Après des mois de rumeurs et une campagne de teasing savamment orchestrée, le réalisateur américain Steven Spielberg lève enfin le voile sur son prochain grand film de science-fiction. Universal Pictures a diffusé la toute première bande-annonce de Disclosure Day, un long-métrage très attendu qui marque le retour du …

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L’article Disclosure Day : premier trailer pour le nouveau film de Spielberg sur les OVNIS est apparu en premier sur KultureGeek.

The Indigenous Canadian author brilliantly captures the interdependence of humans and the natural world, in a darkly satirical critique of colonialism

Noopiming, the first of Canadian writer-musician Leanne Betasamosake Simpson’s books to be published in the UK, means “in the bush” in the language of the Ojibwe people. The title of this startlingly original fiction is an ironic reference to Roughing It in the Bush; or, Forest Life in Canada, an 1852 memoir about “the civilisation of barbarous countries” by Susanna Moodie – Simpson’s eponymous “white lady” – a Briton who settled in the 1830s on the north shore of Lake Ontario, where Simpson’s ancestors resided and she now lives.

That 19th-century settlers’ guidebook went on to be hailed as the origin of Canadian women’s writing; Margaret Atwood adopted the Suffolk-born frontierswoman’s voice in her 1970 poetry collection, The Journals of Susanna Moodie. Though she mentions Moodie’s book only in an afterword, Simpson’s perspective is different. For Moodie, extolling “our copper, silver and plumbago mines” in the extractivist British colony, the “red-skin” was a noble savage, and the “half-caste” a “lying, vicious rogue”. Yet, rather than a riposte to the toxic original, Noopiming – first published in Canada in 2020 and shortlisted for the Dublin Literary award in 2022 – sets about building a world on its own terms. The “cure”, then – the antidote to Moodie’s blinkered vision – is this book.

The Welsh author vividly captures the solitude, hard labour, dramas and dangers of rural life

In these six stories of human frailty and responsibility, Welsh writer Cynan Jones explores the imperatives of love and the labour of making and sustaining lives. Each is told with a compelling immediacy and intensity, and with the quality of returning to a memory.

In the story Reindeer a man is seeking a bear, which has been woken by hunger from hibernation and is now raiding livestock from the farms of a small isolated community. “There was no true sunshine. There was no gleam in the snow, but the lateness of the left daylight put a cold faint blue through the slopes.” The story’s world is one in which skill, endurance, even stubbornness might be insufficient to succeed, but are just enough to persist.