In documentary Coexistence, My Ass!, Noam Shuster Eliassi uses humor and honesty to turn a one-woman show into something politically radical

In the late 2010s, Noam Shuster Eliassi was working at the United Nations, the latest step in a lifelong effort to build peace between Israelis and Palestinians, when she had an epiphany. In Ukraine, a Jewish comedian named Volodymyr Zelenskyy had made the improbable leap from sitcom about accidentally becoming president to actually becoming president. Perhaps, if she were to take her political career seriously, she should start writing jokes.

It worked. As an Israeli Jew fluent in Hebrew, Arabic and English, Shuster Eliassi could nimbly weave between different audiences, and what started as short comedic videos on social media soon became an invitation from Harvard to develop a full-on stand-up routine skewering the idea of coexistence as it’s often used in the Israeli-Palestinian context. The show would riff on her upbringing in one of the only joint Israeli-Palestinian communities in the country, threading a fine needle with self-deprecating humor and an activist’s edge. The aim, she told the Guardian, was to “unpack” the idea of coexistence, “and say, like, ‘this is how I grew up, there are so many funny kumbayah moments, and I propose something else.’”

Rapper receives nominations in all top categories while Lady Gaga, Bad Bunny, Sabrina Carpenter and Leon Thomas are also major nominees

• Grammys 2026: the nominations in all the major categories

The Grammys’ love continues for Kendrick Lamar. The rapper, who took home the most trophies at the 2025 music awards with five, leads the nominees for the 2026 awards.

Lamar is up for nine awards, including album of the year (for his most recent, GNX), best rap album, record of the year and song of the year. He faces competition for the night’s top award – album of the year – from Bad Bunny, Justin Bieber, Sabrina Carpenter, Lady Gaga, Leon Thomas, Tyler, the Creator and Clipse, Pusha T & Malice.

Midway through the Broadway run of Waiting for Godot with his Bill & Ted co-star Keanu, the actor-director talks about his new film, Adulthood, overcoming the abuse he endured as a young performer, and why we’re wrong about artificial intelligence

Six weeks ago, Alex Winter was on stage at the first night of previews for Waiting for Godot – the latest Broadway revival of Samuel Beckett’s absurdist masterpiece, in which Winter plays the puttering Vladimir to Keanu Reeves’s equally aimless Estragon.

Winter is an old pro at live performance: he spent almost all of his middle and high school years on Broadway, eight shows a week. He and Reeves, his longtime friend and most righteous co-star of the Bill & Ted movies, had the idea for the revival three years ago and have been prepping ever since.

The demanding Muppet is set to get her own movie at Disney with Oscar-winning actors producing and the Tony-winning multi-hyphenate writing

Miss Piggy is getting the movie star treatment, courtesy of Jennifer Lawrence and Emma Stone.

A feature film about the diva puppet is in the works at Disney, which owns the rights to the Muppets franchise, Variety reported on Wednesday. Lawrence and Stone will serve as producers, working with a script from Oh, Mary! creator Cole Escola.

In The White House Effect, now available on Netflix, archival footage is used to show how the US right moved from believing to disputing the climate crisis

In 1988, the United States entered into its worst drought since the Dust Bowl. Crops withered in fields nationwide, part of an estimated $60bn in damage ($160bn in 2025). Dust storms swept the midwest and northern Great Plains. Cities instituted water restrictions. That summer, unrelentingly hot temperatures killed between 5,000 and 10,000 people, and Yellowstone national park suffered the worst wildfire in its history.

Amid the disaster, George HW Bush, then Ronald Reagan’s vice-president, met with farmers in Michigan reeling from crop losses. Bush, the Republican candidate for president, consoled them: if elected, he would be the environmental president. He acknowledged the reality of intensifying heatwaves – the “greenhouse effect”, to use the scientific parlance of the day – with blunt clarity: the burning of fossil fuels contributed excess carbon dioxide to the atmosphere, leading to global warming. But though the scale of the problem could seem “impossible”, he assured the farmers that “those who think we’re powerless to do anything about this greenhouse effect are forgetting about the White House Effect” – the impact of sound environmental policy for the leading consumer of fossil fuels. Curbing emissions, he said, was “the common agenda of the future”.