I was travelling with my parents and discovered that Don Giovanni was being performed while we were there. I simply had to try to see it

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At age 20, I fell head over heels in love with opera. It happened after seeing Joseph Losey’s film adaptation of Don Giovanni. Something clicked in me. I became a fervent subscriber to the Australian Opera and saw every opera I possibly could.

A few years later, I was travelling in France with my parents and discovered that Don Giovanni was being performed in Avignon while we were there, with José van Dam, who had played Leporello in the film, starring as Don Giovanni. I simply had to get a ticket to see it.

‘Price Tag’ artist says she didn’t ‘want a label on it’ but she’s ‘always going to be attracted to women’

Australian children’s band said the video has ‘caused concern for many parents and professionals’ but was ‘not created or approved by us’

The musical prodigy discovered Stevie Wonder aged two and danced to Brazilian jazz at a Grammys afterparty. But what song does he think is the best in the world?

The first song I fell in love with
So many songs hit me as a child, they were like windows opening up new worlds. But the first I truly loved was Did I Hear You Say You Love Me, by Stevie Wonder, which I remember clearly when I was around two years old.

The first single I bought
I bought an iTunes single by Take 6 when I was 13. They are a six-part a cappella, gospel, jazz group, and they completely exploded my creative imagination. The song, He Never Sleeps, has the most unbelievable harmonic journey.

Ahead of her intimate show to raise money for War Child, the Norwegian singer tells Hannah Ewens how social media has ruined our capacity for empathy, and how she deals with her neurodivergence

Australian children’s band said the video has ‘caused concern for many parents and professionals’ but was ‘not created or approved by us’

The festive hit was released three decades ago, but it has stood the test of time

‘Price Tag’ artist says she didn’t ‘want a label on it’ but she’s ‘always going to be attracted to women’

The singer on going solo, bringing back George Michael, and why a dog made her rethink motherhood

Born in Rotherham, South Yorkshire, Rebecca Lucy Taylor, 39, was in the duo Slow Club. After 10 years, she went solo as Self Esteem and received Mercury prize, NME and Brit nominations for her second album, 2021’s Prioritise Pleasure. This year, she won the Ivor Novello Visionary award and released a book and album, both called A Complicated Woman. In March, she stars in David Hare’s Teeth ’n’ Smiles at the Duke of York’s theatre, London. She lives in London with her partner.

When were you happiest?
Five to 10, when I was just playing out and I didn’t realise I was a girl. Before my boobs came in, basically.

​In this week’s newsletter: The turn-of-the-2000s produced a frenzy of cultural crystal-ball gazing​. Two decades on​ those bold forecasts reveal as much about us as they do about the era itself

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I love revisiting articles from around the turn of the millennium, a fascinatingly febrile period when everyone – but journalists especially – briefly lost the run of themselves. It seems strange now to think that the ticking over of a clock from 23:59 to 00:00 would prompt such big feelings, of excitement, terror, of end-of-days abandon, but it really did (I can remember feeling them myself as a teenager, especially the end-of-days-abandon bit.)

Of course, some of that feeling came from the ticking over of the clock itself: the fears over the Y2K bug might seem quite silly today, but its potential ramifications – planes falling out of the sky, power grids failing, entire life savings being deleted in a stroke – would have sent anyone a bit loopy. There’s a very good podcast, Surviving Y2K, about some of the people who responded particularly drastically to the bug’s threat, including a bloke who planned to sit out the apocalypse by farming and eating hamsters.

Endometriosis, miscarriage, failed relationships, suicide and gaslighting … they are all laid bare on the singer-writer’s new album. But just as she finished recording it, she got a shock diagnosis. She explains why it’s made her determined to be in the moment

You couldn’t make it up, Jessie J says. There she was preparing for her first album release in eight years, ecstatically in love with her newish partner, and finally the mother of a toddler having struggled to conceive for a decade, on top of the world. Then in March she was diagnosed with breast cancer.

The singer-songwriter, real name Jessica Cornish, is famous for telling it as it is. The album, Don’t Tease Me With a Good Time, was supposed to be an open book, dealing with every ounce of devastation she’d experienced since she last recorded music (endometriosis, miscarriage, failed relationships, gaslighting, suicide) with typical candour. The first single, No Secrets, was released in April. But by then there was a mighty secret. The cancer. Then second single, Living My Best Life, came out in May and Cornish was giving interviews about how she was living her best life, while still secretly living with breast cancer. A month later she went public, and in early July she had a mastectomy.

The supernatural drama inches closer to the end, while Ethan Hawke fully encapsulates Lorenz Hart in Richard Linklater’s Broadway breakup drama. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews

Starkie has died of leukaemia surrounded by friends and family and ‘listening to Chuck Berry’, his daughter says

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The renowned Australian guitarist Bob “Bongo” Starkie has died at the age of 73, his band Skyhooks has announced.

