The daughter of the British composer Samuel made controversial choices that took her on a different path to her father’s activism. Ahead of the premiere recording of her piano concerto, its soloist looks at a musician who learned the hard way about ‘belonging’

Avril Coleridge-Taylor always felt the weight of her father’s legacy. As the daughter of Samuel Coleridge-Taylor, one of the most famous British composers of the early 20th century, Avril’s was a name enveloped in the long shadows of history.

Earlier this year, I sat with these shadows as I prepared to make the world premiere recording of Avril’s 1936 piano concerto with the BBC Philharmonic. With its impassioned harmonies, soulful lyricism and valiant rhythms, Avril’s work will grant new listeners fascinating insight into how she – a wartime composer, born in 1903 – conceived of her world as a woman of colour.

Ian Brown and Tim Burgess were among those to pay tribute to Mani, whose death was announced by his brother and nephew

• Alexis Petridis: ‘Mani’s writhing, relentless bass was the Stone Roses’ secret sauce – it taught indie kids how to dance’

• Gary ‘Mani’ Mounfield: a life in pictures

Gary “Mani” Mounfield, best known as bassist of the Stone Roses and later a member of Primal Scream, has died aged 63. The cause of death has not been shared.

His brother Greg Mounfield posted the news on Facebook on Thursday: “It is with the heaviest of hearts that I have to announce the sad passing of my brother.” His nephew also shared the news.

Barclays Center, New York City

A rescheduled date, after an accident earlier this year, sees the 77-year-old take on sparkling form, regaling fans with tales and fan favourite anthems

Stevie Nicks would like to get the matter of her possible near-death experience out of the way as soon as possible. A few months ago, the Fleetwood Mac singer and rock legend suffered an accident that forced her to postpone a string of tour dates, including this show in Brooklyn which was rescheduled from August to November. “I was airborne,” she recalls of the incident around five minutes after hitting the stage tonight. “I thought: ‘Is it over?’” A voice at the back of the arena lets out an animalistic yell. “No!!!!”

It’s a safe bet that everyone in the 17,000-capacity Barclays Center arena shares the sentiment. Tonight, a noticeably varied audience of fans has shown out for Nicks’s rescheduled date, ranging from witchcore-styled teens to longtime fans who retain a love for the 70s’ bohemian style as well as the decade’s social consciousness: the venue is sold out of veggie burgers.

As she releases music from her upcoming soundtrack to Wuthering Heights, we count down the best of her frank, futuristic tracks

Such was the extent of fan involvement in the How I’m Feeling Now album that the title of Claws was decided by online vote. The opposite of the album’s more fraught depictions of lockdown, it celebrates being trapped with someone you love, although the clanking rhythm track adds a vague sense of unease.

Musician’s death was announced by his brother on social media

Motown singer has denied all allegations against him

The ‘2024 period piece’ stars the Grammy-winning musician with Kylie Jenner, Rachel Sennott and Alexander Skarsgård

Charli xcx’s 2026 big screen onslaught is set to kick off with The Moment, a mockumentary starring the musician as a self-described “hell version” of herself.

The film, based on an idea by the Grammy winner, is fiction but Charli has called it “the realest depiction of the music industry that I’ve ever seen”.

(Deutsche Grammophon)
Olafsson’s account of Beethoven’s Op 109 is one of the most beautiful on record, the centrepiece of a recording that links the composer to Bach and Schubert

Disinclined to follow the herd and record Beethoven’s three final piano sonatas as a job lot, Víkingur Ólafsson has chosen to circle one of them, No 30 in E major, Op 109, locating it in a musical timeline that reflects both the composer’s past and the Viennese milieu of the early 18th century.

For Ólafsson, looking backwards means turning to Bach, whose musical fingerprints he detects all over late Beethoven. The latter’s uninhibited invention, he argues, has its roots firmly in the baroque with its improvisatory elements and enthusiasm for the dance.

Musician’s Brixton and Dublin performances go viral after she performs Sinéad O’Connor’s anti-racism anthem Black Boys on Mopeds

The UK and Ireland are entering a “dark time”, according to the singer Joy Crookes, who said the influence of far-right ideology on mainstream politics was comparable to the 1970s when the National Front was at its peak.

Crookes, who has just played two sold-out shows at the O2 Academy in Brixton, said the recent wave of nationalism and the far-right march through central London in September made her feel unsafe in the UK.

(Warp)
Made using a cache of Y2K sample CDs that Daniel Lopatin salvaged from the internet’s fringes, the kaleidoscopic result speaks to contemporary information overload

It should come as no surprise that the new album by Oneohtrix Point Never comes with a concept attached. They usually do. When not composing film soundtracks, or producing an eclectic range of other artists – the Weeknd, Anohni, Charli xcx, Soccer Mommy – Daniel Lopatin has released a string of acclaimed works, each with their own overarching idea.

The “hyperreal world music” of 2010’s Returnal was inspired by the fact that people now see more of the world than ever without actually leaving their homes. In 2015, Garden of Delete had an accompanying origin story about an adolescent humanoid alien called Ezra; 2018’s Age Of imagined artificial intelligence attempting to recreate human culture after humans themselves had been rendered extinct. Lopatin also has an all-consuming obsession with nostalgia and forgotten pop cultural artefacts: he’s made albums based around warped loops of 80s pop hits, preset sounds on obsolete synthesisers and recordings of US radio stations changing formats, discarding the musical genres in which they previously specialised in favour of the current vogue.

Motown star denies allegations, in addition to four existing sets of allegations against him

Two more former employees of the soul music star Smokey Robinson, both male and female, have alleged he sexually assaulted them, which he denies.

Robinson is already facing similar allegations from four other former employees, who filed a joint lawsuit in May. This week, lawyers for the accusers filed a motion to have two further accusers added to the lawsuit, both anonymously.

Olympia was originally built as an events and exhibitions space nearly 140 years ago

Country star said he was having ‘earth-shattering panic attacks’

A skilled interpreter and social justice champion, Gaughan is a hero to the likes of Richard Hawley and Billy Bragg. Yet much of his work has been stuck in limbo for decades – until a determined fan stepped in

‘It felt to me as if the world had forgotten about the Frank Sinatra or Elvis Presley of folk, or a singular figure in the mould of Willie Nelson, Johnny Cash or Richard Thompson.” So says Colin Harper, curator of a slew of new releases celebrating the stunning music of Scottish musician Dick Gaughan. Harper had recently reconnected with his music after several decades, “and I couldn’t believe the quality of it. His singing and guitar playing were astonishing – he performed traditional songs and championed social justice so powerfully.”

But if you haven’t heard of the 77-year-old Gaughan, it’s not surprising: much of his work has been unavailable for years, the rights to it having been claimed by the label Celtic Music, who have not made it available digitally. Gaughan doesn’t recall receiving a royalty statement from the company in 40 years. He is battling for ownership and, in turn, hopes to help other veteran folk artists regain control of their catalogues. “To find that the music I made, that I put a lot of work into, is just not available – it’s like your life isn’t available,” he says.