Apple releases a new MacBook Air nearly every year, and really only changes the SoC (system on a chip) running the thing. 2025 is no different, with the new MacBook Air 15 yet again being a chic little laptop that’s good for powering you through office work with incredible battery life and a gorgeous display.

Now, it’s not exactly going to handle PC games well, but it doesn’t need to. The new MacBook Air, as always, is the kind of MacBook you carry around everywhere to simply get stuff done. And that’s all it needs to be.

Design

In a lot of ways, the MacBook Air has become what many people think of when they hear “laptop”. It’s not hard to see why, even when the new MacBook Air looks identical to its last few predecessors. This is an extremely thin and light laptop, weighing in at just 3.3 pounds – basically nothing for a 15-inch laptop.

The low weight is thanks to the incredibly thin unibody aluminum chassis, which is less than half an inch thick. An extremely thin chassis isn’t new for the MacBook Air – it’s part of why the laptop has become so ubiquitous – but it is still a nice change to use such a thin device, especially when you consider I’m usually hauling a thick gaming laptop everywhere I go. But the MacBook Air is more than just thin – it’s an incredibly clean design, with even the speakers disappearing behind the aluminum.

Unlike the MacBook Pro, which has a speaker grille on each side of the keyboard, the Macbook Air instead has its speakers hidden away in the hinge, firing towards the display. On paper, this sounds like a terrible idea, and a good way to get muted and ugly sound, but Apple found a way to make it work. And it kind of makes sense; because the MacBook Air uses a fanless configuration of the M4, it doesn’t need to reserve that space for airflow. That speaker configuration also allows the lid of the laptop to serve as a sort of natural amplifier, which makes the speakers sound a lot louder than they otherwise would.

The fanless design also allows for a much cleaner design than many other laptops. Instead of needing multiple areas of the laptop to have holes to blast air into the machine, this is a completely closed off device, and it looks incredible. On the bottom of the laptop, all that you really see is the four little rubber feet, and those are just there so that the aluminum on the bottom doesn’t get scratched.

Back on the top of the device, the new MacBook Air is still using the same wonderful keyboard that it has for the last few years. It has remarkably deep travel, considering how thin the laptop is, and the days of Mac keyboards repeating keys seem to be truly over. Plus, in the top right corner of the keyboard there’s a TouchID sensor, which is fast and accurate, and usually lets me into the laptop within a second of placing my finger on it.

The touchpad is also excellent. It’s incredibly wide, covering the space between both ‘Command’ keys, but has good enough palm rejection that I never had to deal with the cursor doing weird things, even during long writing sessions. Apple has become known for making some of the best touchpads in laptops, and well, it’s keeping the crown for now, at least.

The sides of the laptops have the ports, and that’s where the MacBook Air’s winning streak comes to an end. On the left side of the laptop, you get two USB-C ports and the MagSafe connector, then on the right side you just get a headphone jack. Don’t get me wrong, it’s nice that Apple still includes a headphone jack – if only it would do that for its phones and tablets – but it would have been nice to get an SD card reader or at least a USB-C port on the right side. Apple’s reasoning for this spartan array of ports is likely that it’s a thin laptop and there just isn’t room for the extra ports, but I’ve seen the MacBook Pro, and it’s not that much thicker.

Display

While the MacBook Air doesn’t need to have the same creative bonafides as the MacBook Pro, it still has a great display. It’s bright, colorful, and does a decent job at resisting glare – at least to a point. It’s not quite on the same level as the MacBook Pro, but it’s much better than many Windows laptops in the same price range.

In my testing, I found the 15.3-inch, 1880p display hits 99% of the DCI-P3 color gamut, and 100% of sRGB, which is incredible for a jack-of-all-trades laptop. It gets bright, too, reaching a peak of 426 nits. That’s a little short of the advertised 500 nits, but it still gets bright enough to be visible in a bright environment – though it does a lot better indoors.

It’s not quite as nice as an OLED display or anything, but the MacBook Air’s display is still more than enough for most people. I definitely binged quite a few shows on the laptop in the two weeks or so I’ve spent with it, and let me tell you, the excellent color performance has been doing wonders for my rewatch of The Clone Wars.

Performance

Benchmarking a MacBook is always a fraught experience. Most of the tests we here at IGN use to test laptops simply don’t work on MacOS, so it’s hard to get a really good grasp on how it actually performs. However, because this laptop is running on a fanless version of the Apple M4, it probably wouldn’t hold up very well against the gaming laptops we usually review here anyways.

Even in the games that do support macOS, the MacBook Air seriously struggles at 1080p. In Total War: Warhammer 3, the MacBook Air struggled to hit 18 fps at Ultra settings. That is a little ambitious for this thin and light laptop, and you can get up to 34 fps if you turn the settings down to medium, but I wouldn’t even recommend doing that.

Assassin’s Creed Shadows fared even worse, getting just 10 fps at 1080p with the Ultra preset. Changing it to medium settings almost doubled that performance, but even then I got 19 fps, which isn’t exactly ideal for any game. But at the end of the day, the MacBook Air isn’t a gaming laptop, and it just doesn’t need to be. Instead, this is a light productivity machine, and it kicks ass at that.

I carried this laptop around for a while, and it’s the perfect device for bringing to the little coffee shop down the road and getting some focused work done. Due to the nature of what I do for a living, I usually have something like 50 Safari tabs open, while listening to Apple Music in the background, and the MacBook Air has no problem keeping up with that.

That’s thanks in large part to the configuration Apple sent me for review, with its 32GB of RAM. Even with some heavy multitasking, I didn’t feel the system hiccup once, and that was on battery power most of the time.

The MacBook Air was also able to keep up with some light Photoshop work, though it did struggle when I tried to run a noise filter in Lightroom – something even my company-issued MacBook Pro runs into trouble with. It’s important to consider what to expect from this kind of laptop, no matter who makes it. The fact that something this thin and light can handle all my day-to-day work without breaking a sweat is huge, and so is its ability to last all day on battery.

Battery

Apple makes some serious claims about the MacBook Air battery, saying it’ll last up to 18 hours while streaming video and 15 hours browsing the internet. Now, the battery test I usually use doesn’t exactly run on macOS, but I was able to loop some video in VLC Media Player to get a rough feeling of how long this laptop can last. In that test, the MacBook Air lasted a whopping 19 hours and 15 minutes, breaking past Apple’s 18-hour video streaming claim.

There is a caveat though: this was based on local video playback, which puts a bit less strain on the battery than streaming does, though not by much. And even though I wasn’t able to run it through a specific office-based battery test like I usually would, I can attest that I was able to run this thing for multiple days without needing to plug it in, based on several 4-5 hour work sessions.

This is the exact type of laptop that’s perfect if you travel a lot – there aren’t many flights that last longer than 15 hours, after all. Plus, while the charger included in the box is tiny, it’s nice to be able to carry around a laptop that doesn’t need to be tethered to a wall when you’re just trying to check your email.

Jackie Thomas is the Hardware and Buying Guides Editor at IGN and the PC components queen. You can follow her @Jackiecobra

Warning: this article contains spoilers for TMNT: The Last Ronin II - Re-Evolution #5!

Teenage Mutant Ninja Turtles: The Last Ronin has always been a particularly dark and tragic take on the TMNT franchise. After all, this saga started in a futuristic world where Michelangelo was the sole surviving member of the Turtle family, a lone hero pursuing one final quest of revenge. The original series ended on a hopeful note, with the birth of a new generation of Turtles, but even that birth was countered by Michelangelo’s death.

It’s pretty clear from reading The Last Ronin II finale that this story isn’t done yet. To find out more about the tragic but heroic sacrifice of April and what might lie in store in The Last Ronin III, IGN spoke with writers Kevin Eastman and Tom Waltz. Read on to learn more about the grim new direction for this popular TMNT spinoff.

Pushing The Ronin-Verse Forward

Before we get to issue #5’s big death, it’s worth taking a step back to look at The Last Ronin II as a whole. There’s been a noticeable tonal and stylistic shift in this sequel. The original series depicted its futuristic version of New York as a classic cyberpunk dystopia straight out of Blade Runner or Akira. But with the death of Oroku Hiroto and the dawn of a more hopeful era, the series has shifted to a more grounded take on the Big Apple. The Last Ronin II shows us more of what it’s like to actually live in this uneasy future environment, and that was definitely intentional.

“I thought it was a little Star Wars-esque, in the sense that if you go from the New Hope era to the Abrams era, this idea that at the end of Return of the Jedi we feel like there's been a victory. And to a certain extent there was a victory. But if you don't take care of things, things can fall out of control again,” Waltz tells IGN. “And I think that was kind of our story here. Yeah, they had beaten the Foot Clan and they had beaten Hiroto, but what was the plan after that? It almost felt like things will go back to normal, but what is normal? The police were corrupt before, they're going to be probably corrupt now. There were three gangs before, now they're probably going to feel more empowered, the Foot Clan's out of the way.”

And I always think, power, when there's nobody in charge that invites, it creates a vacuum of power. Somebody's going to fill that vacuum. And that was kind of the overarching story we were trying to tell was, who was going to be the first one to take control of the city?

“When we designed The Last Ronin I, it was the end,” Eastmas says. “It was like, the final triumph, the final battle, the blood feud has ended, all these things that have been accomplished through these incredibly insurmountable epic terms that's like, ‘Okay, here is an ending, boom.’ Tom and I both loved the Ronin-verse, so when it came time people said, ‘Well, what would you do with a continuation of the series?’ And so we had a lot of conversations. And we dug deep and said, ‘Well, alright, we need to find, most importantly, what is that purpose?’ And that was the driving force for Last Ronin Re-Evolution, for sure, finding that purpose.”

There’s an obvious question many fans ask themselves when reading The Last Ronin - in what universe is this story taking place? Is The Last Ronin meant to be a continuation of the original Mirage Comics TMNT universe, or maybe the current IDW TMNT-verse? Is it a sequel to the cartoon series?

The Last Ronin II only further highlights that question because one issue delivers a specific callback to an issue from the original Mirage run, as April recounts her ordeal when she and the original Turtles fled New York for the safety of her father’s country house. Should fans take that as confirmation that The Last Ronin is a Mirage-verse story? Not necessarily. Waltz and Eastman make it clear that the Ronin-verse is still its own thing, and it’s intentionally left up to the reader as far as how the continuity works.

“When we approached Last Ronin, we both said, ‘Look, we have all these Turtle universes, let's make this our Dark Knight universe. Let's touch on a few of the other universes, but mainly lean heavily into the Mirage universe.’” Eastman says. “So we dismissed Bebop, and Rocksteady, and Mutants, and that kind of stuff. So this story was one unto itself, and it created a happy space that we didn't have to stick with storylines, or logic, or history, or just different things that Tom had set up. Again, we're talking about, when he wrote a hundred issues, that's like 10 years, almost 11 years of stuff.”

“Yeah, I call it Mirage-adjacent. It's the dimension right next door to the project,” Waltz adds. “I think what Kevin and I realized early on, I think early on we were looking at Mirage, specifically. And we knew we were veering off that course when Karai became Shredder's daughter, as part of this story. But it worked better for the story. And so in the Mirage universe, that wasn't the case. And so we said, ‘Well, that's different. That's a little bit of a retcon right here.’"

Waltz continues, “And then at that point, we started saying the term Ronin-verse. I think we're creating our own universe here, but I call it very Mirage-adjacent. The Dark Knight Returns, for me, works so well, because if somebody really wants to say, ‘It's Adam West's future,’ it could be Adam West's future, because all the basic elements are there for a Batman story… I think it works so well in a generic sense, because there's just certain elements of Turtles that you have to hit, and everybody knows those things by now. Most people know what those things are, where they come from, that you can write this kind of story and let people fill in the blanks as they want.”

April’s Heroic Sacrifice

The Last Ronin II has certainly added new layers to April O’Neil as a character. She’s become the figurehead of an underground resistance movement and a grandmother figure to the new Turtles. At the same time, the series has cast April in a somewhat darker light, revealing her hidden intentions in creating the new generation of Turtles and how she effectively played god by giving them each superhuman abilities.

Ultimately, though, April is given a heroic death in issue #5, as she goes out in a blaze of glory fighting the Purple Dragons gang. As Eastman and Waltz explain, April’s whirlwind journey in the sequel was all about serving their larger goals with The Last Ronin saga. This series needed to end with the last bastion of the original TMNT generation handing the baton to the new generation.

“What we wanted to say in The Last Ronin II: Re-Evolution covered almost this very important, I want to say chaotic, but also very trying time for the family,” Eastmas says. “April's decision to create these characters, was it necessary? Was it important? Was it specific? Was it something that she missed about the original Turtles? Was something that she was trying to create something that was the potential future protectors of New York City? As the foundation of the superhero concept that we love so much, not only with the original Turtles, but then finding their purpose.”

Eastman continues, “So what happens in The Last Ronin II is, of course, the unfortunate, but very critical, story concept of April passing. It really is handing the torch to a new generation that we wanted to make very specific. So she's kind of the last of the original series, last of Casey, last of Turtles, last of Splinter, last of everything. So that is officially handing the torch to the new Turtles, much like we did with Last Ronin I, which was having each of the Turtles have a specific, and very significant, and very important demise in that series, that transitions into a much bigger picture.”

“It's not only the end of the family side of things, when you think of Casey, and April, and Michelangelo, and the rest of the Turtles, and Splinter, but it's also end of the old enemies, because that's really the demise of the Purple Dragons,” Waltz says. “And so I felt like April settled some unfinished business, in a sense, in her final act, by taking out a threat that, all the way back to The Lost Years, she knew was posed to her family with Jigsaw and the Purple Dragons.”

Waltz continues, “This moment became even bigger than I thought it would be, before we got to it, because all the pieces were there, and it came together, and it was just a matter of putting words in their mouths and actions in their hands. And I had a hard time writing it. It was hard to write that with April. I like April, as a character across all iterations, very much. She's one of my favorite characters. But like Kevin said, it was time. All this work she's done, and the Turtles before, now what is the payoff? Will these kids be able to continue forward successfully? Was it worth it or wasn't it? And that's the story that's yet to be told.”

The Last Ronin III and Beyond

As Waltz alludes above, this clearly isn’t the end of the overarching Last Ronin storyline, given that this series effectively ends on a cliffhanger. No sooner do the Turtles and Casey Marie mourn April’s death than we learn the Resistance was betrayed by one of its own. Their ally Jiro is secretly allied with the Foot Clan, an organization that has survived the deaths of both Shredder and his grandson and is now seeking to reclaim its hold on New York.

“When we say John Wick is pain, it’s kind of like a ‘fuck yeah.’” So declares Keanu Reeves in Wick is Pain, an upcoming documentary about the John Wick franchise that will be available on dgital on May 9.

IGN can exclusively reveal the trailer for the film, which features new interviews with Reeves, director Chad Stahelski, and more cast and crew who have worked on the four films. (You can watch the trailer via the player above or the embed below.)

Directed by Jeffrey Doe, Wick is Pain utilizes never-before-seen footage shot over a decade both on and off the set of the Wick films. The doc also chronicles the travails of the very first John Wick movie from 2014, a small indie film plagued by financier problems that got shut down at one point.

“We were panicked. This is Keanu fuckin’ Reeves. You do not wanna let him down,” Stahelski recalled in the trailer about the dire straits the first movie found itself in.

“I don’t know how you find six and a half million dollars by Monday,” producer David Leitch said. Fellow producer Basil Iwanyk was even more blunt: “I took money out of my house. We are doomed. We are completely fucked.”

(John Wick’s savior turned out to be actress Eva Longoria, who invested the $6 million necessary to resume production.)

And yet despite all that turmoil and pain, John Wick ultimately spawned a billion-dollar franchise.

IGN has been with the series since the very beginning. We visited the set of the original film in New York City where we chatted with Keanu Reeves and co-star Adrianne Palicki, and we even exclusively debuted the first movie’s trailer back in 2014.

Beyond Wick is Pain, fans of the franchise have the upcoming spinoff Ballerina to look forward to as well as the recently announced John Wick 5 and an anime prequel film.

Steve Jackson Games' Munchkin Presents Batman is at the lowest price we've ever seen on Amazon for the board game. For $31.46 (30% off), you can pick up the Batman themed version of the hit board game now, and its a perfect strategy game for when you want to destroy your friends. Check out our full Munchkin buying guide for a breakdown of all the different versions and expansions, and for more Batman you can read about the best DC board games.

The Best Batman Board Game Deal on Amazon Today

Munchkin is an easy-to-pick-up three to six player board game where you navigate dungeons, level up, find rare and ridiculous loot, fight monsters, and compete against other players to emerge victorious. In Munchkin Presents Batman, the mechanics are relatively the same. You pick from eight classic Batman villains: The Joker, Mr. Freeze, the Riddler, the Penguin, Catwoman, Two-Face, Harley Quinn, or Poison Ivy and use various gadgets from Batman's arsenal to win. You'll also encounter other members of the Caped Crusader's rogue's gallery throughout the game like Scarecrow and Solomon Grundy.

