Fred Astaire, but the American market never impressed them much. In 1964 they turned down a role in Elvis’s Viva Las Vegas for fear of being pigeonholed in American musical comedies.

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© Photograph: Loomis Dean/The LIFE Picture Collection/Shutterstock

© Photograph: Loomis Dean/The LIFE Picture Collection/Shutterstock

© Photograph: Loomis Dean/The LIFE Picture Collection/Shutterstock

The tale of Prof Sarah Blagden’s attempt to find a treatment that stops the disease is the rarest of things – TV that makes you dare to hope

Cancer Detectives: Finding the Cures should come with a rare warning: may make you feel hopeful for humanity and marginally less convinced that we are all willingly leaping into a handcart and smoothing our own paths to hell.

This is an hour that outlines the work being done to create vaccines against cancers. Lung cancer, specifically, at the moment – 50,000 cases of which are diagnosed each year in the UK and which is the most common cause of cancer-related death – but with the potential to prevent many more types in the future.

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© Photograph: Matt Davis/Channel 4

© Photograph: Matt Davis/Channel 4

© Photograph: Matt Davis/Channel 4

All the bleak tenderness from the musician’s novel makes it into this heartbreaking screen adaptation of a father-and-son road trip where the dad relentlessly pursues sex. It will undo you

The travelling salesman used to be a stock figure – a centrepiece for jokes about man’s priapism, the untameable wanderlust of the peen once free of its domestic shackles. The Death of Bunny Munro, adapted from Nick Cave’s 2009 book of the same name by Pete Jackson and keeping all its bleak tenderness and unforgiving brutality, gives us the tragedy that lies the other side of any comic character worth its salt.

Cosmetics salesman Bunny (Matt Smith, a brilliant and still underrated actor, plus the best Doctor of modern times, please send an SAE for my monograph on this subject) is out on the road, sampling another young lady’s wares, when we meet him. His wife, Libby (Sarah Greene, perfectly cast as a fierce, loving woman broken by depression and her husband’s choices) calls him. He dismisses her and returns to his sampling. When he returns the next day he finds that she has killed herself. They have a nine-year-old son, Bunny Jr, played by Rafael Mathé, who gives an absolutely wonderful, heartbreaking performance, treading the thinnest of lines between knowing everything and nothing about his father and about his own likely future. At first, Bunny Sr tries to palm him off on Libby’s mother (Lindsay Duncan), who, in a harrowing post-funeral scene, refuses. But when social services arrive to take the boy into care, Bunny’s pride or conscience is pricked. The pair light out of the window and head off on a road trip along the south coast, and a father-son bonding experience. Traditionally, these are good things. But Cave is not a traditional writer and this is not a traditional tale.

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© Photograph: Sky Uk/Clerkenwell Films/PA

© Photograph: Sky Uk/Clerkenwell Films/PA

© Photograph: Sky Uk/Clerkenwell Films/PA

Kimmel wondered if President Trump might “pull a Taylor Swift and give us ‘The Epstein Files: Donnie’s Version.’”

The acclaimed documentarian’s latest epic series has been in the works for a decade and features A-list contributions from Meryl Streep to Tom Hanks

Ken Burns is no longer a mere documentarian; he is a brand, a franchise, a one-man industrial complex. When he has a new project heading for the small screen, everybody wants a part of him.

Burns has done “more fucking podcasts than I ever thought possible”, he says, nearing the end of nine-month promotional tour that included 40 cities, 80 screenings and hundreds of interviews. “I think there are 340.1m podcasts, one for every American, and I’ve done half of them.”

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© Photograph: Boston Globe/Getty Images

© Photograph: Boston Globe/Getty Images

© Photograph: Boston Globe/Getty Images

Actor praises co-star in abominably reviewed Ryan Murphy legal drama, and claims show deserved more appreciation

Glenn Close has hit back at the critical mauling for her recent series All’s Fair. The actor stars in Ryan Murphy’s legal drama, which has received a string of zero-star reviews. In her appraisal, the Guardian’s Lucy Mangan described it as: “Fascinatingly, incomprehensibly, existentially terrible.” The series currently holds a 3% rating on reviews site Rotten Tomatoes.

According to Close, the main issue was the choice to air the worst three episodes first. “I personally think that the first three episodes were the weakest,” she told Variety. “That was a tough way to start. I’ve seen all nine episodes, and I think it actually adds up to something.”

