All the updates from week 10 of the BBC dancing competition

© BBC
All the updates from week 10 of the BBC dancing competition

© BBC
You’ll want to shoot this to the top of your watchlist

© Netflix
The festive hit was released three decades ago, but it has stood the test of time

© Mariah Carey
‘The Hunger Games’ author Suzanne Collins has previously denied the claim

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Presenters announced last year their marriage was coming to an end

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Seven campmates faced the public vote – but who went home?

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‘Price Tag’ artist says she didn’t ‘want a label on it’ but she’s ‘always going to be attracted to women’

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Katherine Ryan shared what Christmas with her new baby will look like as she appeared at the premiere for her new film Tinsel Town just six weeks after giving birth.

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Robbie Williams has spoken of his pride as his daughter Teddy makes her acting debut in new Christmas movie Tinsel Town.

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Alex Scott admitted that she once "ghosted" Louis Theroux after he complimented her television work.

© ITV
The singer on going solo, bringing back George Michael, and why a dog made her rethink motherhood
Born in Rotherham, South Yorkshire, Rebecca Lucy Taylor, 39, was in the duo Slow Club. After 10 years, she went solo as Self Esteem and received Mercury prize, NME and Brit nominations for her second album, 2021’s Prioritise Pleasure. This year, she won the Ivor Novello Visionary award and released a book and album, both called A Complicated Woman. In March, she stars in David Hare’s Teeth ’n’ Smiles at the Duke of York’s theatre, London. She lives in London with her partner.
When were you happiest?
Five to 10, when I was just playing out and I didn’t realise I was a girl. Before my boobs came in, basically.

© Photograph: Rosaline Shahnavaz/The Guardian

© Photograph: Rosaline Shahnavaz/The Guardian

© Photograph: Rosaline Shahnavaz/The Guardian
Democracy, birds and hangover cures – famous fans put their questions to the visionary author
After the phenomenal global success, not to mention timeliness, of the TV adaptation of The Handmaid’s Tale in 2017, Margaret Atwood has been regarded as “a combination of figurehead, prophet and saint”, the author writes in her new memoir Book of Lives. Over 600 pages this “memoir of sorts” ranges from her childhood growing up in the Canadian backwoods to her grief at the death of her partner of 48 years, the writer Graeme Gibson, in 2019, with many friendships, the occasional spat and more than 50 books (including Cat’s Eye, Alias Grace and the Booker prizewinning The Blind Assassin and The Testaments) in between.
The author, who turned 86 last week, always likes to take the long view, often from a couple of centuries’ distance. As Rebecca Solnit notes below, she now has a long view of our times. Age and the freedom of being a writer (as she says, she can’t get sacked) make her fearless in speaking out.
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© Photograph: Christopher Wahl/The Guardian

© Photograph: Christopher Wahl/The Guardian

© Photograph: Christopher Wahl/The Guardian
Jess Glynne has shared an update on marriage plans with I’m A Celebrity... Get Me Out of Here! star Alex Scott.

© Jess Glynne
One line from Ridley Scott’s classic movie was the shove I needed to walk out on my husband after years of his controlling behaviour
It was 1991, I was in my early 40s, living in the south of England and trapped in a marriage that had long since curdled into something quietly suffocating. My husband had become controlling, first with money, then with almost everything else: what I wore, who I saw, what I said. It crept up so slowly that I didn’t quite realise what was happening.
We had met as students in the early 1970s, both from working-class, northern families and feeling slightly out of place at a university full of public school accents. We shared politics, music and a sense of being outsiders together. For years, life felt full of promise. When our first child arrived, I gave up my local government job to stay at home. That’s when the balance between us shifted.
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© Illustration: Martin O'Neill/The Guardian

© Illustration: Martin O'Neill/The Guardian

© Illustration: Martin O'Neill/The Guardian
In this week’s newsletter: The turn-of-the-2000s produced a frenzy of cultural crystal-ball gazing. Two decades on those bold forecasts reveal as much about us as they do about the era itself
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I love revisiting articles from around the turn of the millennium, a fascinatingly febrile period when everyone – but journalists especially – briefly lost the run of themselves. It seems strange now to think that the ticking over of a clock from 23:59 to 00:00 would prompt such big feelings, of excitement, terror, of end-of-days abandon, but it really did (I can remember feeling them myself as a teenager, especially the end-of-days-abandon bit.)
Of course, some of that feeling came from the ticking over of the clock itself: the fears over the Y2K bug might seem quite silly today, but its potential ramifications – planes falling out of the sky, power grids failing, entire life savings being deleted in a stroke – would have sent anyone a bit loopy. There’s a very good podcast, Surviving Y2K, about some of the people who responded particularly drastically to the bug’s threat, including a bloke who planned to sit out the apocalypse by farming and eating hamsters.
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© Composite: Alamy, PA

