Stranger Things vous manque déjà ? Netflix a une bonne nouvelle pour vous : vous pouvez désormais vous consoler en découvrant le making-of de l'ultime saison 5, nommé La dernière aventure. Mais devez-vous vraiment regarder ce documentaire, dont la durée culmine à environ deux heures ?
Des centaines d’agriculteurs ont rallié la capitale ce mardi matin. Ils dénoncent les normes qu’ils jugent trop contraignantes et s’opposent à l’accord du Mercosur, défavorable à l’agriculture française.
With debate still swirling over the unlikeable nature of Marty Supreme’s careless protagonist, Guardian writers have picked their all-time love-to-hate leads
Spoilers ahead
I can remember seeing As Good As It Gets in theaters as a teenager and being pleasantly startled by the sight of Jack Nicholson’s Melvin Udall, romcom super grouch. Here’s a bestselling romance author who disdains love, an OCD sufferer who weaponizes his affliction, a New Yorker who hates crowds (who can’t relate?). In one scene, an adoring fan asks Melvin his secret to writing women. “I think of a man, and I take away reason and accountability,” he says, an epic burn forever seared in my brain. Of course Melvin’s anti-charm offensive only goes so far in a James L Brooks project. Before long, the rudeness erodes as Melvin is forced on to a journey of self-discovery with the nextdoor neighbor he can’t abide (Greg Kinnear) and the diner waitress he can’t live without (Helen Hunt). Melvin comes out a changed man in the end, but retains the essence of his super grouch-dom. That was the moment I fell in love with the writer’s life. Andrew Lawrence
Un jeu roguelike en grande partie généré par IA va être retiré de Steam. Son développeur a pris cette décision après une rencontre personnelle qui l’a conduit à remettre le projet en question. Preuve que l’amour peut déplacer des montagnes et retirer des jeux des plateformes.
A crime committed in the home of a regular black American family results in paranoia on all sides in this 81-minute film from Nnamdi Asomugha
Here is a compact drama that twists itself like a tourniquet over 81 minutes, as a bad situation turns into a catastrophe for an ordinary American family.
Late one night in an unnamed city, construction worker Chris (Nnamdi Asomugha, also the film’s director and co-writer) finishes a DIY project in his own home and sinks a beer or two. He takes a couple of pills before checking on his two young daughters Kendra (Amari Alexis Price) and Ryley (Aiden Gabrielle Price), who have been sneakily pretending to be asleep. Then he gets into bed with wife Alex (Aja Naomi King) for a chat and a soon-abandoned attempt to have exhausted marital sex while their infant baby sleeps next door.
Randa Abdel-Fattah, who is Palestinian Australian, has faced criticism for controversial comments on Israel, including alleging Zionists had ‘no claim or right to cultural safety’
When the board of a South Australian festival cut a prominent Palestinian Australian author from its lineup, citing her “past statements” in the context of the deadly Bondi terror attack, it no doubt braced itself for controversy.
What it may not have foreseen, however, is an implosion.
Environ 350 tracteurs ont investi Paris ce mardi matin, venant du Nord et de la région parisienne, pour exprimer leur colère face aux normes et à l’accord UE-Mercosur.
Specialists in choreographing sex scenes have come under fire from the likes of Gwyneth Paltrow and Mikey Madison – is there any weight to their complaints?
When intimacy coordinator Adelaide Waldrop gets asked about her job at parties, she contemplates lying. “I’ve considered saying I’m an accountant,” she says. When she reveals the truth, the response is almost always seedy. There are questions about erections, merkins, and inappropriate celebrities. “Or it’s a lot of, ‘Oh we could use one of you at home with me and the missus’, and questions about my sex life,” Waldrop adds. “We’re a hot button topic.”
Lately, the heat has been on high. To some, intimacy coordinators are an auspicious part of a post-#MeToo industry, one that protects cast and crew while providing crucial creative input – Michelle Williams, Alexander Skarsgård, and Emma Stone are among those to have gushed about their experiences. To others, they’re the sex police, impeding artistry for the sake of avoiding an HR headache. Mikey Madison didn’t want an intimacy coordinator for her Oscar-winning sex worker film Anora. Gwyneth Paltrow asked hers to “step back a little bit” while making Marty Supreme. Jennifer Lawrence couldn’t even remember if she had one while filming Die My Love (she did), but said it wouldn’t have been necessary because her co-star, Robert Pattinson, “is not pervy”.
The sociology professor is suitably comfortable with AI helpers that he creates his own – it’s their inventors’ motives and unregulated environment he argues we should be concerned about
If much of the discussion of AI risk conjures doomsday scenarios of hyper-intelligent bots brandishing nuclear codes, perhaps we should be thinking closer to home. In his urgent, humane book, sociologist James Muldoon urges us to pay more attention to our deepening emotional entanglements with AI, and how profit-hungry tech companies might exploit them. A research associate at the Oxford Internet Institute who has previously written about the exploited workers whose labour makes AI possible, Muldoon now takes us into the uncanny terrain of human-AI relationships, meeting the people for whom chatbots aren’t merely assistants, but friends, romantic partners, therapists, even avatars of the dead.
To some, the idea of falling in love with an AI chatbot, or confiding your deepest secrets to one, might seem mystifying and more than a little creepy. But Muldoon refuses to belittle those seeking intimacy in “synthetic personas”.
Tibetan directors, who all live outside Tibet, deliver a quartet of films that explore the pain of separation and migration
The wrench of exile is the theme of this quartet of short films from Tibetan directors, who themselves all live outside Tibet. Their intimate, emotional family dramas tell stories of separation and migration. In two of them, the 90-year-old Dalai Lama smiles out from photographs on shrines, a reminder of the precariousness of Tibet’s future. As a character in one of the films puts it bluntly: will there be anything to stop China erasing Tibetan identity when its rock-star spiritual leader is no longer around?
In the first film a Tibetan man lives in a kind of complicated happiness in Vietnam. He loves his wife, and they both adore their sunny-natured little daughter, but he has mournful eyes. Home is a town on the banks of the Mekong River, which has its source in Tibet. The river is a constant reminder of the region – and of Chinese might too, since Chinese hydropower dams are the cause of drought downstream in Vietnam.
Environ 350 tracteurs ont investi Paris ce mardi matin, venant du Nord et de la région parisienne, pour exprimer leur colère face aux normes et à l’accord UE-Mercosur.
Prominent Australian author Craig Silvey has been charged with possessing and distributing child exploitation material.
Silvey, 43, had a search warrant issued at his Fremantle home on Monday, 12 January, where detectives allegedly found him “actively engaging with other child exploitation offenders online”.