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© Photograph: David Vintiner

© Photograph: David Vintiner

© Photograph: David Vintiner

Organisers look at other UK venues amid concerns over costs and industry’s lack of working-class voices

For almost 50 years, the great and the good of British broadcasting have descended on Edinburgh each summer to discuss the trials and tribulations of the TV world. David Attenborough, Tina Fey, Emily Maitlis and Rupert Murdoch are among those to have previously given speeches at the city’s TV festival.

Yet amid concerns about the industry’s lack of working-class voices and the high cost of a hotel room in the city, the event’s organisers are thinking the unthinkable: the Edinburgh TV festival could be leaving Edinburgh.

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© Photograph: Jane Barlow/PA

© Photograph: Jane Barlow/PA

© Photograph: Jane Barlow/PA

Only our current tech hellscape could create a comedy so insidiously inoffensive. Prepare to be pummelled into submission as your time is siphoned off by OK entertainment

This is a cosy, lighthearted whodunnit about a retired professor who gets a second wind as a private eye. It’s also a bingo card for just about everything that makes streamer-era TV so patronising, uninspiring and mind-numbingly dull.

On the surface, A Man on the Inside’s crimes might seem negligible: it’s a little schmaltzy, a little too pleased with itself in that wisecrack-stuffed American comedy way. Yet it’s exactly that inoffensiveness that makes this strain of television so insidious. When the New York Times critic James Poniewozik coined the term “mid TV” to describe the current “profusion of well-cast, sleekly produced competence” that has come to dominate our screens, it wasn’t so much a vicious takedown as a shrug at the blah-ness of it all. The tech giants have pummelled us into submission by siphoning off our time via OK entertainment.

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© Photograph: COLLEEN E. HAYES/NETFLIX

© Photograph: COLLEEN E. HAYES/NETFLIX

© Photograph: COLLEEN E. HAYES/NETFLIX

Kimmel wondered if President Trump might “pull a Taylor Swift and give us ‘The Epstein Files: Donnie’s Version.’”

The twin sisters from Germany, who were nightclub stars and regular guests on international variety shows, chose to end their lives together.

© Karl Mittenzwei/DPA, via Associated Press

The actor said he wrote wishing 11-year-old Dominic McLaughlin ‘an even better time’ growing up in the role than he had

Harry Potter star Daniel Radcliffe said that he wrote to 11-year-old actor Dominic McLaughlin, who has been cast in the title role of the new Harry Potter TV series.

Radcliffe appeared on Good Morning America on Tuesday and said: “I wouldn’t say that anyone who is going to play Harry has to [call me],” adding: “I wrote to Dominic and I sent him a letter and he sent me a very sweet note back.”

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© Photograph: MEGA/GC Images

© Photograph: MEGA/GC Images

© Photograph: MEGA/GC Images

“Stay up for a ball drop you’re going to want to miss,” the “Late Show” host said as Congress voted for the release of the Jeffrey Epstein files.

The president grew frustrated with Mary Bruce of ABC News over her questions during his meeting with the Saudi crown prince. On Friday, he told a Bloomberg News reporter, “Quiet, piggy.”

© Kenny Holston/The New York Times

Radio France et France TV ont assigné en justice les médias CNews, Europe 1 et le JDD pour « dénigrement », a appris l’AFP ce mardi.

We would like to hear your favourite characters whose gamechanging arrivals lifted the shows they were in

From Brienne of Tarth in Game of Thrones to the Hot Priest in Fleabag, we have picked our favourite 18 TV characters whose gamechanging arrival in later seasons have lifted their whole show. Now we would like to hear yours. Who is your favourite late-arriving TV character and why?

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© Photograph: AJ Pics/Alamy

© Photograph: AJ Pics/Alamy

© Photograph: AJ Pics/Alamy

From Brienne of Tarth in Game of Thrones to the Hot Priest in Fleabag and of course Dr Frasier Crane, we salute the game-changers who boosted later seasons of our favourite series

Welcome. Nice of you to finally join us. Hope it was worth the wait. Yes, sometimes a late addition can improve a drama or comedy so much it becomes hard to imagine the show without them. Not every series gets the casting chemistry spot-on straight away. A select few of our favourite TV characters weren’t even on the show when it launched.

We’ve selected 18 characters whose gamechanging arrival in later seasons lifted the whole show and added to its legacy. Behold the super-subs who came off the TV bench and scored a winner …

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© Photograph: /Amazon Studios

© Photograph: /Amazon Studios

© Photograph: /Amazon Studios