© Composite: Alamy, PA

© Composite: Alamy, PA
Endometriosis, miscarriage, failed relationships, suicide and gaslighting … they are all laid bare on the singer-writer’s new album. But just as she finished recording it, she got a shock diagnosis. She explains why it’s made her determined to be in the moment
You couldn’t make it up, Jessie J says. There she was preparing for her first album release in eight years, ecstatically in love with her newish partner, and finally the mother of a toddler having struggled to conceive for a decade, on top of the world. Then in March she was diagnosed with breast cancer.
The singer-songwriter, real name Jessica Cornish, is famous for telling it as it is. The album, Don’t Tease Me With a Good Time, was supposed to be an open book, dealing with every ounce of devastation she’d experienced since she last recorded music (endometriosis, miscarriage, failed relationships, gaslighting, suicide) with typical candour. The first single, No Secrets, was released in April. But by then there was a mighty secret. The cancer. Then second single, Living My Best Life, came out in May and Cornish was giving interviews about how she was living her best life, while still secretly living with breast cancer. A month later she went public, and in early July she had a mastectomy.
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© Photograph: Felicity McCabe/The Guardian

© Photograph: Felicity McCabe/The Guardian

© Photograph: Felicity McCabe/The Guardian
The supernatural drama inches closer to the end, while Ethan Hawke fully encapsulates Lorenz Hart in Richard Linklater’s Broadway breakup drama. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews
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© Composite: Courtesy of Netflix

© Composite: Courtesy of Netflix

© Composite: Courtesy of Netflix
The Dune and Avengers star tells Patrick Smith not to drink the Kool-Aid as he talks about his wild past – fights, addiction, and friendship with Donald Trump – plus his relationship with fame and starring in the new Knives Out film

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Starkie has died of leukaemia surrounded by friends and family and ‘listening to Chuck Berry’, his daughter says
The renowned Australian guitarist Bob “Bongo” Starkie has died at the age of 73, his band Skyhooks has announced.
Starkie died peacefully early on Saturday after a battle with leukaemia, the band’s archivist, Peter Green, said in a post on the Skyhooks Facebook page.
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© Photograph: Fairfax Media Archives/Fairfax Media/Getty Images

© Photograph: Fairfax Media Archives/Fairfax Media/Getty Images

© Photograph: Fairfax Media Archives/Fairfax Media/Getty Images
Samuel Lewis had to push his limits for the pop star’s global tour, set to hit his home town Melbourne next week
It starts in a flood of red: a red-curtained stage, red flashing lights. It’s Lady Gaga, so theatrics are par for the course. As the lights go up it becomes clear she’s not standing on a giant stage but, in fact, wearing it.
A militaristic bodice extends into the swooping velvet drapes of a 7.5-metre-high gown. “It’s not just a dress; it’s a moving piece of art, an engineering feat,” says the Australian-Taiwanese designer Samuel Lewis, who dreamed up its design, and created it in collaboration with the LA-based costume designer Athena Lawton.
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© Photograph: Kevin Mazur/Getty Images for Live Nation

© Photograph: Kevin Mazur/Getty Images for Live Nation

© Photograph: Kevin Mazur/Getty Images for Live Nation
The actor and crime novelist on telling stories, not slowing down and the lessons his mother taught him
Bryan Brown gives a barely perceptible nod of welcome after I arrive by ferry at Balmain wharf, as he steps out from under the semicircular roof of the late 19th-century timber shelter here, the last of its kind on Sydney harbour.
“How’s it going?” he asks, his Australian drawl at once familiar from his roles in 80-plus films and television series.
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© Photograph: Jessica Hromas/The Guardian

© Photograph: Jessica Hromas/The Guardian

© Photograph: Jessica Hromas/The Guardian
The late Australian artist ‘wanted to challenge orthodoxy in everything he did’, says Sue Cramer, his wife and co-curator of a new survey of his playful, rigorous career
John Nixon, the late Australian avant-garde artist, would sometimes save the shells from his boiled eggs and sprinkle them across blank paint, creating his own starry night. Other times he’d set himself rules, such as painting only in orange for five years. It was 1996 and he was becoming a father, so he wanted a streamlined practice – plus, what other artist was associated with orange?
These anecdotes – just two among many – reflect not only Nixon’s lifelong frugality, idiosyncrasies and strategies, but his steadfast blending of art into everyday life for more than 50 years. His hardline minimalism never feels stifling or overwrought, but rigorous and playful, critical yet fortuitous.
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© Photograph: Eugene Hyland/The Guardian

© Photograph: Eugene Hyland/The Guardian

© Photograph: Eugene Hyland/The Guardian