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index.feed.received.today — 4 avril 2025

The First Footage From Edgar Wright’s The Running Man Shows How He’s Gone Back to Stephen King’s Source Material

4 avril 2025 à 03:39

At CinemaCon today, Edgar Wright and cast members Glen Powell, Josh Brolin and Colman Domingo debuted the first footage from the filmmaker's new take on The Running Man. Like the 1987 Arnold Schwarzenegger film, Wright’s movie is adapted from the Stephen King book of the same name (written under his Richard Bachman pseudonym) about a dystopian game show where trained killers hunt you to the death - though there’s a huge cash prize if you can somehow survive. Wright said that while he enjoyed the 1987 movie, he always wanted to see the book – one of his favorites as a teenager – more properly adapted, which is where his version comes in.

The footage shown today indicates many of the details from the book discarded in the earlier film are put back in, starting with Ben Richards (Glen Powell) now much more of an everyman who volunteers for the games, thanks to financial desperation, rather than Schwarzenegger’s framed police officer who was forced to play them. Wright noted that Ben initially wants to play one of the other, less lethal games, only to end up in “the big one.”

In the ‘87 film, the show’s host, Killian, was also the executive producer, but the new film restores these aspects to two separate characters, as King intended - with Josh Brolin’s Killian now solely the executive producer of The Running Man, while Colman Domingo’s Bobby Thompson hosts the show. We see Killian trying to convince Ben to play The Running Man and when Ben tells him “I’m not trying to get myself killed, so kiss my ass twice,” Killian replies “That right there is why you’re perfect!” Brolin described his character as “wonderfully maniacal.”

In the footage, we see that Domingo’s Bobby is quite the showman, spotting a cowboy hat at one point and surrounded by dancing girls (the one aspect that feels inspired by the 1987 film). But we then see him scream in anger, presumably as the film goes on and Ben proves to be better at avoiding death than expected: “This is America, damn it, and we don’t put up with no bullshit! Hunt. Him. Down!”

Domingo described Bobby as someone who “knows he’s loved by America and they listen to him. He’s having a good time.” He added that he and Wright “talked about game show hosts and their function. The show must go on. The show must happen every day.”

Where the 1987 film had the game confined to a specific area, here Ben is on the run across the country, with Hunters trying to kill him wherever he goes.

Where the 1987 film had the game confined to a specific area, here Ben is on the run across the country, with Hunters trying to kill him wherever he goes. He’s also followed at every turn by drone cameras, and we see him grab a hold of one at one point and scream into it “Stop following me!” before smashing it. As you’d expect from Wright, the action looks dynamic and exciting with flourishes of dark humor, as bullets and arrows fly and some big fights break out.

The footage ended with a very well received moment where Ben takes refuge with a man (Scott Pilgrim himself, Michael Cera) who turns out to have readied himself for attack by electrifying the floor of his hallway. As he and Ben stand safely in the next room, Cera takes out a large pump action water gun and sprays the floor, frying a group of Hunters as they storm in.

Powell noted he regularly seeks career feedback from his Top Gun: Maverick co-star Tom Cruise, but was especially aware he had to speak to the actor – who is fairly legendary for his big running scenes at this point – about starring in a movie literally called The Running Man.

Powell revealed Cruise’s advice about getting ready for a role with a lot of onscreen running was simply “Film yourself running. You don’t look as cool as you think you do."

The Running Man opens November 7, 2025.

That Robot Giggling in the Superman Sneak Peek Is the Secret to James Gunn's Success

4 avril 2025 à 03:17

With the wide release of the five-minute Superman sneak peek that was first shown at CinemaCon earlier this week, one thing stands out even more than Krypto’s lovable (if painful for Superman) hijinks: It’s the fact that James Gunn understands the most important thing he can do for his reboot of not just the Man of Steel, but the entire DC universe, is to make us care about the characters. All of the characters, great and small, Kryptonian and human, canine and, yes, even robot. Giggling robots.

