Incarnez des druides et des sorcières, et parcourez la forêt mystique pour y ériger des menhirs, dans Les Druides d’Edora, notre jeu de société de la semaine. Comment ça se joue ? Quel est notre avis ? On vous dit tout.
Incarnez des druides et des sorcières, et parcourez la forêt mystique pour y ériger des menhirs, dans Les Druides d’Edora, notre jeu de société de la semaine. Comment ça se joue ? Quel est notre avis ? On vous dit tout.
HBO étend encore l'univers de George R.R. Martin avec l'adaptation du Chevalier errant, A Knight of the Seven Kingdoms, qui sera dévoilée à partir du 19 janvier 2026 sur HBO Max. Mais avec le lourd passif de Game of Thrones et de House of the Dragon, le visionnage est-il impossible pour les néophytes ? Pas du tout.
HBO étend encore l'univers de George R.R. Martin avec l'adaptation du Chevalier errant, A Knight of the Seven Kingdoms, qui sera dévoilée à partir du 19 janvier 2026 sur HBO Max. Mais avec le lourd passif de Game of Thrones et de House of the Dragon, le visionnage est-il impossible pour les néophytes ? Pas du tout.
A congressional hearing this week underscored the danger a WBD deal would pose to journalism and the American public
Donald Trump wants CNN sold. He has said so repeatedly and publicly, demanding it “should be sold” in any deal involving Warner Bros Discovery. Now one of America’s largest media companies is racing to oblige him, while another looks to consolidate its power. Wednesday’s House judiciary hearing on streaming competition – where lawmakers voiced concern over the Trump administration’s influence and a potential merger’s toll on consumers – made clear just how dangerous both options are for free speech, audiences and democracy itself.
Netflix has bid $82.7bn for Warner Bros Discovery, only to be countered by a hostile $108bn takeover bid from Paramount Skydance, led by David Ellison, son of Trump’s ally Larry. Neither deal serves the public interest, and both are dangerous for the future of free expression. Both would produce an unprecedented concentration of power over what Americans watch and which stories get told.
Courtney C Radsch is director of the Center for Journalism and Liberty at the Open Markets Institute
Très utilisé pour qualifier -- et souvent disqualifier -- certaines femmes en ligne, le terme « pick me » s’est banalisé à mesure qu’il se diffusait sur les réseaux sociaux. Un mot-clé du web dont le sens, l’origine et les usages sont plus complexes qu’il n’y paraît.
Très utilisé pour qualifier -- et souvent disqualifier -- certaines femmes en ligne, le terme « pick me » s’est banalisé à mesure qu’il se diffusait sur les réseaux sociaux. Un mot-clé du web dont le sens, l’origine et les usages sont plus complexes qu’il n’y paraît.
Pour fêter la fin de Stranger Things et de sa saison 5, Lego et Netflix s'associent une nouvelle fois pour commercialiser un set aux couleurs de la série. C'est la maison Creel qui est à l'honneur, avec un mécanisme secret que vont apprécier les fans. Sans oublier le casting de personnages, Vecna en tête.
‘The Kid’s jazz-influenced rhythm guitar made him utterly integral to the Dead and his later collaborations solidified the band’s influence over latter-day alt-rock
For most of their career, the other members of the Grateful Dead referred to Bob Weir as “the Kid”. You can understand why. He was only 16 when the band that would ultimately become the Grateful Dead was founded. Moreover, Weir was implausibly fresh-faced and boyishly handsome, particularly compared to some of his bandmates. Jerry Garcia’s photo was used in one of Richard Nixon’s campaign broadcasts, a symbol of all that was wrong with US youth. Keyboard player Ron “Pigpen” McKernan, by all accounts sweet-natured, nevertheless gave off the air of a man who would strangle you with his bare hands as soon as look at you. Weir, on the other hand, somehow managed to look like the kind of charming young man a mother would be happy for her daughter to bring home, even in the famous 1967 photo of him leaving the band’s Haight-Ashbury residence in handcuffs after being busted for drug possession. His relationship with Garcia and bass player Phil Lesh – five and seven years older than him, respectively – is regularly characterised as that of a junior sibling: at one juncture in 1968, the pair contrived to have Weir dismissed from the band on the grounds that his playing wasn’t good enough.
