The departure came after Ruby Wax left the series on Wednesday

The shift came after Ruby Wax's exit from the show on Wednesday

A 15-year quest ends with a monument, drawing crowds and nostalgia as Detroit embraces its cult-film past

The statue looms and glints at more than 11 feet tall and weighing 3,500 pounds, looking out at the city with, how to put it … a characteristically stern expression?

Despite its daunting appearance and history as a crimefighter of last resort, the giant new bronze figure of the movie character RoboCop is being seen as a symbol of hope, drawing fans and eliciting selfie mania since it began standing guard over Detroit on Wednesday afternoon.

Ireland, Spain, Slovenia and the Netherlands pull out after decision not to hold vote on Israel’s participation

Ireland, Spain, Slovenia and the Netherlands will boycott next year’s Eurovision after Israel was given the all-clear to compete in the 2026 song contest despite calls by several participating broadcasters for its exclusion over the war in Gaza.

No vote on Israel’s participation was held on Thursday at the general assembly of the European Broadcasting Union (EBU), the body that organises the competition.

Some users jump generations in expanded Wrapped review while Taylor Swift tops UK streams for third year

It has given some in middle age dubious hope that they have their finger on the cultural pulse. Meanwhile, some younger users have been told their listening habits suggest they are well into retirement.

Spotify has confected a wave of intrigue over what our musical preferences suggest about our vintage, with its “your listening age” feature causing delight and consternation.

Le lancement, fin novembre 2025, par Amazon de doublages d’anime générés par IA en anglais a déclenché une tempête, entre fans scandalisés, acteurs de doublage indignés et extraits moqués en masse sur les réseaux sociaux. Face aux critiques, la plateforme a rapidement fait marche arrière.

Big farmers grab the lion’s share of US government support, and recent cuts have chipped away at small growers’ markets and margins

The most significant food system failure since the pandemic was not a natural disaster: in October, the US Department of Agriculture (USDA) announced the Supplemental Nutrition Assistance Program (Snap) was temporarily suspended for the month of November due to the government shutdown

More than 40 million people had to ration food, skip meals and make sacrifices we might associate with the Great Depression, not 21st-century America. Churches, community groups and neighbors sprang into action. They checked on single moms juggling multiple jobs, elderly friends living alone, people with disabilities and large families with children too young for school lunch programs. And though food stamps were restored, the Trump administration is now threatening to pull Snap funds from Democratic-led states.

The Florida-based art gathering is spearheaded this year by artists from Brazil, Mexico, Argentina and Panama

Whether it’s literally bringing Panamanian soil to Miami, or subverting the messages of Mexican religious cults by appropriating their iconography into tile murals dripping with sexual innuendo, Latin American artists at Art Basel Miami Beach this year are finding ways to reinvent their cultural heritage as surprising and fantastic pieces of art.

The Mexican artist Renata Petersen, originally from Guadalajara, has outfitted her Art Basel booth with three collections that may at first appear disconnected – intricate murals made from tiles and covered slogans and iconography, 80 chrome-blown glass works that look slightly like chess pieces but are actually derived from sex toys, and ceramic vases sporting carefully arranged motifs. For Petersen, these works spring from a childhood lived with her anthropologist mother, where she learned to look at cults and other religious movements with a detached eye.

Hardish Virk uses photography, film, music and his family’s memorabilia to tell a wider story of migration and community resilience

As you enter the living room at the Stories That Made Us exhibition, a stereo plays the Hindi anthem Yeh Dosti Hum Nahi Todenge. It is a ballad celebrating friendship and love from the epic film Sholay. Beside the stereo sits a bottle of Johnnie Walker and a red glass decanter. On the table are copies of the Punjabi newspaper Des Pardes, which translates as “home and abroad”.

The scene, which depicts the childhood home of the Coventry-born curator and artist Hardish Virk, is one of several spaces in an immersive exhibition at the city’s Herbert Art Gallery & Museum. It traces four decades of the experiences of south Asians as they arrived and adapted to the social, political and cultural changes in modern Britain.