Bruce Springsteen drops anti-ICE song after Minneapolis shootings


Springsteen has continued to lash out at Trump and ICE amid the tragedies in Minneapolis

© Getty Images for AFI
Antiheroine, a new film about the musician’s tumultuous life and career, premiered at the festival with some frank admissions but the star not present
A new documentary about the gen X icon and “queen of grunge” Courtney Love caused a stir at the Sundance film festival – without the legendary Hole frontwoman in attendance.
The musician and actor, now 61, was supposed to attend the premiere of Antiheroine, a new retrospective documentary by Edward Lovelace and James Hall that traces her storied life and career, but did not make it for undisclosed reasons. “We’re really gutted that Courtney couldn’t make it tonight to celebrate this moment with us all,” said Lovelace in his introduction for the film’s premiere in Park City, Utah, calling Love “so unfiltered, so truthful”.
Continue reading...
© Photograph: Edward Lovelace

© Photograph: Edward Lovelace

© Photograph: Edward Lovelace
A look behind the scenes of the star’s second album turns out to reveal exactly what you’d expect, at arduous length
Paris Hilton here presents us with an unbearable act of docu-self-love, avowedly a behind-the-scenes study of her second studio album, Infinite Icon, and where she’s at as a musician, survivor and mom. But maybe there is, in fact, nothing behind the scenes; judging by this, the scenes are all there is: Insta-exhibitionism, empty phrases and show.
Hilton’s second album no doubt has its admirers and detractors, and her fans are perfectly happy with it. But this film, for which she is executive producer, is an indiscriminate non-curation of narcissism and torpid self-importance that seems to go on and on and on for ever; the longest two hours of anyone’s life, finally signing off with a splodge of uninteresting and unedited concert footage.
Continue reading...
© Photograph: Publicity image

© Photograph: Publicity image

© Photograph: Publicity image
Singer-songwriter died in 1997 from accidental drowning

© Courtesy of Sundance Institute/Merri Cyr
A new book and podcast tell the story of a 1 in 12, a venue that used community and artistic passion as bulwarks against poverty and grim politics. Its founders and key acts recall gigs, plays and pranks on the NME
“Things were getting grim,” says Gary Cavanagh, reflecting on Bradford in the early 1980s. “There was a hell of a lot of unemployment, and people were thrown on the scrap heap.”
Cavanagh was working for Bradford’s claimants union in 1981, helping the city’s poor and unemployed get benefits, when a government report stated that one in 12 dole recipients were defrauding the state. So he and some friends reclaimed this statistic – which they thought was ludicrous – as an identity. “We became the 1 in 12 Club,” he says.
Continue reading...
© Photograph: courtesy Andy Bryant

© Photograph: courtesy Andy Bryant

© Photograph: courtesy Andy Bryant
Pop star will make the first live TV performance of songs from his new album, ‘Kiss All the Time. Disco, Occasionally’ at the Co-Op Arena in Manchester

In a new weekly column about the world of classical music, Tom Service bemoans Hollywood turning pieces into slop through overuse. Plus: Philip Glass withdraws his symphony from the Kennedy Center
Back in 2008, Transport for London came up with a ruse to dispel antisocial behaviour: it piped classical music into supposedly problematic stations in the crime hotspots of south London. I think that was when I realised just how far the association of classical music with relaxing affect instead of real emotion had gone. Once an entire genre has become associated with relaxification, it’s enough for you to hear the sound of an orchestra and think, “This isn’t for me”. Whatever its BPM, classical music will only be a backdrop, the sound of luxury goods, the sound of cultural anaesthetic.
The playlist included the finale of Beethoven’s Seventh Symphony – music that is obsessive and wild, the sound of barely controlled hysteria, full of harmonic grind and rhythmic assault. This radical and Dionysian music, that was literally made to push communities of orchestras and listeners to their extremes in the early 19th century, was being reduced to calming and inoffensive aural wallpaper.
Continue reading...
© Photograph: 2025 Focus Features LLC./PA

© Photograph: 2025 Focus Features LLC./PA

© Photograph: 2025 Focus Features LLC./PA
![]()
Limelight, Belfast
At 73, the lodestar of Americana still writes with urgency, as the patient force of her band sends the music grooving skywards
‘Thanks for being receptive to my complaining,” Lucinda Williams says late on, deadpan, after a run of songs circling power and consequence. Outside, Storm Chandra keeps the streets jumpy. Inside Belfast’s Limelight, a sold-out crowd sits on fold-up seats for a show shifted from Mandela Hall at short notice, the room oddly calm for a venue known for sweat and shoving.
Williams is a lodestar in the broad galaxy of music still called Americana, and two days after turning 73, she has the authority of a multiple Grammy winner who writes with urgency. She is living with the after-effects of a stroke, stepping on and off stage with care, yet once she’s behind the mic she radiates resolve. If anything, the voice sounds newly burnished; the phrasing more deliberate, the vibrato catching the light.
Continue reading...
© Photograph: Paul Faith/The Guardian

