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No 1 for nuns! Níall McLaughlin is architecture’s discreet daredevil – and deserves its top award

Forget brash statement projects – Riba’s prestigious gold medal has gone to a pivotal figure who works above an Aldi and designs billowing bandstands, jewel-like chapels and buildings that change colour

When Níall McLaughlin was shortlisted for the Stirling prize in 2013, for designing an exquisitely jewel-like chapel for a theological college near Oxford, he brought along his client to the prize-giving ceremony. It was the first (and possibly last) time a group of Anglican nuns had ever graced such a spectacle.

Despite clearly having God on his side, he lost out that year, but eventually scooped the Stirling in 2022, for the New Library at Magdalene College, Cambridge. Founded in 1428, Magdalene’s alumni include Samuel Pepys, Norman Hartnell and Bamber Gascoigne. Oxbridge colleges expect their buildings to endure, and McLaughlin delivered a reassuringly robust and handsomely detailed exemplar, mixing crisp planes of brick that recalled the American modernist Louis Kahn, with top notes of English Arts and Crafts, echoing the gabled forms of the college’s historic courts.

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© Photograph: Nick Kane/RIBA/PA

© Photograph: Nick Kane/RIBA/PA

© Photograph: Nick Kane/RIBA/PA

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Bluey tops US streaming charts in 2025 for second year in a row, with 45bn minutes watched

Australian children’s cartoon series about a family of blue heelers has yet to announce a new season

Australian-made animated series Bluey was the most streamed show in the US for the second year in a row, topping Nielsen’s annual year-end streaming charts for 2025.

US viewers watched 45.2bn minutes of the show on Disney+ according to Nielsen, down from 55.62bn in 2024, but still impressive given the show comprises 154 episodes – most of them less than 10 minutes’ long.

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© Photograph: Ludo Studio

© Photograph: Ludo Studio

© Photograph: Ludo Studio

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Paul Dano reacts to Tarantino criticism: ‘I was incredibly grateful that the world spoke up for me’

Actor says the defence of his peers and fans was ‘really nice’ after Quentin Tarantino’s scathing assessment calling Dano ‘a weak, weak, uninteresting guy’

Paul Dano has responded to Quentin Tarantino’s scathing criticism of his acting abilities, thanking those who came to his defence after Tarantino called him a “weak, uninteresting guy” and “the limpest dick in the world”.

On Wednesday, Dano told Variety that the supportive responses that poured in from his peers and across social media was touching.

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© Photograph: Marechal Aurore/ABACA/Shutterstock

© Photograph: Marechal Aurore/ABACA/Shutterstock

© Photograph: Marechal Aurore/ABACA/Shutterstock

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‘If you want to nuke your life, do crack’: raw Courtney Love documentary hits Sundance

Antiheroine, a new film about the musician’s tumultuous life and career, premiered at the festival with some frank admissions but the star not present

A new documentary about the gen X icon and “queen of grunge” Courtney Love caused a stir at the Sundance film festival – without the legendary Hole frontwoman in attendance.

The musician and actor, now 61, was supposed to attend the premiere of Antiheroine, a new retrospective documentary by Edward Lovelace and James Hall that traces her storied life and career, but did not make it for undisclosed reasons. “We’re really gutted that Courtney couldn’t make it tonight to celebrate this moment with us all,” said Lovelace in his introduction for the film’s premiere in Park City, Utah, calling Love “so unfiltered, so truthful”.

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© Photograph: Edward Lovelace

© Photograph: Edward Lovelace

© Photograph: Edward Lovelace

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See You When I See You review – familar Sundance-y grief comedy drama has its moments

Sundance film festival: Jay Duplass recruits David Duchovny, Hope Davis and Kaitlyn Dever for a patchy, poignant tale

If anyone can speak to the “end of an era” nostalgia coursing through the legacy-minded 2026 Sundance film festival, its final edition in Park City and its first without founder Robert Redford, it would be Jay Duplass. The film-maker first attended the indie festival along with his brother, Mark, in 2003, with a self-proclaimed “$3 film”, then went on to premiere three projects – The Puffy Chair, Baghead and Cyrus – that epitomized the much-debated, very indie mumblecore movement of yore. For the Duplass brothers, the festival was, as it has been for many a small-budget artist trying to break out, the difference between a career and another $3 film. Without Sundance, he recently joked: “I’d probably be a psychologist right now.”

Psychologist sympathies peek through See You When I See You, Duplass’s feature film return to the festival after 16 years largely focused on acting and directing episodic television, notably for Togetherness, Search Party and the criminally underseen Somebody, Somewhere. An earnest adaptation of comedian Adam Cayton-Holland’s memoir, Tragedy Plus Time, the 102-minute film is both a straightforward tribute to psychotherapy and a tightrope walk of tone, attempting to balance profound grief with breezy comedy for a family reeling from a shocking loss.

See You When I See You is screening at the Sundance film festival and is seeking distribution

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© Photograph: Jim Frohna

© Photograph: Jim Frohna

© Photograph: Jim Frohna

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Ian McEwan calls for assisted dying rights to extend to dementia sufferers

The author, whose family has been impacted by dementia, says provision in living wills could clarify intentions when a person declines to the point they are ‘alive and dead all at once’

Legalised assisted dying should “gradually” be extended to dementia sufferers, the author Ian McEwan has said.

McEwan was “shocked by the snow-drilling attempts” by those opposed to the UK’s assisted dying bill, he told a public book event in London, citing its more than 1,000 amendments. MPs and peers backing the bill now believe it is “near impossible” for it to pass the House of Lords before the end of the session in May due to alleged filibustering.

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© Photograph: Lydia Goldblatt/The Guardian

© Photograph: Lydia Goldblatt/The Guardian

© Photograph: Lydia Goldblatt/The Guardian

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Are people really going to see Amazon’s $75m Melania documentary?

This weekend sees the release of a controversially funded film about the first lady, directed by a disgraced film-maker

It’s not often that a presidential administration faces a direct referendum at the box office. Sure, there was more than a hint of rebuke in Michael Moore’s 2004 documentary Fahrenheit 9/11 unexpectedly becoming the biggest-grossing non-music-or-nature documentary of all time (and highest full stop in North America) while taking re-election-year shots at George W Bush (who went on to squeak out another victory anyway). But that movie was also sold on Moore himself, a recent Oscar winner and fixture in both film and television by that point. Bush was excoriated, but he wasn’t exactly getting top billing. The unambiguous star of this weekend’s Trump-approved documentary is right there in the title: Melania. It’s coming to 1,500 theaters this weekend from Amazon/MGM.

Relatively few documentaries receive a wide release (though Melania is going out in about half as many theaters as last weekend’s Amazon release, the Chris Pratt vehicle Mercy), so comparison points are relatively few. Box office predictions generally place the movie well under Moore’s unlikely high-water mark for the form. Some are guessing the opening weekend will pull in about $1m, which would comfortably keep it off the list of the worst wide openings of all time (the record low for a new release in around 1,500 theaters is about $330,000) but would nonetheless qualify it as a bomb. Others estimate that it will go as high as $5m, putting it in line with rightwing docs like Am I Racist?, the highest-grossing documentary of 2024, which ended its run with $12m. As the Hollywood Reporter points out, technically inching ahead of Am I Racist? and the recent faith-based After Death would boast the biggest non-music launch for a documentary of the past decade.

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© Photograph: John Angelillo/UPI/Shutterstock

© Photograph: John Angelillo/UPI/Shutterstock

© Photograph: John Angelillo/UPI/Shutterstock

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