The extended preview features footage from the film that we’ve seen before, including of course Kal-El’s incredibly cute super dog arriving on the icy scene when his master is at a real low point. But it expands on that sequence from the film’s first trailer, showing us that Krypto is very much the troublemaker Gunn has described him to be. Yes, Superman is bloodied and beaten, pleading with Krypto to take him “home,” but all the pup wants to do is play. And he makes this point by jumping on the hurt Supes with all of his super-dog strength, and even dragging Kal-El’s leg up into an extremely awkward yet entirely believable pose. “Play with me, Dad!” he’s saying, in deeds if not words. It’s all very funny and it makes you love Krypto even more than you already did. Oh yes, you will believe that a super-powered dog can fly – and be lovable.

But Superman is hurt, and Krypto finally gets it, bringing Kal to the Fortress of Solitude. And that’s where we meet that giggling robot, who is one of the keys to understanding why James Gunn is so good at what he does. But before we get to that, consider that the first time we ever saw Gunn’s version of the Last Son of Krypton in action, he was in bad shape – beaten up, bleeding, needing his dog to save him. And we don’t yet know who dished out this punishment either, so this first image of Gunn’s version of Superman battered and broken is not for the benefit of getting a villain over. There’s no “look how scary this antagonist is because they beat the hell out of the Man of Steel.” The purpose of beginning the entire marketing push for this film is to show Superman in dire straits and in need of help. It’s a far cry from the typical introduction of any superhero, let alone the superhero, and yet it makes perfect sense coming from Gunn.

It’s the Harrison Ford Syndrome. Which isn’t so much a syndrome as it is a legitimate strength of Ford’s on screen persona. Either way, think about how badly Indiana Jones gets roughed up. We don’t love him because he’s so good at fighting; it’s because he’s tired and in pain just like the rest of us. Think about the scared-as-shit look on Ford’s face when he was on the run in The Fugitive, the desperate man leaping off of a dam en route to prove his innocence. Think about the hurt on Han Solo’s face, the fully bruised ego when he thought Leia was into Luke and not him at the start of Empire. It’s an everyman appeal that few actors have ever really been able to pull off. Honestly, it might just be Ford and Sigourney Weaver as Ellen Ripley that do it completely right. The point is, seeing your heroes beat up a little bit kind of makes you love them even more, especially when they rise to the occasion later to be, you know, heroes, despite everything they’ve been through.

Giving us a Superman who right off the bat has broken ribs, a jacked-up bladder, and is in awful pain is a very Gunn choice.

Gunn knows this, and he has a track record of putting his characters through the ringer. Think back to the first time we met the Guardians of the Galaxy. The first trailer for that film shows that nobody knows Star-Lord’s name and that it stings a little. And yes, Star-Lord was a little known character from the depths of Marvel’s roster, and Superman is… well, it’s almost apples to oranges, but Gunn’s approach is exactly the same here. Let’s put some dents in our main character as quickly as we can. Let’s meet a protagonist at a moment when they’re not heroic, not saving the day, when they don’t even have the upper hand – that’s part of what makes Gunn’s superhero work resonate as well as anybody’s ever been able to.

So giving us a Superman who right off the bat has broken ribs, a jacked-up bladder, and is in awful pain even when/because his robots are healing him… it’s a very Gunn choice, and it goes a long way to getting us invested in his version of a character who, let’s not forget, has had like 10 movies and 15 TV shows or something at this point and is older than your grandparents. Superman and all his pals have been around forever, so why should we care about yet another version of his story?

And not for nothing, it’s important to remember that a significant criticism has been lobbed at Superman over the years saying his invulnerability and squeaky clean boy scout-ness are just plain boring. He was, after all, created to be the best of us, but crafting interesting narratives around an overpowered alien with only a single weakness can start to get hard after a century. So how do you make this familiar story engaging? Opening on a shot of a damaged Kal-El is a great start, but we still need to fall for the supporting cast.