The full color game board and over 200 cards with Steve Jackson's signature art style are a great way to get the real Munchkin experience with a DC comics twist. For more info about gameplay, you can check out the rules to the game in the image below.

For a Solo Board Game, Try Batman: The Dark Knight Returns

If you like the idea of a Batman board game, but don't have enough people around to consistently play board games with, you may want to try Batman: The Dark Knight Returns - The Game. It's a huge game that can be played solo or with one other person.

The Secretlab Easter Sale is happening now with savings of up to $119 off the popular Titan line of gaming chairs, Magnus gaming desks (including the Magnus Pro electric standing desk model), and accessories like the Secretlab Skins upholstery covers, desk mats, cable management, and more.

It's no secret that we love our Secretlab gaming chairs. Two of the six chairs in our best gaming chair roundup are Secretlab models. Of all the gaming chairs we covered in our "Budget to Best" roundup video earlier this year, my colleague Akeem Lawanson considered the Secretlab Titan Evo to be the most comfortable. No good chair comes cheap and Secretlab chairs definitely cost a premium, but we think the craftsmanship, materials, and customizability are worth it.

TL;DR - The 7 Best Secretlab Deals

You can quickly browse through all of the listed products on sale above. For more information on each product and why they are worth your consideration, read through below.

Secretlab Titan Evo

Secretlab Titan 2020

Secretlab Titan Evo Lite

Secretlab Titan Evo Nanogen Edition

Secretlab Titan Recliner Add-On

Secretlab Magnus and Magnus Pro

Ubisoft has outlined its plans for the first year of post-launch content for Assassin’s Creed Shadows, including promises to add features like new game+, more difficulty settings, additional story content, and more.

The Assassin’s Creed company detailed all of its plans for 2025 in a four-and-a-half-minute roadmap update video published today. It’s a brief but enlightening video with a specific schedule for May and June as the team behind the latest stealth-action entry plots out how it will keep fans coming back with free updates throughout the year.

Nintendo's new Virtual Game Card system is live now with the latest Switch update. For those looking to hide their game cards away from prying eyes, they'll have the option to do just that.

As evidenced by a user on X/Twitter, Virtual Game Cards can be hidden from your acquired list on Nintendo's VGC portal. This makes it so anyone looking at your list of Virtual Game Cards won't see any games you have on there, for whatever reasons you might have.

I tested this out myself, and was able to hide games like the Suikoden I&II HD Remaster and Mario Kart 8 Deluxe. While the games would still appear in my list on my OLED Switch if I had them installed or loaded, they would be removed from the list once uninstalled.

Blizzard is preparing to add a new feature to World of Warcraft that might sound strange at first: an option to have the game tell you what spell you should optimally cast next in combat, with an additional option to simply let the game cast the ideal next spell for you.

Today, in a lengthy video interview between game director Ion Hazzikostas, Team Liquid raid leader Maximum, and content creator Dratnos, it was announced that the upcoming World of Warcraft patch 11.1.7 a new feature will be added called Rotation Assist. Rotation Assist, when turned on, will highlight in combat the recommended next ability for your character to use based on class, specialization, and the combat situation.

Additionally, the feature will come with an optional “one button” option that will allow a player to simply press one button to automatically cast whichever spell the game is recommending cast next. However, there’s a penalty for using the one-button option - it will add an additional small amount of time to the global cooldown, meaning players using the single button option will overall cast spells slower and deal less damage than someone playing manually.

In the video, Hazzikostas explains that the new feature is based on the popular add-on Hekili, which similarly recommends optional next spells to cast but does not provide a one-button rotation. As Hazzikostas explains:

“Add-ons are amazing. The things that the community has done over the last 20 years to allow people to experience different aesthetics, different functionality, have information available at their fingertips like that is a huge part of WoW’s success. And we don’t question or want to undermine that for a moment. At the same time, ideally…if you ask people you know, ‘hey, how can I get better? I’m really struggling at this.’ The first answer shouldn’t be, ‘Well download this add-on, this add-on, this add-on. Otherwise you’re doing it wrong.’ Because that’s starting to get into that mandatory place, whether we like it or not.”

Hazzikostas goes on to explain that long-term, Blizzard is thinking more deeply about the role of add-ons in World of Warcraft and how for players wanting to participate in competitive content, many of them have essentially become mandatory. The team, he says, wants to move away from that philosophy, and is thinking down the line about improvements that can be made to World of Warcraft’s class design, boss encounter design, and UI that will ensure the functions players feel are necessary from add-ons are built-in natively.

And though Hazzikostas says they’re never going to simply ban add-ons outright, once the team feels their objectives around reducing the necessity of add-ons are accomplished, he wants to “rein in” some of the functionality of add-ons around “real time in combat problem solving, specifically where like automating, coordination, communication, in ways that are always going to be better than anything the UI could natively provide you, as long as they remain possible.”

If you’re not sure what Hazzikostas is talking about, these changes likely won’t impact you. But as he, Maximum, and Dratnos discuss in the video, high-level raiders have frequently felt the need to rely on add-ons such as WeakAuras that allow players to essentially build custom tools to solve difficult raid encounters in real-time, such as telling them where exactly to stand or assigning them groups on the fly. And while this might feel like cheating if you’ve never experienced it firsthand, Hazzikostas is candid in the video that some of the team’s raid encounter design decisions may have pushed players in that direction by being a bit too difficult to figure out sans add-ons. “The way we design encounters has been influenced in significant ways, by the way players use add-ons,” he says. “I know you know the community sometimes speculates that [certain encounters were] built clearly to require an add on. I can’t say that’s never the case.”

Hazzikostas goes on to explain that while encounter designers are never specifically designing mechanics with the intent for players to create add-ons to solve them, when players inevitably do so in testing, they have historically seen feedback from playtesters using add-ons complaining that the fight was too easy. But instead of redesigning the encounter to make the add-ons unusable and reinstate the intended difficulty, they have simply added more mechanics. “I think that’s not a great place for things to land,” he says.

You can watch the full 45-minute video here, but we also spoke directly to Hazzikostas to ask him questions about both the upcoming new Rotation Helper feature and the developers’ intentions for future add-on restrictions and interactions. Our full interview is posted below, lightly edited for brevity and clarity:

IGN: I think you talked around this a little bit in the video. But is it your opinion that it's essentially become mandatory to have add-ons to play WoW at anything above a basic questing level at this stage?

Ion Hazzikostas: I don't know that I would go that far, but certainly it's been something that's been part of community trends over time, where players are clever. When you give them a very versatile toolbox, they will make more and more clever and more and more powerful things. And when it gets to competitive content, trying to defeat challenging raid bosses, trying to clear the highest Mythic+ keys that you can or PvP at a competitive level, every advantage helps. And while certainly people can and do play the game without using add-ons and succeed, I think most players at a high level, including Max[imum] and Dratnos, and I was talking to them in this [video], agree that you are at a disadvantage if you're not using some of these tools.

And in social content, if you're in a raid group, if you're part of a group that's running Mythic+, there's an expectation that it doesn't matter how you personally want to play. If everyone requires that you use this tool, then you feel like you have to. And on the one hand, while the legacy of add-ons over the course of 20 years of World of Warcraft is an amazing part of how the game has grown and evolved, I think looking at a world where someone is told that they need to use an external third-party tool if they want to play the game the way that they prefer, that's not healthy, we think.

And so, that's the question of, how do we tackle that really has begun with us trying to look at building up the native functionality of the game's UI, of the game's systems, of how we're presenting information, not just through the user interface, but also things like visual effects and how we're telegraphing the clarity of different boss mechanics or class mechanics or the like.

I know this is something you've probably thought about for a very long time, but was there any moment or any particular raid boss or something that made you go, "Okay, we actually need to address this."?

Hazzikostas: Honestly, I don't know that I can pick out a single thing. I mean, I think there have definitely been occasions over the years. This is not the first time that the World of Warcraft team has waded into this space. I mean, even before I worked on the team going way, way, way back, like 20 years ago, literally in vanilla World of Warcraft, add-ons could do very powerful things like automating targeting. People who raided in the early days of Molten Core, right? If you played back then, you probably had Decursive if you were a healer. And you would just push a button, and it would automatically, intelligently dispel someone in your group who needed dispelling.

And the team looked at this at the time and was like, "This feels like it's actually kind of undermining some of the core gameplay of the game. Let's restrict this functionality. But also, let's continue to improve our built-in raid frames. Let's continue to improve these things." And so, I think there's been an ebb and flow there over the years. But I think increasingly, when I'm just reading through community discussions on our official forums, on Reddit, wherever, and it's very common to see people ask like, "Hey, I need help improving. I'm trying to play Mage really well. I'm trying to play Rogue well and it feels like I just can't compete with other people." The first question that they get asked is, "Well, what add-ons are you using? What's your weak core configuration?" Not, "What is your rotation? What is your talent build? What decisions are you making?" It's like, "What tools do you have?" That's not healthy. It's a barrier to approachability.

And so, again, the path here is not to... Really, just to try to narrow that gap by improving the baseline functionality that our game is providing, and really focus in any long-term efforts in terms of what we might limit or restrict on just that narrow sliver of combat functionality stuff.

And that's why we've tried to make it super clear here. We have no intent of touching anyone's RP add-ons, world informational helpers, accessibility tools, gathering assist. Any of that stuff is great. It really is just a question of like, how do we improve the information that our default UIs giving combat-wise? And then once we've gotten 90% of the way there, what do we do about that last mile or so that includes functionality that feels like it wouldn't really make sense to come from our UI? Like things that are solving a raid mechanic for you and telling players where to run, that's kind of the point of the gameplay itself.

We want to provide information, make it clear how you're supposed to tackle the problem. But at the end of the day, it should be up to the raid group to figure that out for themselves.

Obviously you always want to improve your UI and improve your boss encounters. But as far as adding stuff like a WoW internal version of Hekili. You talked in the video a little bit about looking at maybe doing in-house damage meters at some point or other things like that that are currently solved by add-ons. Why not just continue letting the community handle that level of stuff? Is there any concern that if you try to start doing the job of modders, you're going to need a lot more time and resources when currently you've got basically crowdsourced problem solving?

Hazzikostas: To some extent, so I think, yes, it's taking on more responsibility for the team. But I'd argue that this is responsibility that we really should've been shouldering for a while now. And I think the community at times has said that add-ons are solving problems in our games design, and I think sometimes they're right. Sometimes there are places where a class mechanic or a talent really is asking a player to do something that the game isn't natively giving them the tools to do correctly, like tracking stacks of a buff and making decisions on the fly based on how many stacks you happen to have based on some proc that triggered.

That's not a reasonable in-the-moment computation for a human, but add-ons streamline and simplify that. Similarly, when something isn't clear in an encounter, when a visual effect is not clear, but someone has an air horn that's telling them when they're standing in something to make up for a lack of clarity in our VFX, that's a completely reasonable criticism. And if some of this means that we need to do extra work to fix issues, honestly I think that's in players' interest and something we should've been doing all along.

And again, to be clear, we're not looking to, in any way, marginalize or push aside our wonderful add-on author community. Step one here and step two and step three involve nothing about restricting any sort of add-on functionality. They're just continuing to build up our alternative solutions, give players a chance to give us feedback on those, understand what more they would need to do, what more would need to change for those to feel like they're sufficient.

And then when we get to the end of that road, eventually restrict some things. Because again, that part is required, I think, in order to solve the problem of joining a group and being told you have to download this or use this week or whatever. Again, when there's an open-ended toolbox, players are always going to try to computationally solve the challenges we put in front of them. And of course, people are going to use every advantage that's at their disposal. That's just the nature of competitive players

…Another aspect is there are tons and tons of players, even setting aside accessibility concerns that may limit someone's ability to do a mechanically intensive rotation. There are many people who, honestly, combat is not what they enjoy most about WoW. Mastering and optimizing how to use all 20 of their abilities in sequence to maximize their damage is not what's fun. It's immersion, exploring, collecting, doing all these other things. And the mechanics of the game are sometimes an obstacle to enjoying the parts that many players want to embrace. And so, I think offering just a baseline way of opting out of that complexity is something that, I think, will be welcome to many players. It's the same way, when we changed our talent system in Dragon Flight. We offered just a default starter spec.

If you didn't want to deal with optimizing and placing all your points, you could just use our preset loadout for yourself and focus on the parts of the game you enjoy. At the end of the day, this is about giving players more options and more customization. It's also an example of how, in some of our sort of built-in solutions, we can do things that add-ons couldn't. Hekili obviously can highlight the next buttons for you, but it can't actually automatically pick which ability to cast based on a single key bind, whereas our solution is able to do that.

Have you spoken to the Hekili folks at all? Do they have an opinion on this?

Hazzikostas: Personally, not yet. I know that our UI team, and particularly the engineers on our UI team, have close communications with our add-on author community. A lot of bug reports and updates and things go back and forth. They're usually trying to keep them up-to-date on any changes we're making to the APIs, so they're not caught off guard. So I think that's going to be part of this conversation going forward for sure. And I think we understand that when we offer a solution ourselves, it's not going to be as deeply and fully customizable as add-ons for power users are.

And so, our goal is not to kind of subsume, like take over a space entirely, but rather offer a strong baseline solution to something while still leaving add-ons as a space for people who want cosmetic customization. They want to tweak the display of the information even more than what the base UI allows. And also, again, it's a chance for us to get feedback on the nature of those gaps, so we can try to offer as much of what our players want as possible.

As far as the functionality of this thing goes, how reactive is it to different types of builds? When I play, I have set up builds for a single target spec, a single target with cleave, a multi-target Mythic dungeon, a Delve loadout. And with Undermine right now, there are a lot of fights where I'm using my single target raidng build mainly, but there are also moments in the same fight where I have to switch to cleave damage or something like that. And so, I'm curious how adaptive this tool is going to be towards what sort of build you're running and what sort of things you might want to do in the moment in a fight.

Hazzikostas: So I think that's going to vary a little bit by specialization. I'd love to say that we have every possible permutation that someone might spec into accounted for, but we don't. And we're going to get feedback on that. Some of that will simply be a bug or something we overlooked. But the system itself is designed to be very versatile and something that our team can continue to update over time. It is looking at what talents you currently have, but it's also making recommendations situationally based on your current available resources, whether there's one enemy in front of you or four enemies in front of you, so you don't need a separate preset loadout of dungeon versus raid.

It will recommend an AOE ability if it's going to hit five targets or a single target ability if there's only one boss in front of you. And again, the goal here is, not absolute perfection. There's certainly all sorts of little sneaky min-max tricks that players have optimizing for movement and things that the system can't know about. But the goal is really to be something that helps if you're trying to learn a new spec or if you're just trying to, like you're trying to learn an encounter and you don't want to put too much of your bandwidth into thinking about your rotation for a bit. The same way people use many of these add-ons, we think this will be a very helpful tool for just approachability of spec gameplay and just trying to raise the skill floor in the game.

Especially with the one button option, is there any worry that it might inadvertently have the opposite effect where you've got people joining up into a normal or heroic group through Group Finder, and then just sort of closing their eyes and hitting the button, and then pissing off a raid leader or something. I can hear the comments coming in now.

Hazzikostas: I mean, honestly, frankly, for some folks who may struggle with their rotations currently who haven't really kind of grasped how they're supposed to build, spend their resources, and use their different tools situationally, I think even the one-button rotation will be an improvement. Certainly, it will allow them to focus on mechanics and focus on other parts of something that they're doing. I think we've crafted that. It has a small penalty that's incurred to the global cooldown when you use it, to make sure that... It's never the best way to play.

We definitely don't want a world where a raid group is failing to meet some damage check, and the raid leader tells all other players, "Stop trying to play your class. Just turn on this one button thing and that's going to be the right way." But as just a simple baseline, that should be adequate for solo gameplay, for outdoor questing, for raid finder, things along those lines, this should be more than sufficient and allow people to just focus their attention on other parts of the game that they find more engaging.

Do you think that raiding has gotten harder over the years?

Hazzikostas: Yes. I think that it has gotten more involved, more complex. I think that our targets for how many attempts we wanted to take to defeat a certain raid boss at a certain difficulty haven't changed, right? In that sense, we may think, "Okay. On heroic mode, the final boss should take 20 or 30 attempts. It should take a few hours for a group to beat for the first time." That's true today. That was true 10 years ago. Now the thing is, players on average have gotten better, as is the case in any game, right? Whether it's a PvP game, otherwise. I mean, it's easiest to see in PvP games where someone maybe has stepped away from their favorite MOBA, or Overwatch, or whatever and they used to be a platinum player. Then, they come back and they're like, "Oh, wow. Everyone is so much better now."

