Serpentine, London
From the moment we inhale the scent of this remarkable show – in which trees blast open and boulders perch on branches – the Italian artist intoxicates us like a shaman communing with wood sprites

It’s the aroma that lures you in. Deep and difficult to place, it comes from the thousands of laurel leaves that pad the walls of the Serpentine’s high central space. Laurel is the sharp-leaved evergreen tree sacred to the god Apollo and through him associated with victory and the arts. Poets are crowned with it. In Botticelli’s Primavera, a nymph is chased through laurel trees. A marble sculpture by Gian Lorenzo Bernini depicts Daphne transforming into a laurel to escape Apollo’s unwanted lust – a reason this tree is sacred to him.

So much cultural baggage. It can’t be easy to be a modern Italian artist with ancient Rome, the Renaissance and the baroque on your back. One of the captivating things about Giuseppe Penone’s meditative selection of his works is how easily this artist has cast off that weight of tradition ever since he started his life in art in 1968.