And that brings us back to the giggling robot. Once Krypto gets his dad into the Fortress (which is a cool re-thinking of the classic Richard Donner ice-crystal Fortress of Solitude, only in this case one that grows out of the snowy landscape on command), the robots take custody of Superman as they carry the injured hero in to treat his wounds. In the comics we know that the ‘bot known as Kelex is usually the main caretaker of the Fortress, although here we see the main robot has the simple designation of “4” on the Superman-shield on his chest.

As they tend to Superman, 4 (voiced by Alan Tudyk) introduces the newest robot of the group: “Meet 12. She’s new.” Superman nods to her weakly, and 12 practically blushes, despite being made of metal, as she giggles and says “Oh, he looked at me!”

12 has just that one line of dialogue (we're not sure who’s voicing the character but it’s gotta be someone we know, right?), but we're already so invested in her and these other robots that we're a little embarrassed to admit it. 4 also tells Kal-El that there’s no need to thank them for their service because they have “no consciousness whatsoever. Merely automatons here to serve.” But you know what? We're calling bullshit on that right now, because you can be guaranteed that half of us are going to be crying when we see the movie and one of these robots gets killed (something that in fact has already been teased in the first trailer). There’s also something about Tudyk’s delivery of those lines, like he’s dripping with sarcasm. No consciousness my red-briefs-clad-butt.

So even while comics fans can dig in and try to figure out if 4 is Kelex or how Superman’s biology works (he has intestines!) or whatever other lore or Easter egg stuff comes to mind, Gunn isn’t actually that concerned with that stuff. At minimum, we feel comfortable saying it doesn’t seem like his first priority. Yes, he understands the geeky things, he’s a fan himself and he’s read the comics – and loves them, no doubt – but what he’s doing here is building out little character moments and beats that will make us actually care about these people. And robots. And dogs!

This isn’t gonna be a Superman movie as much as it is a James Gunn movie, and we can’t wait.

New Fantastic Four Footage Reveals a Major Plot Point... and the Female Silver Surfer

4 avril 2025 à 02:24

At CinemaCon in Las Vegas today, the Marvel Studios portion of Disney’s presentation featured the debut of brand new footage from The Fantastic Four: First Steps, including the first look anywhere of the Silver Surfer and a notable reveal about Sue Storm.

The start of the footage shows a talk show, The Ted Gilbert Show, clearly modeled after a 1960s Ed Sullivan Show style series, with Mark Gatiss (Sherlock, Game of Thrones) as the host. Ted Gilbert recaps the story of the Fantastic Four – with more glimpses of the footage we’ve seen previously of the space trip that transformed them – as we get footage showing their widespread popularity amongst the public, with cheering crowds, children included. We see Ben (Ebon Moss-Bachrach), Johnny (Joseph Quinn) and Sue (Vanessa Kirby) in action, using their powers - though, amusingly, we still weren’t given any shots of Reed’s stretching power in action. Gilbert then introduces the foursome onstage, and they stand together, in costume, in the shot we saw ending the first trailer.

Glimpses of the FF’s home life find more of the robot H.E.R.B.I.E. and Ben cooking together and Johnny chastising Reed (Pedro Pascal) and Sue for being late for dinner, leading to the big reveal about Sue, as Johnny is told his sister is pregnant. He then tells Sue she’ll be a great mom while teasing Reed he’ll be a terrible father.

We then got our first shots of Shalla-Bal, the Silver Surfer (Julia Garner), in all her gleaming, metallic glory, announcing “Your planet is now marked for death.” We then see more shots of Galactus’ shadow over New York, like in the teaser (though not a full reveal of the character yet).

Reed is seen readying for a mission, walking away from camera in a 4-logo labeled space suit as someone asks him “Are we safe?” He turns back towards them and grimly responds, “I don’t know.”

Shots of crowds running in panic across the city include a little girl stopping to retrieve an action figure of The Thing she’s dropped, but when she goes to pick it up, the giant shadow of Galactus falls over her.

The final shot of the footage then shows the Silver Surfer flying towards the camera on her surfboard.

The Fantastic Four: First Steps will be released on July 25, 2025!

