Sabrina Carpenter fangirling Miss Piggy, Beaker losing his eyes … yes, Kermit and co are back for a trip down memory lane – and it’s a perfect, saucy joy

The Muppet Show is back! We need this, don’t we? We need them. The TV show ended in 1981, yet decades later, memes of Kermit, Miss Piggy, Animal et al still circulate. We give their movies Oscars. Their version of A Christmas Carol is a non-negotiable tradition for anyone with sense. Jim Henson’s furry anarchists bring us together like few things can. As a beady eyed fun-sponge, I can’t help but wonder – why?

In an 1810 essay, German poet Heinrich von Kleist argued that puppets demonstrate pure grace: a weightless unself-consciousness that humans long for but never achieve. He was talking about marionettes, suspended from strings. Yet Muppets are hand puppets; extensions of a body. They have weight. As for grace, have you seen how Kermit moves? His arms flap, and he bounces vertically, while moving forwards. It’s hard to imagine a less efficient walk. That frog, he silly.

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© Photograph: Disney+

© Photograph: Disney+

© Photograph: Disney+

As the film’s megahit song Golden looks likely to sweep everything in awards season, its singer Ejae explains why she’s ready to step out from behind her animated alter ego

‘The directors were crying, the producer was crying, and I thought: Oh my gosh, this is an incredible musical world.” It was February 2025, and Ian Eisendrath was conducting an orchestra through the final flourishes for the KPop Demon Hunters soundtrack. He knew that the team had built something special – “but I never thought it would be like this,” he laughs, marvelling at what came next.

Mere weeks after its release in June, the animated film – about Korean girl band Huntr/x who battle soul-hungry demons through song – became Netflix’s most-watched title ever. The film’s soundtrack, a fleet of emotionally charged, devilishly catchy hits crafted by real K-pop heavyweights, became a platinum-rated phenomenon all its own.

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© Photograph: NETFLIX

© Photograph: NETFLIX

© Photograph: NETFLIX

After a three-year hiatus, the former One Directioner has announced a record-breaking tour. But this week he’s facing a backlash. Will his big comeback go to plan?

God save Harry Styles! Thus far in his career, the former One Direction frontman and unproblematic fave has been the golden boy of British music, one of our few stars to successfully crack America and not embarrass us in the attempt. Amid ever-dwindling sources of national pride, Styles has been a constant, the UK’s preferred Prince Harry and even less controversial than Paddington. But is his charmed run about to come to an end?

As Styles gears up for his big comeback, after a three-year hiatus from music and in large part public life, there are signs he may have set his sights too close to the sun, with controversy over ticket prices and a backlash brewing. Can Harry style it out?

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© Composite: Guardian Design; Axelle/Bauer-Griffin/FilmMagic

© Composite: Guardian Design; Axelle/Bauer-Griffin/FilmMagic

© Composite: Guardian Design; Axelle/Bauer-Griffin/FilmMagic

The breakout star is vying for one of the biggest categories at this year’s Grammys: Best New Artist. Roisin O’Connor makes the case for why she deserves to be celebrated

© Getty/iStock

One is the Oscar-winning star of ‘Jurassic Park’ and ‘Blue Velvet’. The other is a Grammy-winning singer who played Billie Holiday to an Oscar nod. And now they’re best friends in Bradley Cooper’s new comedy drama ‘Is This Thing On?’. They speak to Adam White about David Lynch, breaking rules, and the evils of ‘preventative Botox’

© Charlie Clift

Sundance film festival: a once-in-a-lifetime dinner party from 1972 is transformed into a thrilling and inspiring hang-out movie

In August 1972, the experimental film-maker William Greaves convened a once-in-a-lifetime dinner party at Duke Ellington’s townhouse in Harlem. The occasion was a celebration and reconsideration of the Harlem Renaissance, the watershed African American cultural movement of the 1920s. The guest list included its still-living luminaries, some of the 20th century’s most influential – and still underappreciated – musicians, performers, artists, writers, historians and political leaders, all in their sunset years. Over four hours and untold glasses of wine, talk wheeled freely from vivid recollections to consternation, lively anecdotes to contemplations of ongoing struggle. Greaves, by then niche renowned for his innovatively meta documentary Symbiopsychotaxiplasm: Take One, lightly directed the conversation but otherwise let the energy flow. He considered it the most important footage he ever recorded.

You could probably release that remarkable footage in full, completely unedited and unstructured, and still have a good documentary; every piece is now, 50 years later – the same distance to us as the Harlem Renaissance was to them – a bridge to a time no living person can remember, each face and gesture informed by decades of aftermath no straightforward nonfiction film on the period could capture. But Once Upon a Time in Harlem, directed by Greaves’s son David, who was one of four cameramen that day, manages to seamlessly clip and contextualize the party into 100 mesmerizing minutes. It’s both a sublime hang-out of a film and a celebration of individual achievements, a fascinating map of a long-ago scene and a referendum on legacy.

Once Upon a Time in Harlem is screening at the Sundance film festival and is seeking distribution

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© Photograph: William Greaves Productions

© Photograph: William Greaves Productions

© Photograph: William Greaves Productions

The hottest Olympic merchandise isn't from the Team Canada collection, but a fleece jacket sported by fictional hockey player Shane Hollander in Heated Rivalry. Prime Minister Mark Carney even got in on the action, posing in the original fleece with star Hudson Williams (Hollander) on the red carpet at the Canadian Media Producers Association's annual Prime Time conference in Ottawa on Jan. 29. Read More