↩ Accueil

Vue lecture

What Trump’s asylum ‘pause’ means – and what it doesn’t

The US president has halted decisions on many asylum claims, but the scope, legality and real-world impact of the pause remain unclear

Donald Trump has ordered a “pause” on asylum claims in the wake of last week’s shooting of two national guard members in Washington. The suspect in the shooting, Rahmanullah Lakanwal, is a 29-year-old Afghani national who assisted U.S. forces during the two-decade war there and was paroled into the United States in 2021. US citizenship and immigration services awarded him asylum earlier this year.

It’s not clear how long the president’s asylum pause will last. Trump told reporters Sunday that the directive “has no time limit, but it could be a long time”.

Continue reading...

© Photograph: Brandon Bell/Getty Images

© Photograph: Brandon Bell/Getty Images

© Photograph: Brandon Bell/Getty Images

  •  

The art of tablescaping | Jess Cartner-Morley

Laying a table well is one of the best ways to make guests feel relaxed and cosy. Queen of tablescaping Laura Jackson’s advice? Forget the stiff old rules and have fun with it

A feast is not just about food. Just to sit at a table surrounded by the faces of your people: nothing beats it. A feast is about togetherness, whether there are two people at the table, or 16. The primal joy of good food taps into something even more fundamental than hunger; if food is a love language, a feast is a big hug.

Is it sacrilege to say that being a host matters more than being a cook? Not to disparage the skill of the chef. Quite the opposite, it takes skill to make really good gravy, concentration to remember to take the cake out of the oven before it burns, and years of experience to time a roast to come together at the right moment. It takes no skill to fold a napkin and light a candle, yet with a beautifully laid and bounteously laden table, the night feels special before dinner is served, which takes the pressure off.

Continue reading...

© Photograph: Jermaine Binns/The Guardian

© Photograph: Jermaine Binns/The Guardian

© Photograph: Jermaine Binns/The Guardian

  •  

Metroid Prime 4: Beyond review – Samus Aran is suited up for action again. Was it worth the 18-year wait?

Nintendo Switch/Switch 2 (version tested); Retro Studios/Nintendo
The bounty hunter – Nintendo’s most badass and most neglected hero – returns in an atmospheric throwback sci-fi adventure that’s entirely untroubled by the conventions of modern game design

In a frozen laboratory full of cryogenically suspended experimental life forms, metal boots disturb the frost. A lone bounty hunter in a familiar orange exosuit points her blaster ahead. Making my way towards the facility’s power generator, scanning doors and hunting for secret entrances, broken hatches and hidden keys, I suspect that I know exactly what’s going to happen when this place begins to thaw; every clank and creak sounds sounds as if it could be a long-dormant beast busting out of one of those pods. And yet Samus Aran delves deeper, because she has never been afraid of anything.

This section of Prime 4 is classic Metroid: atmospheric, eerie, lonely, dangerous and cryptic. Samus, Nintendo’s coolest hero, is impeccably awesome, equipped here with new psychic powers that accent her suit with pulsing purple light. (I have taken many screenshots of her looking identically badass all over the game’s planet.) She is controlled with dual sticks, or – much better, much more intuitive – by pointing one of the Switch 2’s remotes at the screen to aim. Or even by using it as a mouse on a table or your knee, though this made my wrist hurt after a while. She transforms into a rolling ball, moves statues into place with her mind, and rides a futuristic shape-shifting motorcycle across lava and sand between this distant planet’s abandoned facilities, unlocking its dead civilisation’s lost knowledge.

Continue reading...

© Photograph: Nintendo

© Photograph: Nintendo

© Photograph: Nintendo

  •