First Predator: Badlands Trailer Shown at CinemaCon

4 avril 2025 à 02:09

Elle Fanning took the stage at CinemaCon 2025 in Las Vegas today to tout her upcoming Predator movie, Predator: Badlands, which will feature... a Predator who's a good guy!

Yes, this Predator is a young warrior who has been cast out and comes to work with humans... or at least one human that we know of so far - Fanning! Before unveiling the trailer for the film, which was played exclusively for CinemaCon, the actress teased a bit of the movie's plot.

"Something unprecedented happens in this movie," the A Complete Unknown actress told the assembled crowd of reporters and theater industry folks. "My character is not the one being chased. My character actually teams up with the Predator. And you get to see him in a completley new light. And... I'll stop there!"

The trailer was then unveiled, which showed Predator relices on a ship. “I didn’t think he survived,” someone says. We see the Predator standing on the shore... but this is not Earth. It’s another planet. We also see the Predator isn't wearing his helmet. At another point he’s surrounded by giant deadly monsters. Fanning's character says, “You’re something that cannot be killed."

The trailer features the tagline “The director of Prey welcomes you to a world of hurt,” and ends with the Predator facing down a massive creature running at him, smashing through trees. Standing his ground, the Predator roars at the creature, ready to fight.

Predator: Badlands was directed by Dan Trachtenberg and co-written by Trachtenberg and Patrick Aison. It's designed to be a standalone entry in the franchise even though Trachtenberg also directed 2022's terrific Prey and is working on an as-yet untitled third Predator film as well.

Predator: Badlands will be released on November 7, 2025.

Reporting by Jim Vejvoda and Eric Goldman.

index.feed.received.before_yesterday

A Minecraft Movie: Post-Credits Scene Check-In (No Spoilers)

2 avril 2025 à 21:37

Are you wondering if A Minecraft Movie has a post-credits or mid-credits scene? We'll tell you right here: Yes, it has both!

Be sure to check back on Friday for a full spoiler breakdown of the movie, but for now this is a spoiler-free page.

Although the first trailer might have gotten fans riled up, and it changed release dates almost as much as The New Mutants, A Minecraft Movie (review) has arrived relatively unscathed in movie theaters, offering some family-friendly fun to the beleaguered 2025 box office.

The adventure begins when siblings Henry (Sebastian Hansen) and Natalie (Emma Myers) are forced to move to Chuglass, Idaho, after the untimely death of their mother. While both struggle to fit in they're soon sucked into the Overworld along with their real estate agent Dawn (Danielle Brooks) and a one-time fighting game world champion turned local failing business owner, Garrett "The Garbage Man" Garrison (Jason Momoa). Throughout their adventure they meet the master-builder known as Steve (Jack Black) and battle zombies, pigs, and endermen.

But if all you care about is whether or not A Minecraft Movie has a mid- and/or post-credits scene, we're here to reveal that yes, you should wait until after the credits roll as this film has both!

Does A Minecraft Movie Have a Mid- or Post Credits Scene?

As noted above, the film has both. We won't get into spoilers until Friday, but be sure to stick around to check out all the fun.

Spider-Man: Brand New Day Explained and the Movie's Connection to One of the Most Notorious Marvel Comics

1 avril 2025 à 18:55

As announced by Sony Pictures at CinemaCon 2025, the fourth MCU Spider-Man film will officially be titled Spider-Man: Brand New Day. The latest adventure for Tom Holland’s Peter Parker is directed by Daniel Destin Cretton of Shang-Chi fame, and swings into theaters on July 31, 2026. Anticipation for this new film is at a fever pitch, especially since Spider-Man: No Way Home was a smash hit with critics and audiences. No new details were given about the film at Sony’s panel, but the title gives us plenty to chew on since, unlike the previous MCU Spider-Man film titles, this one is a direct reference to a story from the comics.

Brand New Day is one of the more famous Spider-Man stories because of its connection to the notorious One More Day storyline, and the use of this title may give big hints for Spider-Man’s future in the MCU. Let’s take a look at what Brand New Day may mean for Peter Parker’s upcoming film.

