No fists, no fire – the president and the mayor-elect met in Washington, and things went bewilderingly, bizarrely well
The armies of lefty America and of Maga were assembled ready to watch their champions do battle. After all, Donald Trump had called Zohran Mamdani a “100% Communist Lunatic” and “total nut job.” The incoming democratic socialist New York mayor in turn had called the Republican US president a “despot” and “fascist”.
But anyone expecting to see fists fly and shirts torn in the Oval Office was in for a disappointment. Trump, 79, and 34-year-old Mamdani actually got on rather well. In fact beautifully, bewilderingly, bizarrely well. Instead of Batman v Superman, this was Toy Story besties Woody and Buzz Lightyear.
The president hosted the mayor-elect at the White House – and seemed enamoured of his fellow New Yorker
The highly anticipated Oval Office meeting between Donald Trump and Zohran Mamdani – the mayor-elect of New York City, the US president’s beloved home town – was hardly the combustible tête-à-tête many had predicted. For the moment at least, the two New Yorkers appeared friendly, smiling and cautiously optimistic about the work they might accomplish together.
Neither revived their hot campaign trail rhetoric, in which they cast each other as diametrically opposed political adversaries. Trump had labeled Mamdani a “100% Communist Lunatic” and urged voters to back his opponent, the former New York governor Andrew Cuomo. In turn, Mamdani had assailed Trump as a “despot” and pledged to be the president’s “worst nightmare”. Here are five things that stood out from their surprising display of political bonhomie.
President Donald Trump and socialist Mayor-elect Zohran Mamdani found common ground on New York City issues during their first White House meeting Friday.
The Boy Is Mine pair were joined by guests such as Kelly Rowland, Fat Joe, Ciara and Tyrese for a sometimes strange, sometimes soaring throwback night
Supposedly feuding for over 25 years might be bad karma, but it’s great for ticket sales. Of course, Brandy and Monica aren’t actually fighting, they just did such a good job of pretending to hate each other on their 1998 duet The Boy Is Mine that the world has been convinced of it ever since. The R&B legends have taken pains to point out that their relationship is harmonious in multiple interviews leading up to this 32-date co-headline tour, even making fun of the drama in a recent Dunkin advert that featured them fighting over a frappe.
Happily, Brandy and Monica’s sisterhood also means they’re playing their biggest venues in decades. After emerging on stage from a vintage elevator wearing sunglasses and scowling expressions, the duo launches into a kind of sing-and-dance-off, trading places and performing a trio of classics apiece as the other watches with disdain. It’s a knowing nod to their purported rivalry that begins to take on the feeling of a variety segment, which isn’t helped by the trimming of songs like What About Us? and Like This and Like That to 90 seconds apiece. Even so, their camaraderie shines through as Brandy quickly breaks character to sway and sing along to Monica’s Don’t Take It Personal (Just One Of Dem Days), a showcase for her slightly raspy, soulful vocals during which she winds her hips and aims gun fingers at the audience.
Donald Trump and Zohran Mamdani, the New York City mayor-elect, walked out of their meeting on Friday afternoon with an unlikely alliance, agreeing to work together on housing, food prices and cost-of-living concerns that have defined both their political appeals to working-class voters.
“We agreed a lot more than I would have thought,” Trump said in the Oval Office, sometimes jumping in to shield Mamdani from aggressive questioning from the press.
Rep. Nydia Velázquez, a Democrat who has served in the U.S. House of Representatives for more than 30 years, announced that she will not run for re-election in 2026.
The 1940 painting of Kahlo asleep in bed has surpassed the record set by the $44.4m sale of Georgia O’Keeffe’s Jimson Weed/White Flower No. 1 in 2014
A 1940 self-portrait by famed Mexican artist Frida Kahlo has sold for $54.7m (£41.8m, A$84.7m) at a New York art auction, setting a new top sale price for a work by any female artist.
El sueño (La cama), or The Dream (The Bed), which depicts Kahlo asleep in a bed with a smiling skeleton wrapped in dynamite on the canopy above her, sold on Thursday night at a Sotheby’s auction of surrealist art after four minutes of bidding.