And that's the same phenomenon that we've been working through in our dungeon and raid gameplay. We do have to offer novel looks at things. We have to throw a couple more mechanics in the mix to provide the same level of relative challenge that we used to be able to do with less, right? Going all the way back to Classic, you could see clearest-cut example of bosses that seemed impossible, that took groups literally months to defeat that now look simpler than a common dungeon boss, and that modern players without prior knowledge go in and steamroll in classic versions of the game. That's just how the player base has evolved.

You've also designed things differently too in that regard, right? Raiding with 40 people was much harder just purely on a communications level. If you want to provide challenge when we have fewer people, you have to make things harder in different ways.

Hazzikostas: I think that's certainly part of it. I think another factor is... I think this is something that was touched on in the conversation with Max and Dratnos. We never design things with the intent that add-ons are going to solve them, but we also can't be ignorant of what add-ons are capable of doing. And if we have a fun idea for something that might be a fun mechanic, that might've been done years and years ago in terms of a raid-wide coordination challenge, the puzzle that you have to solve as part of your group, we know that someone's just going to make a WeakAura that solves it for you. The raid leader's going to pre-type everyone's name into it before they've even pulled the boss once, and that mechanic is not going to play out the way we wanted it to.

And so we're probably just not going to make that mechanic period. And so instead, I think we have probably over time skewed more and more towards testing skills in players that add-ons can't trivialize, things like just reaction time, getting out of a lot of stuff that's under your feet, rapid movement, twitch reactions, things on that level. And I think while that's a niche that should exist in WoW encounters, I don't think it's healthy for the game. And I think players agree for all encounters to be like that. I think if you're a raider in the World of Warcraft today, here's a challenge. Try to count the number of bosses that aren't at some point putting a swirly under your feet that you have a couple seconds to move out of. Good luck. It's basically all of them. I would love for the game to just have more variety in the challenges that it's posing to players. And I think that eventually when we get there, being able to restrict a couple of aspects of what add-ons can do today, I think will open up a very fertile design space and allow for encounters that are equally challenging in terms of how many hours they're going to take your group to learn and to beat, but that put that challenge in different places that are, hopefully, a bit simpler and more engaging.

Is this something you have already been slowly trying to implement as far as Undermine goes? Are we already subtly seeing changes to encounters to move in the direction of that philosophy?

Hazzikostas: A bit. Yes. I think that we've gotten feedback from the community on Liberation of Undermine. But I think there are fewer fights in this tier than in previous tiers that feel like they were solved by an add-on, that they really almost required one. There were encounters in past tiers like Broodtwister or the like that made people feel like, "Okay, we don't know how to do this without using an external tool." And we are consciously trying to steer away from that. Another example of a way that we've continued to improve things in our Undermine update earlier this year, one of the changes we made was really revamping a lot of our spell visuals for increased clarity.

Ultimately, I think philosophically for years we had often said, "Okay, we want these things not to feel too gamey." We want them to feel a little bit like chaotic fire or whatever. And ultimately, just kind of accepted that that's not in the best interests of gameplay and readability. And let's get some hard edges on things and let's make it really clear cut when you are or aren't standing in something. And even things like that can instantly help players to be able to just jump into an encounter and feel like they know what they should be doing as opposed to needing assistance to let them know what's safe versus what isn't.

Long-term, how soon should we expect some of these bigger changes to what types of add-ons you will and won't allow? Is this a next raid tier kind of thing, a next expansion kind of thing?

Hazzikostas: Yeah, so I think there's no specific date in mind. It's more kind of kicking off a conversation and signaling a general trajectory, a heading. I think we know we have a bunch of work to do. I wanted to kind of put into context some of the changes that players have seen that feel like probably like a departure from past practice, like the cooldown manager that we added as a first iteration of helping to track your own abilities and cooldowns in our most recent 11.1.5 update.

Of course, this combat assist coming in 11.1.7, and more things that will follow. I think we know that before we reach an eventual endpoint of limiting the ability of add-ons specifically to parse real-time combat events, we'll need to have our own solution for a customizable damage meter for things like encounter boss timers, letting you know when an ability is coming next and how far away it is. Things that players have relied on add-ons based on real-time combat information for a long time.

Our intent is not to suddenly just break things and leave players in the lurch. We want to build up a solid foundation. And then, when the community feels and we all collectively feel like we're ready for that next step, we think it's one that the community will hopefully embrace and be for the good of the game in the long run, making things more approachable while keeping the full array of informational and cosmetic customization that add-ons have always offered.

Do you expect that long-term, your changes to design are going to dramatically change the flavor of any classes or specs? I know you were talking in the video a little bit about Outlaw Rogue - I don’t play Rogue, but you suggested it was maybe perhaps a little too complex.

Hazzikostas: Honestly, I don't think it will dramatically change the flavor. No. I think there are certain mechanics that will need to be revisited. Outlaw Rogue is a fun spec, but it's one that I pick on for these purposes. Because if you go look up a guide for playing Outlaw Rogue, you'll see that there's some situations where it's like, if you have more than 60 energy, and the cooldown of this ability is less than 12 seconds, then do this. And it's like, "Come on." There's no way that anyone is going to parse that in real time without just having a way forward that pops up and tells you, "Okay, push this button now." And those are the sorts of things where it's like, "Is that fun? Is that part of the flavor of the spec really?" What could an alternative implementation of that sort of general vibe based around the idea of re-entering stealth and unleashing your attacks and combat as a rogue? How can we realize that without leaning on something so intricate and mechanically intensive?

Have you looked at all at what Final Fantasy 14 has done in terms of how much they restrict add-ons? They restrict them pretty heavily and always have. How do you look at what they've done and how it's impacted the flavor and the type of game that they have over there?

Hazzikostas: I think it's their decisions made at the start that inevitably affects how things evolve. There's certainly a lot more control that you have as a designer of understanding exactly what information your players are going to have at their disposal, what tools they have at their disposal to overcome an encounter? And so, you can design in that world for everybody in a more level playing field, or as we have to accept that people will have a bunch of different ways of looking at or processing things.

But that's part of how World of Warcraft has evolved. I think that we want to be very narrow and surgical in these restrictions, and they're not terribly different from things we've done over the years in the past. Years ago, add-ons could draw things in the 3D game space, and that was something the team looked at and was like, "No, this is clearly too far." That's not a thing that add-ons should be able to do, and that functionality was restricted, and players evolved, and the game moved on. There's an alternate world where if the team had never done that, if 15 years ago the team in Wrath had said, "Yeah, this seems fine." Today, every encounter you go into would be full of these virtual 3D markers that are telling you exactly where to run and stand, and that would be how people played the game. And so, it's like having this powerful ecosystem.

It's tremendously empowering to players, but it also requires vigilance on our part as developers to ensure that we're kind of preserving the integrity of the game and giving people a level playing field. Where if you just install World of Warcraft and you want to play the game and experience what it has to offer, it really it is our obligation that the out-of-the-box experience should be sufficient. And if it's not, that's a problem we need to work on solving.

Is there any concern that it's sort of a one button rotation is going to lead to people doing annoying exploits? Going into LFR or basically AFKing or something like really causing issues with it?

Hazzikostas: I hope not. Honestly, you've been able to go in and try to fly under the radar and just auto attack. Those are situations that have happened in groups for a long time, whether it's non-participation in Battlegrounds or just trying to coast and leech off a group. But I think most players when they're sitting down to play World of Warcraft or looking to play World of Warcraft and accomplish some goals, and I think that's always going to be, we want to design in the interest of the majority. And we have tools, whether it's reporting or other measures to make sure that people aren't disrupting other people's gameplay or being toxic.

So you said that you're not looking to mess around with people's quest add-ons and stuff. But you'd also talked about wanting to build in-house tools like damage meters and stuff like that. Would you ever consider doing more internal stuff that is based off add-ons that people use for stuff that is outside of combat? Pet battling, auction house stuff, professions, anything like that?

Hazzikostas: I mean, I think absolutely and that's stuff that we continue... We're definitely inspired by the sorts of tools that the players turn to for outdoor world game plan for convenience as we look to continue to just make the game more approachable. I mean, things like, this has been several years now, but in the world of 3D navigational marker when you have a quest tracked or some objective tracked is something that in the past people would use an add-on to do for them to add kind of wayfinding support. That just felt like a more modern way of doing it than asking you to constantly pop open your 2D map to see where you were headed. So we added something like that. We're going to continue improving all of that functionality. I don't think there's any world though where we're going to restrict what add-ons can do in that space, because I think there's a big difference between convenience and competitive advantage.

Someone might say, "Oh, having this gathering add-on or having this World Quest tracker or whatever, it's convenient. Or someone with a Quest add-on maybe saves themselves a couple of alt tabs to look something up. But I don't think anyone would seriously claim like, "Oh, no. You have to use that add-on if you want to succeed in World of Warcraft." And that really is the difference. It's us looking at add-ons where someone is pretty reasonably, incredibly able to say to a new player or to their group mates, "Really, you pretty much need to use this if you want to succeed." And our goal is in this blue sky idealized world, that we can say that there isn't a competitive advantage to using add-ons in World of Warcraft, that they're a powerful tool for customizing your aesthetics, for customizing your information, and for kind of add an extra layer of self-expression in your game experience, but not a competitive advantage.

Is there any concern as you think about what sorts of things to add and how to add them, that the UI might become too heavy or too complex or actively work against the player in becoming unapproachable? Right now, opening World of Warcraft for the first time, there's already a lot of things on screen. And we've all seen that sort of joke screenshot of someone's UI with all the add-ons on it.

Hazzikostas: Always. I mean, I think we're always mindful of trying to strike a balance between serving our engaged core players who've been with us for years and making sure that the game stays approachable to someone who's coming back to it or picking it up for the first time. Because if we're not hitting both of those, really, we're not going to be able to continue to serve our audience and grow our audience. And so when we talk about these things, we have a lot of customization built into the UI. Some things are going to default off, some things are going to default on.

We're talking about how we want to introduce some of these new elements to players in their new player experience, kind like if you're level three on Exile's Reach and you only have two abilities, do you need to know about a one button rotation? No. We're actually like, "Press frostbolt. You'll be fine." At some point, maybe when you're level 40 and you just spent your 30th talent point and you have a couple dozen abilities, might that be a great time to introduce something like this and make sure you were aware that exists? Yes. And so, I think that's how we want to continue to think about and iterate on our onboarding experience as we add more customization built into the game.

Well, thank you so much, Ion. I really appreciate you taking the time. This has been really interesting. I'm very curious to see what my guild thinks of this announcement.

Hazzikostas: Me too. And truly, the goal here is really just to kick off a conversation. I know it's a scary looking 45-minute video that's really just announcing two minutes of new stuff at the start. Then, the rest is like, "Let's talk philosophy and let's get a sense of how open players are to us walking down this long path."

Rebekah Valentine is a senior reporter for IGN. You can find her posting on BlueSky @duckvalentine.bsky.social. Got a story tip? Send it to rvalentine@ign.com.

Batman celebrated his 80th anniversary in 2019, but you can celebrate right now with the Batman 80th Anniversary Collection, a Blu-ray compilation of some of the best Dark Knight animated movies from the last couple of decades. It's currently at the lowest price in 2025 for a limited time, and you can pick this up for $44.96 (36% off)

Want to learn about the movies' source material before diving into the movies? Check out our guide on the best way to read the Batman comics online.

Batman 80th Anniversary Blu-Ray Collection is on sale

Sony has announced the PlayStation Plus monthly games for May 2025.

As revealed in a post on the PlayStation Blog, PS Plus members can download Ark: Survival Ascended, Balatro, and Warhammer 40,000: Boltgun for free from May 6 to June 2.

It’s worth noting that Until Dawn, which was rumored to be a May PS Plus game, is not on the list.

Here’s the official blurb on each game, courtesy of Sony:

Ark: Survival Ascended | PS5

Are you ready to form a tribe, tame and breed hundreds of species of dinosaurs and other primeval creatures, explore, craft, build, and fight your way to the top of the food-chain? Your new world awaits in this survival sim, reimagined from the ground-up with Unreal Engine 5, with high-end graphic features, advanced physics systems and quality of life revamps in every area. Ark: Survival Ascended includes access to all of Ark’s worlds, including Scorched Earth, Aberration, Extinction, Ark Genesis Part 1, Ark Genesis Part 2, and more. The game supports public online multiplayer for up to 70 players, private-session multiplayer for up to 8 players, and local split-screen for 2 players.

Balatro | PS5, PS4

In this poker-inspired roguelike deck builder, it’s all creating powerful synergies and winning big. Play illegal poker hands, discover game-changing jokers and trigger outrageous combos in this roguelike strategy experience. Combine valid poker hands with unique joker cards in order to create varied synergies and builds. Earn enough chips to beat devious blinds, all while uncovering hidden bonus hands and decks as you progress. You’re going to need every edge you can get in order to reach the boss blind, beat the final ante and secure victory.

Warhammer 40,000: Boltgun | PS5, PS4

Load up your Boltgun and plunge into battle headfirst! Experience a perfect blend of Warhammer 40,000, classic, frenetic FPS gameplay and the stylish visuals of your favourite 90’s retro shooters. Play a battle-hardened Space Marine on a perilous mission across the galaxy, as they battle against the Chaos Space Marines and daemons of Chaos. In glorious boomer shooter style, unleash your devastating Space Marine arsenal as you blast through an explosion of sprites, pixels and blood. Run, jump and charge across huge levels to shoot, shred and slice the worst heretics across the galaxy!

Meanwhile, 22 games are set to be pulled from the PlayStation Plus library next month, including Grand Theft Auto 5, Payday 2: Crimewave Edition, and the last playable versions of first-party titles Resistance: Fall of Man and Resistance 2. As a result, Resistance: Fall of Man and Resistance 2 will now completely disappear for modern consoles.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Whether you're looking to save on games, storage, or accessories, there are plenty of Nintendo Switch deals to check out right now. We've gathered up some of the best Switch deals currently available, including discounts on Marvel vs. Capcom Fighting Collection: Arcade Classics and Super Mario RPG. You can see these deals and even more of our favorites at the moment below. For more updates on the latest discounts, follow @IGNDeals on Twitter/X.

Nintendo Switch 2 Preorder Information

The Nintendo Switch 2 is currently out of stock at numerous retailers right now, but don't let that get you down. If you're still hoping to get your hands on Nintendo's new console, bookmark our Nintendo Switch 2 preorder guide to stay up to date on restocks. For instant updates on what's going on, it's also worth following @IGNDeals on Twitter/X and Bluesky.

Best Nintendo Switch Game Deals

While Woot's Spring Sale is still going strong - with great deals on Super Mario RPG, Princess Peach: Showtime, and more - Amazon's also offering some great discounts at the moment. This includes deals on Marvel vs. Capcom Fighting Collection: Arcade Classics and Monster Hunter Stories Collection. You can see those deals and many more of our favorites above.

Nintendo Switch OLED with Super Mario Bros Wonder Bundle

Preorder the LEGO Mario Kart Set

Best Switch Micro SD Card Deals

The best Switch SD card should be fast and reliable. Therefore, you're going to want to opt for a micro SDXC UHS-I U3 A2 V30 memory card. That's a lot of random letters, so to save you a bit of time we've left our top suggestions and deals below for your convenience. We've also included a selection of Switch 2 compatible MicroSD express cards if you're planning on picking up the brand new console.

Best Nintendo Switch Accessory Deals

Best Switch Power Bank Deals

Looking for a new power bank to keep your Switch charged up? Thankfully, there are some nice deals to check out at the moment. Our favorite picks right now are over at Amazon, where the INIU power bank has gotten a great discount down to just $15.99 and the Anker 737 has dropped down to $109.99.

When Should You Buy a Nintendo Switch?

The short answer is that you should buy a Nintendo Switch whenever there’s any kind of sale, regardless of the time of year. Amazon will likely offer the same console bundles on any other sale as it will on Black Friday or Amazon Prime Day, so there’s no real reason to wait if you’re in need of a Nintendo Switch.

That being said, there are sometimes some unique bundles and promotions during Black Friday that you won’t find any other time of the year. They usually include additional games (like the famous Mario Kart 8 bundle) or Switch accessories for free, but quantities tend to be limited. As always, do your research into the seller before you make a purchase and keep in mind that the Nintendo Switch 2 is coming soon.

Where to Buy a Nintendo Switch in 2025

• Nintendo Switch Console for $299.00
• Nintendo Switch Lite Console for $199.00

With how expensive gaming is getting in 2025, we're trying to save you as much money as possible on the games and other tech you actually want to buy. We've got great deal roundups available for all major platforms such as PlayStation and Xbox, and keep these updated daily with brand-new offers. If you're trying to keep costs down while maintaining your favorite hobby, stay tuned for more incredible discounts.

Robert Anderson is a deals expert and Commerce Editor for IGN. You can follow him @robertliam21 on Twitter.