© Photograph: Paul Faith/The Guardian

© Photograph: Paul Faith/The Guardian
‘How can you write a love song when you’re feeling the feelings that you’re feeling?’ asked the singer during a candid interview with Zane Lowe

© Getty Images
![]()
UK pop star is embarking on a massive stadium tour later this year, which has already broken records for presale demand

© Gareth Cattermole/Getty Images
Lover, You Should Have Come Over enters charts at No 97, after becoming popular on social media platform
Jeff Buckley has achieved his first US Hot 100 hit single, 29 years after his death, with Lover, You Should Have Come Over at No 97 this week.
TikTok virality is behind the success, as a new generation of listeners discover Buckley’s spirited, romantic songwriting and pair it with videos on the social media platform. TikTok videos don’t count towards US chart positions, but viral trends drive listeners towards songs on streaming services that do count.
Continue reading...
© Photograph: Dave Tonge/Getty Images

© Photograph: Dave Tonge/Getty Images

© Photograph: Dave Tonge/Getty Images
The Brooklyn townhouse is filled with spectres of her ill-fated marriage to David Harbour. But perhaps the buyer has some creative ideas
How long a minute is depends which side of the bathroom door you’re on. Now it appears that how much a $1m loss matters depends how eager you are for your business to be concluded.
That’s pretty eager apparently – and unsurprisingly – if you’re Lily Allen and David Harbour. The former couple have just accepted $7m for the Brooklyn townhouse they listed for $8m in October.
Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.
Continue reading...
© Photograph: Gambino Group

© Photograph: Gambino Group

© Photograph: Gambino Group
The top categories are stacked with quality, from Bad Bunny to Kendrick Lamar, Chappell Roan and K-pop hits – but here are the artists who most deserve to triumph
Bad Bunny – DTMF
Sabrina Carpenter – Manchild
Doechii – Anxiety
Billie Eilish – Wildflower
Kendrick Lamar & SZA – Luther
Lady Gaga – Abracadabra
Chappell Roan – The Subway
Rosé & Bruno Mars – APT.

© Composite: Getty

© Composite: Getty

© Composite: Getty
An exhilarating account of Bowie’s spirituality and the quasi-religious nature of his work, from Space Oddity to Blackstar
It has become a tired cliche among fans to say that everything went wrong in the world after Bowie died in 2016. It also misses the point: rather than being one of the last avatars of a liberal order that has crumbled around our ears, Bowie prophesied the mayhem that has replaced it.
In his later years, he thought that we had entered a zone of chaos and fragmentation. This is what allowed him to be so prescient about the internet – not its promise, but its menace. There is no plan and no order. There is just disaster and social collapse. Those looking for reassurance should not listen to Bowie (please listen to something, anything, else). His world, from Space Oddity through to the background violence of The Next Day and Blackstar, was always drowned or destroyed or incinerated: “This ain’t rock’n’roll, this is genocide” as he exclaims at the beginning of Diamond Dogs.
Continue reading...
© Photograph: Nicky J Sims/Redferns

© Photograph: Nicky J Sims/Redferns

© Photograph: Nicky J Sims/Redferns
Alt-rockers will score Hitler allegory The Resistible Rise of Arturo Ui, with Mark Gatiss in the title role
Alt-rockers Placebo are set to collaborate with the Royal Shakespeare Company (RSC) by scoring a new production of Bertolt Brecht’s The Resistible Rise of Arturo Ui.
Written in 1941, the play is about a Chicago mobster who seeks to control the city’s vegetable trade through corruption, intimidation and violence: a clear allegory of how Adolf Hitler had swept to power during the 1930s.
Continue reading...
© Photograph: Mads Perch

© Photograph: Mads Perch

© Photograph: Mads Perch
Singer says he is focusing on Indian classical music

© EPA
Singer’s former assistant alleges he sexually assaulted her when she worked for Manson Records between 2010–2011
A judge in Los Angeles has reinstated a lawsuit against heavy metal star Marilyn Manson under a new law enabling old sexual assault cases to be heard in court.
The lawsuit, filed in May 2021 by a former assistant to the musician, had been dismissed in December because it exceeded the statute of limitations, a maximum time period for initiating legal proceedings after the related events took place.
Continue reading...
© Photograph: Richard Shotwell/Invision/AP

© Photograph: Richard Shotwell/Invision/AP

© Photograph: Richard Shotwell/Invision/AP
Alexander Key was last seen on CCTV footage from Saturday

© Getty Images/Devon and Cornwall Police