Starkie died peacefully early on Saturday after a battle with leukaemia, the band’s archivist, Peter Green, said in a post on the Skyhooks Facebook page.

Samuel Lewis had to push his limits for the pop star’s global tour, set to hit his home town Melbourne next week

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It starts in a flood of red: a red-curtained stage, red flashing lights. It’s Lady Gaga, so theatrics are par for the course. As the lights go up it becomes clear she’s not standing on a giant stage but, in fact, wearing it.

A militaristic bodice extends into the swooping velvet drapes of a 7.5-metre-high gown. “It’s not just a dress; it’s a moving piece of art, an engineering feat,” says the Australian-Taiwanese designer Samuel Lewis, who dreamed up its design, and created it in collaboration with the LA-based costume designer Athena Lawton.

Rock legends achieved the feat thanks to their collaboration with YungBlud, who called it the cherry on the top of an ‘emotional rollercoaster of a year’

Pop star, who was still a teenager when she won her first Brit Award, says she had to ‘do a lot of things’ in order to feel ‘strong in myself’

Beauty and the Beast or Wolf Alice? Queen Marie Antoinette or Count Arthur Strong? Come and behold: the holiday season offers stage, film, music and art that’s worth singing about

The 12 Beans of Christmas
Touring to 19 December
Last year, character comedians Adam Riches and John Kearns joined forces for an archly silly tribute to crooners Michael Ball and Alfie Boe. Now Riches is back with another leftfield celebrity riff as he gives his Game of Thrones-era Sean Bean impression (as seen on 8 Out of 10 Cats Does Countdown and his Edinburgh show Dungeons’n’Bastards) a yuletide twist. Rachel Aroesti

Ticketmaster said they would ‘lead by example’ after Dean called out companies when tickets for her North American tour appeared on resale sites at prices in excess of $1,000

Ticketmaster has given fans of Olivia Dean partial refunds after the British singer condemned ticketing companies for allowing touts to relist tickets for her North American tour at more than 14 times their face value.

After the tour sold out in minutes on 21 November and tickets appeared on resale sites at prices in excess of $1,000, Dean addressed the major ticketing companies on Instagram: “@Ticketmaster @Livenation @AEGPresents you are providing a disgusting service,” she wrote. “The prices at which you’re allowing tickets to be re-sold is vile and completely against our wishes. Live music should be affordable and accessible and we need to find a new way of making that possible. BE BETTER.”

Organised by Olly Alexander and the Mighty Hoopla festival to ‘fight back against the politics of fear and exclusion’, Trans Mission will take place at Wembley Arena in March

Artists including Sugababes, Wolf Alice, Romy, Sophie Ellis-Bextor, Christine and the Queens, Beth Ditto, Beverley Knight, Jasmine.4.T, Kae Tempest and more will perform at an all-star charity concert at Wembley Arena in support of trans rights next year.

Organised by Olly Alexander and the Mighty Hoopla festival, Trans Mission will also feature appearances from figures including Green party leader Zack Polanski, actor Ian McKellen, comedian Grace Campbell, author Shon Faye, actor Mawaan Rizwan, model Munroe Bergdorf and actor Nicola Coughlan.

Adam Lambert

Beth Ditto

Bimini

Beverley Knight

Christine and the Queens

Fat Tony

GottMikk

HAAi

Jasmine.4.T

Kae Tempest

Kate Nash

MNEK

Olly Alexander

Romy

Sink the Pink

Sophie Ellis-Bextor

Sugababes

Tom Grennan

Tom Rasmussen

Trans Voices

Wolf Alice

Dani St James

Grace Campbell

Harriet Rose

Ian McKellen

Jack Rooke

Jayde Adams

Jo Maugham

Jordan Stephens

Juno Birch

Juno Dawson

Kadiff Kirwan

Layton Williams

Mawaan Rizwan

Munroe Bergdorf

Nicola Coughlan

Russell Tovey

Shon Faye

Tia Kofi

Tiara Skye

Zack Polanski

Californian singer-songwriter Lukas Frank is picking up rave reviews for his second album’s epic choruses and lush orchestrations

From Los Angeles
Recommended if you like John Grant, Scott Walker, Father John Misty
Up next A cover of Duran Duran’s The Chauffeur is out now, with another single due in February

After several years of perseverance, things are happening for Storefront Church. The audience at this month’s sellout gig at St Pancras Old Church in London included Perfume Genius and members of the Last Dinner Party and the Horrors and their self-released second album, Ink & Oil, is picking up rave reviews. One used the term “emotional flood” to describe the album’s epic, baroque pop, big pianos and drums, sweeping choruses and Travis Warner’s lush, cinematic orchestrations.