There's certainly been no shortage of games in the last month or so, and it's easy for games to get lost in the proverbial avalanche. In a show of mutual admiration, though, two leads behind two RPGs, both of which launched in the same week, are promoting each others' games to fans.

As spotted by GamesRadar, Kazutaka Kodaka — creator of Danganronpa and co-director behind the recently released The Hundred Line: Last Defense Academy — shouted out players reaching a milestone in his own game. Then, he went on to shout out another current RPG in Clair Obscur: Expedition 33. "Even after you finish Expedition 33, this Japanese cult game will still be here, waiting for you!" said Kodaka.

He went on to praise Clair Obscur: Expedition 33 in a follow-up post, drawing a comparison between the two games' unique takes on their respective genres. "Expedition 33 is an amazing tribute to classic JRPG, while Hundred Line is a cult Japanese VN & SRPG," said Kodaka. "Hundred Line has its own unique charm too, so why not play!!!"

Sandfall Interactive seemed to notice the shout-outs, and the official Expedition 33 account posted a message from creative director Guillaume Broche:

"After your Expedition, check out The Hundred Line, another great turn-based RPG that was also released last week, and made with love by an awesome team. There's too many good RPGs coming out at the same time, these days!"

A note from Guillaume Broche, @SandfallGames Creative Director:

After your Expedition, check out The Hundred Line, another great turn-based RPG that was also released last week, and made with love by an awesome team.

There's too many good RPGs coming out at the same time, these… https://t.co/AmGExVxXUp

— Clair Obscur: Expedition 33 (@expedition33) April 30, 2025

Kodaka followed up, with more praise for Expedition 33:

"Thank you!!!! And for those of you who finished your school life first—it’s time to head out on an expedition! Expedition 33 is the future of RPGs. With unique RPGs like these coming out at the same time, now’s the perfect time to dive in and enjoy everything the genre has to offer"

There are, frankly, a lot of games coming out every year. Per SteamDB, over 6,000 games have hit Valve's PC platform in 2025 as of this writing. Over 18,000 released on Steam last year alone. By any metric, that's a baffling number, and even games with newsworthy creators may struggle to reach audiences in the massive flood of new things to play. Factor in ever-evolving live-service games and their content update schedules, and everything, everywhere is fighting for your time and attention.

In light of that, it's heartwarming to not only see two creators acknowledging and promoting each others' games, but encouraging fans to go play them afterwards. In the never-ending battle for eyes and attach rates, encouraging players to roll credits and move on to other experiences is noteworthy.

Clair Obscur: Expedition 33 is out now for PlayStation 5, Xbox Series X|S, and PC. The Hundred Line: Last Defense Academy is also out now, for PC and Nintendo Switch. If you're close to finishing one, it sounds like you might want to check out the other, too.

Eric is a freelance writer for IGN.

The impeccable Shōgun, winner of a whopping 18 Emmy Awards and 4 Golden Globes, is making its way back for a second season — and the plans are underway. Cosmo Jarvis, who stars in the series as pilot John Blackthorn, has officially signed on to return to the role for Season 2, as well as to join the team as a co-executive producer, according to an official press release from FX.

Additionally, lead Hiroyuki Sanada — who signed on for Season 2 last May after the show was renewed despite originally being a limited series — was upped to an executive producer after producing the original run. The show is officially set to begin production on Season 2 and return to Vancouver, where the original series was shot, in January 2026.

FX said the second season of the show is “a wholly original new chapter to the first season,” which was an adaptation of James Clavell’s novel of the same name. About the two seasons and how they connect, the network explained:

“In the first season, Lord Yoshii Toranaga (Sanada) fought for his survival as his enemies in the Council of Regents united against him. When a mysterious European ship was found marooned in a nearby village, its English pilot John Blackthorne (Jarvis) shared vital strategic secrets with Toranaga that tipped the scales of power in his favor to win a century-defining civil war.

"Part two of Shōgun is set 10 years after the events of the first season and continues the historically-inspired saga of these two men from different worlds whose fates are inextricably entwined.”

If there's any good in this world, we’ll get some new episodes of this excellent show by the end of 2026 — but for now, we can only wait and hope.

Lex Briscuso is a film and television critic and a freelance entertainment writer for IGN. You can follow her on Twitter at @nikonamerica.

Woot's Spring Video Game Sale has had plenty of excellent gaming goodies to check out, and this discount is another great addition to its selection of deals. Assassin's Creed Shadows for Xbox Series X has been discounted there for the first time, currently marked down to $54.99. This is a 21% discount from its list price of $69.99.

Assassin’s Creed Shadows (XSX) for $54.99

With your hands full of guns and a warrant for the Devil’s arrest in your pocket, Shotgun Cop Man sends you on a nonstop blitz of new ideas. This short and sweet action-platformer continually reinvents itself across 10 clever worlds, leaving little room for a good idea to get stale. Once I mastered its distinct style of projectile-based movement, barrelling through the circles of hell turned into a pure power fantasy. Even though it’s harder than it should be to chase high scores and better times, I still had a blast gunning for a more optimized run after the credits rolled.

Shotgun Cop Man’s goofy vibes, flashy acrobatics, and time attack setup transported me back to my middle school days of bypassing the browser security settings in the computer lab to sneak in runs of Flash games like Fancy Pants Adventures or Electricman 2. Granted, this would blow many of those study hall time killers out of the water, but I could still easily see myself racing to the end of its first world with a friend while we’re supposed to be working on a research paper or math homework. It shares the same tight scope and paired back tone, but here those mask a surprisingly deep platformer.

Shotgun Cop Man isn’t just a standard run-n-gun shoot-em-up. Instead, the recoil from your shotgun serves as the driving force behind most of the movement. Need to take out some demons to your right? Well, you better make sure the coast is clear to your left when you pull the trigger. This challenging, but ultimately rewarding, system of ballistic blowback fills in for genre-standards like jumping or dashing midair, while firing your sidearm — which ranges from a satisfyingly snappy but weak pistol to a powerful gatling gun — allows you to hover midair or make more precise hops.

You can’t just spray and pray you wind up on the next platform, though. Each weapon has limited ammo, keeping Shotgun Cop Man relatively grounded: the shotgun itself only holds three shells at a time, so he needs to touch terra firma to reload. That said, sidearms tend to have bigger magazines, allowing for a reliable second option to fall back on when you need to get to the ground and take another shot at a tough jump. This restrained approach brings a levelheaded balance to Shotgun Cop Man that encourages mayhem and speed without leaving precision and skill in the dust.

To make matters more difficult, Shotgun Cop Man also has to contend with the armies of Hell as he chases down their leader. Aside from a few combat-focused levels that blend each circle of Hell’s unique mechanics into an arena-style showdown, as well as the requisite boss that shows up at the end of each 17-level world, Shotgun Cop Man is all about movement. Because of that, enemies play second fiddle here, being treated as platforming obstacles masterfully woven into each level. They act like the bright-red explosive barrels of a 3D shooter, providing the satisfaction of popping them while offering direction on where and when to shoot. Shotgun Cop Man bets big on its platforming acumen rather than falling in-line with other action platformer successes like Katana Zero, and it pays off in spades.

Still, this unique movement takes quite some time to get used to, especially if you’re playing with a controller: Pointing in two different directions like a twin-stick shooter (left for walking, right for aiming) makes for an unnatural platformer control scheme. Wrapping my head around it felt like being asked to rub my belly and pat my head at the same time. Unfortunately, there’s really no better way to make this specific type of movement work on the sticks, though it is much more comfortable with a keyboard and mouse. Thankfully, Shotgun Cop Man’s accessibility features allow you to skip certain inputs, like making it so you pick up new sidearms automatically, so you can tweak things to be much more comfortable.

I was halfway through the roughly five hour campaign by the time I felt like I’d fully climbed its relatively steep learning curve, mastering this propulsion-based blend of combat and movement. Normally, this initial struggle would be a knock against it, but Shotgun Cop Man constantly introduces and innovates on new ideas while rewarding your growing mastery of them. It also sets up systems that successfully encouraged me to obsessively replay levels in an attempt to shave nanoseconds off my time. This potent blend dangles an appetizing carrot-on-a-stick to gnash at in bite-sized speedruns once you’ve found your footing.

When he inevitably takes a hit, Shotgun Cop Man’s heart comically pops out of his body. Running into it will pick it up and restore health, but he’ll die in one hit without it. When that happens, the camera zooms in on his oddly detailed face as he says, “I die,” in a goofy, computerized voice. This minimal, self-aware sense of humor sets the tone overall, as there’s otherwise not much of a premise to explain here (and developer Dead Toast Entertainment even pokes fun at this in the credits by putting quotes around the word “Story”). You’re a cop with a shotgun trying to arrest the Devil. Naturally, Old Scratch doesn’t play ball. Each time our hero catches up to him, Satan tells the boy in blue to shove it, and you continue on your chase once more. It’s thin, but it works, and is just amusing enough to keep things moving.

Unfortunately, that sense of humor eventually becomes Shotgun Cop Man’s Waterloo. Each time it zooms in on his face as he points out the obvious, it takes far too long to get back into the action. It takes as many as three button presses to respawn, and even longer to restart a level. I know how silly this sounds in the face of everything Shotgun Cop Man gets right, but in a game where you’ll be dying and trying again quite a bit, these add up to completely hamper any sense of momentum. That’s especially glaring when every level in Shotgun Cop Man grades your performance on whether or not you killed every enemy, beat the par time, took any damage, or did all three of those in the same run. In what feels like a big oversight, there’s no quick level restart button when you die, so to chase that perfect run, you need to resume the level after that death, pause, and then hit the retry option from there. Because Shotgun Cop Man trades in seconds and milliseconds (most levels took me less than a minute to complete), this otherwise small bump in the road became an outsized, unnecessary part of mastering each level.

That said, for a game that only took me about five hours to see from end to end, Shotgun Cop Man crams in a staggeringly impressive range of innovations and spins on its seemingly simple run-and-shoot formula. It ricochets from idea to idea, never allowing a mechanic to get old — in fact, there are quite a few I wish got some more time to shine, like reactive floors, which alternate between safe and deadly each time they’re shot, or clever box-moving puzzles that put your understanding of each weapon’s power to the test. Most mechanics get a chance to shine before being woven into more new mechanics later on, but there’s also an impressive level creator (exclusive to the PC version) that lets you toy with some of these ideas yourself if you feel like your favorite didn’t get its time in the sun.

I’m not much of a level designer myself, but the creation suite provides a robust toy chest for dedicated designers to mess around with. It doesn’t just feature tools that enable you to recreate or expand upon any clever idea found in the campaign, it even includes wholly unique mechanics that aren’t found there, like extra enemy and NPC types. I didn’t get to try any user-created levels during the pre-release period, but I’m really excited to see what people think up once Shotgun Cop Man is out in the wild.

After years of struggle, Blizzard Entertainment has found itself in uncharted territory: Overwatch players are having fun again.

The Overwatch team knows failure well. Its massive launch in 2016 was eventually dampened by divisive balance decisions, a disastrous launch for Overwatch 2, a sea of negative reviews, the cancellation of PvE content – the list goes on. As each controversy was usually only followed by another, fans began to wonder if Blizzard would ever regain its footing or if the glory days of Overwatch were left in 2018. Following an invasion of fundamental changes, fans have determined Overwatch 2 is set up not only for the best lineup of content it’s seen in years but what might be the best state it's ever been in.

To All Agents of Overwatch

On February 12, 2025, game director Aaron Keller assembled the Overwatch team to debut an Overwatch 2 Spotlight presentation that was said to explore “what the future holds.” With years of painful decisions in the rearview mirror, fans were split between fear and cautious optimism, leaving little room for excitement as it became clear this was a make-or-break moment for Blizzard. What followed was a 34-minute breakdown that included a detailed content release schedule, copious amounts of changes players had been pleading to see implemented for years, and, most importantly, transparency.

Where false, nigh unreachable promises plagued years past, Overwatch 2’s 2025 outline felt attainable. Damage and Support heroes Freja and Aqua made their debut here, as did Stadium, a revolutionary third-person Competitive mode poised to shake up the tedium of standard matches. Loot boxes, the controversial monetization tactic left behind when the original Overwatch was shuttered in 2022, were back with tweaks that made them more rewarding without a tie to real-world money. Perks gave all 43 characters a set of four unique, game-changing abilities, and Blizzard even managed to further detail its plan to bring back 6v6. It was a weighty list of tangible additions and more content than Overwatch players had seen since the launch of Overwatch 2 – and most of it would be added within only a few months.

Not gonna lie I had a lot of fun playing 6v6 perk watch today

It makes me really happy to say Overwatch actually has found the light on this path

Post bans, 6v6 open queue perkwatch is the best state the game has been in since 2020

Looks like hero shooters will stay winning!

— Samito (@SamitoFPS) April 5, 2025

Now, in April, loot boxes, Freja, Stadium, Classic balance modes, and more have executed on Blizzard’s mission to turn the page to a new chapter of Overwatch. It’s been a much-needed break from the monotony of same-y seasonal content releases coupled with exceeded expectations for those who were, justifiably, worried the hero shooter would never be seen in a positive light again. There’s debate about what triggered such a radical change in strategy, but there is no denying Overwatch 2 is currently backed by a team that wants to see it succeed. This is a different Blizzard.

“They pulled themselves out the gutter with this one,” Reddit user Right_Entertainer324 said regarding the Overwatch 2 Spotlight. “Super excited for the future of Overwatch 2, for the first time in… Well, ever.”

Experience Tranquility

Through ups and downs, it’s been about seven years since Overwatch was the titan fans originally fell in love with. Even with the onslaught of kept promises bombarding players for both Season 15 and Season 16, Overwatch 2’s current season, your average fan has every reason to believe the other shoe could drop at any moment. It’s been that way since February, yet Blizzard is charging forward.

“Let's be honest, (Overwatch 2's) development history has been... troubled,” a popular post from Reddit user ImperialViking_ said. “When PvE was cancelled we all thought it was the end. Now, come Season 15, Overwatch has turned the corner and the future is looking super bright.”

They continued: “All in all I think it goes without saying that the devs have really been hitting it out of the park recently. People calling them ‘lazy’ is just plain wrong. There are OF COURSE still issues with (Overwatch), and there always will be, but the decisions of Aaron and the team have led the game to a healthy state of growth and competition. I think that deserves praise.”

Reddit, Discord, X/Twitter – there’s been a vibe shift on every platform where people can talk about Overwatch. Posts praising Stadium are all too likely to show up on fans’ feeds, as are comments from players thrilled Season 16 introduced Competitive hero bans. This long-requested feature finally made its proper debut last week, essentially giving players the option to never play with or against pesky heroes like Sombra ever again if they don’t want to.

Of course, Blizzard is only just lifting off when it comes to the journey to rebuild the goodwill it’s lost over the years. Overwatch fans surely won’t let it forget the damage done, but the change in attitude is undeniable.

Content creator Niandra, whose “Let’s Talk About the State of Overwatch 2” video examined the hero shooter with a fine-toothed comb last summer, remains cautious but tells us they feel “pretty good” about where things are at now. They believe fans are starting to come around, too, thanks to a few key additions.

“I think a particularly critical playerbase is to be somewhat expected with games that try to be your forever game and a part of your daily routine,” they explain, “but I think the (Overwatch) community is getting happier!

“It feels like the momentum of perks into Stadium and Freja has brought a lot of goodwill. Morale in the community felt really low during the release of Marvel Rivals and its following month, especially since Overwatch didn't immediately respond with sweeping changes. Upon reflection, that was probably the correct move as Marvel Rivals is now having its own issues while Overwatch has released big changes. I wouldn't be surprised if ex Overwatch players have curiously checked out the game again recently.”

Stadium has now established itself as a core component of Overwatch 2, but its importance doesn’t stop at the fresh gameplay it brings to the nine-year-old hero shooter. A game mode as radically different as this has players engaging in good-faith discussion about what could make it better. It will take time for the community to fully wrap its head around the value it could add to the free-to-play experience, but mostly, they’re just enjoying the ride.

One clear point of criticism has revolved around the fact that Stadium lacks a Quickplay option and, as a result, crossplay support. While it’s barred groups of friends on different platforms from testing out its many character builds and synergies, most assumed a mode in its infancy would be fleshed out with more features in future seasons. That, along with Blizzard’s usual reluctance to reveal its hand, is why it was so shocking to see concerns addressed just days after complaints emerged.

“God it is so nice seeing this,” one Reddit user commented after Blizzard promised to tackle highly requested features like crossplay. “Literal IMMEDIATE update on feedback they’ve been given. Making no promises but being transparent about what the feedback is and how they intend to handle it. I really do love this direction of community communication they’ve been on for the last year or so.”

Does This Mean Overwatch Is Back?

