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Google s’incline devant Disney au sujet de l’IA

Après avoir reçu une mise en demeure de la part de Disney, le géant de la tech a définitivement supprimé toutes les vidéos générées par IA, et mettant en scène des personnages de la firme aux grandes oreilles. Une victoire pour Disney, qui s'est désormais allié à OpenAI dans le domaine.

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‘This extraordinary story never goes out of fashion’: 30 authors on the books they give to everyone

Colm Tóibín, Robert Macfarlane, Elif Shafak, Michael Rosen and more share the novels, poetry and memoirs that make the perfect gift

I love giving books as presents. I rarely give anything else. I strongly approve of the Icelandic tradition of the Jólabókaflóðið (Yule book flood), whereby books are given (and, crucially, read) on Christmas Eve. Nan Shepherd’s The Living Mountain is the one I’ve given more often than any other; so much so that I keep a stack of four or five to hand, ready to give at Christmas or any other time of the year. It’s a slender masterpiece – a meditation on Shepherd’s lifelong relationship with the Cairngorm mountains, which was written in the 1940s but not published until 1977. It’s “about the Cairngorms” in the sense that Mrs Dalloway is “about London”; which is to say, it is both intensely engaged with its specific setting, and gyring outwards to vaster questions of knowledge, existence and – a word Shepherd uses sparingly but tellingly – love.

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© Composite: Getty Images

© Composite: Getty Images

© Composite: Getty Images

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My cultural awakening: The Lehman Trilogy helped me to live with my sight loss

My reduced vision badly affected my ability to appreciate films and art, but the stripped-back staging and immediacy of the play gave me back my sense of self

I began to notice my sight deteriorating in my 40s, but not just in the way that you expect it to with age. I had night blindness and blind spots in my field of view. At 44, I was diagnosed with retinitis pigmentosa, a genetic eye condition that causes the retina cells to die. I had always been a very visually oriented person: I was a practising architect, and someone who loved to read, draw, go to the cinema and visit art exhibitions. So when black text disappeared on a glaring white page, films became impossible to follow and artworks only took shape once explained to me, I questioned who I would be without my vision.

Around the age of 50, I had a particularly stressful year: I got divorced; dissolved my business; started a new job; moved house; and my dad died. As my life fell off a cliff, so did my eyesight, so that by 2015 my field of vision had decreased to only 5-10 degrees (a healthy average person’s is about 200 degrees). I was registered blind, but for a long time I lived in denial, not telling anyone how much vision I had lost. At work, feeling vulnerable and like I could lose my job, I presented as fully sighted, a daily performance that became exhausting. I was in survival mode, focusing on putting one foot in front of the other, hoping I wouldn’t get found out. I refused to see myself as disabled, and resisted using a white stick, but once I eventually did, I found people saw my disability before they saw me. I felt a total loss of identity. And I stopped doing the cultural things that once brought me joy.

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© Illustration: Martin O'Neill/The Guardian

© Illustration: Martin O'Neill/The Guardian

© Illustration: Martin O'Neill/The Guardian

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Elastic limbs, fantastical accents and crackling sexual chemistry: Dick Van Dyke turns 100

The goofy star of Mary Poppins becomes a centenarian on Saturday. And what a precocious performer he has proved, sustaining scrappy mischief through seven decades of mainstream entertainment

All Hollywood stars grow old and die except perhaps one - Dick Van Dyke - who turns 100 today. The real world Peter Pan who used to trip over the ottoman on The Dick Van Dyke Show is still standing. The man who impersonated a wind-up toy in Chitty Chitty Bang Bang hasn’t wound down just yet. He has outlived mentors, co-stars, romantic partners and several studios. He’s even outlived the jokes about his performance in Mary Poppins. These days his mangled cockney accent is regarded with more fondness than contempt. It’s seen as one of the great charms of the 1964 classic, along with the carousel chase or the cartoon dancing penguins.

Charm is the magic ingredient of every popular entertainer and few have possessed it in such abundance as Van Dyke, the impoverished son of a travelling cookie salesman who dropped out of high school and educated himself at the movies. “His job in this life is to make a happier world,” his Broadway co-star Chita Rivera once said - and this may explain his stubborn refusal to quit, not while times are tough and he feels that audiences still need cheering up.

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© Photograph: Chelsea Lauren/Shutterstock

© Photograph: Chelsea Lauren/Shutterstock

© Photograph: Chelsea Lauren/Shutterstock

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Dermatose : Le Pen appelle à une concertation avec les agriculteurs, Genevard regrette qu’elle « cherche à polémiquer »

Depuis son fief d’Hénin-Beaumont, Marine Le Pen a insisté, ce vendredi, sur le besoin « urgent » d’une concertation avec les agriculteurs pour trouver des solutions alternatives à l’abattage des troupeaux affectés par la dermatose. Une prise de parole critiquée par Annie Genevard, ministre de l’Agriculture.

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‘A master of complications’: Felicity Kendal returns to Tom Stoppard’s Indian Ink after three decades

The writer’s former partner and her co-star Ruby Ashbourne Serkis describe the bittersweet nature of remounting his 90s play so soon after his death

‘We were swimming in the mind pool of Tom Stoppard!’ – actors salute the great playwright

I won’t, I promise, refer to Felicity Kendal as Tom Stoppard’s muse. “No,” she says firmly. “Not this week.” Speaking to Stoppard’s former partner and longtime leading lady is delicate in the immediate aftermath of the writer’s death. But she is previewing a revival of his Indian Ink, so he shimmers through the conversation. The way Kendal refers to Stoppard in the present tense tells its own poignant story.

Settling into a squishy brown sofa at Hampstead theatre, Kendal describes revisiting the 1995 work, developed from a 1991 radio play. “It’s a play that I always thought I’d like to go back to.” Previously starring as Flora Crewe, a provocative British poet visiting 1930s India, she now plays Eleanor Swan, Flora’s sister. We meet Eleanor in the 1980s, fending off an intrusive biographer but uncovering her sister’s rapt and nuanced relationships in India.

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© Photograph: Johan Persson

© Photograph: Johan Persson

© Photograph: Johan Persson

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Has Simon Cowell lost his mojo? Seven things you need to know about the music mogul’s new direction

The former X Factor judge is back, auditioning boyband wannabes for his latest talent show – but gen Z doesn’t seem to care very much, or even know who he is

Have we gone back in time to 2010? If only! No, Simon Cowell is just back in the headlines, reasserting his svengali status for his new Netflix show. Reviews suggest that Cowell’s attempted comeback, 15 years since his celebrity peak, highlights less his particular star power than how totally the world has moved on. But is there anything to learn from SyCo now, and will his new boyband work? Let’s see!

1. Cowell is chasing a new direction

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© Composite: Guardian Design; Amanda Edwards/Getty Images

© Composite: Guardian Design; Amanda Edwards/Getty Images

© Composite: Guardian Design; Amanda Edwards/Getty Images

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