Period drama parody has some decent and often smart gags and benefits from a game cast including Damian Lewis and Thomasin McKenzie

Perhaps it’s the feeling of end times in the air: after years of inactivity, spoofs are making a comeback. This summer saw the resurgence of the lighthearted genre, which at its best sends up the pretensions of overly serious genre with a barrage of pitched cliches, sight gags and stupid-clever puns. The Naked Gun, starring Liam Neeson and Pamela Anderson in a spoof of a buddy-cop spoof, opened to moderate box office success; the hapless rock band dialed it back up to 11 in Spinal Tap II: The End Continues. Reboots of the horror spoof gold-standard Scary Movie and the Mel Brooks Star Wars rip Spaceballs were greenlit, and there were rumors of a return for international man of mystery Austin Powers. Unserious times, it seems, beget appetite for knowingly unserious, joke-dense, refreshingly shallow fun.

The latest of these goofy parodies, which premieres on the beyond-parody day that Fifa awarded Donald Trump an inaugural peace prize and Netflix announced its plan to buy Warner Bros, is Fackham Hall, a Downton Abbey spoof that pokes at the very pokeable pretensions of gilded British period dramas. (Yes, Fackham rhymes with a crass kiss-off to the aristocracy.) Co-written by British Irish comedian and TV presenter Jimmy Carr and directed by Jim O’Hanlon, Fackham Hall has plenty of material to work with – the historical soap’s grand finale just premiered in September, 15 years after Julian Fellowes’s series started going upstairs-downstairs with ludicrous portent – and wastes none of it. From ludicrous start (servants rolling joints for the household and responding to calls from the “masturbatorium”) to ludicrous finish (someone manages to marry a second cousin rather than a first!), this enjoyable silver-spoon romp packs all of its 97 minutes with jokes and bits ranging from the puerile to the genuinely funny, proving that there may yet be more to wring from eat-the-rich satire.

The architect, whose work included the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA, died after a brief illness

• From Bilbao to Las Vegas: Frank Gehry’s incredible architecture – in pictures

Frank Gehry, one of the most influential and distinctive talents in American architecture, died on Friday at his home in Los Angeles following a brief respiratory illness, his chief of staff confirmed. He was 96.

Gehry, the most recognizable American architect since Frank Lloyd Wright, was one of the first to embrace the potential of computer design, and pioneered a distinctively exuberant style of bravura power, whimsical and arresting collisions of form. His most famous work remains the Guggenheim Museumin Bilbao, a fantastical, titanium-clad composition on the Nervión River which received international acclaim upon its opening in 1997, heralding a new era of emotive architecture.

Prolific musician was known for work on songs like Green Onions and Otis Redding’s (Sittin’ on) The Dock of the Bay

Steve Cropper, the legendary guitarist whose work as an instrumentalist, producer and songwriter at Stax Records left an indelible impression on Memphis soul music, has died at the age of 84.

Hs son Cameron confirmed his death to Variety.