Catherine O’Hara's iconic moments as beloved Schitt's Creek character Moira Rose are being celebrated following her death aged 71.

Pilloried as a multimillion-dollar sweetener, Amazon’s Brett Ratner-directed portrait of the first lady has opened with a grand ‘black-carpet’ premiere in Washington and mysteriously empty cinemas around the planet

• Eggs, hats and unfettered political ambition: what we learned about Melania Trump from her documentary
• Review: Melania is a gilded trash remake of The Zone of Interest

Thursday night in Washington saw the world premiere of Melania, Brett Ratner’s $40m film about the first lady and one of the most expensive documentaries ever made. At the lately renamed Donald J Trump and John F Kennedy Center for the Performing Arts, guests including House speaker Mike Johnson and health secretary Robert F Kennedy waved to reporters from the black carpet (in homage to the first lady’s favourite colour) before making their way up steps emblazoned with her name in glowing monochrome block capitals. Once the film began, unreeling its profile of Melania Trump over the 20 days leading up to her husband’s January 2025 inauguration, press were barred.

Everyone was welcome to attend the UK’s first screening on Friday morning, yet all tickets to the 9.40am screening at Sittingbourne’s Light cinema’s 34-seater screen three remained unsold – until I bought one. Ten minutes before it began, doors to the multiplex were still locked and only gulls were patrolling the puddles outside the entrance. Screenings this early were rare, an usher confirmed, “usually it’s just kids films”.

Twelve showings of Melania – which technically counts as a children’s film, on account of its PG rating – are scheduled over its week-long Sittingbourne run, for which a total of six seats have so far been sold. By contrast, 59 seats have already been snapped up for the first-day screenings of Wuthering Heights in a fortnight, and 33 for Being Victoria Wood next Tuesday.

Ahead of the centenary of Davis’s birth, musicians including Terence Blanchard and John Scofield analyse his brilliance: from his soft phrasing and spiritual feel to his raspy cussing and leather outfits

The architect of the bestselling jazz album of all time, 1959’s Kind of Blue, trumpeter Miles Davis is a towering figure in the history of the genre. Possessed of a piercing tone, innate melodic sensibility and a singularly uncompromising approach on the bandstand, Davis spent his five-decade career presiding over numerous stylistic shifts: bebop to “cool” jazz, modal jazz, electronic fusion, jazz funk and even hip-hop. Always honing his ear for fresh talent, he turned his bands into incubators for rising artists, providing early starts for the pianists Herbie Hancock, Chick Corea and Keith Jarrett, saxophonists Sonny Rollins, John Coltrane and Wayne Shorter, and drummers Tony Williams and Jack DeJohnette.

With 2026 marking the centenary of Davis’s birth, I asked several of his surviving collaborators to select his greatest recordings and discuss his enduring influence, including the 95-year-old Rollins, who played with Davis in the 1950s; the guitarist John Scofield and the saxophonist Bill Evans, who both played with Davis in his 80s fusion groups; and several contemporary jazz stars.

The ‘eighth Harry Potter story’ will no longer be performed in two separate parts

​In the fiercely competitive market ​of the online multiplayer game, Highguard​’s rocky start means it now has a lot to prove

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In the fast-paced, almost psychotically unforgiving video game business, you really do have to stick the landing. Launching a new game is an artform in itself – do you go for months of slowly building hype or a sudden shock reveal, simultaneously announcing and releasing a new project in one fell swoop? The latter worked incredibly well for online shooter Apex Legends, which remains one of the genre’s stalwarts six years after its surprise launch on 4 February 2019. What you don’t do with a new release, is something that falls awkwardly between those two approaches. Enter Highguard.

This new online multiplayer title from newcomer Wildlight Entertainment has an excellent pedigree. The studio was formed by ex-Respawn Entertainment staff, most of whom previously worked on Titanfall, Call of Duty and the aforementioned Apex Legends. They know what they’re doing. But the launch has been … troubled.

A fresh crop of young actors will play the Hogwarts students in HBO’s TV adaptation

The fashion designer was named a Chevaliere de l’Ordre des Arts et des Lettres on Monday

Celebrity SAS: Who Dares Wins contestant Emily Seebohm was accused of being a "selfish" mother during a brutal interrogation on Monday's (26 January) final.

Twenty-five years after its initial release, Not Such An Innocent Girl has become the best-selling and most downloaded song of the week

The Traitors’ Jack Butler is a 29-year-old personal trainer from Essex.

Sinners star Jack O'Connell has shared his amazement that traditional music he used to "belt out in the pub" featured in the film.

Legendary Grammy-winning US artist Jill Scott returns with her first album in a decade, the extraordinary To Whom This May Concern. In this clip from the latest episode of Good Vibrations, she and Roisin dive into their mutual experiences in relationships.