Event was expected to include a junket featuring director James Cameron and the movie’s star Sam Worthington

Film set on ‘Beauty and Beast’ antagonist will have ‘swashbuckling’ tones

It is hoped the institution can help foster new bonds in a fractured nation, but such optimism will be a stretch for some

It was a night at the museum like no other. As the staccato sound of firecrackers and explosions rang out across Martyr’s Square in the heart of Tripoli, for once it was not Libya’s militias battling it out for a larger stake in the country’s oil economy, but a huge firework display celebrating the reopening of one of the finest museums in the Mediterranean.

The National Museum of Libya – housing Africa’s greatest collection of classical antiquities in Tripoli’s historic Red Castle complex – had been closed for nearly 14 years due to the civil war that followed the former dictator Muammar Gaddafi’s downfall. Its ceremonial reopening came at the climax of a lavish show compressing Libya’s rich history and attended by diplomats and Arab celebrities, with a full-size Italian orchestra, acrobats, dancers, arches of fire and lights projected on to the fort. It did not lack for circus drama or cost, peaking with a billowing Ottoman sailing ship arriving high above the port on wires to be greeted by an angelic-appearing Libyan woman.

Our cultural aversion to superficial answers leaves ‘Wie geht’s?’ sounding like a trick question. Perhaps it is time to let our guard down

In the early autumn, over pizza and wine, I had a conversation with a dear friend. He’s Turkish. We were in Ayvalık, a small town on Turkey’s Aegean coast, talking about cultural imprints, when he suddenly paused and looked at me. “You know what?” he said. “Whenever I ask you how you are, you never really answer. You go into a meta space immediately – talking about politics or about bigger things that worry you – but you never say how you actually are.”

I’ve been thinking about his observation ever since, debating in my mind whether it was true – and I’ve recently reached the conclusion that, unfortunately, he was right.

Carolin Würfel is a writer, screenwriter and journalist who lives in Berlin and Istanbul. She is the author of Three Women Dreamed of Socialism

The beloved Australian actor died on 7 December after a battle with chronic illness

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McLeod’s Daughters and Home and Away actor Rachael Carpani has died, aged 45, her family has announced.

A statement from her parents, shared by her sister on Instagram on Monday, said that the actor had “unexpectedly but peacefully passed away after a long battle with chronic illness in the early hours of Sunday 7th December”. Her exact cause of death was not made public.

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Oly and Santi take their newborn on a hellish cruise halfway around the world. But amid the torture there are beautiful moments to treasure in this much-loved Aussie drama

As a teenager, Oly Chalmers-Davis weathered her fair share of motherhood-related horrors. For a start, the high-achieving 16-year-old went into labour in the school toilets, having not even realised she was pregnant. Not long afterwards, she was forced to tell her boyfriend he wasn’t the father – the baby was the product of a fling with another classmate. Then, unable to entertain the prospect of her perfect grades slipping, she decided to juggle studying with looking after a newborn, all the while navigating mastitis, mockery from her classmates (including some inventively mean-spirited memes) and a rocky on-off romance with her child’s dad, Santi.

After five series following Oly (Nathalie Morris) and Santi (Carlos Sanson Jr) as they struggled to adjust to parenthood, hit Australian comedy-drama Bump wrapped things up last December – yet we were left on a cliffhanger. Recently married and with little Jacinda (Ava Cannon) well into primary school, the pair were preparing to welcome another child. Now the show is back for a feature-length festive special, picking up the story eight weeks after the birth of their son.