Spider-Man: Brand New Day Explained

To properly explain Brand New Day, we first have to go over the events that led into it. During the Civil War crossover event, Peter Parker shocked everyone by revealing his secret identity to the world. He did this because he was part of Iron Man’s pro-registration side of the war, which required superheroes to register their identities with the government. However, the reveal of Peter’s identity led the Kingpin to order his assassination, only for the shooter to miss Peter and hit Aunt May instead. With May in the hospital, Peter looks for any help he can get to save her… which he receives in the form of Mephisto, who offers to save May’s life in exchange for undoing his marriage to Mary Jane.

To say that this story was controversial would be a severe understatement. Spider-Man making a deal with the Devil out of editorial mandate is well known as one of the most hated comic stories of all time. But what’s done is done, and that led to Brand New Day, starting with Amazing Spider-Man #546.

Brand New Day was a reset of Spidey’s status quo, and is less of an individual story in its own right than a branding exercise over a series of smaller arcs that ran all the way until Amazing #564. The overall story is about establishing what’s happened to the timeline after the Mephisto deal takes place, with the big ticket items including the world forgetting Spider-Man’s secret identity, Peter and Mary Jane having never been married, and the return of Harry Osborn. (He’d been dead for a while. Oh, and this one turned out to be a clone.)

Brand New Day is one of the more famous Spider-Man stories because of its connection to the notorious One More Day storyline.

Peter and MJ’s history was altered so they’d only been in a long-term relationship that was already over. New supporting cast and villains were introduced during this period, such as forensic scientist and future Spidey love interest Carlie Cooper, police officer Vincent Gonzalez, redheaded superhero Jackpot, Martin Li aka Mr. Negative, the Goblin-esque villain Menace (later revealed to be Harry Osborn love interest Lily Hollister), and the bane of every Insomniac Spider-Man player’s existence, Screwball. Brand New Day tried to rejuvenate the Spider-Man franchise by relaunching it, and although fan reception was mixed to say the least, the era was a pivotal moment in the history of Spider-Man comics.

What Does Brand New Day Mean for the MCU?

If you remember the plot of Spider-Man: No Way Home, you may recognize that some elements of that film already resemble aspects of One More Day and Brand New Day. Doctor Strange’s spell that Peter botches was supposed to erase the world’s knowledge of his secret identity, and in the end Strange needs to cast a new spell that results in everyone in the world forgetting who Peter is. This includes his love interest Michelle “MJ” Jones and best pal Ned Leeds, as well as all of Peter’s superhero friends. Peter receiving supernatural interference that results in the world forgetting that he’s Spider-Man and removing the Peter/MJ romance from the equation means that No Way Home is now effectively a loose adaptation of One More Day.

With Brand New Day starting a new era for Tom Holland’s Spidey franchise, we might now have some clues as to what characters will be included. Peter ran into Willem Dafoe’s Green Goblin in No Way Home via the power of the multiverse, but could the MCU’s take on the Osborns finally make their debut? Harry being Peter’s new bestie would make a lot of sense with Ned no longer knowing him. As well, Stranger Things alum Sadie Sink has already been cast, with the two biggest theories as to her role being either an officially named Mary Jane Watson or longtime X-Men member Jean Grey. However, now that we know the title is Brand New Day, an outside the box choice could be her playing Carlie Cooper as a new love interest for Peter.

As for bad guys, could Mr. Negative be in the running for Spidey’s new nemesis? Fans of the comics and the Insomniac Spider-Man games know that Martin Li is associated with charity organization F.E.A.S.T. (Food, Emergency Aid, Shelter and Training), which actually made a blink and you’ll miss it cameo in No Way Home as the place where Aunt May works. The Darkforce wielding crime lord and his gang the Inner Demons are some of the most prominent Spider-Man foes to never appear in a live-action film. We doubt that Lily Hollister/Menace will be the new villain, but she could still appear in some capacity if the film decides to lay groundwork for the MCU’s Osborns.

Of course, we can’t discount the possibility that the movie is only using the title Brand New Day and will chart its own course. The MCU has a history of doing that, with films like Age of Ultron and Infinity War not having much at all to do with their comic counterparts. Perhaps Brand New Day is merely a signifier that this is a new direction for the Spider-Man franchise after the Home trilogy.

