Mercato Barça : Marc-André ter Stegen a recalé un club de PL pour rester en Catalogne







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Raducanu faces Mananchaya Sawangkaew, the World No 195, as the British No 1 begins her Australian Open campaign after a win for qualifier Arthur Fery

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Le nom des 4 demi-finalistes de Star Academy est désormais connu après le départ de Bastiaan ce 17 janvier 2026 sur TF1. Mais la chaine a quelque peu souffert face à la finale de The Floor (France 2) et Enquête parallèle (France 3).
Le nom des 4 demi-finalistes de Star Academy est désormais connu après le départ de Bastiaan ce 17 janvier 2026 sur TF1. Mais la chaine a quelque peu souffert face à la finale de The Floor (France 2) et Enquête parallèle (France 3).

© Pablo Hidalgo / REUTERS

© Pablo Hidalgo / REUTERS
When funding cuts closed National Theatre Wales, the actor saw it as an emergency, and set about building a replacement. As its first show comes to the stage, he explains his plan to bring big productions back to his homeland
Since Thornton Wilder wrote Our Town in 1938, it is said that not a day has passed when the Pulitzer prize-winning show hasn’t been performed. “Every time I read it, I come away with the feeling of having been woken up,” says Michael Sheen, star of the upcoming touring production of Wilder’s play about a close-knit community in small-town America. “With this urgent sense of ‘I have to not waste this.’”
Transposing the heart of the American classic to Wales, this new production also marks the launch of Welsh National Theatre, a hugely ambitious company formed – and financed – by Sheen in response to the collapse of the former National Theatre Wales. “Opening night is going to be more than just the opening night of a play,” says Russell T Davies, the show’s creative associate. “I think in 10 years, we’ll be having a marvellous celebration that all began with Our Town.”
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© Photograph: Helen Murray

© Photograph: Helen Murray

© Photograph: Helen Murray
Vice-president has emerged as key defender of Maga flame – and is backed by big tech billions. Is this the heir apparent?
“We did not have a lot of money,” said JD Vance, placing hand on heart as he recalled his childhood in Middletown, Ohio in the 1990s. “I was raised by a woman who struggled often to put food on the table and clothes on her back.”
There was an earnest cry from the audience. “Mamaw!” shouted a man.
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© Composite: The Guardian/Getty Images

© Composite: The Guardian/Getty Images

© Composite: The Guardian/Getty Images
The food, beauty and pharmaceutical industries poison our self-image. GLP-1 drugs will only make them richer – and strengthen the hold they have over us
Fifty years ago, I started thinking about the demand for women to look a certain way and the rebellions against the narrow ways in which we were supposed to display (and not display) our bodies. For a while, there was a conversation about the strictures. Some young women refused to conform. Some women risked being in the bodies they had rather than embodying the dominant images of being Madonna or the whore. But troubled eating abounded, even if it wasn’t always visible, stoked by the food and diet industries and their bedfellows in the beauty and fashion industries. These industries targeted appearance as crucial to girls’ and women’s identity and their place in the world.
Today, a new kind of troubled eating is stalking the land, entirely induced by the new GLP-1 weight-loss drugs produced by pharmaceutical companies and promoted by their willing agents on social media. It is totally understandable that people want relief from obsessive and invasive thoughts about their bodies and food. The explosion of GLP-1 drugs has provided a kind of psychological peace for many who feel less frightened of their appetites.
Susie Orbach is a psychotherapist, psychoanalyst and social critic. She is the author of many books, including Bodies and Fat Is a Feminist Issue
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© Photograph: Iuliia Burmistrova/Getty Images

© Photograph: Iuliia Burmistrova/Getty Images

© Photograph: Iuliia Burmistrova/Getty Images



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The first grand slam of 2026 is under way in Melbourne
Britain’s Fery delivers upset with win over seed Cobolli
Follow us over on Bluesky | Get in touch: email Daniel
I’m not sure why, but I can’t get commentary on Bublik v Brooksby, which isn’t helpful, but Bublik leads 3-1; Tiafoe is up a break in set three, so at 4-2 is only two games away from seeing off Kubler; Zheng leads Korda by a break at 4-3 in the fifth; and Norrie is up a set on Bonzi, but serving to stay in the second at 4-5.
We’re away on Laver, Sabalenka in dayglo straight out of 1989 … and Rakotomanga Rajaonah immediately makes 0-30 on her serve. Oh! And when the champ swats a backhand long, she’s down three break points! All three are saved, but then the underdog raises a fourth on advantage, thrashes a deep return, and Sabalenka nets a forehand! Rakotomanga Rajaonah need only hold five times and she’s a set up! Er yeah, let’s see…
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© Photograph: Dita Alangkara/AP

© Photograph: Dita Alangkara/AP

© Photograph: Dita Alangkara/AP
