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Zootopia 2 bucks trend for Hollywood releases in China as it breaks records for foreign animation

Now China’s highest-grossing foreign animation, the films, known as Zootropolis in some countries, comes amid a boom for domestic productions

A comedy about animal cops investigating a reptilian mystery has become the highest-grossing foreign animated film ever in China, bucking the trend of declining interest in overseas productions that has resulted in Hollywood films struggling in the Chinese box office.

Zootopia 2 (called Zootropolis 2 in some European countries), a hotly anticipated and widely marketed sequel to 2016’s Zootopia, was released in China last week. In its first seven days, it made about 2bn yuan (£213m) in ticket sales, making it one of the best-performing films of the year.

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© Photograph: Go Nakamura/Reuters

© Photograph: Go Nakamura/Reuters

© Photograph: Go Nakamura/Reuters

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Lady Gaga review – the Mayhem Ball shows Mother Monster is still the reigning queen of spectacle

Marvel Stadium, Melbourne
The pop star’s first Australian show in a decade comes after years of physical and mental pain – so it’s a great relief to see her having a good time again

As Lady Gaga is carted on stage atop a crinoline structure that resembles both a red velvet cake and a toilet roll doll cozy she states her dictum: “Dance or die”.

Mother Monster’s ruling sets into motion an operatic 150-minute show – her first in Australia since the artRAVE in August of 2014. For the entirety of the Mayhem Ball, Gaga careens between dancing and dying in what she calls her “gothic dream” – although it often reads more Halloween. Skeletons abound – no doubt a homage to the late Gaga muse Rick Genest, otherwise known as Zombie Boy. At times it’s downright Hitchcockian, Gaga a veritable Kim Novak as she switches between blond and brunette selves with each wig change.

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© Photograph: Kevin Mazur/Getty Images for Live Nation

© Photograph: Kevin Mazur/Getty Images for Live Nation

© Photograph: Kevin Mazur/Getty Images for Live Nation

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Fackham Hall review – Downton Abbey spoof is fast, funny and throwaway

Period drama parody has some decent and often smart gags and benefits from a game cast including Damian Lewis and Thomasin McKenzie

Perhaps it’s the feeling of end times in the air: after years of inactivity, spoofs are making a comeback. This summer saw the resurgence of the lighthearted genre, which at its best sends up the pretensions of overly serious genre with a barrage of pitched cliches, sight gags and stupid-clever puns. The Naked Gun, starring Liam Neeson and Pamela Anderson in a spoof of a buddy-cop spoof, opened to moderate box office success; the hapless rock band dialed it back up to 11 in Spinal Tap II: The End Continues. Reboots of the horror spoof gold-standard Scary Movie and the Mel Brooks Star Wars rip Spaceballs were greenlit, and there were rumors of a return for international man of mystery Austin Powers. Unserious times, it seems, beget appetite for knowingly unserious, joke-dense, refreshingly shallow fun.

The latest of these goofy parodies, which premieres on the beyond-parody day that Fifa awarded Donald Trump an inaugural peace prize and Netflix announced its plan to buy Warner Bros, is Fackham Hall, a Downton Abbey spoof that pokes at the very pokeable pretensions of gilded British period dramas. (Yes, Fackham rhymes with a crass kiss-off to the aristocracy.) Co-written by British Irish comedian and TV presenter Jimmy Carr and directed by Jim O’Hanlon, Fackham Hall has plenty of material to work with – the historical soap’s grand finale just premiered in September, 15 years after Julian Fellowes’s series started going upstairs-downstairs with ludicrous portent – and wastes none of it. From ludicrous start (servants rolling joints for the household and responding to calls from the “masturbatorium”) to ludicrous finish (someone manages to marry a second cousin rather than a first!), this enjoyable silver-spoon romp packs all of its 97 minutes with jokes and bits ranging from the puerile to the genuinely funny, proving that there may yet be more to wring from eat-the-rich satire.

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© Photograph: Paul Stephenson/© 2025 Elysian Films

© Photograph: Paul Stephenson/© 2025 Elysian Films

© Photograph: Paul Stephenson/© 2025 Elysian Films

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Frank Gehry, legendary Canadian-American architect, dies aged 96

The architect, whose work included the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA, died after a brief illness

Frank Gehry, one of the most influential and distinctive talents in American architecture, died on Friday at his home in Los Angeles following a brief respiratory illness, his chief of staff confirmed. He was 96.

Gehry, the most recognizable American architect since Frank Lloyd Wright, was one of the first to embrace the potential of computer design, and pioneered a distinctively exuberant style of bravura power, whimsical and arresting collisions of form. His most famous work remains the Guggenheim Museumin Bilbao, a fantastical, titanium-clad composition on the Nervión River which received international acclaim upon its opening in 1997, heralding a new era of emotive architecture.

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© Photograph: Lorenzo Ciniglio/Sygma/Getty Images

© Photograph: Lorenzo Ciniglio/Sygma/Getty Images

© Photograph: Lorenzo Ciniglio/Sygma/Getty Images

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‘This merger must be blocked’: Netflix-Warner Bros deal faces fierce backlash

US politicians and Hollywood guilds have voiced concerns against the proposed $83bn purchase of the studio

The news that Netflix has agreed to buy Warner Bros in an $83bn deal has led to backlash among figures in and out of the entertainment industry.

Elizabeth Warren, a Democratic senator, called it “an anti-monopoly nightmare” in a statement released soon after the announcement.

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© Photograph: Patrick T Fallon/AFP/Getty Images

© Photograph: Patrick T Fallon/AFP/Getty Images

© Photograph: Patrick T Fallon/AFP/Getty Images

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[Édito] Un si mauvais refrain

Notre chroniqueur Sébastien Le Fol donne son point de vue sur la présence d’Israël au prochain concours de l’Eurovision.

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On a vu 4 épisodes de Loups-Garous saison 2 : la série de Canal+ est-elle toujours aussi addictive ?

Un an après sa première partie devenue iconique, la série Loups Garous reprend du service pour une saison 2 sur Canal+. Au menu, de nouveaux villageois et des grands méchants à démasquer. Mais la magie opère-t-elle toujours ? Voici notre critique, sans spoilers, des quatre premiers épisodes, que nous avons pu voir en avant-première.

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