Overwatch has been a black sheep in gaming for a while. A once-great staple of the multiplayer world fell from grace and spent years finding new ways to fall further. Renewed faith and interest in what it can be isn’t proof that all wounds have been healed or that Overwatch 2 is now perfect, but it is a sign that it can claw its way back.

While the momentum is there, many agree that there is one trump card Blizzard could play to get its community fully invested in the future of Overwatch: traditional story cinematics. These narrative tie-ins each amassed millions of views upon release but were largely abandoned when Blizzard shifted its focus onto the game itself. Still, considering it helped draw a connection between players and the characters that hold the experience up, these videos remain one of the most desired – if not the most desired – components fans hope will return.

“It feels like Overwatch has spent the last few years focusing on just the game itself, which has been wonderful don't get me wrong, but does mean the reach outside of it feels limited," Niandra added. "Overwatch feels much like one very well-made PvP game, as opposed to the big multimedia franchise it has the potential to be, which is a shame considering all the praise its world-building and lore has gotten over the years."

Following Blizzard’s February event, Overwatch has managed to jump from being the most negatively reviewed Steam game of all time to having “Mixed” reactions from players. As the team continues to invest in additions like Stadium and the long-awaited return to 6v6, its consistency in the long term will be the key in determining if Blizzard is able to reclaim all of the ground it's lost. If the last few months are anything to go off of, it’s absolutely doable.

“I think we’ve entered a new golden age of Overwatch,” hero-shooter content creator and longtime Overwatch player Flats said during a recent livestream. “Overwatch is potentially in the best state it’s ever been, and it’s not even close. Better than the launch of Overwatch 2. Better than when the PvE missions ‘came out.’ Dare I say, better than Overwatch 1. The only time, maybe not, is 2016 hype when it first started – arguably.”

Overwatch 2 Season 16 kicked off the next phase of Blizzard’s grand scheme last week. It introduced newcomer Freja as its latest Damage hero, with this week ushering in a mech-fueled Gundam collaboration. Future seasons are said to come with a Dva Mythic skin, a Reaper Mythic Weapon skin, additional Stadium characters, and more. Time will tell if it’s enough to revive Overwatch to its former glory.

Michael Cripe is a freelance contributor with IGN. He's best known for his work at sites like The Pitch, The Escapist, and OnlySP. Be sure to give him a follow on Bluesky (@mikecripe.bsky.social) and Twitter (@MikeCripe).

The latest Nintendo Switch system update is out, introducing new systems like the Virtual Game Cards ahead of the launch of Switch 2. Implementing that has closed off a method for playing the same digital game online across two systems at the same time, though.

As noted by Eurogamer, Switch users could previously use the primary console to pull up a game and play it online, alongside the owner of said game logged in on another Switch. This loophole has been closed off with the new Virtual Game Cards system.

Users are reporting that you can still play a single copy of a digital game by going offline, though. By going to your profile's user settings and turning on the Online Licenses option, you can play a digital game even if you don't have the Virtual Game Card, so long as it isn't being played somewhere else, or as long as the Switch playing it is set offline. Here's the text for the setting:

"If this option is enabled, purchased digital software will be playable while the console is connected to the internet, even when the virtual game card for that software isn't loaded to the console. However, when using an online licence, only the user signed int to the Nintendo Account that was used to purchase the software will be able to play it, it will not be playable for other users on the console. Your virtual game cards can be used to play software regardless of this setting. Online licences cannot be used on multiple consoles at the same time. The online licence and virtual game card for a software title cannot be used at the same time."

Essentially, if one Switch is offline in some way, you can still play the same game at the same time across two Switches. Eurogamer tested this and verified the system works. The big change is that, if you want to play the same game online at the same time, that loophole appears to be closed.

Fans aren't too keen on the change, as users across forums like ResetEra and Reddit are frustrated that their previous game sharing set-ups aren't going to work the same. Specifically, the ability to play online at the same time is a gripe, as people mention playing games like Splatoon or Minecraft as a family or group.

Users note that for families, this would double the cost of picking up games moving forward if they have multiple kids that want to play a Switch game together. Families that previously played together will have to buy more copies. While it's essentially closing a loophole, it was a useful loophole, and it's not surprising to see people frustrated with the new system already.

This all arrives just over a month out from the launch of the Switch 2, which will utilize the same system. It's also going to use Game-Key Cards, meaning certain games — a decent number of them, actually — will not have the entire physical game on the Switch 2 cartridge, and will require an online download.

Eric is a freelance writer for IGN.

Call of Duty is steeped in 4/20 culture. It’s something Activision has monetized for years now, doubling down on the fanbase’s reputation for kicking back and relaxing while going for those killstreaks. But with Black Ops 6 and Warzone, the 4/20 microtransactions have leveled up, and now Seth Rogen is in the game some fans have had enough.

The Season 03 Reloaded update, out tomorrow, May 1, is pretty much all about 4/20 culture, even though it arrives 11 days after the day itself. The Joint Operations (I see what they did there) Limited Time Mode is a Black Ops 6 multiplayer variant that adds modifiers, including a +420 Score Bonus (I see what they did there), 3rd Person, Visual Impairment, Double Health, Hardcore, Paranoia Sounds, Low Gravity, Double Jump, and Increased Movement Speed (I see what they did there, etc).

It’s a similar situation over in battle royale Warzone. The Verdansk Limited Time Mode High Trip Resurgence (I’m not saying it again) challenges players to “smoke” the competition (nope, I’m not saying it).

After the success of Halloween (1978), Friday the 13th kicked off the 80's by taking the slasher genre to gorey new heights. Jason Voorhees first appeared (sort of) to terrify teens at a Crystal Lake summer camp, and its safe to say the original Friday the 13th is essential viewing for any horror fan. 12 movies and 11 directors later, the hockey-mask wearing horror villain has become a zombie, gone to space, and battled a fellow slasher icon.

For anyone looking for a slasher binge, here's where you can stream all of the Friday the 13th movies right now.

Where to Watch the Friday the 13th Movies Online

The Friday the 13th movies have consistently been pretty hard to find online. This past October, the first eight Friday the 13th movies ("the original series," if you will) found a home at Paramount+, but at some point since then were quietly removed. Now, you can only find the eight original Friday the 13th movies on Pluto TV, a free streaming service with ads. The more recent Friday the 13th reboot is streaming on Max.

Otherwise, all of the Friday the 13th movies are available to rent or purchase from digital storefronts, which is the only way to get your hands on Jason Goes to Hell (maybe that one's for the best), Freddy vs Jason, and Jason X.

Friday the 13th Movies on Blu-ray

It’s a Minecraft world, folks — we’re just singing in it. A Minecraft Movie continues to hit major milestones a month after debuting in theaters and catapulting its way toward becoming the highest-grossing video game movie ever at the global box office. Now, the movie’s “Steve's Lava Chicken” song, sung by star Jack Black himself, has made its way to the coveted Billboard Hot 100 Chart in the United States. Yeah, you read that right.

At just 34 seconds, the song — which boasts deep lyrics like “la-la-la-lava ch-ch-ch-chicken” — has become the shortest ever to hit the Hot 100. It debuts on the chart dated May 3, 2025 and comes in at No. 78, which is pretty solid for a sub-35 second song. Additionally, the track, which was written by Black and the film’s director Jared Hess, has hit No. 10 on the Hot Rock Songs Chart.

Interestingly enough, this isn’t even the first chart the song has made it onto. Earlier this month, the song debuted at No. 21 on the UK’s official chart — so clearly Black’s solo is really connecting with the movie’s audience. Plus, this isn’t Black’s first time charting for a film either. He hit No. 58 for “Peaches” from The Super Mario Bros. Movie back in 2023 as well.

A Minecraft Movie screenings have been pretty rowdy affairs so far, but it seems as though fans will have an opportunity to meme and scream their way through the “Chicken Lava” song and the rest of the film as the studios are debuting specific screenings meant for audience interaction.

"Warner Bros. Pictures and Legendary Pictures invite fans back to the theater to experience A Minecraft Movie together in a whole new way! You know the moments. You know the lines. You love the songs,” stated the announcement for the set of Block Party Edition screenings that will take place on May 2 across the United States and select international locations. “Now it's time to get loose, laugh out loud and belt out those lyrics like a true diamond-tier fan.”

We’ve got plenty more on A Minecraft Movie, including how the Minecraft movie team had a private server they played on.

Lex Briscuso is a film and television critic and a freelance entertainment writer for IGN. You can follow her on Twitter at @nikonamerica.

I remember vividly when I first caught wind of The Outer Worlds back in 2018 – my managing editor at the time talked about his preview of what developer Obsidian was working on; an original first-person RPG with the makings of a Fallout game. As someone who still won’t shut up about Fallout: New Vegas to this day, that was music to my ears. It turned out to be one of my favorite games of 2019, but instead of expecting it to be the next coming of Fallout, I saw it more as a new foundation for Obsidian to work within.

There were certain limitations to what the first Outer Worlds could be in terms of size and scope, and that much was clear in the several conversations I’ve had with the development team when reflecting on it. But after seeing the sequel in action for the first time and interviewing key folks at Obsidian, The Outer Worlds 2 seems like that original vision fully realized. For all the details I’ve been able to dig up about the revamped gameplay systems and worldbuilding, the overarching idea was that The Outer Worlds 2 needed to be a deeper RPG where player choice has more of an impact in nearly all aspects of the experience. And from everything I’ve gathered from our month’s-worth of exclusive coverage, this sequel looks like it’s stepping in the right direction.

What I’ve seen thus far is based on an early build of the game, all of which has been through hands-off demos, and all the footage you’ve seen was provided by Obsidian. So while I haven’t played it yet, The Outer Worlds 2 is so far reminding me of some of the best parts of the studio’s long list of RPGs, where unconventional playstyles are viable and unpredictable choices and outcomes are intrinsic to the roleplaying aspect, asking you to roll with the punches regardless of whether or not it’s deemed “optimal,” and this manifests in several ways.

Attributes, which were stats that you invested in as you leveled up, have been set aside for a heavier focus on Skills – a total of 12 (including staples like Engineering, Explosives, Guns, Hacking, Leadership, and more) now dictate how your character functions. While this may seem like further streamlining, the goal is to make sure the points you put into various Skills have a more noticeable impact throughout the process of leveling up, as opposed to the minute effects you’d feel in the old Attributes system. Of course, I can’t speak to how this comes to fruition in a full playthrough, but there are other systems in place that feed into the idea that these mechanical decisions can affect your character in bigger ways.

That leads to Perks, of which there will be about 90 to choose from. There are specific Skill levels needed to gain access to certain Perks, but these are said to offer significant changes to what you can do in combat, conversations, exploration, and more. One example is a Perk that lets you aim, fire, and reload while sprinting and sliding for those who want to approach enemies with the mentality of a traditional shooter. Or the Serial Killer and Psychopath Perks that grant bonuses for those who try a much more violent playthrough. Or the Space Ranger Perk that lets you convert points in your Speech Skill into damage bonuses in battle. Dialogue branches may vary based on the Skills and Perks you have (more so than the original), or your character may pick up on things in the environment they wouldn’t be able to otherwise, so the results of your build aren't just isolated in combat scenarios. Those are just a few examples of how these systems feed into specific playstyles with the intention of rewarding you for the way in which you’re specialized.

Then there are Traits that stack additional permanent effects that you wouldn’t necessarily get through Perks. The catch is that if you want to take more Positive Traits, you have to also select Negative Traits, and that’s where things can get interesting. I’m actually curious about how I’d play with something like “Dumb” where I’d have to lock myself out from ever putting points into five of the 12 Skills, or “Sickly” where I’d take lower health and toxic resistance. It seems like a trade-off that could be worth it, depending on how I want to build out my character.

But if you want to lean more into unconventional mechanics, accounting for things you usually wouldn’t in other RPGs – enter the new Flaws system. Like in the original, the game is watching your behavior and then offering permanent bonuses at the cost of a permanent detractor depending on how you play. However, The Outer Worlds 2 goes deeper on this idea – you’re not just offered a Perk point if you take a Flaw. Flaws now have bespoke status effects and conditions that can have major ramifications for how you’ll play the game, should you take a Flaw. I only got to see two of them, but they speak to the philosophy behind them. Sungazer offers regenerative health outdoors during the day at the cost of extreme visual lens flare and reduced accuracy, and that’s activated by staring into the sun multiple times. Or if you quickly skip through dialogue choices frequently, Foot-in-Mouth offers a permanent XP bonus while forcing you to make all future dialogue choices in a 15-second window – and if that timer runs out, the game will pick for you, which can lead to some unintended consequences. There’s another Flaw that’ll force you to accept all future Flaws no matter what, and Obsidian hinted at one that will account for those who save scum, but that remains to be seen – it’s bizarre ideas like these that can shake up playthroughs. Obsidian said there are around 30 Flaws in total, and my hope is that the incentives will be worth the trade-off, and that they’re built in a way that it won’t be easy to circumvent their effects, which could diminish their impact.

All that said, it’s clear that Obsidian put a lot of thought into how to rebuild its RPG mechanics with the intention of making something that is more reactive and impactful, or at least purposeful along the progression path. And with no respec beyond the intro mission, you’ll have to build out your character with a little more care. Hands-off demos can only tell me so much, so I’m expecting everything else around The Outer Worlds 2 to bring out the best in those systems and push me to engage with them beyond the surface level.

That sounds all well and good, and the brief gameplay sequences I saw were also promising. While the first game had approachability at the forefront, The Outer Worlds 2 looks like it’s offering more variability with a web of systems that come together for something a bit more sophisticated. For example, we now have actual stealth mechanics with a better detection system, proper stealth kills, and scenarios in which this approach would make sense – and features such as damage bar read-outs tell you whether or not a stealth attack will be worth it. The N-Ray Scanner is one of the new gadgets you’ll use, and this lets you see through walls and detect cloaked enemies or key objects hidden in the environment, but it’ll expend your mana-like energy – it’s a tool that’s conducive to this playstyle, and I’m looking for how this approach can be sustained throughout.

Judging from the brief run of the N-Ray Facility, for example, I saw snippets of that in action, which leans into this particular playstyle I prefer. This level was also ripe for playing it like an immersive sim, and it gave me hints of Deus Ex or Dishonored, especially with how you navigate the level and find different paths. I know the DNA of those games will always find their way into first-person RPGs, but it’s something that wasn’t quite as present in the first Outer Worlds, and very much apparent in this sequel.

And while I’m excited for stealth options and wielding the environment to create paths forward, the punched-up gunplay and addition of gadgets shows an improvement in combat approaches across the board. The aforementioned sprint-slide-firing Perk – along with the returning Tactical Time Dilation (TTD) – looks to be a deadly combo in a firefight, but some wild unique weapons like the crank-powered sniper rifle called the Planet Killer or the advertisement-blasting Pop Gun that’ll distract enemies, widen your toolset. When all hell breaks loose, the triple-barrel shotgun will probably be an old reliable in my playthrough. And I’m sure I’ll be saving those rare shots I’ll find for this game’s version of the BFG for the toughest fights.

But with Obsidian looking to games like Destiny in terms of reworking gunplay, I think it’s a net-positive for how the game feels on a moment-to-moment basis. There’s an emphasis on better mobility, smarter enemy behavior, and varied enemy types, along with that wider, more creative arsenal. But there’s also no more level scaling, and so there’s been more consideration in how difficulty works in The Outer Worlds 2 with tiered enemies and static levels for encounters across the game, letting encounters be designed with more intent, especially with where the designers will funnel players and create friction.

The more intimate details of level design excite me, and seeing interiors like the Zyranium Lab be noticeably bigger and intricate with multiple paths has me thinking about the gameplay possibilities. But its large open zones are also a key point in this sequel. I’ve said in previous coverage that bigger doesn’t always mean better, and Obsidian is aware of that. So, The Outer Worlds 2 has an emphasis on density and rewarding players who poke around its areas with more side stories and useful loot in a way that the first game didn’t. Points of interest out in the distance are built intentionally and are said to be placed for a reason and draw players to those locations and discover quests off the beaten path. This is all based on a brief walkthrough of Golden Ridge, which is the only open zone I saw, and it does seem like there’s a lot more going on at the ground level. And I hope that this design philosophy extends to the rest of The Outer Worlds 2's open regions.

Finally, Obsidian wasn’t ready to share many details on story or companions, but game director Brandon Adler hinted at a world-changing event happening early on when landing on Golden Ridge, and that being indicative of the types of narrative swings they’re going for. Creative director Leonard Boyarsky, who was one of the original Fallout developers, spoke to how the team is thinking about The Outer Worlds 2’s story. He mentioned being sharper with its humorous tone while going deeper on its commentary about how corporations, and those in power, will exert and abuse their power on those seen below them. It seems a major factor in conveying these themes will be through factions – The Protectorate, The Order of the Ascendant, and Auntie’s Choice (a merger between Auntie Cleo and Spacer’s Choice from the first game). While companions are optional, it appears they’ll be an important lens through which you navigate and understand the world. Boyarsky also emphasized the intention of making a story that can stand the test of time with its dissection of the human condition, rather than directly reflect the times in which it was made – and that’s largely been the philosophy that guided the old Fallout games, including New Vegas.