It never happened – Weir simply kept turning up to gigs and the matter was eventually dropped – but it’s hard to see how the Grateful Dead would have worked without him. For one thing, the band’s famed ability to improvise on stage was rooted in a kind of uncanny psychic bond between the key members – “an intwined sense of intuition”, as Weir described it – that they usually claimed was forged while playing together on LSD as the house band at Ken Kesey’s infamous acid test events of 1965 and 1966. For another, whether Garcia and Lesh thought it was up to snuff in 1968, Weir’s rhythm guitar style was an essential component of their sound. It was less obviously striking than Garcia’s fluid soloing or Lesh’s extraordinary approach to the bass – inspired by his grounding in classical music, he played countermelodies rather than basslines – but no less unique, a mass of alternate chords, harmonic pairings and bursts of contrapuntal lead lines that he said were influenced by the playing of jazz pianist McCoy Tyner. More practically, Weir had huge hands, which enabled him to play chords others physically couldn’t.
From star-led revivals and buzzy West End transfers to bold new plays and reimagined musicals, Broadway’s 2026 season signals a shift away from Hollywood spectacle toward a more balanced slate, Caitlin Hornik writes
Pour fêter la fin de Stranger Things et de sa saison 5, Lego et Netflix s'associent une nouvelle fois pour commercialiser un set aux couleurs de la série. C'est la maison Creel qui est à l'honneur, avec un mécanisme secret que vont apprécier les fans. Sans oublier le casting de personnages, Vecna en tête.
While playing with nine-figure Hollywood budgets, the Kill List and Meg 2 director has become a prolific music producer. Next up is his experimental film, Bulk
Dave Welder may just be the most prolific musician you’ve never heard of. In a little more than a year, he has released a staggering 26 records spanning electronica, dub, ambient, kosmische and drone. One of these albums, Thunderdrone, is more than four hours long. Based in Brighton and Hove and described as “a rotating group of musicians and artists”, in reality “Dave Welder” is largely the work of one man who, until now, has been operating in secret: film director Ben Wheatley.
“I’ve always wanted to make music,” says Wheatley, whose films include the independent movies High-Rise, Kill List and Sightseers, along with big-budget Hollywood flicks such as the shark thriller Meg 2: The Trench. “I wanted to do it for my films but there was a dissonance. Of all the art forms, I couldn’t really understand it. I would dream that I could play, but then it was like, no, I can’t.”
L'histoire d'amour qui unit Bella Swan et Edward Cullen a profondément marqué la littérature young adult ainsi que le cinéma des années 2010. Pour replonger dans ce monde vampirique, vous pouvez heureusement compter sur les plateformes de streaming. Voici comment vous pouvez regarder l'intégrale de Twilight, directement depuis votre canapé.
Forget puritanical self-discipline – the way to really make a new habit stick is to lace it with instant gratification
Like many people, I spent New Year’s Eve making a list of the goals I want to achieve in the year ahead – a habit that never fails to arouse the ire of my boyfriend. “Why do you always have to put yourself under pressure?” he’ll ask, rolling his eyes. “It’s so puritanical!”
And he has a point. When most of us turn our minds to self-improvement, we assume that we need to put pleasure on pause until we’ve reached our goal. This is evident in the motivational mantras that get bandied about – “no pain, no gain”, “the harder the battle, the sweeter the victory”. If we fail, we tend to think it’s our own fault for lacking the willpower needed to put in the hours and stick at it, probably because we’ve given in to some kind of short-term temptation at the expense of long-term gain.
L'histoire d'amour qui unit Bella Swan et Edward Cullen a profondément marqué la littérature young adult ainsi que le cinéma des années 2010. Pour replonger dans ce monde vampirique, vous pouvez heureusement compter sur les plateformes de streaming. Voici comment vous pouvez regarder l'intégrale de Twilight, directement depuis votre canapé.
Created by two uni mates whose last gig was a David Hasselhoff comedy, the series has become a star-making transatlantic hit. Now it’s back for an intense fourth season that heads everywhere from Ghana to Sunderland
Spoiler alert: this article contains references to major events in the previous three series of Industry
Industry is not for everyone. Mickey Down and Konrad Kay’s drama about young City bankers is zeitgeisty, iconoclastic and slightly inaccessible. “It is niche,” says Down. “We don’t write to any kind of brief. We don’t write what we think is going to be interesting to other people – or commercial.” For every 10 people that don’t understand a “reference or the thing we’re trying to do with the costume or the subtle hint we’re making about someone’s class, there’ll be one person that gets it. The show’s for that one person.”
And for that one person, Industry is hard to beat. “Not to toot my own horn,” says Myha’la, the mononymous 29-year-old who co-stars as daredevil American trader Harper Stern, “but I think there isn’t anything better than this show out there right now.”