↩ Accueil

Vue lecture

‘Soil is more important than oil’: inside the perennial grain revolution

Scientists in Kansas believe Kernza could cut emissions, restore degraded soils and reshape the future of agriculture

On the concrete floor of a greenhouse in rural Kansas stands a neat grid of 100 plastic plant pots, each holding a straggly crown of strappy, grass-like leaves. These plants are perennials – they keep growing, year after year. That single characteristic separates them from soya beans, wheat, maize, rice and every other major grain crop, all of which are annuals: plants that live and die within a single growing season.

“These plants are the winners, the ones that get to pass their genes on [to future generations],” says Lee DeHaan of the Land Institute, an agricultural non-profit based in Salina, Kansas. If DeHaan’s breeding programme maintains its current progress, the descendant of these young perennial crop plants could one day usher in a wholesale revolution in agriculture.

Continue reading...

© Photograph: Jason Alexander/The Land Institute

© Photograph: Jason Alexander/The Land Institute

© Photograph: Jason Alexander/The Land Institute

  •  

Add to playlist: the slow-burn psychedelia of Acolyte and the week’s best new tracks

Unhurried trippy bass lines and poet Iona Lee’s commanding, velvety voice conjure a glamorously unhurried sense of hypnosis

From Edinburgh
Recommended if you like Dry Cleaning, Massive Attack, Nick Cave
Up next Warm Days in December out now, new EP due early 2026

As fixtures of Edinburgh’s gig-turned-performance art scene, Acolyte’s eerie, earthy psychedelia is just as likely to be found on stage at the Traverse theatre as in a steamy-windowed Leith Walk boozer. Their looped bass lines and poet Iona Lee’s commanding, velvety voice conjure a sense of slow-burn hypnosis – and just like their music, Acolyte are glamorously unhurried. They’ve released only a handful of songs in the seven years since Lee and bassist Ruairidh Morrison first started experimenting with jazz, trip-hop and spoken word, but now the group (with Daniel Hill on percussion and Gloria Black on synth, also known for throwing fantastical, papier-mache-costumed club nights with her former band Maranta) are gathering pace.

Continue reading...

© Photograph: John Mackie

© Photograph: John Mackie

© Photograph: John Mackie

  •  

Meat-free under the mistletoe – recipes

Not a fan of the traditional festive spread? These recipes are a Christmas feast that even turkeys would vote for

Continue reading...

© Photograph: Louise Hagger/The Guardian. Food styling: Rosie Ramsden. Prop styling: Rachel Vere.

© Photograph: Louise Hagger/The Guardian. Food styling: Rosie Ramsden. Prop styling: Rachel Vere.

© Photograph: Louise Hagger/The Guardian. Food styling: Rosie Ramsden. Prop styling: Rachel Vere.

  •  

Australia’s social media ban launched with barely a hitch – but the real test is still to come

The policy to cut off social media access for more than 2 million under-16s remains popular with Australians, while other countries look to follow suit

On the lawns of the prime minister’s Kirribilli residence in Sydney, overlooking the harbour, Anthony Albanese said he had never been prouder.

“This is a day in which my pride to be prime minister of Australia has never been greater. This is world-leading. This is Australia showing enough is enough,” he said as the country’s under-16s social media ban came into effect on Wednesday.

Continue reading...

© Composite: Victoria Hart/Guardian Design/Getty images

© Composite: Victoria Hart/Guardian Design/Getty images

© Composite: Victoria Hart/Guardian Design/Getty images

  •  

Joanna Trollope, bestselling chronicler of ordinary life, dies aged 82

Her novels, including A Village Affair and Other People’s Children, drew on what Fay Weldon called a ‘gift for putting her finger on the problem of the times’

British novelist Joanna Trollope, whose portrayals of British domestic life made her one of the nation’s most widely read authors, has died at the age of 82.

Trollope published more than 30 novels during a writing career that began in 1980. Her early works, written under the pseudonym Caroline Harvey, were historical romances, but from the mid-1980s onward, she turned to contemporary fiction, a shift that would define her reputation.

Continue reading...

© Photograph: Linda Nylind/The Guardian

© Photograph: Linda Nylind/The Guardian

© Photograph: Linda Nylind/The Guardian

  •  

‘He was struggling with his breath. I sat beside him and sang’: the choir who sing to people on their deathbeds

Just as lullabies send babies to sleep, so songs can help those at the other end of life on their way. The leader of a threshold choir reveals what they do – and the personal tragedies that convinced her we need to get better at dealing with death

It’s a brisk November afternoon in the village of South Brent in Devon and, in a daffodil yellow cottage, two women are singing me lullabies. But these aren’t the sort of lullabies that parents sing to their children. They are songs written and sung for terminally ill people, to ease them towards what will hopefully be a peaceful and painless death.

We are at the home of Nickie Aven, singer and leader of a threshold choir. Aven and her friend are giving me a glimpse of what happens when they sing for people receiving end-of-life care. These patients are usually in hospices or in their own homes being supported by relatives, which is why 67-year-old Aven – who is softly spoken and radiates warmth and kindness – has asked me to lie down on the sofa under a rug while they sing. She says I can look at them, or I can close my eyes and allow my mind to drift. In fact, my eyes settle on Lennon, Aven’s large black labrador retriever who squeezes himself between the singers and is as gentle and well-mannered as his owner. The pair sing a cappella and in harmony. Distinct from elegies or laments, the songs are gently meditative, written to provide human connection and foster feelings of love and safety. They are not just for the benefit of the dying but for friends and relatives caring for them or holding vigil. Their singing is simple, intimate and beautiful. It is also utterly calming.

Continue reading...

© Photograph: Emma Stoner/The Guardian

© Photograph: Emma Stoner/The Guardian

© Photograph: Emma Stoner/The Guardian

  •