Overall, I get the impression that Obsidian is trying to avoid homogeneity in its gameplay systems, and build worlds with questlines and encounters that tease out the varied options you have this time around. You can have complex and creative systems to toy with, but ultimately, it’s a means for engaging with the captivating stories tucked within where we have a distinct role to play. If the original Outer Worlds was Obsidian building the framework, my hope is that this sequel is the series reaching its full potential. And that’s something we’ll have to see when The Outer Worlds 2 comes out later this year.

Game of Thrones: Kingsroad is set to leave early access and launch on May 21, Netmarble and Warner Bros. Interactive Entertainment have announced.

The action-adventure role-playing game based on George R. R. Martin’s much-loved fantasy universe is set for release on all mobile platforms as well as on PC via Steam, the Epic Games Store, and Windows.

Game of Thrones: Kingsroad launched in early access form in March, and has a ‘mixed’ user review rating on Steam. Most of the negative reviews revolve around its monetization, which some have called “greedy.” “It’s like a mobile game on steroids and kinda not in a good way,” reads the current ‘most helpful’ review on Valve’s platform.

In a release date FAQ posted to Steam, Netmarble addressed the expected gap between the progression of early access and new players. It said that Game of Thrones: Kingsroad is “fundamentally designed with a focus on single-player gameplay,” and that it had worked to “minimize any feelings of imbalance or unfairness that might arise from differences in progression.”

Testing was conducted to improve the game, the development team continued, "to improve the game and make it more enjoyable and accessible for everyone."

“We encourage all players to focus on the inherent fun of progressing through the later stages and reaching the endgame content, rather than comparing progress with other characters,” Netmarble suggested.

Netmarble went on to apologize for its prior communication and patches, which it admitted were “somewhat lacking.”

“Moving forward, we are committed to more frequent and transparent communication through regular AMA sessions and Developer Notes,” it added. “We kindly ask for your continued anticipation and support as we approach the official launch.”

As you’d expect from a game like this, there’s a premium Founder’s Pack that offers Early Access and other exclusive in-game content. Mobile players can pre-register through the App Store and Google Play store on iOS and Android devices ahead of the grand launch.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

When it comes to the Great American Novel, you'll be hard-pressed to find a more quintessential pick than Stephen Crane's The Red Badge of Courage. The book's unflinching depiction of a soldier's life during the Civil War made it unique in the literary world upon release, and it also makes it a natural fit to be adapted into a graphic novel. Abrams ComicArts has done just that.

Ahead of its May release, IGN can exclusively debut a new preview of The Red Badge of Courage. Get a closer look in the slideshow gallery below:

The Red Badge of Courage is adapted from Crane's original prose by writer/artist Steve Cuzor. Here's Abrams' official description of the graphic novel:

Written by Stephen Crane when he was just 24, The Red Badge of Courage is a Civil War story that captured the imaginations of readers worldwide and made its author an overnight literary icon. Now artist Steve Cuzor and Abrams ComicArts are publishing a powerful graphic novel adaptation of the classic and genre-defining war novel. Cuzor’s stark yet detailed artwork in The Red Badge of Courage perfectly captures the realistic prose of the original novel, presenting a lushly illustrated, unflinching depiction of war through the eyes of a young, inexperienced soldier.

A groundbreaking and realistic examination of the psychological effects of war, The Red Badge of Courage draws from firsthand accounts and research and has been continuously in print since its publication in 1894. Crane’s depiction of his main character, Henry Fleming, and his internal monologue, ring so true that many readers mistook Crane for a veteran himself. The realistic prose and visceral descriptions of battle that Crane used marked the first shift away from uncritical patriotism in war literature. It would take until at least the 1920s and the wake of the horror of the First World War for the rest of the genre to catch up. In the years following its publication, The Red Badge of Courage was hailed by Crane scholar Henry Wertheim as “unquestionably the most realistic novel about the American Civil War,” while Ernest Hemingway called the novel an “American classic.”

“By illustrating Crane’s classic story, Cuzor pulls readers into the midst of the action, making Henry Fleming’s experience feel all the more visceral,” said Abrams ComicArts' Publisher Joseph Montagne in a statement. “Literary aficionados and students alike will find another layer of this classic story to appreciate in this new adaptation of Crane’s magnum opus.”

The Red Badge of Courage will be released in bookstores on Tuesday, May 13 and in comic shops on Wednesday, May 14. You can preorder a copy on Amazon.

In other comic book news, iconic TMNT villain Shredder is getting his own solo series, and we've got an exclusive look inside the new Heavy Metal series.

Jesse is a mild-mannered staff writer for IGN. Allow him to lend a machete to your intellectual thicket by following @jschedeen on BlueSky.

The buzz around preordering a Nintendo Switch 2 has also come with its reputation for more expensive new games, but getting to grab the physical version of Cyberpunk 2077: Ultimate Edition for £60 on the upcoming system is a nice surprise.

Available at Monster Shop's eBay store, the outlet has introduced a "LOOPY20" discount code that, when applied at checkout, will take the titular 20% right off the game's price tag to £59.99.

With The Elder Scrolls IV: Oblivion Remastered out and millions of players enjoying Bethesda's much-loved open-world role-playing game, its army of fans are coming together to issue advice to those who might have missed out on the fun 20 years ago.

Oblivion remastered is a remaster, not a remake, Bethesda has stressed, and so many of the quirks of its ageing design remain. One of those quirks — or frustrations it might be better called — is Oblivion’s level scaling system.

Oblivion’s original designer recently called the game's level scaling a “mistake,” but it made it into Oblivion Remastered anyway. It means loot acquired is tied to the level of your character at the point you acquire it. Similarly, enemies will still spawn according to your level.

It’s this latter point that has sparked a fresh round of advice from Oblivion veterans to newcomers, and it all revolves around Castle Kvatch.

Warning! Spoilers for The Elder Scrolls IV: Oblivion Remastered follow.

Breaking the Siege of Kvatch is the fourth main quest, and tasks you with defending the city of Kvatch against the Daedric hordes. It involves going through an Oblivion gate where you’ll face off against multiple high level enemies. Once you've done that and closed the Oblivion gate, you have to clear out the Daedric invasion in the main plaza of Kvatch itself.

If you waited too long and leveled up a lot, you'll find that all of your helping friends are quickly killed because the enemies you're facing are extremely difficult. Due to Oblivion’s level scaling system, the higher level you are, the tougher those enemies will be. At higher levels, Kvatch will throw every variety of Daedra at you, rather than easy-to-kill Scamps. You might encounter a room full of Daedroth (strong crocodile-headed bipedal Daedra), Daedric Princes, or other monstrosities.

Breaking the Siege of Kvatch leads into The Battle for Castle Kvatch, should you take it on. Here you battle to retake the town's castle, defeating the Daedra along the way. Like Breaking the Siege of Kvatch, level scaling can be a real problem here.

Enter helpful Oblivion veterans who are recommending players take on Kvatch before they hit level 10.

“I'm like panicking now…” said redditor IsThatHearsay. “First time playing Oblivion, didn't even know you had to sleep to lvl up until just before I got to this mission.

“Closed the Kvatch Oblivion gate right before this mission still as lvl 1, then read online to sleep and I jumped from lvl 1 to 9 immediately with hour sleep increments. Met Martin there and decided to escort him to the Cloud place to take a break from fighting, followed by deciding to cheese some skills like Conjuration, Acrobatics, Sneak, and whatnot quickly and climbed to lvl 15.

“Now have to go back to do Kvatch at lvl 15+, when I'm hearing I probably should've just done it while still lvl 1…”

“I just tried it at level 20 and let me tell you, that shit is fucking rough,” said frontadmiral.

“Completed at lvl 21 on a mage, god it was tough,” said Ranaki_1967. “Had to in the field recharge my staff, drink potions escape down the ladder, have maximum shield armour, a Dremora champion.

“The framerate was bad.”

“Bro im doing it at 27 rn and im NOT having a good time, Xivali are EVERYWHERE,” Mother_Bid_4294 said.

Even Oblivion experts have been caught by taking on Kvatch at too high a level. “I've oblivioned extensively in the original but I still made the same mistake, went back to Kvatch level 13, just about manageable,” Various-Jellyfish132.

“Make use of sneak for bonus damage and retreat through loading doors to recover if needed, if you have a bit of space, their attacks are easily dodged. The daedroths don't seem to follow you through the doors so you can pick them off one at a time.”

“Oblivion scaling is just wild though because you will level up once and suddenly Scamps transform into Daedroths and Clannfear Runts turn into Daedric Princes,” Groosin1 said.

“Because the scaling cap is only 17-18. And the way leveling works, at 17-20 you could be anywhere from a guy with middling combat skills for what you're using and getting obliterated, to being God.”

Part of the issue here is that players are leveling up faster in Oblivion Remastered than they did in the original Oblivion. That’s because the developers changed the leveling system to modernize it, but kept the level scaling the same.

This has had the knock-on effect of causing some players to be a higher level than they would have been in the original when taking on tough quests such as Kvatch.

For the first time ever I decided to do Kvatch before level 10. It was cool to see it actually functioning as an even battle instead of a horde of overleveled demons one-shotting all the guards. Really makes you wonder if they ever tested it at higher levels. pic.twitter.com/VeQH3xst0b

— Entropy Phi (@entropy_phi) April 27, 2025

As you’d expect, modders have once again come to the rescue. Fresh from tackling PC performance issues in Oblivion Remastered, modders have also released balanced NPC level cap mods and balanced unleveled rewards mods, so if you’re on PC, you can change the way Oblivion Remastered works significantly. If you’re on console, however, you’re stuck with level scaling.

We’ve got plenty more on Oblivion Remastered, including a report on a player who managed to escape the confines of Cyrodiil to explore Valenwood, Skyrim, and even Hammerfell, the rumored setting of The Elder Scrolls VI.

We've also got a comprehensive guide to everything you'll find in Oblivion Remastered, including an expansive Interactive Map, complete Walkthroughs for the Main Questline and every Guild Quest, How to Build the Perfect Character, Things to Do First, every PC Cheat Code, and much more.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

We're just over a month away from the much-hyped arrival of Nintendo Switch 2, which means Nintendo has been busy behind the scenes, updating its OG Switch firmware and getting the digital eShop ready for June 5. Part of those changes, however, has evoked a surprisingly strong reaction in fans — the eShop has switched from orange to red.

Not only has the orange background — which has been the shop's primary color since the Nintendo 3DS days of June 2011 – been refreshed to a bright red, but the shop icon on the Home screen's taskbar has also been given a coat of paint. Previously, the red background color had primarily only been used to mark key Nintendo anniversaries.

RIP orange eShop. Lasted from 2011 to 2025 across 3DS, Wii U and Switch 🫡 pic.twitter.com/Gv9bBUKJ2H

— It's-A-Mii, BoTalksGames! (@BoTalksGames) April 30, 2025

That's not all, either. Nintendo has also straightened the 'e' on eShop and removed the little "eyelashes" from it, too, and changed the font, as demonstrated by the 't' in Nintendo.

"Going to be sick…" cried one alarmed Twitter respondent, while others descended into a "It's bread" frenzy, riffing on the viral Silent Hill 3 meme.

"Yeah I miss the orange already, lol," said another commenter on Reddit, to which another joked: "NOW it’s next gen."

THEY KILLED HIM

HES ALL RED NOW pic.twitter.com/4v2QiXboZv

— Nathan (@NSuperGamerGuy) April 30, 2025

Interestingly, though, this is actually not the first time the eShop has been red, as some players have also been reminiscing about. It also aligns the console store with the color palette you see when visiting the Nintendo eShop via your browser.

On the plus side, players are reporting the updated eShop seems to be responding faster since the most recent firmware update.

As IGN reported earlier today, Nintendo Switch Firmware Update Version 20.0.0 makes a number of key changes to the eight-year-old console in preparation of the launch of its successor, the Switch 2, in June, according to the patch notes released on Nintendo's official website. It includes the addition of a system transfer to Nintendo Switch 2, which you’ll now find in System Settings, so you'll be able to transfer from your Switch to Switch 2 using local communication.

This is all leading towards the hotly anticipated release of the Nintendo Switch 2 on June 5. Nintendo Switch 2 pre-orders went live on April 24, with the price still fixed at $449.99 — and they went about as well as you'd expect. Meanwhile, Nintendo has issued a warning to U.S. customers who applied for a Switch 2 pre-order from the My Nintendo Store, saying release date delivery is not guaranteed due to very high demand.

Check out IGN's Nintendo Switch 2 pre-order guide for more.

Vikki Blake is a reporter, critic, columnist, and consultant. She's also a Guardian, Spartan, Silent Hillian, Legend, and perpetually High Chaos. Find her at BlueSky.

Lost Soul Aside is delayed three months, from May 30 to August 29, 2025, its developer has announced.

After roughly a decade in development, the PC and PlayStation 5 single-player action game was finally scheduled for llaunch next month, but a statement from developer Ultizero Games revealed the delay to late September to add polish.

"We are truly grateful for the positive response we've received from players all over the world since we announced Lost Soul Aside," Ultizero Games said.

"We remain committed to delivering a high-quality game experience. To match the standards Ultizero Games have set for ourselves, we are going to take some additional time to polish the game. Lost Soul Aside will now release on August 29, 2025. We want to express our heartfelt thanks to our fans waiting for the launch."

Originally the passion project of solo developer Yang Bing, Lost Soul Aside has grown to become a major Sony-published title under the company's China Hero Project, with Bing now the founder and CEO of Shanghai-based studio Ultizero Games.

IGN recently had the opportunity to sit down with Yang Bing to discuss the long road to launch. So many years of development went into Lost Soul Aside, escalating from a solo creator's vision to a trailer reveal at Sony's State of Play broadcast. Through it all the hype has built up, with some calling Lost Soul Aside an exciting mix of Final Fantasy characters and Devil May Cry combat — even from the moment Yang Bing's initial reveal video went viral in 2016.

The main character Kesar wields a shape-shifting weapon you can swap between, which changes your playstyle, and you have a dragon-like companion named Arena who can summon abilities to support Kesar.

Like its inspirations, Lost Soul Aside emphasizes aerial dodging, precision timing, combos, and countering along with large-scale boss fights. The game blends its sci-fi premise with a variety of contemporary aesthetics that fit into a campaign that takes you across multiple dimensions. Although it's tough to glean where the story is going based on its trailers, Bing describes Kesar's journey as one of "redemption and discovery."

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Regardless of age, every gamer remembers when they suffered their first save game data loss, be it a corrupted console/PC harddrive, or a PS1 memory card suddenly showing blue blocks of damaged data. Japanese gamers were reminded of these painful feelings on April 30, when actor Shinya Okada’s dramatic reaction to losing all his original Pokemon Red save data from 1996 was captured in a YouTube video. The actor’s stunned facial expressions and fans’ outpourings of sympathy even led the incident to be featured on Japanese entertainment news outlets.

A familiar face in Japanese TV dramas, 77-year-old actor Shinya Owada is also a huge Pokemon fan, regularly playing through various games from the series on his YouTube Channel “Shinya Owada’s Hideout.” Often accompanied by his trusty Squirtle plushie (that he recently took on an adorable trip to the aquarium), Owada’s warm-hearted enthusiasm for the games, plus his dramatic narration of the dialogue has earned the veteran gamer over 56.4K subscribers.

Pokémon TCG fans are getting a strong lineup today, with multiple Elite Trainer Boxes on sale. That includes an early discount on the Journey Together set, which is rare this soon after release.

Regardless of being in it for the promos or looking to crack packs, this is a great time to grab sealed product, not ot mention singles dropping in value across the board.

There's also a deal on Iono’s Bellibolt Premium Collection, and the Iron Leaves ETB from the Temporal Forces expansion is holding steady at a fair price.

TL;DR: Deals For Today

Outside the world of cards, AirPods Pro 2 are available for $169, a significant drop from their usual $249 price tag.

If you just picked up a Switch 2, there’s also a quick-install screen protector available for under $10.

Humble has a 17-title XCOM bundle starting at just $10, and the IGN Store is offering a limited Oblivion collectible ingot for pre-order, perfect for Elder Scrolls fans and collectors.

