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Kristen Bell and Brian Cox among actors shocked they’re attached to Fox News podcast

The 52-episode Christian podcast was announced with a number of actors involved yet many claim they had no idea about it

The Fox News announcement of a new podcast series on Jesus Christ has turned into a bizarre holiday tale in Hollywood, as several actors attached to massive, 52-episode project claim their recordings date back 15 years and are being released without their prior knowledge.

The new audiobook titled The Life of Jesus Christ Podcast, announced on Wednesday as part of a splashy rollout for the network’s new Christian vertical called Fox Faith, purports to guide listeners “through the life, teachings, and miracles of Jesus Christ”, with each episode introduced by Fox & Friends co-host Ainsley Earhardt.

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© Composite: Getty

© Composite: Getty

© Composite: Getty

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Netflix’s Selena doc sensitively focuses on her incredible life over her tragic death

The 23-year-old ‘Queen of Tejano music’ was murdered just as her music was set to cross over and revealing new film Selena y Los Dinos: A Family’s Legacy finds new ways to celebrate her

The tragic circumstances surrounding Selena Quintanilla’s death are well documented. In 1995, while on the verge of US pop crossover success, the 23-year-old Queen of Tejano Music was murdered by one of her employees, Yolanda Saldívar.

Selena’s life story has already been told in multiple ways, including through a movie, a musical and a podcast series. However, the touching Netflix documentary Selena y Los Dinos: A Family’s Legacy is the most empathetic and personal look at her life and career to date. Working alongside Selena’s family, who generously opened their archive of rare photos and home videos and sat for extensive interviews, director Isabel Castro uses intimate recollections and vivid primary sources to trace the artist’s ascent.

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© Photograph: AP

© Photograph: AP

© Photograph: AP

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The Guardian view on authentic casting in Wicked: finally a true celebration of difference | Editorial

The wider TV and film industries have a long way to go in including disabled actors and creators, and leaving stereotypes behind

While the entertainment industry has been at pains to address issues of diversity in race, gender and sexuality, disability remains shockingly underrepresented. It’s not just that disabled actors are discounted for many roles. As actors and activists have pointed out, “blacking up” might have become taboo, but “cripping up” is still a shoo-in for awards. In almost 100 years, only three disabled actors have won an Oscar, compared to 25 able-bodied actors who have won for playing disabled characters.

The arrival this weekend of Wicked: For Good, the second part of a prequel story to The Wizard of Oz, has put the importance of authentic casting in the spotlight once more. The story of green-skinned witch Elphaba, and the prejudice she faces, Wicked is a celebration of difference. Yet since the hit musical opened in 2003, only able-bodied actors had played the part of Nessarose, Elphaba’s disabled sister. Last year, Marissa Bode became the first wheelchair-using actor to take the role, in part one of the film adaptation. The child Nessa is also played by a wheelchair user. The movies give the character greater agency and complexity, amending a scene that suggested she needs to be “fixed”.

Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.

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© Photograph: Kena Betancur/AFP/Getty Images

© Photograph: Kena Betancur/AFP/Getty Images

© Photograph: Kena Betancur/AFP/Getty Images

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The Guide #218: For gen Zers like me, YouTube isn’t an app or a website – it’s the backdrop to our waking lives

In this week’s newsletter: When the video-sharing site launched in 2005, there were fears it would replace terrestrial television. It didn’t just replace it – it invented entirely new forms of content. ASMR, anyone?

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Barely a month goes by without more news of streaming sites overtaking traditional, terrestrial TV. Predominant among those sits YouTube, with more than 2.5 billion monthly viewers. For people my age – a sprightly 28 – and younger, YouTube is less of an app or website than our answer to radio: the ever-present background hum of modern life. While my mum might leave Radio 4 wittering or BBC News flickering in the corner as she potters about the house, I’ve got a video essay about Japan’s unique approach to urban planning playing on my phone. That’s not to say I never watch more traditional TV (although 99% of the time I’m accessing it through some other kind of subscription streaming app), but when I get home after a long day and the thought of ploughing through another hour of grim prestige fare feels too demanding, I’m probably watching YouTube. Which means it’s very unlikely that I’m watching the same thing as you.

When Google paid $1.65bn for the platform in 2006, (just 18 months after it launched) the price seemed astronomical. Critics questioned whether that valuation could be justified for any video platform. The logic was simple – unless YouTube could replace television, it would never be worth it. Nearly two decades on, that framing undersells what actually happened. YouTube didn’t just replace television – it invented entirely new forms of content: vodcasts, vlogs, video essays, reaction videos, ASMR and its heinous cousin mukbang. The platform absorbed new trends and formats at lightning speed, building what became an alternative “online mainstream”. Before podcasters, TikTokers, Substackers and even influencers, there were YouTubers.

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© Photograph: Chicken Shop Date

© Photograph: Chicken Shop Date

© Photograph: Chicken Shop Date

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Brandy and Monica review – 90s R&B heavyweights bring star-studded reunion to New York

Barclays Center, Brooklyn

The Boy Is Mine pair were joined by guests such as Kelly Rowland, Fat Joe, Ciara and Tyrese for a sometimes strange, sometimes soaring throwback night

Supposedly feuding for over 25 years might be bad karma, but it’s great for ticket sales. Of course, Brandy and Monica aren’t actually fighting, they just did such a good job of pretending to hate each other on their 1998 duet The Boy Is Mine that the world has been convinced of it ever since. The R&B legends have taken pains to point out that their relationship is harmonious in multiple interviews leading up to this 32-date co-headline tour, even making fun of the drama in a recent Dunkin advert that featured them fighting over a frappe.

