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Ariana Grande to make London stage debut alongside Jonathan Bailey in Sunday in the Park With George

The singer will reunite with her Wicked co-star in a revival of the musical inspired by artist Georges Seurat in summer 2027

Wicked co-stars Ariana Grande and Jonathan Bailey are to reunite on stage in Stephen Sondheim’s Pulitzer prize-winning musical Sunday in the Park With George. The production, hotly rumoured and finally announced on Wednesday, will run at the Barbican Centre, London, in summer 2027.

Sunday in the Park With George, which has a book by Sondheim’s long-term collaborator James Lapine, is a tale of two artists. One is inspired by the pointillist Georges Seurat and the other is the character’s great-grandson. On Wednesday, Bailey and Grande shared a photo on Instagram of them sitting in front of the Seurat painting that inspired the production, A Sunday Afternoon on the Island of La Grande Jatte, which is on display in the Art Institute of Chicago.

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© Photograph: Universal Studios/PA

© Photograph: Universal Studios/PA

© Photograph: Universal Studios/PA

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Ian McKellen to star as LS Lowry in documentary revealing trove of unheard tapes

Exclusive: Artist reminisces about his life in film using interviews recorded in last four years of his life

Fifteen years ago, Sir Ian McKellen was among the leading arts figures who criticised the Tate for not showing its collection of paintings by LS Lowry in its London galleries and questioned whether the “matchstick men painter” had been sidelined as too northern and provincial.

Now, 50 years after Lowry’s death, McKellen is to star in a BBC documentary that will reveal a trove of previously unheard audio tapes recorded with Lowry in the 1970s during his final four years of life.

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© Photograph: Multitude Media

© Photograph: Multitude Media

© Photograph: Multitude Media

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Erotic gay smash Heated Rivalry is a well-timed defense of intimacy coordinators | Adrian Horton

The small screen phenomenon, and its publicized use of intimacy coordinators, has arrived as established Hollywood names have started to criticize the role

If you could pinpoint a moment where things change for Shane Hollander (Hudson Williams) and Ilya Rozanov (Connor Storrie), the two professional hockey players secretly hooking up in the show Heated Rivalry – a moment when the relationship breaks through into fraught emotional territory, when the hazy, undefined thing has become a thing – it would be midway through episode four.

Ilya’s couch, mid-morning, post-breakfast. (The exponentially growing fandom of this six-episode show from Canadian streamer Crave, which premiered in North America in late November with virtually no promotion and has rapidly become one of the most organic TV phenomena in recent memory, knows exactly what I’m talking about.) Hollander overhears Rozanov’s distressing phone call from home and asks how his father is (he doesn’t know Russian, but agitation needs no language); Rozanov responds by wrapping a sculpted arm around his neck. The two then get intimate, in one of the show’s many near-wordless sex scenes, culminating in them each using the other’s first name for the first time.

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© Photograph: Sphere Abacus/Sabrina Lantos © 2025

© Photograph: Sphere Abacus/Sabrina Lantos © 2025

© Photograph: Sphere Abacus/Sabrina Lantos © 2025

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Sex, drugs and sugar babies: first trailer for Euphoria season three drops

Sam Levinson’s hit HBO drama series returns in April with Zendaya, Sydney Sweeney and Jacob Elordi returning

The first trailer for the third season of Euphoria promises more sex, drugs and violence, teasing a troubled life after high school for the show’s characters.

Zendaya, Sydney Sweeney, Hunter Schafer and Jacob Elordi are among those returning for episodes four years in the making. The new season will take place five years after the characters were last seen.

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© Photograph: HBO

© Photograph: HBO

© Photograph: HBO

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He lived in a cage, jumped from a window and spent a year roped to a friend: is Tehching Hsieh the most extreme performance artist ever?

He has broken his ankles, endured 365 days in a cell and faced down the 20th century’s worst winter. Yet he says he is not a masochist. We meet the man Marina Abramovich calls ‘the master’

For one year, beginning on 30 September 1978, Tehching Hsieh lived in an 11ft 6in x 9ft wooden cage. He was not permitted to speak, read or consume any media, but every day a friend visited with food and to remove his waste.

