Dev Hynes’ deeply personal response to his mother’s death embodied the many unexpected shades of grief in pastoral hymnals and post-punk

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There’s a lot of grief across the best albums of this year. It’s unsurprising: 2025 has felt like a definitive and dismal break with government accountability, protections for marginalised people and holding back the encroachment of AI in creative and intellectual fields, to cherrypick just a few horrors. Anna von Hausswolff and Rosalía reached for transcendence from these earthly disappointments. Bad Bunny and KeiyaA countered colonial abuse and neglect with writhing resistance anthems. On a more personal scale, Lily Allen and Cate Le Bon grappled with disillusionment about mis-sold romantic ideals. For Jerskin Fendrix, the Tubs, Jennifer Walton, Jim Legxacy and Blood Orange, grief was, straightforwardly, grief for lost loved ones.

Each of those albums was as distinctive and profound as any personal experience of loss always is. Dev Hynes’ fifth album as Blood Orange felt uniquely keyed into the fragmented, distracted headspace that comes after someone passes, in his case, his mother. Essex Honey’s restive nature was summed up in its painful opening lines, which you could read as the dying’s acceptance of death starkly contrasting the living’s ability to meet them on those terms: “In your grace, I looked for some meaning,” Hynes sings on Look at You. “But I found none, and I still search for a truth.”

Beyond Wham! and Elton, Guardian writers from across the generations select the songs that conjure the personal magic and memories of the season

I’m always fascinated by the ways in which my generation manage to participate in the circulation of music. Amateur TikTok edits resurrect forgotten gems and turn obscure starlets into sensations; home producers fabricate entire albums if their favourite rapper doesn’t release enough. Such is the case with Doom Xmas, the brainchild of Grammy-winning Spanish producer Cookin’ Soul, which refashions the work of late cult rapper MF Doom into Christmas music. There are filthy Grinch soundtrack flips, hectic Latin Christmas skits and a chopped-and-screwed Nat King Cole that’ll change the way you hear The Christmas Song.

The year’s finest LPs as decided by 30 Guardian music writers – from a slip’n’slide through British club culture to a New York garage rock band in their 20s
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