Human Remains Found Buried at San Diego Home

© Mike Blake/Reuters

© Mike Blake/Reuters
Full spoilers follow for Pluribus Episode 6, “HDP,” which is available now on Apple TV.
OK, most of us figured this out last week in “Got Milk” when Carol (Rhea Seehorn) was investigating what the Joined’s favorite drink actually was made of, culminating in that episode’s closing moment as she gasped like only someone who had just found a stockpile of frozen dead bodies could.
Yeah, a lot of us were off a bit in that it’s actually a stockpile of frozen dead body pieces that Carol unearthed, but all the same, the Joined are definitely pulling a Soylent Green and eating us. Only, because this is Vince Gilligan’s Pluribus, it’s not quite that simple. But it is darkly funny.
Of course – of course – instead of playing this revelation in a protracted, thriller-esque way, Gilligan and his team (this episode was written by Vera Blasi and directed by Gandja Monteiro) pull the rug out from under the viewer pretty quickly and squash their own big twist. “Yeah, no duh, HDP is people,” the show basically says. “You think we haven’t also watched the past 50 years of sci-fi movies!?”
And so enters John Cena. Not just John Cena, but a Joined John Cena. And he’s everything you could hope for. Charming, reasonable, informative… all while explaining the intricacies of why the Joined need “human derived protein,” or HDP – aka human flesh – for sustenance. And Koumba (Samba Schutte) cutting Carol off before she can even reveal her big news about the frozen bodies with a resigned “Is this about them eating people?” isn’t just funny; it’s also our first hint at how out of the loop Carol has been.
The dynamic between these two uninfected is interesting in that we can look at them as polar opposites, obviously: Carol the constant skeptic versus Koumba the willing dupe. But is it that simple? After all, it turns out that Koumba figured out the HDP thing before Carol did, and not just that but he and the other infected (sans Manousos in Paraguay of course) have been talking regularly about the situation, and in particular are concerned about the sudden, unexpected plight that the Joined are in (they’re going to starve eventually). It’s so easy to assume that the other uninfected are suckers just because they haven’t lashed out the way Carol has and because they’re so willing to go with the flow, but then it turns out that Carol in all her obstinance hasn’t really made any significant headway herself in any of this.
And then there’s the fact that the uninfected have purposely kept Carol out of the loop, voting (if not unanimously!) to not include her in their meetings. Koumba has been getting her videos, as presumably all of the others have as well – “they were very dramatic” – but nobody’s responded to them or even acknowledged them before now. It’s hurtful, so much so that Carol needs to take a powder in the bathroom before apparently getting blitzed on champagne and passing out for the night. But the truly sad part comes the next morning when she tells Koumba that she’s going to grab a suite in the hotel, only to register the look on his face: He doesn’t want her there. He’s a nice guy, but he has a life to live with his “lovelies” and there’s no room for Carol at all. “How you say? Check in now and then.”
Meanwhile, what kind of survival instinct do the Joined have if they’re willing to starve rather than eat, like, corn? Their mandate to not even eat plant life is limiting, to say the least. But then again, perhaps it’s the ultimate method of population control. As the human race dies off from hunger, eventually the planet would hit some kind of equalization point where enough, well, fallen apples or what have you could feed the relatively small amount of people left. I guess?
And then there’s Carlos-Manuel Vesga’s Manousos, who – wouldn’t you know it – doesn’t just watch Carol’s first video, but is so moved by it as to finally leave his Omega Man bunker and head out to, presumably, find her. He doesn’t even know that there are 12 other uninfected until he watches the video. This leads to one of the creepiest scenes in Pluribus to date, as Manousos encounters his mother on the street as she emerges from the shadows in the dead of night. It’s not something Carol has had to deal with yet, encountering people she knew in the Before Times, let alone family members. We’ve already established that she’s estranged from her own mother. But then again, that might be something Manousos and Carol have in common as he tells the woman, “You’re not my mother. My mother’s a bitch” before driving into the night.
Questions and Notes From Kepler-22b
Un article signé GOODTECH.info
40 % des projets d'agents IA risquent l'échec faute d'infrastructure. Adopt AI répond avec une stack open source modulaire (orchestration, découverte API) pour industrialiser le développement.
L’article Fini le bricolage : Adopt AI dégaine une pile open source pour sauver vos agents de l’enfer du prototype est apparu en premier sur Goodtech.
Un article signé GOODTECH.info
40 % des projets d'agents IA risquent l'échec faute d'infrastructure. Adopt AI répond avec une stack open source modulaire (orchestration, découverte API) pour industrialiser le développement.
L’article Fini le bricolage : Adopt AI dégaine une pile open source pour sauver vos agents de l’enfer du prototype est apparu en premier sur Goodtech.
