‘I handed a guy a starting pistol for a stick-up scene. But instead he reached into his car and took out the sawn-off shotgun you see in the movie’

I was part of the New York graffiti artists the Fabulous 5, who were primarily known for painting whole subway cars on the Lexington Avenue line. Lee Quiñones was the group’s Michelangelo. I’d been running with Jean-Michel Basquiat and wanted to take graffiti art into art spaces. I thought that an underground independent film could tell our story in the way we wanted.

(Domino)
Blooming strings, mellifluous guitars and airy vocals make Melody Prochet’s fourth album a calming place to visit – even if there’s a lack of standout tracks

French musician Melody Prochet, AKA Melody’s Echo Chamber, never struggles to find a supporting cast. Her self-titled 2012 debut was produced by Tame Impala’s Kevin Parker. On second album Bon Voyage (2018) she teamed up with Swedish psychedelic rock band Dungen, whose guitarist Reine Fiske popped up again on 2022’s Emotional Eternal and now features on Unclouded. Prochet’s fourth album is produced and partly co-written by composer Sven Wunder, and its dizzying array of contributors also includes Josefin Runsteen (opulent strings) and DJ Shadow collaborator Malcolm Catto (percussive fizz).

Still, somehow Prochet retains her own singular vision. Borrowing a title from a quote by Japanese animator Hayao Miyazaki – “You must see with eyes unclouded by hate. See the good in that which is evil, and the evil in that which is good” – Unclouded takes her airy vocals and baroque dreampop into brighter terrain. Some tracks have a 90s vibe, reminiscent of Saint Etienne or Lush. Others have a feel that can only be accurately described in horticultural terms: the blooming strings of the really lovely Broken Roses, or the sprinkles of xylophones that make Burning Man sound like, well, a Japanese garden.