Why is the film of Ireland’s 2002 World Cup falling-out not a documentary but a drama that takes liberties with events?

All history is to some extent narrative. You cannot tell a story without in some way editing it, reducing it, compressing it. Which means that anybody telling a story about a historical event, particularly one from the relatively recent past, risks outraging those who have studied it or who remember it. Often those complaints are pedantic, trivial, but sometimes they are not. It’s one thing to elide two minor characters or to tweak the timeline to simplify a story, quite another to imply misleading motivations.

Saipan, Glenn Leyburn’s and Lisa Barros D’Sa’s film about the cataclysmic row between Roy Keane and Mick McCarthy shortly before the 2002 World Cup, came out in Ireland on Boxing Day and will be released in the UK on 23 January. It is obsessed by detail: the tracksuits, the sweatshirts, the kits are all right. It’s startling when the film cuts between reproductions of interviews and press conferences and actual footage to realise just how accurately these scenes have been recreated. Which raises two questions. What is the point? And how can such care have been taken over the look of the film when there are such grotesque inventions and inaccuracies in the plotting and motivation?

At last, Morocco have arrived at the tournament they are hosting. For four games they had played scratchy, crabbed football. Finally, in a spiky, ill-tempered quarter-final, there was something more like the Morocco that reached the semi-finals of the World Cup two years ago. If the game wasn’t fluent, that was largely Cameroon’s doing as they spoiled and delayed and sought treatment for injuries. But the hosts, for the most part, retained their cool, protecting a lead earned with verve in the first half with maturity in the second.

In previous games, Morocco had looked tense, limbs leadened by the expectation of a country that last won the Cup of Nations 50 years ago and that has spent a vast amount on football-related infrastructure as it prepares to co-host the 2030 World Cup. The coach, Walid Regragui, was even booed in the last-16 victory over Tanzania, his football deemed overly cautious despite a record of only four defeats in his 46 games as national coach before this quarter-final. “I always say that we are a family,” said Regragui. “Even if many people don’t believe in us or in me … that’s OK. We play for the country and for the supporters who want to see Morocco at the top.”