À la veille de la présentation officielle de Romeo is a Dead Man, PlayStation semble avoir dévoilé par erreur la date de sortie du prochain jeu de Grasshopper Manufacture. Le titre signé Suda51, révélé lors du State of Play de juin 2025, pourrait ainsi avoir vu l’un de ses principaux secrets éventés avant l’heure.
Romeo is a Dead Man, nouvelle création déjantée du studio Grasshopper Manufacture dirigé par Suda51, devait être au centre d’une présentation dédiée ce 5 décembre. Depuis son annonce lors du State of Play de juin 2025, le jeu a suscité un certain enthousiasme grâce à son style exubérant et son action sanglante, caractéristiques du créateur de No More Heroes. Les premières previews avaient d’ailleurs reçu un accueil largement positif de la part des joueurs comme de la presse.
Mais à quelques heures de ce Grasshopper Direct de cinq minutes, PlayStation pourrait bien avoir gâché l’une des annonces phares. Selon le compte HazzadorGaming sur X (anciennement Twitter), la fiche du jeu sur l’application PlayStation affiche une date de sortie précise : le 11 février 2026. Un détail d’autant plus troublant que la boutique officielle PlayStation mentionne elle aussi cette date, alors que l’éditeur utilise habituellement des mentions génériques ou une année lointaine lorsque rien n’est confirmé.
Rumour: Romeo is Dead Man to launch February 11th 2026 – PS5/XboxSeries/PC
— HazzadorGamin, Dragon of Dojima (@HazzadorGamin) December 4, 2025
via Playstation App. pic.twitter.com/9Qz2n2v77P
Si rien n’est encore officiel et qu’il convient de rester prudent, l’erreur semble crédible et pourrait résulter d’une publication prématurée avant la présentation du jour. Les fans auront quoi qu’il arrive droit à de nouvelles images et informations lors de l’événement, et tout n’a pas été révélé. À l’approche des Game Awards, on espère toutefois que d’autres annonces ne subiront pas le même sort. Et si la date s’avère exacte, les joueurs peuvent d’ores et déjà inscrire Romeo is a Dead Man parmi leurs incontournables de 2026.
Cet article PlayStation aurait fait fuiter la date de sortie de Romeo is a Dead Man par erreur est apparu en premier sur JVFrance.

© Doug Mills/The New York Times
Disney has been releasing more and more of its classic animated movies in 4K over the past few years. Some of these releases are timed with new live-action versions of the films, like what we saw with Lilo & Stitch this year, and other remastered favorites are now arriving in glorious Ultra HD simply because audiences are asking for them. If you're looking to add a few 4K Disney movies to your personal collection (or buy them as a gift for someone this year), I've rounded up every one you can buy right now.
Everything that has gotten the live-action treatment has received a 4K re-release. That includes The Lion King, The Little Mermaid, Lilo & Stitch, Mulan, Beauty and the Beast, Cinderella, Snow White, and Aladdin. Pretty much everything after The Princess and the Frog has also gotten a 4K release as well, so it's mostly the classics that are missing here. There's also the latest 4K release, The Emperor's New Groove, which is getting the treatment for its 25th anniversary.
The most notable exclusion of a 4K re-release, in my opinion, is Tarzan. I still listen to the soundtrack to that movie from time to time and it is just as good as the first time I heard it. Hercules is another suspicious omission, but since a live-action film is on its way in 2027, I'm willing to bet a 4K animated release will follow.
A lot more Pixar films are available in 4K than classic Disney movies. Pixar has released 29 movies and 26 of them are available to buy in 4K right now. The three missing films from this list are Toy Story 3, Cars 2 – although you can still technically buy these sequels for a massively marked-up price on Amazon – and Elemental. But Elemental was a Disney Club exclusive and sold out relatively quickly.
If you're hoping to buy a complete Toy Story collection, the good news is that a new movie is coming out and, most likely, a new box set will be released along with it. Toy Story 5 is set to arrive in theaters in June 2026.
The overall best place to buy 4K movies is on Amazon. This is simply because it tends to have the largest selection available at any given time. In some cases, new releases, like Inside Out 2, will sell out at Amazon and only be available at other retailers like Walmart and Target.
If you have a Disney+ Premium subscription, you can stream some Disney movies in 4K on the platform. Not every animated movie is available in 4K on Disney+, but if it has been remastered digitally then there's a good chance you can stream it at that same quality.
Jacob Kienlen is a Senior Audience Development Strategist and Writer for IGN. Born and raised in Portland, Oregon, he has considered the Northwest his home for his entire life. With a bachelor's degree in communication and over 8 years of professional writing experience, his expertise is spread across a variety of different pop culture topics -- from TV series to indie games and books.
