Sundance film festival: a once-in-a-lifetime dinner party from 1972 is transformed into a thrilling and inspiring hang-out movie

In August 1972, the experimental film-maker William Greaves convened a once-in-a-lifetime dinner party at Duke Ellington’s townhouse in Harlem. The occasion was a celebration and reconsideration of the Harlem Renaissance, the watershed African American cultural movement of the 1920s. The guest list included its still-living luminaries, some of the 20th century’s most influential – and still underappreciated – musicians, performers, artists, writers, historians and political leaders, all in their sunset years. Over four hours and untold glasses of wine, talk wheeled freely from vivid recollections to consternation, lively anecdotes to contemplations of ongoing struggle. Greaves, by then niche renowned for his innovatively meta documentary Symbiopsychotaxiplasm: Take One, lightly directed the conversation but otherwise let the energy flow. He considered it the most important footage he ever recorded.

You could probably release that remarkable footage in full, completely unedited and unstructured, and still have a good documentary; every piece is now, 50 years later – the same distance to us as the Harlem Renaissance was to them – a bridge to a time no living person can remember, each face and gesture informed by decades of aftermath no straightforward nonfiction film on the period could capture. But Once Upon a Time in Harlem, directed by Greaves’s son David, who was one of four cameramen that day, manages to seamlessly clip and contextualize the party into 100 mesmerizing minutes. It’s both a sublime hang-out of a film and a celebration of individual achievements, a fascinating map of a long-ago scene and a referendum on legacy.

Once Upon a Time in Harlem is screening at the Sundance film festival and is seeking distribution

Sundance film festival: the story of the Marion County Record and the forces that tried to destroy it is expanded for a charming, and concerning, look at freedom of the press

On 11 August 2023, police officers executed a search warrant on the offices of the Marion County Record, a small, family-owned paper in central Kansas. Local law enforcement seized the computers, cell phones and reporting materials from all staff, as well as from the homes of one city council member and paper co-owner Eric Meyer, without incident – though they met the impassioned resistance of Meyer’s 98-year-old mother Joan, the paper’s other co-owner, who threw her walker to the ground and declared the raid “Nazi stuff”.

“This is illegal,” Eric Meyers warns the officers, as seen in a new documentary on the episode. “You’re going to be on national news tonight.”

Sundance film festival: comedian Iliza Shlesinger’s nonsensical misfire is a swirl of cliches, unfunny comedy, stock characters and bizarre direction from Josephine Decker

I will give Chasing Summer this: there’s something inherently interesting about its unexpected union of two opposite forces. On one side there’s Josephine Decker, an unusual film-maker whose genre-challenging work spans experimental theater (2019’s Madeline’s Madeline), claustrophobic psychodrama (2020’s perversely thrilling, woefully underseen Shirley) and magical realism (the 2022 YA grief flick The Sky Is Everywhere). On the other, comedian Iliza Shlesinger, whose brand of fast-paced, ribald, sometimes hilarious (and sometimes too gender-essentialist) standup is both subverted and enhanced by her own white, blond conventional attractiveness. I can’t imagine many saw the former choosing to direct Chasing Summer, a Hallmark-esque comedy written by and starring the latter. Theoretically, the collision should generate sparks.

It does, though I can’t imagine in the way the odd couple intended. The 98-minute film, which premiered this week at Sundance, is one of the most bizarre combinations of director and material I’ve ever seen, more curious car crash than collaboration. It is almost worth it to watch a sensitive and surprising director, so attuned to inner turmoil and unreality, wrangle anything substantial out of razor-thin characters and a boilerplate set-up.

Chasing Summer is screening at the Sundance film festival and is seeking distribution