What do Swift and Plath have in common, and should Kamala Harris have spoken out about her political ambitions? The Argonauts author turns her lens on poetry, pop and patriarchy

Maggie Nelson is an unapologetic Taylor Swift fan. She knows the discography, drops song lyrics into conversation and tells me she took her family to the Vancouver leg of the Eras tour. So she’s a dyed-in-the-wool Swiftie? Nelson seems not entirely comfortable with the breathless connotations of that term but yes, the love is real. So much so, she has written a book about the billionaire singer-songwriter, or rather, a joint analysis of Swift and Sylvia Plath, who recurs in much of Nelson’s oeuvre.

The notion of uniting these two cultural titans, who are seemingly poles apart in sensibility – one a melancholic American poet, the other an all-American poster girl – came to her when she heard Swift’s 2024 album, The Tortured Poets Department. Alongside its literary references to F Scott Fitzgerald, Dylan Thomas and Shakespeare, there are heavy resonances of Plath in its introspection and emotional tumult. But the book only started to take shape after a chat with her 13-year-old son’s friend, Alba. “We were making bracelets and she said ‘Have you ever heard of Sylvia Plath?’ I thought that was funny because I’d written my undergraduate thesis on Plath and I was [almost] 40 years older than her. So I said: ‘I have heard of Sylvia Plath.’ As I sat there, I thought, these kids don’t want to hear me talk on this topic but I have a lot to say because I’ve been thinking of it all.”