Happily, Brandy and Monica’s sisterhood also means they’re playing their biggest venues in decades. After emerging on stage from a vintage elevator wearing sunglasses and scowling expressions, the duo launches into a kind of sing-and-dance-off, trading places and performing a trio of classics apiece as the other watches with disdain. It’s a knowing nod to their purported rivalry that begins to take on the feeling of a variety segment, which isn’t helped by the trimming of songs like What About Us? and Like This and Like That to 90 seconds apiece. Even so, their camaraderie shines through as Brandy quickly breaks character to sway and sing along to Monica’s Don’t Take It Personal (Just One Of Dem Days), a showcase for her slightly raspy, soulful vocals during which she winds her hips and aims gun fingers at the audience.

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© Photograph: The Boy is Mine Tour

© Photograph: The Boy is Mine Tour

© Photograph: The Boy is Mine Tour

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Quand sort House of the Dragon saison 3 en streaming ?

Deux ans après la sortie de House of the Dragon saison 2, l'horizon se dégage pour la suite. La chaîne de télévision américaine HBO a donné le calendrier de sortie de la saison 3 et validé le principe d'une saison 4, qui arrivera dans deux ans.

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Is Avatar’s main villain about to become a good guy? All the signs are pointing that way

Will Quaritch, the square-jawed representative of military-industrial destruction befriend the Na’vi in James Cameron’s forthcoming Avatar: Fire and Ash? And if so, what other unlikely character about-turns should we be prepared for?

It’s almost possible to feel a little sorry for Colonel Miles Quaritch, the main villain of Avatar. Imagine: first you’re sent light years from Earth to hang out with 14ft blue space hippies, then you’re suddenly dead. Then you’re resurrected as one of the 14ft blue space hippies. And now, according to James Cameron, you might just be starting to realise that the giant tree-hugging freaks you’ve spent two films trying to erase are your kind of people after all.

Speaking to Empire in an interview last week, Cameron revealed that the Quaritch we will meet in the forthcoming Avatar: Fire and Ash (although still played by Stephen Lang) is no longer the same person we first saw stomping through the rainforest in the original 2009 film. Yes, he’s a “recombinant” – a lab-grown Na’vi reboot of a man carved out of granite and patriotism – but he’s also going through a full-blown existential wobble after discovering in the last instalment that he has a human son, Spider. “Quaritch is undergoing an identity crisis,” said Cameron. “His interest in the biological son of his biological precursor form is all about trying to define, ‘Am I a completely new person? Am I bound by the rules and the behaviours of the person whose memories and personality I was imprinted with?’ It’s a true existential dilemma for him in the philosophical sense.”

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© Photograph: Landmark Media/Alamy

© Photograph: Landmark Media/Alamy

© Photograph: Landmark Media/Alamy

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‘The sword swung so close to her head!’ What it’s like to commit one of TV’s most unforgivable murders

From Claire Foy’s Anne Boleyn in Wolf Hall to Adriana in The Sopranos, we meet the actors who had to bump off TV legends … and then face the wrath of the public

Talk about being a pantomime villain. It’s unpopular enough playing the antagonist who murders a long-running TV character. When your victim is a fan favourite, though, you risk being vilified even more. So what’s it like being the ultimate baddy and breaking viewers’ hearts? Do they get booed in the street or trolled online? We asked five actors who killed off beloved characters – from Spooks to The Sopranos, Wolf Hall to Westeros – about their experiences …

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© Photograph: Giles Keyte/Giles Keyte / Company Pictures and Playground 2013

© Photograph: Giles Keyte/Giles Keyte / Company Pictures and Playground 2013

© Photograph: Giles Keyte/Giles Keyte / Company Pictures and Playground 2013

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‘People once threw food at modern art!’ Turner-winning sculptor Tony Cragg’s amazing journey to success

He may now live in Germany, but he loves returning to Britain, not just to put on a show, but to enjoy the weather, the food, the humour – and the selfie-takers in galleries

Let’s suppose that you are a Turner prize-winning sculptor, with more than 50 years in the game. One restless night, an idea comes to you. You work it up in your studio and send it off to the foundry, to be cast in bronze. Finally, you’re ready to show it to the world, but the first person through the gallery doors barely glances at it before taking a selfie with it. What do you do? Bear in mind that you are Tony Cragg, Royal Academician, and you are on record bemoaning the preference of many art-lovers for listening to audio guides as they tour exhibitions.

The perhaps unlikely answer is that you welcome the selfie-taker with outstretched arms, or at least give a convincing impression of doing so. “No, I don’t have problem with that,” says Cragg, albeit faintly, as if he’s thinking about the people who might be crossing the threshold of his latest show, which just opened in London. “People are bound to respond in different ways.”

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© Photograph: George Darrell/© Tony Cragg, Courtesy Lisson Gallery.

© Photograph: George Darrell/© Tony Cragg, Courtesy Lisson Gallery.

© Photograph: George Darrell/© Tony Cragg, Courtesy Lisson Gallery.

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