Journey Together Elite Trainer Box

Journey Together Rare Cards

Iono’s Bellibolt ex Premium Collection

Journey Together IRs

Oblivion Gates

Temporal Forces: Elite Trainer Box

Temporal Forces Chase Cards

XCOM Complete Bundle

Screen Protector for Nintendo Switch 2

Apple AirPods Pro 2

id & Friends Humble Game Bundle

Pokémon TCG: Scarlet & Violet - Surging Sparks Booster Bundle

Pokémon TCG: Scarlet & Violet—Twilight Masquerade Elite Trainer Box

Twilight Masquerade Single Cards

Surging Sparks Single Cards

Pokémon TCG: Shining Fates Collection Pikachu V Box

Shining Fates Single Cards

The Elder Scrolls IV Oblivion Remastered Dark Brotherhood Medallion

Pokémon TCG Paldean Fates Booster Bundle

Paldean Fates Single Cards

Pokemon TCG: Azure Legends Tin - 5 Packs

Surging Sparks Single Cards

Lexar Sale

Pokémon Game Sale

MSI Desktops & Components Sale

Samsung Pro Plus 512GB MicroSDXC + Reader

8BitDo Retro 87 Mechanical Keyboard (Xbox Edition)

8BitDo Retro R8 Mouse (Xbox Edition)

Clair Obscur: Expedition 33 has been out little over a week, but you can already grab Sandfall Interactive's critically acclaimed RPG, and potentially an early GOTY shout, up to £10 off on console at Amazon and £8 off on PC.

With these discounts, you can now grab it for just £40.99 on PS5 and £39.99 on Xbox physically, while a digital Steam copy for PC is currently priced at £33.59 during Fanatical's Level Up Sale.

Titanfall fans are reeling from the news EA has canceled another incubation project at Respawn Entertainment, and simultaneously laid off a number of individuals across its incubation, Apex Legends, Star Wars: Jedi, and EA Experience teams.

Bloomberg reported the canceled game, codenamed R7, was an extraction shooter set in the Titanfall universe. And while that is not the Titanfall 3 sequel fans have been clamoring for, some are devastated that the fan-favorite Titanfall 2 is still without a sequel almost a decade later.

"I just fell to my knees at Walmart," said one player, while another simply wrote: "I CAN'T TAKE THIS ANYMORE."

"How many more times will this happen before they finally give it up and leave us to our sorrow?" lamented another.

Not all fans are taking it as bad news, however, as some think an extraction shooter based in the Titanfall universe could have failed, killing the franchise for good.

"Best thing that could've happened as far as the continued existence of this franchise is concerned," posited this redditor. "A Titanfall extraction shooter would probably flop and the c-suite executives would say 'see, the people just don't like Titanfall anymore,' instead of the obvious reason being nobody asked for a Titanfall XTS."

"I’m fine with this one being canceled," responded someone else, followed by: "Extraction shooter lmao. Good riddance."

"So sick and tired of 'extraction shooters'. They're so formulaic and boring. I don't want to loot bunch of useless shit and camp in an attic or sit in a bush for 20 minutes or risk getting shot moving thru big open fields. Give me quick matches, wallrunning and titans blastin'," suggested this fan.

"Got sad. Read extraction shooter. Was literally okay," summarized someone else.

The roughly 100 jobs impacted at Respawn included individuals in development, publishing, and QA workers on Apex Legends, as well as smaller groups of individuals working on the Jedi team and two canceled incubation projects, one of which we reported on back in March, and the other thought to have been the aforementioned extraction shooter set in the Titanfall universe.

These cuts follow a number of other layoffs over the last few years at EA. Earlier this year, it restructured BioWare, moving developers to other projects and laying off others. It also eliminated 50 jobs at BioWare in 2023 and an unknown number more at Codemasters, and in 2024 a larger restructuring that resulted in 670 workers laid off company-wide, including around two dozen workers at Respawn.

In 2023, it emerged that Respawn Entertainment worked on Titanfall 3 "in earnest" for 10 months before ditching it for Apex Legends.

Mohammad Alavi, who became narrative lead designer on Titanfall 3 before it was cut, told The Burnettwork that much work on the sequel had been done.

“Titanfall 2 came out, did what it did, and we were like, ‘Okay, we’re gonna make Titanfall 3,’ and we worked on Titanfall 3 for about 10 months, right? In earnest, right?

"We had new tech for it, we had multiple missions going, we had a first playable, which was on par to be just as good if not better than whatever we had before, right? But I’ll make this clear: incrementally better, it wasn’t revolutionary. And that’s the key thing, right?

“And we were feeling pretty decent about it, but not the same feeling as Titanfall 2 where we were making something revolutionary, y’know what I mean?”

So, what happened? According to Alavi, it was a combination of the multiplayer team having issues making an experience that didn’t burn players out quickly, and the explosion of the Battle Royale genre with the release of PUBG in 2017.

“The multiplayer team was having a hell of a time trying to fix the multiplayer, because a lot of people love the multiplayer. People love Titanfall 2 multiplayer,” Alavi said.

“But the people who love Titanfall 2 multiplayer is a very small number of people. And most people play Titanfall 2 multiplayer and think it’s really good, but it’s just too much. It’s cranked up to 11, and they burn out a bit fast. And they’re like, ‘That was a great multiplayer, that’s not something I continually play a year, two years,’ right?

“So we were trying to fix that. We were trying to fix that from Titanfall 1 to 2, trying to fix it from Titanfall 2 to 3, the multiplayer team was just dying.

“And then PUBG came out.”

Respawn developers were seemingly more interested in playing a Battle Royale map with Titanfall 3 classes the team had put together, than any of the standard Titanfall multiplayer modes they were working on. This prompted a realisation: ditch Titanfall 3, which may or may not have ended up a better game than its predecessor, to create a Battle Royale that was wonderful.

“And at the time, I had just literally become [the] narrative lead designer on Titanfall 3. I had just pitched the story, the whole game, that me and Manny [Hagopian] had come up with. We made this big presentation and then we went off at break, and came back from break, and we talked about it and we were like, ‘Yeah, we need to pivot. And we need to go make this game.’

“We literally canceled Titanfall 3 ourselves ’cause we were like, ‘We can make this game, and it’s going to be Titanfall 2 plus a little bit better, or we can make this thing, which is clearly amazing.’

“And don’t get me wrong, I will always miss having another Titanfall. I love that game. Titanfall 2 is my most crowning achievement, but it was the right call. That is a crazy cut. Such a crazy cut that EA didn’t even know about it for another six months until we had a prototype up and running that we could show them!”

Vikki Blake is a reporter, critic, columnist, and consultant. She's also a Guardian, Spartan, Silent Hillian, Legend, and perpetually High Chaos. Find her at BlueSky.

Gearbox development chief Randy Pitchford has insisted the decision to release Borderlands 4 earlier than planned had nothing to do with any other game’s release date, amid speculation the shooter might have moved due to games such as Marathon or Grand Theft Auto 6.

Co-op focused FPS Borderlands 4 was due out September 23, but will now release on September 12 across PC, PlayStation 5, Xbox Series X and S, and Nintendo Switch 2.

This 11-day shift sparked speculation that GTA 6’s release date had come into focus and that parent company Take-Two, which also owns GTA developer Rockstar, had shuffled its pack in a bid to give Borderlands 4 more breathing room. GTA 6 is currently still down to launch in the fall of 2025.

There was also talk that Borderlands 4 might have moved due to a clash with Bungie’s Marathon, a co-op focused extraction shooter. Marathon is a crucial game for Bungie, which is owned by Sony, and was set to go up against Borderlands 4 by releasing on the same day, September 23, 2025. Borderlands 4 is getting its own PlayStation State of Play broadcast today, April 30, at 2pm PT / 5pm ET / 11pm CEST.

But in a tweet, Pitchford denied any game’s release date influenced the decision to bring Borderlands 4 forward, insisting it had to do with “confidence” and “development trajectory.”

“Borderlands 4 shipping early is 100% the result of confidence in the game and development trajectory backed by actual tasks and bug find/fix rates,” Pitchford said. “Our decision is literally 0% about any other product’s actual or theoretical launch date.”

While many games have brought their release dates forward, it remains an unusual occurence (delays are more likely). Chris Dring, Editor-In-Chief and Co-Founder of The Game Business, said that if other games' release dates really did have nothing to do with bringing Borderlands 4 forward, then the decision is "a bit odd."

"They’ve gone out with a date," Dring tweeted. "It’s on calendars, market materials, social assets... Put ‘Borderlands 4 release date’ into Google and it still says Sep 23. There’s surely got to be a good commercial reason to shift a date."

In a video message apparently published early yesterday, Pitchford revealed the surprise Borderlands 4 release date news. “Everything is going great, actually,” he said. “In fact, everything is going kind of the best-case scenario. The game is awesome, the team is cooking, and so the launch date for Borderlands 4 is changing. We’re moving it forward. The launch date is now September 12.”

“What?! This never happens you guys! This never happens! We’re moving the launch date forward! You’re gonna get Borderlands 4 earlier!”

It’s worth noting that Borderlands 4 is published by 2K Games, which is owned by Take-Two. Gearbox itself and the Borderlands IP are also owned by Take-Two. Meanwhile, Take-Two is the parent company of GTA developer Rockstar. At a high enough level, right up to CEO Strauss Zelnick, there will be a knowledge of all the company’s games, where they’re at in development, and a desire to give them all the best chance of success.

In an interview with IGN in February, Zelnick said Take-Two is planning its releases to avoid a risk of cannibalization, insisting launch timing is driven by a desire to “respect the consumer's need to spend a lot of time playing these hit games before they go on to the next.”

“No, I think we will plan the releases so as not to have that be a problem,” Zelnick said. “And what we found is when you're giving consumers hits, they tend to be interested in pursuing other hits. In other words, I've said this many times, even when the hits aren't ours, they're a good thing for the industry. In this case, we hope that the hits will largely be ours. So we feel really good about it and I think that we will time our releases so as to respect the consumer's need to spend a lot of time playing these hit games before they go on to the next.”

Amid all this speculation is of course the prospect that GTA 6 will be delayed either into early winter, or at some point in the first quarter of 2026.

"Look, there's always a risk of slippage and I think as soon as you say words like absolutely, you jinx things," Zelnick responded when IGN asked how confident he was that Rockstar would hit fall 2025 for GTA 6. "So we feel really good about it."

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Nintendo has released a new firmware update for the Switch ahead of the release of the Switch 2.

Nintendo Switch Firmware Update Version 20.0.0 makes a number of key changes to the eight-year-old console in preparation of the launch of its successor, the Switch 2, in June, according to the patch notes released on Nintendo's official website.

Chief among them is the addition of a system transfer to Nintendo Switch 2, which you’ll now find in System Settings. This lets you perform a system transfer from your Switch to Switch 2 using local communication.

If you lose access to your Switch before getting your Switch 2, there is an option to upload system transfer data to a dedicated server which can then be retrieved on your Switch 2.

It’s worth noting that once you’ve done this, the Switch will be initialized to factory settings. Nintendo warned you should only do the transfer if you’ll be able to complete the transfer on Switch 2. Otherwise, just do the system transfer using local communication after you have your Switch 2.

Some Switch owners who intend to sell or trade in their OG console against a Switch 2 are already saying they’ll make use of this system transfer system as they don’t need to hold onto their old consoles to do the transfer. Others are questioning the need for the transfer to trigger a factory reset, and have expressed concern about potentially losing their Switch data on Nintendo’s dedicated server.

Meanwhile, the update changes the appearance of some user icons, which the community has already revealed. Of note here is Donkey Kong’s new icon is the new design from upcoming Switch 2 exclusives Donkey Kong Bananza and Mario Kart World.

There's also new icons on the Home menu for Virtual Game Cards and GameShare, both also in anticipation of the launch of Switch 2.

Nintendo Switch Firmware Update Version 20.0.0 patch notes

Ver. 20.0.0 (Released April 29, 2025)

• The following icons for new features have been added to the HOME Menu:
  • Virtual Game Card
    • Purchased Nintendo Switch digital software, DLC, and some free software, are now virtual game cards and displayed in a list in this menu.
    • You can virtually load and eject virtual game cards between up to two Nintendo Switch systems.
    • Virtual game cards can be lent to others in the same Nintendo Account family group. For more information, see Virtual Game Card Guide.
  • GameShare
    • Compatible software can be shared from a Nintendo Switch 2 system to other nearby system(s) to play together.
      • You can only play together via local wireless, and the Nintendo Switch 2 system must initiate GameShare.
      • This feature cannot be used between two Nintendo Switch, Nintendo Switch – OLED Model and/or Nintendo Switch Lite systems.
• User-Verification Settings has been added under User > User Settings.
  • You can restrict access to the Virtual Game Card menu by requiring entry of a PIN or signing in to your Nintendo Account.
• Online License Settings has been added.
  • When turned on, you can play downloaded software or DLC you've purchased while the system is connected to the internet, even if you don't have the virtual game card loaded.
  • For more information, please refer to the details about the option on the System Settings screen.
• The Nintendo eShop and Nintendo Switch News icon colors on the HOME Menu have been changed.
• Multiple save data can be selected and transferred at once in “Transfer Your Save Data” menu.
• System Transfer to Nintendo Switch 2 has been added under System Settings > System.
  • You can perform a system transfer from your Nintendo Switch to Nintendo Switch 2 using local communication.
    • For users that will lose access to their Nintendo Switch before receiving their Nintendo Switch 2, there is an option to upload system transfer data to a dedicated server which can then be retrieved on their Nintendo Switch 2. After you upload your system transfer data to the dedicated server, the Nintendo Switch system will be initialized to factory settings, so only perform this transfer if you’ll be able to complete the transfer on Nintendo Switch 2.
    • If you want to continue using your Nintendo Switch until you have a Nintendo Switch 2, we recommend completing the system transfer using local communication after you have acquired a Nintendo Switch 2 system.
  • An internet connection and Nintendo Account is required to complete both local and the server-based system transfer service.
  • For more information, see System Transfer from Nintendo Switch to Nintendo Switch 2.
• The appearance of some user icons have been updated.

For detailed information on Nintendo Switch 2, see the Nintendo website.

Note that the use of “Primary Console” has been deprecated with the transition to virtual game cards, and “Pass-enabled console” will be used instead. On a console set as the “Pass-enabled console” for a user, all users on the console can access certain subscriptions or passes for some software. For more information, see How to Set or Change the Pass-Enabled Console for a Nintendo Account.

This is all leading towards the hotly anticipated release of the Nintendo Switch 2 on June 5. Nintendo Switch 2 pre-orders went live on April 24, with the price still fixed at $449.99 — and they went about as well as you'd expect. Meanwhile, Nintendo has issued a warning to U.S. customers who applied for a Switch 2 pre-order from the My Nintendo Store, saying release date delivery is not guaranteed due to very high demand.

Check out IGN's Nintendo Switch 2 pre-order guide for more.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Diablo 4 has launched Season 8 and with it kicked off a series of free updates that will, eventually, lead into the action role-playing game’s second expansion, due out at some point in 2026.

But not all is well within Diablo 4’s ravenous core community. It is a player base hungry for significant new features, reworks, and fresh ways to play the near two-year-old game, and it’s not shy about letting Blizzard know how it feels. Yes, Diablo 4 is more than its core community, with a significant number of casual players who just like to blast monsters without too much thought on how they’re doing it. But the foundation of Diablo 4’s community is made up of veteran fans who play week in, week out, fuss over meta builds, and want Blizzard to give them much more to think about.

Perhaps it’s no surprise, then, that Diablo 4’s recently released 2025 roadmap — the first Blizzard has released for the game — suffered a backlash. In the wake of the roadmap’s release, Diablo 4’s community expressed concern about what's coming up in 2025, including Season 8, and questioned whether there’s enough new content to keep them coming back.

TV these days offers you a choice of freaky apocalypses. Want to see human society collapse due to deadly mushrooms? Watch The Last of Us. Want to see the world end in a blanket of deadly snow? Watch The Eternaut, Netflix’s gritty and moody adaptation of an influential, nearly 70-year-old Argentine comic book. A thoughtful and twisty take on the post-apocalyptic survival genre, this series makes terrific use of its South American locations to tell a story about people too stubborn to die.

The Eternaut’s doomsday begins when a mysterious snow-like substance that kills anyone who touches it starts falling from the sky in Buenos Aires, a place not exactly known for frosty winters. In less than a day, the city’s population is decimated. One of the few survivors is lumpy, gray-haired, middle-aged Juan Salvo (Ricardo Darin) who puts on a gas mask and a heavy coat and ventures out into the fallen capital, searching for people to save.

The basic concept and approach of The Eternaut should be familiar to fans of The Walking Dead and similar shows. The series’s writer-director-producer Bruno Stagnaro begins the story on day one, documenting a society that rapidly collapses and then just as quickly tries to regroup. This season’s pacing can feel slow, as Stagnaro tells a story that, at times, feels like a minute-by-minute recounting of Juan’s adventures. In the first three episodes especially, there are a lot of scenes of people in darkened rooms, talking about their fears and worrying about their futures. These characters are good enough company, but you’ll need to exercise a little patience early on, as the plot gradually develops.