It is also entirely possible that Brand New Day will avoid these newer characters and undo the spell cast at the end of No Way Home, allowing Peter’s old friends to return to the series. However, that would be a missed opportunity to not use No Way Home’s ending to tell a more grounded, street level Spider-Man story. Although with Avengers: Doomsday and Secret Wars on the way, we’d be surprised if Peter doesn’t wind up in some more multiversal mischief sooner or later. We’ll all find out when the film arrives next July.

What do you think will happen in Spider-Man: Brand New Day? Let us know in the comments!

Carlos Morales writes novels, articles and Mass Effect essays. You can follow his fixations on Twitter.

The 75 Comics Doomsday Will Pull From (According to the Avengers Cast Reveal)

1 avril 2025 à 15:00

One of the reasons the MCU has been so successful over the years is that this shared universe leans heavily on the comic book source material. These movies aren’t usually direct adaptations of any one comic, but they always draw on iconic storylines and runs and make that classic material accessible to a wider audience. Avengers: Doomsday and Avengers: Secret Wars will be no exceptions. These upcoming movies are inspired by both the original 1984 crossover Marvel Super Heroes Secret Wars and 2015’s Secret Wars.

But that’s just the tip of the iceberg. Now that we know the main cast of Avengers: Doomsday, we’re getting a clearer picture of which Marvel Comics storylines are inspiring this epic MCU adventure. From epic crossovers like Avengers vs. X-Men to the debut of the Illuminati to two different versions of Secret Wars, these are the 75 Marvel comics that give us a better idea of what Avengers: Doomsday and Avengers: Secret Wars are about.

Time Runs Out for the Avengers

As seen in: The Avengers Vol. 5 #35-44, New Avengers Vol. 3 #24-33 (2015)

Again, Avengers: Doomsday and Avengers: Secret Wars are heavily inspired by the two Secret Wars comics. This much we know from Kevin Feige and the Russo Bros. themselves, who are coming back to Marvel direct the films. But while we’ll get to Secret Wars itself in a bit, it’s worth starting out by focusing on the long, dramatic buildup to the 2015 comics version. That storyline, Avengers: Time Runs Out, will probably end up informing the plot of Doomsday as much as anything else.

From the beginning, Jonathan Hickman’s Avengers and New Avengers titles deal with the concept of Incursions, that phenomenon where two parallel versions of Earth begin to collide and threaten to annihilate both universes unless one of the Earths is destroyed. The Incursions are revealed to be a symptom of a larger disease in the Marvel multiverse, one that seems destined to end in the complete obliteration of all existence.

Time Runs Out takes place in a particularly dire period for the Marvel Universe. Incursions are occurring more and more frequently, making the fight to stop them and save Earth-616 truly an existential crisis. Unfortunately, Time Runs Out also occurs in a period when the Avengers are more divided than they’ve been since the events of 2006’s Civil War. Once again, there are basically two opposing factions in this ideological battle. One law-abiding team of Avengers serves under S.H.I.E.L.D., while another group follows the Illuminati and their more pragmatic approach to survival.

Of course, Time Runs Out is more than just an Avengers story. Members of the X-Men and Fantastic Four also play key roles. And then there’s Doctor Doom. Doom is revealed to be a pivotal player in the conflict, as he takes on a new identity as Rabum Alal and attracts a cabal of fanatical followers. Doom’s war with the extra-dimensional entities known as The Beyonders is the source of the multiverse’s impending collapse. He sees himself as the savior of existence. Others might disagree.

We’ve already seen some plot threads inspired by Time Runs Out crop up during the Multiverse Saga. Thanks to the post-credits scene in 2022’s Doctor Strange in the Multiverse of Madness, we know Benedict Cumberbatch’s Stephen Strange has joined forces with Charlize Theron’s Clea to investigate the Incursion problem. And an Incursion forms the crux of the climax of 2023’s The Marvels, resulting in Teyonah Parris’ Monica Rambeau becoming stranded on Earth-10005, a world where Kelsey Grammer’s Beast and the rest of the X-Men are making their own stand against Incursions.

