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[Édito] Sur un toit brûlant

Notre chroniqueur Sébastien Le Fol donne son point de vue sur l’enjeu du logement et de l’immobilier à l’approche des élections municipales.

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Dorothy Waugh’s epic 1930s US national park posters – in pictures

Between 1934 and 1936, artist Dorothy Waugh was commissioned to create 17 posters for the National Park Service, a groundbreaking opportunity for a female designer at the time. Her designs, which were both accessible and avant-garde, are being celebrated in an exhibition for the first time at New York’s Poster House. Blazing A Trail: Dorothy Waugh’s National Parks Posters is on display until 22 February 2026

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© Photograph: Robert Feliciano/Courtesy Poster House

© Photograph: Robert Feliciano/Courtesy Poster House

© Photograph: Robert Feliciano/Courtesy Poster House

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Park Avenue review – Fiona Shaw is fearless in upmarket New York mother-daughter relationship drama

Having left her husband, Shaw’s daughter moves in with her at the family’s Manhattan apartment and soon tensions arise – wry, sweet, melancholic but somewhat insubstantial

Fiona Shaw finds some tremendous form in this upmarket dramedy of mother-daughter tension and first-world problems, and Katherine Waterston is (as ever) really good. There’s plenty of amusement and wry, sophisticated sadness here, though co-writer and director Gaby Dellal has confected what is, in the end, a pretty middleweight movie.

Shaw plays Kit, an elegant and wealthy widow living in a handsome apartment on Park Avenue in midtown Manhattan, known for her witty disdain for those less stylish than herself and about to publish a memoir of life with her late husband, a collector of Chinese art. Out of the blue her grown up daughter Charlotte (Waterston) appears, having run out on her abusive rancher husband; she intends to stay for a while with her mother in her childhood Park Avenue home while she figures things out.

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© Photograph: Park Avenue Films

© Photograph: Park Avenue Films

© Photograph: Park Avenue Films

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Gen Z’s ‘first lady’: how Rama Duwaji, Mamdani’s wife, is reshaping political fashion

The 28-year-old artist’s style steers clear of the political wife cosplay of pastel skirt suits in favor of something more playful and youthful, yet still elegant

It is the most traditional of assets for any ambitious young male politician: a fashionably dressed, beautiful young wife. But as with everything else about the rise of Zohran Mamdani, his wife, Rama Duwaji, represents a new era of politics which speaks to a new generation of voters.

Married to the soon-to-be leader of the biggest city in the US, Duwaji, 28, is arguably the US’s first generation Z “first lady”. Duwaji is an artist and illustrator of Syrian heritage, whose work explores themes of Arab identity, female experience and social justice. Working in paint, line-drawing, ceramics and animation, she graduated with a master’s degree in fine art from New York’s School of Visual Arts in 2024. Her thesis was titled Sahtain!, an Arabic expression which translates as “bon appetit”, and explored the communal act of making and sharing a dish and its role in Middle Eastern culture.

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© Photograph: Julius Constantine Motal/The Guardian

© Photograph: Julius Constantine Motal/The Guardian

© Photograph: Julius Constantine Motal/The Guardian

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