The Eternaut really comes to life whenever the action moves outside. The images of a broken Buenos Aires – filled with crashed cars and corpses, all covered in snow – are visually striking. The tension heightens dramatically too whenever Juan is out in the streets, encountering other explorers with masks and guns, having to figure out which of them he can trust. In one of the most memorable early scenes, he comes across a group of people huddling in one corner of a crashed commuter train, and he is torn between his instinctive feelings of compassion and the realization that there is no way to save all of them from the snow. These are the kinds of moments that you look for in tales of armageddon: the ones where the heroes wrestle with tough choices, and we wrestle along with them.

By the fourth episode, the true nature of this particular apocalypse becomes clearer, and (no spoilers here) The Eternaut becomes more obviously a science-fiction story. There are more sequences involving special effects – all very polished and impressive – as Juan and his band of survivors find themselves racing through the city, scrambling into makeshift shelters and fighting for their lives.

Where The Eternaut takes place matters, for a couple of reasons. This show is about people who, even before their world turned upside-down, sometimes felt isolated and forgotten, in a country with a rickety infrastructure and a complicated political history. The Argentine setting gives a tried-and-true plot a fresh look and feel. But it also provides a reason why some neighbors might look at each other warily (perhaps due to past unrest), and why there is enough analog technology around to mitigate against power outages. The setting also matters because of the source material, which could be considered one of the first serious graphic novels. Its complex and sophisticated story in comic book form influenced artists worldwide, and it especially inspired Argentinians, who had never seen their own country depicted in a science-fiction epic. It remains an astonishing backdrop in this new, televised form.

You don’t have to be Argentine, though, to be awed by The Eternaut’s depiction of an ordinary city, ravaged by disaster. Juan is an everyman for everybody. What gives this show its juice are all the scenes of him venturing into the unknown, step by wary step, trying to stay alive long enough to make a difference.

The following is a non-spoiler review for six (out of eight) episodes of the second season of The Walking Dead: Dead City, which premieres Sunday, May 4.

Dead City is the most conceptually interesting of The Walking Dead's many offshoots: Uneasy allies Maggie (Lauren Cohan) and Negan (Jeffrey Dean Morgan) take Manhattan, getting tangled up in the fallen metropolis' warring factions and post-apocalyptic conflicts along the way. But the first six episodes of its second season prove why this is also the franchise's most forced and clumsy spinoff. After several key players got off the island in season 1, everyone needs to get shuffled back into Dead City now. And it's not just Maggie, mind you, but people who have no business returning – if you can even make the argument that Maggie herself should be returning.

In case you need a reminder, since it's been nearly two years since the first-season finale: Maggie sold out Negan, leaving him a captive figurehead for The Dama (Lisa Emery) and The Croat's (Željko Ivanek) Big Apple machinations, and returned her son Hershel (Logan Kim) to The Bricks community. With all that in mind, I could certainly feel Dead City strains to reunite the gang in the same zip code. There's nothing smooth or natural about it. This is a show that favors plot over character, so it's threats and blackmail, rather than more internal forms of motivation, that get the chess pieces where they need to be.

There are some wise moves that help treat Season 1's bumps and bruises, while also exploring a great new angle on Hershel. But it ultimately fizzles out under action scenes too dark to comprehend or appreciate, characters' kids constantly getting used as leverage or collateral, and an overall fatigue when it comes to Maggie and Negan's complicated relationship. The original Walking Dead series basically said most everything that needed to be said about the duo's uneasy reconciliation, and one of Season 1's big flaws was that it seemed to ignore the emotional work that brought them to that conclusion.

Dead City is still buckling under this particular trauma bond, but it also does a few things to alleviate the heaviness. Maggie and Negan are no longer on an adventure together – they're separated for most parts of the season, dealing with their own turmoil involving mini-tyrants making rash choices. For Maggie, it's the soldiers of New Babylon, which we discover is a rather fiendish outfit. For Negan, it's the eloquent sadism of Ivanek and Emery's methane-powered Midtown monarchs. The charming psy-ops Negan works on his opressors are more fun to watch than Maggie's constant anger and befuddlement at her New Babylon bullies, so putting distance between our two headliners works way better for the story.

Hershel Rhee, meanwhile, remains an angsty apocalypse teen (the worst sub-category of TV teen) who constantly whines and operates on self-serving levels despite larger, urgent things happening around him. And so we get, for the most part, the worst Hershel in season 2: The one who can never live up to his beloved namesake and has been made a worse character by the burden. But there's a hitch, because he isn't all bad. I mean, there are definitely some terrible teen traits, but with Hershel this season, we get a fascinating mix of Stockholm syndrome and the younger TWD generation's disregard for the pre-zombocalypse world.

Everything adults do on these shows is an effort to reclaim past safety, knowledge, and comfort. But what does that mean to the characters too young to ever know "how things were"? Hershel's story this season allows that question to echo through the concrete canyons of a Manhattan that's been returned to nature (give or take a few dozens walkers). Are the things the grownups are doing for their kids really just for them? Hershell will forever be a polarizing character, but there are a few moments in season 2 where he makes a good point.

Ginny (Mahina Napoleon) on the other hand? No such luck. Her journey here, barring whatever happens in the last two episodes (which weren't made available for this review), is just as flat and ill-fitting as it was in season 1. A couple more episodes could save things, but for six episodes all she gets to be is a sullen side teen who's somehow, still, supposed to morph into Negan's surrogate daughter – even though he has a wife and kid elsewhere who love him. (There's an unintentionally hilarious scene in season 2 regarding Negan's family that feels born out of laziness, relying on TV characters' exceedingly poor communication skills. I think I uttered the words "you gotta be f***ing kidding me.")

New faces this year include Orange is the New Black's Dascha Polanco as hardline New Babylon enforcer Narvaez and Sons of Anarchy's Kim Coates as seedy Manhattan merchant Bruegel. The latter grows tiresome quickly; the former slowly becomes more fun and interesting. New Babylon wants The Croat's methane factory, The Croat and the Dama want to protect what's theirs by convincing the New York gangs to form a united front, and most everyone else plots and schemes for their own individual ends. It's all fine, and we get to explore the dangers and secrets of Central Park this year, but humming in the background is Hershel just sort of loving Manhattan the way it is – all ruined and reclaimed by nature. His story's job – which unfortunately sacrifices our enjoyment of him as a character – is to poke at everyone else's motivations and, maybe even, the viewers' need to see this hellscape become colonized. In the tradition of many, many young people who've come before him (in real life and on TV), Hershel looks forward not back.

With sales this good, your pile of shame's about to become a colossal pillar of discounts. This last-gasp-of-April haul packs a punch across all platforms, whether you’re craving tactical drama, nostalgic chaos, or sprawling open worlds. Let’s cut straight to the gems lighting up the digital shelves this week. It's the usual case of grab 'em before they're goneski.

This Day in Gaming 🎂

In retro news, today's a day of sombre remembrance for two consoles. 28 years ago, we witnessed the discontinuance of Sega's Game Gear, a battery-guzzling beast that sold 10.62M units and I fondly remember for its Sonic games and extravagant TV Tuner attachment. It's also been 23 years since we bade farewell to the Nintendo 64, which delivered phenomenal four-player action, groundbreaking 3D AAAs, and a highscore of 32.93M units sold. I am not shedding a sentimental tear over it. That's just...Control Stick dust in my eye.

• Fire Emblem Warriors: Three Hopes (-50%) - A$39
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Andor season 2’s second batch of episodes picks up another year later, swapping out action for some proper tragedy as the rebellion gets too big for either side to control. But as we get closer to reconnecting with the larger Star Wars universe as a whole, Andor keeps proving itself to be a truly unique addition to the galaxy far, far away.

You know, it occurred to me that in the two reviews I've done for Andor so far, I haven’t yet mentioned one of my favorite characters: ISB’s spymaster, Major Partagaz. Partially, it’s because his first name is Lio and I’ve got a thing for regular ass sounding names in sci fi and fantasy (see also: the main character of Dune named Paul), but mostly old Lio is such a calm and incredibly smart presence at the center of the Empire’s counterintelligence operation. He’s also responsible for one of my favorite lines – one of the most representative bits of dialogue in this second chapter.

The line comes in episode 6, when Partagaz assigns the task of keeping watch over the expanding interrogation program, the torturous tactic used on Bix in season 1. When his subordinate says it’s an honor, Partagaz is almost disgusted and reminds the guy to “calibrate his enthusiasm.”

It’s another one of this season's sneakily funny moments, but it’s also important for me in understanding what this second chapter is about. In this scene, it’s ISB Supervisor Hiet treating an assignment with an overabundance of importance. This rebellion is getting too big to track. There are so many threads being pulled together the signal-to-noise ratio is unbearable. But, my guy Lio is smart enough to see it, and happily dresses down an underling whose excitement needs some adjustment.

This second chapter is dedicated to the idea of losing control. There’s a leveling of the playing field that happens here in what amounts to the dog days of this rebellion. Everybody is getting worn down by the scope of the fight as it’s starting to transition into something bigger. The ISB is complaining about arresting so many people they can’t properly ingest all the intel they’re gathering. Meanwhile, Luthen can’t keep track of how many bugs he and Kleya have planted around Coruscant and it’s starting to freak him out. The climactic moments of these three episodes are built around them retrieving a listening device from Sculden’s art collection in full view of several Imperial officers – including the father of the Death Star, Orson Krennic.

That’s also why a story about spycraft and espionage is the perfect vehicle for what Tony Gilroy and company are trying to do with this show. This season is inherently a little less mysterious than the first, simply because we know all these people a little better. The question is shifting from “What are they planning?” to “How are they getting away with it?” and the complications that arise are all to do with not being fully in control.

This does a couple things: Number 1 is that this idea trickles down to every character and every storyline which, like in the first batch of episodes, really pulls together otherwise disparate storylines. We get to watch unconnected groups deal with very similar things. Number 2 is that it slows the proceedings down a little bit, which has a good and a bad side.

First, the good: I think Bix has a wonderfully tough arc in these episodes. Her version of losing control is managing the drug use she turns to in order to get through her nightmares of Dr. Gorst and that awful sonic torture. She’s also getting left behind while Cassian is out on assignments, which is obviously difficult but also a far cry from the place we first met her in season 1. She’s paid a steep price for this rebellion after having been swept up into it in ways that I’m sure she wasn’t planning on a few years ago.

But the real highlight of this batch of episodes I think is getting to meet Ghorman, the planet that’s home to all those spiders and all those sweet underground Death Star minerals. It’s no small thing that its inhabitants speak their own language and are subtitled, either. I love the decision to do that. Their culture is portrayed so thoroughly that it makes what the Empire is doing to them about more than just a show of fascism or the brutal lengths they’re willing to go to. It’s about the tragedy of a rich and distinct society being fed to the machine of the Empire. They’ve even got their own middle finger-style gesture that apparently is beyond the pale for town hall meetings. It’s a great detail on par with good set design or the right costume. It fleshes out this world we’ve never seen before and immediately communicates that these are a people worth acknowledging.

And of course the key to the Ghor’s story in these 3 episodes is that they are not in control of their own destiny. Ghorman is just another battlefield the Rebellion and the Empire are fighting over. That’s what’s so brilliant about how the planet is used as a story point. We now have an emotional tie to this place that’s a symbol for what this whole arc is about: trying to get a handle on this conflict.

It’s a lens through which we see Cassian realize the would-be rebels there aren’t ready – but what can he do about it? We get to see Luthen say he’s willing to sacrifice them if it makes the Empire look bad and inspires rebels elsewhere in the galaxy. We get to see Vel and Cinta trying to manage their own destinies, though ultimately they can’t because of the role the rebellion asks them to take in situations like Ghorman. We get to see the Empire with a plan to just nudge the planet into chaos, which is actually a back-up plan for them in case they can’t find an alternative to the mineral.

Ghorman is stuck in the middle, with little to no agency in how things are playing out, but its people want to try. It’s a perfect story to illustrate the push and pull of the rebellion while also getting us emotionally invested in their survival. And ultimately that’s what Star Wars has always been. Rooting for the rebellion used to be painted with a much broader brush, but it’s never quite been so nuanced and intriguing as what the team behind Andor is doing here.

Syril and Dedra’s relationship also continues to be maybe the most fascinating thing to watch in season 2. Particularly with how clever the writers are about lining Syril up right next to Ghorman. There’s a great scene between Syril, Dedra, and Major Lio where you can see him being set up in exactly the same way Ghorman is. It’s such an insidious thing, taking advantage of Syril’s ambitions. He’s being manipulated by Dedra and the ISB in a way that starts to make me feel properly bad for the guy. And I don’t think Dedra feels great about what she’s having to do either. Regardless, the situation is out of their hands.

Meanwhile in the senate, Mon is losing control as well. There’s a great montage of her failing at the politics of it all while her fellow senators won’t budge because they’re afraid of an Imperial reaction. Mon’s effectiveness is waning even in how she presents as a troublesome but ultimately harmless senator. Her line about “are we finding criminals or making them?” is very good. It’s her trying to more directly and openly stand up to the Empire and it’s proving to work less than the more casual obstructionist thing that she had been doing.

The only guy in this arc who’s really not stressing about being in control is Saw Guerra. Where the dramatic irony of his character is concerned – the fact that we see him get blown up along with the rest of Jedha in Rogue One – he’s a guy that’s absolutely thriving in this environment. It’s a great touch to have one character be very aware and very okay with the fact that this will not end well for him. You need that contrast in telling this story. The point of Andor is to largely avoid being as cut-and-dried, good-versus-evil as the original Star Wars, to dig into the gray areas and the infighting that emerge when organizing a revolution.

Having said that, you also need the contrast of this storyline. Saw’s part in this batch of episodes is the one that feels most like a bit of business leading into Rogue One. We don’t learn anything new about Saw, and the way he radicalizes Wilmon doesn’t push the character too much farther from where he already was. Seeing them at D’Qar, a location we know from The Force Awakens, was an Easter egg that threw me a little. I feel like Andor is so devoid of that sort of thing that those grass covered hangers pulled me out of the episode. I mean, it’s not like Yoda showed up out of nowhere, thank the maker, so they’re keeping those larger franchise connections to a minimum.

So as I mentioned up front, there’s some positive to pumping the breaks a little with these three episodes, but there is also something I think I might be missing: Some good old-fashioned Star Wars action sequences. We got a little bit in chapter 1, with Cassian stealing the TIE Fighter and the fleeing the farming planet. But six episodes in and we don’t have anything quite as thrilling as Luthen evading the Empire like he did in the first season, or the heist and escape through the Eye of Aldhani.

But regular thrills and chills are not what Andor is about, very much by design. This is the forgotten side of the rebellion. The side that won’t get a medal on stage in front of the whole squad and that we as an audience aren’t as familiar with. So in that respect it shouldn’t look like the Star Wars that we’ve known since the ’70s. This is a show about smaller wins that have bigger implications.

Yet there’s a side of me that needed a little more action out of these episodes. Admittedly, I could very well be wrong, but it feels a little strange to end the week with Kleya struggling to remove a microphone from an ancient stone book. As tragic as Cinta’s death was, the very deserved thrashing that Vel gives to the Ghorman rebel who killed her is undercut a bit by Luthen and Kleya laughing on their way out of the party. And I was very excited for Bix to get her revenge on Dr. Gorst, because I’m both invested in her as a character and it’s a wonderful little bookend to the idea of taking a certain amount of control back at the end of this arc. Still, episode 6 wraps up in a fairly uneven way.

Cassian and Bix get to walk away from an explosion, which is nearly always cool, though, so that’s at least something. But if I need more action out of this series in particular, it’s probably time to calibrate my enthusiasm.

With May the Fourth fast approaching, otherwise known as Star Wars Day, there's no better time than now to pick up some new goodies to transport you to a galaxy far, far away. If you're a fan of puzzles there are plenty of different Star Wars-themed options to choose from, whether you're an experienced puzzler or looking for a smaller, simpler option to complete with the whole family.

In this list we've gathered up just a few of our favorite Star Wars puzzles that are worth dropping some money on in 2025. These include a couple of exciting 3D builds for those who love a challenge as well as more standard jigsaw puzzles that create a lovely final image that's worth putting up on a wall. Some of these puzzles are even on sale right now, so there's no better time to add them to your shopping cart. Many of them even come from some of our favorite puzzle brands, so you know they're worth the investment.

The Best Star Wars Puzzles to Buy in 2025

Buffalo Games Star Wars 'You Were The Chosen One' Jigsaw Puzzle (2000 Pieces)

Best Puzzle for Adults

For a limited time, Amazon is offering the 7th generation Apple iPad Air M3 tablets at the lowest prices I've seen so far. The 11" model is down to $499 and the 13" model is down to $699, both after a $100 off instant discount. That's the best price we've seen for this 2025 model with the M3 chip and a wonderful gift idea for Mother's Day, which lands on May 11.

New 2025 Apple iPad Air M3 Tablet From $499