If Avengers: Doomsday is an adaptation of any one Marvel story, it’s definitely going to be Time Runs Out.

If Avengers: Doomsday is an adaptation of any one Marvel story, it’s definitely going to be Time Runs Out. We’re sure to see the Incursion problem reach critical mass, prompting a desperate race to stave off the end of all things. Like in the comic, we may see the Avengers split down the middle in how they deal with this threat. Though in this case, we suspect we’ll see one team rally around Anthony Mackie’s Captain America and another around Robert Downey, Jr.’s Doctor Doom. And again, we’ll see the Fantastic Four and the X-Men drawn into the fray as everyone races to save their respective world. But if Doomsday is anything like the comic, it’s all going to be for naught in the end.

Meet the Illuminati

As seen in: New Avengers - The Illuminati #1-5 (2006)

In the buildup to Marvel’s Civil War crossover, readers first met the Illuminati, a shadowy group that included Iron Man, Doctor Strange, Mister Fantastic, Namor, Black Bolt, and Professor X. It was revealed that this group has been quietly manipulating events in the Marvel Universe for years, always in the name of protecting Earth from threats both within and without. Marvel’s New Avengers: The Illuminati miniseries explores the group’s actions in much greater depth.

Though they eventually disbanded, the Illuminati were reformed in Hickman’s Avengers run. The slightly revamped roster included new members like Black Panther, Beast, and Hulk (who was going through an unusually intelligent phase at the time). The Illuminati are also prominent players in Time Runs Out, resorting to questionable measures to protect Earth-616 from Incursions.

We already met one version of the Illuminati in the MCU in Doctor Strange in the Multiverse of Madness, a group based on Earth-838. Unfortunately for them, they didn’t survive their run-in with Elizabeth Olsen’s Scarlet Witch.

But could we meet the Earth-616 version of the Illuminati in Avengers: Doomsday? It’s hard not to come to that conclusion based solely on the cast list. What happens when you get Patrick Stewart’s Professor X, Pedro Pascal’s Reed Richards, Tenoch Huerta Mejía’s Namor, and Letitia Wright’s Black Panther in the same room? We even have to wonder if Downey’s Doom could take the place of Tony Stark here. As in the comic, we may see the Illuminati stoop to any and all measures to save their universe, even if it means damning themselves in the process.

The Avengers vs. the X-Men

As seen in: Avengers vs. X-Men #1-12 (2012)

Normally, the Avengers and X-Men are allies in the never-ending fight to defend the Marvel Universe. But the two teams became bitter enemies in 2012’s Avengers vs. X-Men storyline.

AvX comes at the tail end of a long period where the X-Men are fighting a losing battle to protect the mutant race from extinction. When it becomes apparent that the Phoenix Force is back and making a beeline for Earth, the X-Men see it as their last, best hope to restore the mutant population. The Avengers, however, see the Phoenix Force as a clear and present threat to everyone on Earth. That’s when the two teams come to blows.

We’ve already done a deep dive into Avengers vs. X-Men and the ways in which it could inspire Avengers: Doomsday, but the gist is that we could see a very different take in the MCU on the concept of the two teams going to war. We’re not expecting a close adaptation of the comic book crossover, as the X-Men haven’t even been properly established in the MCU yet.

Instead, we think Doomsday’s AvX conflict would involve the multiverse. It stands to reason that Grammer is reprising the same version of Beast we saw in The Marvels’ post-credits scene, and that all the other X-Men confirmed for the film are residents of that same world, which we’re assuming is Earth-10005, a.k.a. the Fox X-Men movie universe. Eventually, Earth-616 and Earth-10005 will be linked together by an Incursion, forcing the MCU’s Avengers to battle the Fox universe’s X-Men for the fate of their respective worlds.

