“You know there’s just some people man, unfortunately, we can’t save ‘em, you know what I’m saying. I might be one of them,” DaBaby said in a spoken word portion of the song.
Erika McEntarfer, in her first appearance since she was ousted from the Bureau of Labor Statistics, cautioned that “economic data must be free from partisan influence.”
Erika McEntarfer, who last month was fired from her role at the Bureau of Labor Statistics by President Trump, warned on Tuesday that the politicization of government data could damage the economy.
Hundreds of Windsor Castle staff prepare for Trump's presidential visit, featuring military honor guards, brass bands, and a formal dinner with royal traditions.
With his Sundance film festival and institute, Robert Redford used his considerable power to bring generations of talented film-makers to a bigger audience
Robert Redford, who died at the age of 89 on Tuesday, will rightly be remembered as one of Hollywood’s finest leading men, a true-blue movie star and assured actor who was, to quote my mother and surely many others, “very, very handsome”. His many iconic performances – in Butch Cassidy and the Sundance Kid, All the President’s Men, The Way We Were, The Sting and more – certainly left an indelible mark on American movies. But he should perhaps be remembered more for his work behind the camera, as the country’s greatest benefactor of independent cinema.
Through his Sundance film festival and non-profit institute, Redford lent his considerable star power and funds to American independent film, and created what is still its most secure and enduring pillar of support. He provided maverick, cutting-edge film-making with a freewheeling marketplace and crucial buzz, helping to launch the careers of a true who’s who of critically acclaimed directors across generations. With Sundance, Redford played the role of mentor, patron, champion of the small and scrappy, benevolent godfather of independent cinema. It’s through Sundance, rather than his films, that Redford became, as the Black List founder Franklin Leonard put it on X, “arguably the film industry’s most consequential American over the last fifty years”.
Witty, foul-mouthed, camp and punky, it was the 00s answer to slick superclubs and the rock patriarchy. As its rough, raw sound returns, the scene’s eyeliner-ed heroes, from Peaches to Jonny Slut, relive its excesses
Jonny Melton knew that his club night Nag Nag Nag had reached some kind of tipping point when he peered out of the DJ booth and spotted Cilla Black on the dancefloor. “I think that’s the only time I got really excited,” he laughs. “I was playing the Tobi Neumann remix of Khia’s My Neck, My Back, too – ‘my neck, my back, lick my pussy and my crack’ – and there was Cilla, grooving on down. You know, it’s not Bobby Gillespie or Gwen Stefani, it’s fucking Cilla Black. I’ve got no idea how she ended up there, but I’ve heard since that she was apparently a bit of a party animal.”
It seems fair to say that a visit from Our Cilla was not what Melton expected when he started Nag Nag Nag in London in 2002. A former member of 80s goth band Specimen who DJed under the name Jonny Slut, he’d been inspired by a fresh wave of electronic music synchronously appearing in different locations around the world. Germany had feminist collective Chicks on Speed and DJ Hell with his groundbreaking label International DeeJay Gigolos. France produced Miss Kittin and The Hacker, Vitalic and Electrosexual. Britain spawned icy electro-pop quartet Ladytron and noisy, sex-obsessed trio Add N To (X). Canada spawned Tiga and Merrill Nisker, who abandoned the alt-rock sound of her debut album Fancypants Hoodlum and, with the aid of a Roland MC-505 “groovebox”, reinvented herself as Peaches. New York had performance art inspired duo Fischerspooner and a collection of artists centred around DJ and producer Larry Tee, who gave the sound a name: electroclash.
Researchers from Imperial College London say 16,500 deaths caused by hot weather brought on by greenhouse gases
Human-made global heating caused two in every three heat deaths in Europe during this year’s scorching summer, an early analysis of mortality in 854 big cities has found.
Epidemiologists and climate scientists attributed 16,500 out of 24,400 heat deaths from June to August to the extra hot weather brought on by greenhouse gases.
The second season of this wildly irreverent spinoff of R-rated superhero satire The Boys is packed with swearing, violence – and an astonishing amount of penises
Two years after we last joined its troubled teens in their battle against the forces of corporate tyranny, superhero drama Gen V is back for a second series of powerfully bawdy chaos. Release the penis-shaped balloons! Uncork the Château les Norks! But for pity’s sake conduct your celebrations quietly: Godolkin University’s clipboard-clutching new dean is in no mood for frivolity.
“Let’s be real,” he drawls during his inaugural campus address. “The previous human administration was full of shit. We can’t trust humankind. And that is why, as your new dean, I will be preparing you for this brave new world,” he continues, as the assembled superheroes-in-training – or “supes”, as they’re called – variously gulp, whoop and clench their bum cheeks.
Authorities say they no longer have legal justification to hold Christian Brückner in jail after serving rape sentence
The main suspect in the disappearance of Madeleine McCann is expected to be freed on Wednesday as German authorities admit they no longer have legal justification to hold him in jail.
Christian Brückner, 49, is due to be released from prison in Sehnde, northern Germany, after serving a sentence for the rape of an American woman, then 72 years old, in Portugal in 2005.
He marched against the Vietnam war, supported the Black Panthers, has protested over animal rights, ended up in prison after a climate sit-in – and starred in Babe, LA Confidential and Succession. He explains how he became the ultimate activist-actor
Amid the hustle of midtown Manhattan on Wednesday 11 May 2022, James Cromwell walked into Starbucks, glued his hand to a counter and complained about the surcharges on vegan milks. “When will you stop raking in huge profits while customers, animals and the environment suffer?” Cromwell boomed as fellow activists streamed the protest online.
But the insouciant patrons of Starbucks paid little heed. Perhaps they didn’t realise they were in the company of the tallest person ever nominated for an acting Oscar, deliverer of one of the best speeches in Succession, and the only actor to utter the words “star trek” in a Star Trek production. Police arrived to shut down the store.
Lee-ché Janecke, winner of an MTV VMA for his work with Tyla, looks for ‘a new start’ as South African dance and music goes global
In a dance studio in suburban east Johannesburg, the choreographer Lee-ché Janecke put a group of student cheerleaders through their steps. After five hours of everything from body rolls to voguing with pompoms and a classic cheerleading lift, the excited group gathered round Janecke to make a TikTok of one of the latest South African amapiano dance challenges. They were done in just two takes.
Janecke has been at the forefront of the growing global popularity of South African dance and music in the past few years. Having worked with Tyla since she was 17, he was responsible for the viral dance that accompanied Water, the breakout hit that propelled the now 23-year-old South African singer and songwriter to worldwide fame.
Edizon Musavuli uses his art to depict the daily struggles and constant insecurity of living in the rebel-occupied city of Goma
In the early hours of the morning, Baraka, a young boy, wanders through the streets of Goma. He takes a wrong turn and runs into bandits. Back home, his father flicks through TV channels while his mother counts bags of flour. No one speaks. The silence is broken only by crackles on the radio.
By evening, Baraka is sitting on the shore of Lake Kivu, looking south to Bukavu and east towards Rwanda, finding no hope in either direction.
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