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Reçu hier — 18 septembre 2025

Swiped review – breezy drama gives dating apps the origins treatment

18 septembre 2025 à 22:31

Lily James plays former Tinder employee who became founder of Bumble in an illuminating yet corny rise-to-fame tale

In 2012, a plucky, headstrong young entrepreneur crashes a startup mixer in Los Angeles, desperately trying to get their big idea off the ground. Naive and ruthlessly ambitious, they brave the skeptics, the losers, the people too good to talk to them and the people who don’t take them seriously. Eventually, inevitably, their genius – obvious, unsinkable, perhaps diabolical – collides with opportunity. Voilà! An origin story is born.

Swap out the date and the city, and this would describe a pivotal scene in any number of recent movies and TV shows that take cinematic interest in the self-mythology of entrepreneurs. The dramatic logic and iconography of the origin story, basically true but always highly glossed, is by now so recognizable it almost writes itself: initial rejection, dogged persistence, chance meeting, lightbulb moment, big break. We’ve seen it in a wave of brand backstory movies – Flamin’ Hot, Air, BlackBerry and Tetris to name a few – as well as the recent boomlet of shows depicting 2010s hustle culture. The twist with Swiped, Hulu’s new film on the founding of online dating titans Tinder and Bumble, is that this founder is a woman.

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© Photograph: 2025 20th Century Studios/PA

© Photograph: 2025 20th Century Studios/PA

© Photograph: 2025 20th Century Studios/PA

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American independent cinema owes much to Sundance king Robert Redford | Adrian Horton

17 septembre 2025 à 06:24

With his Sundance film festival and institute, Robert Redford used his considerable power to bring generations of talented film-makers to a bigger audience

Robert Redford, who died at the age of 89 on Tuesday, will rightly be remembered as one of Hollywood’s finest leading men, a true-blue movie star and assured actor who was, to quote my mother and surely many others, “very, very handsome”. His many iconic performances – in Butch Cassidy and the Sundance Kid, All the President’s Men, The Way We Were, The Sting and more – certainly left an indelible mark on American movies. But he should perhaps be remembered more for his work behind the camera, as the country’s greatest benefactor of independent cinema.

Through his Sundance film festival and non-profit institute, Redford lent his considerable star power and funds to American independent film, and created what is still its most secure and enduring pillar of support. He provided maverick, cutting-edge film-making with a freewheeling marketplace and crucial buzz, helping to launch the careers of a true who’s who of critically acclaimed directors across generations. With Sundance, Redford played the role of mentor, patron, champion of the small and scrappy, benevolent godfather of independent cinema. It’s through Sundance, rather than his films, that Redford became, as the Black List founder Franklin Leonard put it on X, “arguably the film industry’s most consequential American over the last fifty years”.

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© Photograph: Jemal Countess/Getty Images

© Photograph: Jemal Countess/Getty Images

© Photograph: Jemal Countess/Getty Images

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