Trolling wokesters, disparaging Paul Thomas Anderson, insulting Paul Dano … the controversial director plays to type with his list of the top 20 best films of the 21st century

Did Quentin Tarantino just put Paul Dano into the alpha league of the world’s most loved and admired movie actors?

His recent insults aimed at Dano counterprovoked a flood of defensive praise, with Daniel Day-Lewis, Dano’s costar in There Will Be Blood, publicly endorsing it. But was Tarantino’s pronouncement just bluster and flex? Will he end up casting Dano in his next film – a turnaround like Donald Trump making nice with North Korean leader Kim Jong-un after pretty much threatening him with nuclear war? Or are we witnessing a kind of midlife emotional crisis in the heart of one of the most brilliant directors of his generation? I speak as a superfan with reservations.

Bing Liu’s film is an unflinching portrait of an undocumented Uyghur immigrant and a traumatised US veteran whose fragile connection is strained by their pasts

Chinese-American film-maker Bing Liu made an impression with the poignant documentary Minding the Gap about people from his home town in Illinois; now he pivots to features with this sad and sombre study of romance and life choices among those on the margins of US society, adapted from the prize-winning novel of the same name by Atticus Lish.

The scene is the no-questions-asked world of New York’s Chinatown; newcomer Sebiye Behtiyar plays Aishe, a Chinese Uyghur Muslim undocumented immigrant. One day she catches the eye of Skinner, played by Fred Hechinger, a young military veteran who impulsively starts to talk to her. There is a spark between them and then something more.

Linklater is missing from the best director list despite having two nominated films, and actors including Sydney Sweeney and Josh O’Connor are nowhere to be seen. It looks like Paul Thomas Anderson’s year

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It’s become traditional to look for the snubs in any award list – and heaven help anyone whose job it is to curate the “in memoriam” montage on the night and then the next morning apologise for the inevitable hurtful omissions.

Snubs have become a cliche of awards season commentary, but you have to wonder about the best director list of this year’s Golden Globes nominations. No Richard Linklater? This amazing director actually has two films in the “best musical or comedy” section (so I guess he can’t really be that depressed). There’s his amazingly witty and poignant chamber piece Blue Moon, with Globe-nominated Ethan Hawke playing depressed Broadway lyricist Lorenz Hart, and his eerily accomplished pastiche-homage Nouvelle Vague, about the making of Godard’s classic Breathless, shot not in the boring old colour in which these events happened but in a beautifully realised monochrome – a little reverential for my tastes but still a marvellously accomplished picture. Two films in one year, and such different films. Quite a feat.