Alex Jennings’s performance hums with buried rage in Christopher Isherwood’s landmark exploration of grief
At the start of A Single Man, George Falconer wakes up at home in the morning and drags himself despondently to the bathroom. There he stares at himself in the mirror, observing not so much a face as “the expression of a predicament … a dull harassed stare, a coarsened nose, a mouth dragged down by the corners into a grimace as if at the sourness of its own toxins, cheeks sagging from their anchors of muscle”.
Set in 1962, Christopher Isherwood’s landmark novel follows a day in the life of a 58-year-old British expat and college professor living in California. George is silently trying to come to terms with the death of his partner, Jim, after a car accident. We accompany him from his morning ablutions – during which he reflects on the judgment of his homophobic neighbour Mrs Strunk – and his drive to work, to a teaching session, a gym workout and a drink with his friend Charley. Throughout we are privy to his internal monologue, which reveals George as a man prone to existential dread and who is isolated in a world that, owing to his sexuality, regards him with suspicion.
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© Photograph: Moviestore Collection Ltd/Alamy
© Photograph: Moviestore Collection Ltd/Alamy
© Photograph: Moviestore Collection Ltd/Alamy
The ghosts of Lincoln in the Bardo return to confront a dying oil man’s destructive legacy – but this time they feel like a gimmick
George Saunders is back in the Bardo – perhaps stuck there. Vigil, his first novel since 2017’s Booker prize‑winning Lincoln in the Bardo, returns to that indeterminate space between life and death, comedy and grief, moral inquiry and narrative hijinks. Once again, the living are largely absent, and the dead are meddlesome and chatty. They have bones to pick.
They converge at the deathbed of an oil man, KJ Boone. He’s a postwar bootstrapper: long-lived, filthy rich and mightily pleased with himself. “A steady flow of satisfaction, even triumph, coursed through him, regarding all he had managed to see, cause and create.” Boone is calm in his final hours, enviably so. He seems destined to die exactly as he lived, untroubled by self-reflection. But as his body falters, his mind becomes permeable to ghosts, and they have work to do. The tycoon has profited handsomely from climate denial, and there is still time for him to acknowledge his fossil-fuelled sins before the lights go out.
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© Photograph: Benedict Evans/The Guardian
© Photograph: Benedict Evans/The Guardian
© Photograph: Benedict Evans/The Guardian
The 85-year-old bestselling author’s final novel, Adam and Eve, will be published in English in October
Bestselling novelist Jeffrey Archer has announced his next novel, Adam and Eve, will be his last, coming out 50 years after his debut was published.
The 85-year-old author has sold more than 300m books around the world since his first novel, Not a Penny More Not a Penny Less, was published in 1976, according to his publishers. His 1979 novel, Kane and Abel, was his biggest hit, selling more than 34m copies in 119 countries and 47 languages, and being reprinted more than 130 times.
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© Photograph: Guy Bell/REX/Shutterstock
© Photograph: Guy Bell/REX/Shutterstock
© Photograph: Guy Bell/REX/Shutterstock
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