The space opera to end them all once blasted everything in its path. But a muddled approach has led to indecision and paralysis

A long time ago, in a galaxy far, far away, Star Wars was an actual movie that people watched. It drew people to cinemas in huge numbers, largely because it was completely unembarrassed about being a pulpy space adventure about comic wizards and laser swords. Nowadays, it is something else entirely. A TV show about a likable space dad and his cute, cheeky, telekinetically powered adopted alien son, or perhaps a divisive culture-war bellwether that vacillates between trying to destroy itself in a blaze of operatic self-importance and hamfistedly rebuilding itself.

These days Star Wars also seems mainly to be press releases and announcements, throwaway comments in interviews that gesture mournfully towards what once was and what might, one day, be again. Which brings us to Taika Waititi, the Oscar-winning director from New Zealand, who has been giving fresh updates on his episode in the long-running space saga. “I’m just trying to sort of go back and harness a little bit more of the fun from the original films,” he told Variety, adding of George Lucas’ original trilogy: “The stakes were very high [and] there were serious things going on but also there was a lot fun to be had in those films. That’s what I was trying to bring back.”