Conch-shell trumpets discovered in Neolithic settlements and mines in Catalonia make tone similar to french horn, says lead researcher

As a child, Miquel López García was fascinated by the conch shell, kept in the bathroom, that his father’s family in the southern Spanish region of Almería had blown to warn their fellow villagers of rising rivers and approaching flood waters.

The hours he spent getting that “characteristically potent sound out of it” paid off last year when the archaeologist, musicologist and professional trumpet player pressed his lips to eight conch-shell trumpets. Their tones, he says, could carry insights into the lives of the people who lived in north-east Spain 6,000 years ago.

‘They could not, sadly, support a single mom,’ they said

‘Avatar: Fire and Ash’ is slated for release in December

Norway’s most celebrated photographer made his name with calm, reflective images that sit at odds with his reckless life. Friends and family remember a paradoxical man

Norway has never looked as wet as in the photographs of the late Tom Sandberg. There are shots of drizzle and puddles, of asphalt slick with mizzle. A ripple of water appears to have a hole in it, a figure looms behind a rain-dappled window, a gutter glows after a downpour.

Shot in either bold chiaroscuro or gentle orchestrations of greys, these are pictures with the power to make the everyday seem dreamlike. But they are also uplifting, in a confusing kind of way, like being told to dress for sun even when the clouds are black.

Survey also reveals Britons’ favourite festive film, views on tear-jerkers and family cinema trips

When Macaulay Culkin recently said he didn’t consider Die Hard to be a Christmas film – wading into one of pop culture’s most heated holiday debates – he was booed by a live audience.

But it looks like the British people are behind the actor, with a survey revealing that Home Alone is the UK’s favourite festive film, while Die Hard has officially been voted not a Christmas movie.

This old-school sitcom about a PE teacher who wakes after being frozen since the 70s is an impeccably deadpan send-up of masculinity. But it hits hardest when this unreconstructed man turns out to be right about life today

You can lay the demise of political satire at the door of stranger-than-fiction governmental turmoil. You can attribute the disappearance of pop culture pastiche to a fractured zeitgeist and the thinning out of the artistic mainstream. Yet there’s no obvious reason for the scarcity of jokes about contemporary society in comedy. Maybe it has something to do with the decline of the sketch show; perhaps it’s simply because there’s far less funny stuff on TV in general (during the 2010s, the BBC’s comedy output almost halved). Whatever the reason, when we get a chance to laugh at modern mores, we should probably take it.

Re-enter Mammoth, an old-school sitcom from the Welsh comedian Mike Bubbins. The 53-year-old stars as the eponymous Tony Mammoth, a PE teacher who was buried by an avalanche on a school skiing trip in 1979. A quarter of a century later he was unearthed – nice one, global warming! – with his middle-aged body and dated values perfectly preserved. Yes we can laugh at this swaggering alpha’s outmoded tastes and borderline offensive views. But the beauty of this series is that the comedy flows both ways: when Mammoth looks aghast at the things that pass for normal in 2020s Britain, it can be hard to deny that he has a point.

Disgraced and incarcerated music mogul claims footage in docuseries Sean Combs: The Reckoning was stolen

Sean “Diddy” Combs has taken issue with a splashy new Netflix docuseries on his life and many legal troubles, that is executive produced by his longtime rival 50 Cent.

The former Bad Boy Records executive and hip-hop star, currently serving a four-year sentence for prostitution-related charges, blasted Sean Combs: The Reckoning as a “shameful hit piece”, and accused Netflix of incorporating stolen footage.