(Atlantic)
Featuring a lugubrious monologue from the Velvet Underground legend, its jagged strings are more reminiscent of that band than anything on Brat

When Charli xcx says her first new material in more than a year is “something entirely new, entirely opposite” to the sound she pursued on the era-defining Brat, she isn’t joking. Taken from the soundtrack to director Emerald Fennell’s forthcoming adaptation of Wuthering Heights, the darkly gothic House bears almost no relation in sound or mood to the contents of Brat: it was, she says, inspired by John Cale’s description of the sound of his old mob the Velvet Underground as “elegant and brutal”.

Always skilled and generous at collaboration, here Charli xcx cedes two-thirds of the track’s vocal to Cale. He delivers a monologue – oblique and initially conversational, it turns increasingly ominous – in a voice that’s rich, sonorous and, to a certain kind of music fan at least, immediate recognisable. Weathered by time at age 83, it’s still audibly the same voice that recounted Lou Reed’s grisly short story The Gift on White Light/White Heat 57 years ago.

Thirty years on from the release of her acclaimed album I’m With Stupid, we count down the sucker-punching best tracks by the US singer-songwriter

Aimee Mann has had hits and acclaim from critics and her peers, but the sense that she’s slightly undervalued still clings. A song as deceptive as Build That Wall might explain why: on the surface it seems straightforward and easy-on-the-ear, but beneath its mellow, mellifluous surface lurk stinging lyrics and real emotional force.