↩ Accueil

Vue lecture

Stirring the Melting Pot: capturing the New York immigrant experience – in pictures

A new exhibition at the New York Historical museum looks at the immigrant experience in New York City through a range of revealing and diverse viewpoints, with more than 100 photographs and objects showing how the city has been shaped by people from across the globe. The exhibition runs to 29 March

Continue reading...

© Photograph: Patricia D. Klingenstein Library, The New York Historical, Alexander Alland Photograph Collection

© Photograph: Patricia D. Klingenstein Library, The New York Historical, Alexander Alland Photograph Collection

© Photograph: Patricia D. Klingenstein Library, The New York Historical, Alexander Alland Photograph Collection

  •  

Prosecutors Say Officer Who Hurled Cooler Was Not Trying to Save Lives

Lawyers for Sgt. Erik Duran said he had to make a “life-or-death” decision when he struck Eric Duprey as he rode a motorbike recklessly down a sidewalk. Mr. Duprey died almost immediately.

© Karsten Moran for The New York Times

Sgt. Erik Duran, center, is facing charges of manslaughter, criminally negligent homicide and assault in connection to the death of Eric Duprey.
  •  

Bronx dog-walkers in the rubble of a dangerous New York: Camilo José Vergara’s best photograph

‘Huge parts of the city were being destroyed. This was part of my attempt to preserve the whole damn thing. The area became a juvenile prison’

I landed in America in 1965 from Chile. I literally arrived on a banana boat. I went to the University of Notre Dame in the midwest and then to Columbia in New York. I had a teacher – also a photographer – who taught foreign students to write and speak better English. I would try to write poetry, which he thought was terrible. I’d never taken a picture before but he encouraged me to try photography and offered to lend me the money for a Pentax Spotmatic he’d seen for sale downtown. After that, I would just walk around New York with it and take photos. It quickly became clear to me how divided the city was. Half was white and the other half was Black and Latino. There was tremendous segregation.

Columbia was very prosperous. The students were well off and many were the sons of extremely rich people. I felt out of place. Also, there’s just a huge sense of loss when you leave your country and you don’t know anybody and are on your own. It made me want to look at what else was going on: to see the other side and the underside of the city. I found it easily because, in the late 60s and early 70s, deindustrialisation was going on. Big companies and car plants were shutting down and there were huge job losses and store closures. That contrast resonated with me. My family had lost a lot of money. The first part of my life was about seeing things disappear and having to make do with less and less. I was interested to see that in the US.

Continue reading...

© Photograph: Camilo José Vergara

© Photograph: Camilo José Vergara

© Photograph: Camilo José Vergara

  •  

GTA 6 : les dessous techniques des animations de Lucia enfin éclaircis par un ancien de Rockstar

Depuis la diffusion du second trailer de Grand Theft Auto 6, chaque détail est analysé avec une attention quasi obsessionnelle. Parmi les séquences les plus commentées figure un plan précis mettant en scène Lucia, dont les animations ont immédiatement attiré l’œil. Au-delà de la simple provocation visuelle, cette scène soulève une véritable question technique. Un ... Lire plus

L'article GTA 6 : les dessous techniques des animations de Lucia enfin éclaircis par un ancien de Rockstar est apparu en premier sur Fredzone.
  •  
❌