The vital context here is that this incarceration was voluntary: Hsieh is a Taiwanese-American artist whose chosen practice is performance art, undertaking durational “actions” for long periods. Marina Abramović has called him the “master” of the form. In 1980, seven months after the end of Cage Piece, Hsieh began another year-long work, Time Clock Piece, which required him to punch a factory-style clock-in machine in his studio, every hour of each day for 365 days.

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© Photograph: Tehching Hsieh and Linda Montano, Life Images; courtesy Dia Art Foundation/© Tehching Hsieh and Linda Montano

© Photograph: Tehching Hsieh and Linda Montano, Life Images; courtesy Dia Art Foundation/© Tehching Hsieh and Linda Montano

© Photograph: Tehching Hsieh and Linda Montano, Life Images; courtesy Dia Art Foundation/© Tehching Hsieh and Linda Montano

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Un choc se prépare : la valeur des terres agricoles va baisser de 60 % dans ces régions au cours des prochaines décennies

Au fil des ans, les difficultés auxquelles doivent faire face les agriculteurs français s’accumulent, et les challenges seront encore plus importants à l'avenir. C’est ce que montre une carte de l’Agence européenne pour l'environnement : la valeur de certaines terres agricoles va s’effondrer, y...

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Un choc se prépare : la valeur des terres agricoles va baisser de 60 % dans ces régions au cours des prochaines décennies

Au fil des ans, les difficultés auxquelles doivent faire face les agriculteurs français s’accumulent, et les challenges seront encore plus importants à l'avenir. C’est ce que montre une carte de l’Agence européenne pour l'environnement : la valeur de certaines terres agricoles va s’effondrer, y...

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What’s behind the phenomenon of ‘gamer brain’

If you’ve ever refused to knock down a game’s difficulty level, or chased a purposefully pointless achievement, you might have this pernicious but pleasurable affliction

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Studies on gaming’s effect on the brain usually focus on aggression or the cognitive benefits of playing games. The former topic has fallen out of fashion now, after more than a decade’s worth of scientific research failed to prove any causative link between video games and real-world violence. But studies on the positive effects of games have shown that performing complex tasks with your brain and hands is actually quite good for you, and that games can be beneficial for your emotional wellbeing and stress management.

That’s all well and good, but I’m obsessed with the concept of “gamer brain” – that part of us that is drawn to objectively pointless achievements. Mastering a game or finishing a story are normal sources of motivation, but gamer brain is inexplicable. When you retry the same pointless mini-game over and over because you want to get a better high score? When you walk around the invisible boundaries of a level, clicking the mouse just in case something happens? When you stay with a game longer than you should because you feel compelled to unlock that trophy or achievement? When you refuse to knock the difficulty down a level on a particularly evil boss, because that would be letting the game win? That’s gamer brain.

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© Photograph: Devolver Digital

© Photograph: Devolver Digital

© Photograph: Devolver Digital

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Bronx dog-walkers in the rubble of a dangerous New York: Camilo José Vergara’s best photograph

‘Huge parts of the city were being destroyed. This was part of my attempt to preserve the whole damn thing. The area became a juvenile prison’

I landed in America in 1965 from Chile. I literally arrived on a banana boat. I went to the University of Notre Dame in the midwest and then to Columbia in New York. I had a teacher – also a photographer – who taught foreign students to write and speak better English. I would try to write poetry, which he thought was terrible. I’d never taken a picture before but he encouraged me to try photography and offered to lend me the money for a Pentax Spotmatic he’d seen for sale downtown. After that, I would just walk around New York with it and take photos. It quickly became clear to me how divided the city was. Half was white and the other half was Black and Latino. There was tremendous segregation.

Columbia was very prosperous. The students were well off and many were the sons of extremely rich people. I felt out of place. Also, there’s just a huge sense of loss when you leave your country and you don’t know anybody and are on your own. It made me want to look at what else was going on: to see the other side and the underside of the city. I found it easily because, in the late 60s and early 70s, deindustrialisation was going on. Big companies and car plants were shutting down and there were huge job losses and store closures. That contrast resonated with me. My family had lost a lot of money. The first part of my life was about seeing things disappear and having to make do with less and less. I was interested to see that in the US.

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© Photograph: Camilo José Vergara

© Photograph: Camilo José Vergara

© Photograph: Camilo José Vergara

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