The stars of HBO's new Game of Thrones spin-off A Knight of the Seven Kingdoms were on hand at the CCXP convention in São Paulo, Brazil, today to promote the upcoming series. And during the chat, the show's star Peter Claffey, who plays Ser Duncan the Tall, aka Dunk, seemed to let loose an interesting bit of George R.R. Martin trivia.
When asked by the panel moderators if he or his young co-star Dexter Sol Ansell (who plays Prince Aegon Targaryen, aka Egg) have gotten to meet the famed author of the A Song of Ice and Fire novels. Claffey explained that Martin visited the set during filming, and when he did he told the actor what his favorite story is that he's written.
"It was awesome," said Claffey. "He came in to set that week and we got to talk to him and different things, and he told us that The Hedge Knight is his favorite thing he's ever written."
The Hedge Knight is the first novella in Tales of Dunk and Egg, which is the collection of three novellas that A Knight of the Seven Kingdoms is based on. Published in 1998, The Hedge Knight was followed by The Sworn Sword in 2003 and The Mystery Knight in 2010.
"So he kind of told Ira Parker, our showrunner and writer, 'Please don't mess it up,'" added Claffey, much to the amusement of the CCXP crowd. "But he seemed really happy with us and with everyone else, and especially Daniel Ings, who's playing Ser Lyonel Baratheon."
"And he's hilarious," added Sol Ansell of Ings' performance.
A Knight of the Seven Kingdoms will be the second Game of Thrones spin-off to make it to the air after House of the Dragon, and will debut on January 18, 2026, on HBO. A second season is already planned, with production starting next week. Indeed, Sol Ansell's already got his head shaved for the shoot!
A new trailer for the show also debuted at the panel, which you can watch below:
A journey far from the throne. #AKnightOfTheSevenKingdoms, a new #GOT series from George R.R. Martin, premieres January 18, only on HBO Max. pic.twitter.com/eJf3gBPuOR
— HBO Max (@hbomax) December 4, 2025
For even more on A Knight of the Seven Kingdoms, check out the show's connection to Brienne of Tarth.
CCXP25 in Brazil is underway and the first major panel featured a brand-new look at HBO Max’s Game of Thrones spin-off, A Knight of the Seven Kingdoms. Aside from dropping a new trailer, several of the new show’s actors were on hand to break down what fans can expect when the series debuts next year.
A journey far from the throne. #AKnightOfTheSevenKingdoms, a new #GOT series from George R.R. Martin, premieres January 18, only on HBO Max. pic.twitter.com/eJf3gBPuOR
— HBO Max (@hbomax) December 4, 2025
Peter Claffey, who plays Ser Duncan the Tall (also known as Dunk) said that his performance was inspired by Brienne of Tarth, played by Gwendoline Christie in the original series. Dunk was revealed recently by author George R.R. Martin to be Brienne’s ancestor.
When asked whether his performance was inspired by Christie’s portrayal of Brienne, Claffey confirmed that was the case. “I think so, yeah,” Claffey said. “I was a huge fan of the original series and I loved Gwendoline Christie as Brienne. She was amazing and there are a lot of aspects to Dunk's character that she shares.
“She's very chivalrous. She wants to do what's right. She just wants to be a knight, and she has the added complication of trying to be a knight who was a lady in Westeros. So she has a much harder job than Dunk did. But there is definite likeness.”
Claffey then turned to his A Knight of the Seven Kingdoms co-star Dexter Sol Ansell - who plays Prince Aeogn Targaryen, also known as “Egg” - and dropped what could either be considered a Westeros family tree bombshell, or maybe just a sarcastic aside.
“Dexter actually got to work with Christie as well,” Claffey said - most likely referring to Ansell and Christie's appearances in 2024's Robin and the Hoods. “You got work with my granddaughter!”
Martin hasn’t specifically said that Brienne of Tarth is Ser Duncan the Tall’s granddaughter. But perhaps we’ll get that answer sooner rather than later when A Knight of The Seven Kingdoms premieres on HBO Max January 18, 2026.
When you're done here, check out how Claffey just revealed George R.R. Martin's favorite A Song of Ice and Fire story.
Michael Peyton is the Senior Editorial Director of Events & Entertainment at IGN, leading entertainment content and coverage of tentpole events including IGN Live, San Diego Comic Con, gamescom, and IGN Fan Fest. He's spent 20 years working in the games and entertainment industry, and his adventures have taken him everywhere from the Oscars to Japan to Buenos Aires, Argentina. Follow him on Bluesky @MichaelPeyton







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