Australian psych-rockers, who removed their music from Spotify in protest against the streaming service, lament the appearance of AI band King Lizard Wizard
Spotify has removed an AI impersonator of popular Australian rockers King Gizzard and the Lizard Wizard from the streaming service, with the band’s frontman voicing despair at the situation.
King Gizzard removed their music from Spotify in July in a protest against the company’s chief executive Daniel Ek, who is the chair of military technology company Helsing as well as a major investor.
From prog cabaret and joyful jangle-pop to a pop star who will drag you to the club, here are the year’s finest LPs as decided by 30 Guardian music writers • More on the best culture of 2025
Connoisseurs of all things delicate and deeply felt will love the music put out by A Colourful Storm, the Melbourne-based DJ’s indie label
From Melbourne Recommended if you like the C86 compilation, AU/NZ jangle-pop, Mess Esque Up next Going Back to Sleep out now
Melbourne-based DJ Moopie, AKA Matthew Xue, is renowned for engrossing, wide-ranging sets that can run the gamut from gelid ambient music to churning drum’n’bass and beyond. He also runs A Colourful Storm – a fantastic indie label that massively punches above its weight when it comes to putting out charmingly moody experimental pop music, from artists as disparate as London-based percussionist Valentina Magaletti, dubby Hobart duo Troth, and renowned underground polymath Simon Fisher Turner.
In 2017, the label released I Won’t Have to Think About You, a compilation of winsome, C86-ish indie pop. Earlier this year, it put out Going Back to Sleep, a quasi-sequel to that record which also functions as a neatly drawn guide to some of the best twee-pop groups currently working. Sydney band Daily Toll, whose 2025 debut A Profound Non-Event is one of the year’s underrated gems, contribute Time, a seven-minute melodica-and-guitar reverie. Chateau, the duo of Al Montfort (Terry, Total Control) and Alex Macfarlane (the Stevens, Twerps), push into percussive, psychedelic lounge pop on How Long on the Platform, while Who Cares?, one of Melbourne’s best new bands, channel equal parts Hope Sandoval and Eartheater on Wax and Wane.
Elsewhere, Going Back to Sleep features tracks from San Francisco indie stalwarts the Reds, Pinks and Purples; minimalist Sydney group the Lewers; and sun-dappled folk-pop from Dutch duo the Hobknobs. It’s an unassuming compilation that’s almost certain to become well-loved and frequently referenced among connoisseurs of all things delicate and deeply felt. Shaad D’Souza
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