A rescheduled date, after an accident earlier this year, sees the 77-year-old take on sparkling form, regaling fans with tales and fan favourite anthems
Stevie Nicks would like to get the matter of her possible near-death experience out of the way as soon as possible. A few months ago, the Fleetwood Mac singer and rock legend suffered an accident that forced her to postpone a string of tour dates, including this show in Brooklyn which was rescheduled from August to November. “I was airborne,” she recalls of the incident around five minutes after hitting the stage tonight. “I thought: ‘Is it over?’” A voice at the back of the arena lets out an animalistic yell. “No!!!!”
It’s a safe bet that everyone in the 17,000-capacity Barclays Center arena shares the sentiment. Tonight, a noticeably varied audience of fans has shown out for Nicks’s rescheduled date, ranging from witchcore-styled teens to longtime fans who retain a love for the 70s’ bohemian style as well as the decade’s social consciousness: the venue is sold out of veggie burgers.
At the high-end Metro Private Cinema, a private screening room with a gourmet meal and drinks can reach $200 a person. Will people pay?
On a recent trip to the cinema, I found myself annoyed. The person next to me kept sniffling loudly and, even worse, scrolling Instagram on their phone, dimly visible from the corner of my eye. The former is simply an occupational hazard of being around other people, a thing I usually love to be doing; the latter, though a violation of the theater’s no phone policy, still more preferable to the conflict-averse than confrontation. If only, one sometimes wonders, there was some middle ground between full cinema experience and the privacy of one’s couch.
Enter Metro Private Cinemas, a new upscale theater in Manhattan that caters to cinephiles eager to privatize and glamorize the theatrical experience – for a price. For $50-100 a head, you can book a room at the 20-screen complex in Chelsea for a group sized anywhere between four and 20 people. Pick a film from either current releases or a curated archive, select a drink package for an extra $50 each, choose a 12-13 course gourmet meal off a seasonal menu for another $100 a head, and you have a ritzy night at the movies.
President has previously criticised the New York City mayor-elect, labelling him a ‘communist’ and threatening to deport him
Donald Trump has confirmed a long-awaited meeting with New York City mayor-elect Zohran Mamdani will happen in Washington this week, setting up an in-person clash between the political opposites who for months have antagonised each other.
The sit-down, which Trump said on social media would take place on Friday in the Oval Office, could possibly represent a detente of sorts between the Republican president and Democratic rising star.
For the New York and Washington great and good who loved the company of wealth and power, all that glitters is no longer gold
Many years ago, I went to a party in central London thrown by a host known for curating interesting and heavyweight guest lists and, on entering, encountered David Irving, the disgraced historian and Holocaust denier. As a marker of social pariahdom, Holocaust denial is up there with – or perhaps even more potent than – a conviction for sex offences, and I turned around and walked out; not through any particular moral superiority, but because I thought “notoriety” as a criteria for inclusion on a guest list was stupid and offensive. As I left, I remember looking across the room at the host and thinking: you silly bloody bint, I’m embarrassed for you.
I thought about that party and Irving this week while reading, with grim amusement, the absolute scramble currently under way in the US among media and other public figures seeking to explain, justify, downplay and generally paddle away as fast as they can from their social interactions with Jeffrey Epstein. I’m not talking about the men alleged to have joined the late paedophile in abusing trafficked girls, but rather the apparently endless list of notable figures – mostly in New York, but also reaching down to Washington DC, and across America’s Ivy League campuses – who enjoyed his hospitality, appeared with him at parties, and exchanged cordial emails with the man long after his true nature was known. As the Senate voted this week to release the Epstein files, the chorus of “we didn’t know!” from certain corners grew so loud it might’ve been Germany in 1946.
Emma Brockes is a Guardian columnist
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Portrait of Elisabeth Lederer, which was looted by the Nazis and nearly destroyed in a fire during the second world war, sells at Sotheby’s auction
A painting by Gustav Klimt has sold for a record-breaking $236.4m (£179.7m, A$364m) with fees, making it the second most expensive artwork ever sold at auction and the most expensive work of modern art sold at auction.
The six-foot-tall painting, titled Portrait of Elisabeth Lederer, was painted by the Austrian painter between 1914 and 1916 and shows Lederer, a young heiress and daughter of Klimt’s patrons, draped in a Chinese robe.
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