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Lady Gaga lost her edge – her new album needs to bring it back

The star has spent a decade in a jazz and soft-rock haze, her newer pop efforts oddly anonymous for an artist once so electrifying. Her new album ‘Mayhem’ does feel like a return to form – but it’s her recent comments on her regained confidence as an artist that sound most promising, writes Adam White

© Getty

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The woman who hates cooking – but wrote a hit cookbook anyway

Suzanne Mulholland, aka The Batch Lady, isn’t obsessed with food, hates weeknight cooking and wants you to spend less time in the kitchen. But with her new book, ‘Rapid Dinners’, she’s proving that meal prep doesn’t have to be a chore – and that a well-stocked freezer might just be the secret to a calmer life, says Ella Walker

© Andrew Hayes-Watkins

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‘I don’t want to make money from a baby – that’s not what surrogacy is about for me’

Charlotte Johnson-Daniels, 41, a preschool teacher who lives in Kent with her husband, James, tells Charlotte Cripps why, after having five children of her own, she decided to help childless couples and become a surrogate in 2022, giving birth to the first baby in June 2024, and embarking on her second surrogacy journey this year

© Charlotte Johnson-Daniels

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Brazilians have waited 25 years to avenge Gwyneth Paltrow’s Oscar win – Fernanda Torres might just do it

In 1999, Brazilians were left frustrated when Fernanda Montenegro, one of the country’s most famous and respected actors, was beaten to an Academy Award by the ‘Shakespeare in Love’ star. Now, almost three decades later, Montenegro’s daughter – the star of the celebrated drama ‘I’m Still Here’ – could take home the Best Actress prize herself, writes Adam White

© Getty Images/iStock/Shutterstock/Sony Pictures Classics

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Inside the controversial Oscars ‘fashion show’ – and why Hollywood hated it

For years the Best Costume Design Oscar was presented via an elaborate spectacle that involved supermodels, dancers and – on one occasion – a live elephant carrying an envelope with the winner’s name in their trunk. Lydia Spencer-Elliott digs into the archives to unearth the truth behind the show’s slow demise

© Oscars/YouTube

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How The Brutalist made its disorienting, dazzling score: ‘It was hammers and screws making music!’

The Oscar-nominated soundscape of Brady Corbet’s awards frontrunner was often recorded before filming had begun, before being blasted out of speakers onto the set of the film during production. Kevin E G Perry speaks to composer Daniel Blumberg about his very novel approach to music – and his surprise that it’s been so embraced

© A24

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