This visceral drama felt like the definitive show of the first Trump presidency. But, argues Fiona Sturges, the further it’s drifted from its original source material, the less important it has felt

A journalist’s bracingly honest account of interviews with musicians from Brian May to Shaun Ryder

When the journalist Kate Mossman was a child, she developed an obsession with the rock band Queen. Mossman came of age in the 1990s, but the irony and snark of that decade left her cold. Instead, she lived for the “middle-aged musicians from the 80s in jacket and jeans, and for the open-hearted, non-cynical pop times that had come before”. Watching Queen’s posthumous single These Are the Days of Our Lives on Top of the Pops in 1991, she “felt something within myself ignite”. Though she was captivated by the strange longing of a monochrome Freddie Mercury, who had died weeks earlier, it was drummer Roger Taylor who became the focus of her obsession. On the mantelpiece of her childhood home sat a holy relic: a beer glass he had drunk from during a solo gig. Twenty years later, while on her way to interview Taylor and Queen guitarist Brian May for a magazine profile, Mossman confesses: “I think I’m going to black out.”

Her sharp yet heartfelt interviews with Taylor and May – which took place separately – appear in Men of a Certain Age, a compendium of Mossman’s work previously published in the Word, the now defunct music magazine, and in political weekly the New Statesman. The book features 19 encounters with ageing male musicians including Shaun Ryder, Bruce Hornsby, Jeff Beck, Ray Davies, Sting, Dave Gahan, Jon Bon Jovi, Nick Cave and Terence Trent D’Arby. Mossman tops and tails the articles with present-day thoughts, reflecting on her expectations, the preparation, the long journeys to far-flung homes, and the peculiar and sometimes fraught dynamic between interviewer and interviewee.