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Who knew it would take an American pope to remind us of the value of art and good taste? | Jason Okundaye

Anti-AI and pro-beauty, Leo XIV has proved an unlikely custodian of culture – and a patron of meaningful work in a world of algorithmic slop

So, who figured that Pope Leo XIV would end up being kind of cool? Not me. Although as a lapsed Catholic I had little stake in the conclave race, I felt that there was something unglamorous, dare I say godless, about a first-ever supreme pontiff born in the US, let alone one hailing from Chicago, the same city as Hugh Hefner, Hillary Clinton and Kanye West. There were greater apprehensions beyond taste, too. Would this finally be the ordination of the reinvigorated Maga movement after the death of the compassionate Pope Francis? When Leo appeared on the balcony of St Peter’s Basilica wearing the traditional red mozzetta cape eschewed by his predecessor, it was too easy to jump to conclusions.

By the grace of God, the red mozzetta was a red herring. Very quickly, American conservatives went into meltdown over the pope’s patent anti-Maga leanings and his empathy for migrants and marginalised groups – “anti-Trump, anti-Maga, pro-open borders and a total Marxist,” fumed far-right activist Laura Loomer. That alone has been a relief. But perhaps even more significantly, Leo has demonstrated the benefits an American bishop of Rome can have for the rest of us, Christian, Catholic or otherwise: that is through his exemplary cultural leadership, and close engagement with the arts.

Jason Okundaye is an assistant newsletter editor and writer at the Guardian. He edits The Long Wave newsletter and is the author of Revolutionary Acts: Love & Brotherhood in Black Gay Britain

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© Photograph: Vatican Pool/Getty Images

© Photograph: Vatican Pool/Getty Images

© Photograph: Vatican Pool/Getty Images

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From The Death of Bunny Munro to Wicked: For Good: the week in rave reviews

Matt Smith is the ultimate bad dad in a Nick Cave novel adaptation, and the Oz prequel musical reaches the end of the road. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews

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© Composite: PR Image/SKY UK, Clerkenwell Films

© Composite: PR Image/SKY UK, Clerkenwell Films

© Composite: PR Image/SKY UK, Clerkenwell Films

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Celebrity crib sheet: Cynthia Erivo and Ariana Grande are back on the red carpet – here are seven things you need to know

As Wicked: For Good premieres in the UK, find out just how close its costars are, why so many of the cast are vegan and the truth about Grande’s move away from pop

It doesn’t matter if you’ve never seen the musical, have no interest in the film or are left cold by red carpets: Wicked season is here again, and you will be made to pay attention. After last year’s chaotic press tour for the first instalment, giving rise to some of 2025’s biggest and most bizarre pop culture moments, all eyes are now on the rollout of the sequel Wicked: For Good and the theatre-kid capers of its stars, Cynthia Erivo and Ariana Grande. Here’s what you need to know.

1. They are still ‘holding space’ for one another
Last year’s Wicked press tour was an infamous love-in for Grande and Erivo. Such was the intensity of their connection and mutual affection, both were frequently moved to tears in interviews. The enduring image was of Erivo stroking Grande’s index finger in response to a journalist’s unintelligible remark about people “holding space” with the song Defying Gravity. Grande poked fun at her and Erivo’s histrionics, declaring them “insufferable” and “the most annoying” – but their bond still appears unbreakable. At the New York premiere of Wicked: For Good on Monday, Erivo declined to give interviews to preserve her voice. Grande was reported to also be skipping press “in solidarity”, but couldn’t help plugging her costar’s forthcoming projects “as Erivo looked on smiling”, as CNN described the scene. Asked what they were feeling, ahead of the film’s final instalment, Grande spoke for them both: “overwhelming gratitude”. Late on Thursday, she tested positive for Covid.

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© Composite: Guardian Design; Evan Agostini/Invision/AP

© Composite: Guardian Design; Evan Agostini/Invision/AP

© Composite: Guardian Design; Evan Agostini/Invision/AP

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Kristen Bell and Brian Cox among actors shocked they’re attached to Fox News podcast

The 52-episode Christian podcast was announced with a number of actors involved yet many claim they had no idea about it

The Fox News announcement of a new podcast series on Jesus Christ has turned into a bizarre holiday tale in Hollywood, as several actors attached to massive, 52-episode project claim their recordings date back 15 years and are being released without their prior knowledge.

The new audiobook titled The Life of Jesus Christ Podcast, announced on Wednesday as part of a splashy rollout for the network’s new Christian vertical called Fox Faith, purports to guide listeners “through the life, teachings, and miracles of Jesus Christ”, with each episode introduced by Fox & Friends co-host Ainsley Earhardt.

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© Composite: Getty

© Composite: Getty

© Composite: Getty

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Netflix’s Selena doc sensitively focuses on her incredible life over her tragic death

The 23-year-old ‘Queen of Tejano music’ was murdered just as her music was set to cross over and revealing new film Selena y Los Dinos: A Family’s Legacy finds new ways to celebrate her

The tragic circumstances surrounding Selena Quintanilla’s death are well documented. In 1995, while on the verge of US pop crossover success, the 23-year-old Queen of Tejano Music was murdered by one of her employees, Yolanda Saldívar.

Selena’s life story has already been told in multiple ways, including through a movie, a musical and a podcast series. However, the touching Netflix documentary Selena y Los Dinos: A Family’s Legacy is the most empathetic and personal look at her life and career to date. Working alongside Selena’s family, who generously opened their archive of rare photos and home videos and sat for extensive interviews, director Isabel Castro uses intimate recollections and vivid primary sources to trace the artist’s ascent.

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© Photograph: AP

© Photograph: AP

© Photograph: AP

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