In that sense, the Avengers vs. X-Men conflict in Doomsday will probably be less inspired by the AvX crossover than it will the first chapter of 2015’s Secret Wars comic. In Secret Wars #1, the Marvel multiverse is reduced to just two remaining universes, the classic Marvel Universe and the Ultimate Universe. The Avengers and Ultimates go to war as the final Incursion breaks out, only for both worlds to be annihilated in the end. Doomsday may very well end in a similar battle between the Avengers and X-Men. Instead of working together to save the multiverse, they’ll be too busy fighting each other. And that’s where Secret Wars comes in.

The Secret Wars Begin

As seen in: Marvel Super Heroes Secret Wars #1-12 (1984), Secret Wars #1-9 (2015)

At this point, we might as well talk about Secret Wars proper and how it’s likely to influence both Avengers: Doomsday and Avengers: Secret Wars. As we mentioned earlier, Marvel has published two separate but not entirely unconnected Secret Wars comics, the first in 1984 and the second in 2015. The Russos have confirmed that both comics are an influence on their upcoming Avengers movies, though we’re definitely sensing more of the latter Secret Wars so far.

In the original Marvel Super Heroes Secret Wars, a who’s who lineup of Marvel heroes and villains are abducted by a godlike being known as The Beyonder. He whisks them away to an artificial planet called Battleworld to fight for his amusement. In the end, Doom steals The Beyonder’s power for himself, temporarily achieving the strength to match his boundless ego. Marvel Super Heroes Secret Wars is also notable for introducing Spider-Man’s black costume and paving the way for Venom.

2015’s Secret Wars, meanwhile, serves as the climax of Hickman’s sprawling Avengers run. We’ve already covered how the first issue features a desperate, doomed battle between two teams of heroes as the multiverse collapses around them. But the real meat of Secret Wars is in what happens next.

Even as the multiverse itself dies, Doom and his ally Molecule Man (a key player in the original Secret Wars crossover) make their final stand against The Beyonders. Doom steals their power and becomes omnipotent. He uses his newfound power to form a new Battleworld out of the broken fragments of dozens of dead universes. Doom then crowns himself God Emperor of Battleworld, with each realm controlled by a different Baron. It’s sort of the Marvel version of Dune or Game of Thrones.

We’re expecting to see Downey’s Doom achieve ultimate power and form Battleworld out of the ashes of the multiverse.

As Secret Wars unfolds, Doom fights to hold his new kingdom together while a group of refugees from Earth-616 seeks a way to restore the multiverse. Fittingly, it all comes down to a final confrontation between God Emperor Doom and his greatest rival, Reed Richards. Even as a god, Doom can’t move past his hatred for Reed and his own self-loathing.

We don’t know how much, if at all, we’re going to see the two Secret Wars storylines adapted in Doomsday, but Avengers: Secret Wars is shaping up to be a fairly close adaptation of those comics. Once again, we’re expecting to see Downey’s Doom achieve ultimate power and form Battleworld out of the ashes of the multiverse. We’ll probably see a great many realms inspired by both the comics and various Marvel movies of years past. We’ll almost certainly see a motley team of heroes band together to restore the multiverse, including both MCU mainstays and iconic movie favorites like Hugh Jackman’s Wolverine and Tobey Maguire’s Spider-Man. If you’re wondering how Marvel could ever top the fanboy glee of the portals sequence from Endgame, that’s how.

All Hail Emperor Doom

As seen in: Marvel Graphic Novel #27 - Emperor Doom (1987)

While the MCU is definitely drawing a lot of inspiration from Hickman’s Avengers run and Secret Wars for its portrayal of Doctor Doom, it’s worth taking a look at a much older story that also revolves around Doom crowning himself emperor. That story is 1987’s Emperor Doom graphic novel.

Emperor Doom shows us what happens when Doom finally grows tired of ruling one measly country and sets his sights on the entire planet. After harnessing the mind-controlling powers of Purple Man, Doom brainwashes the nations of the world into accepting him as their monarch. With no one to oppose him, Doom ushers in a new era of peace and prosperity. Life under Emperor Doom is actually pretty swell, so long as you don’t mind the total lack of free will. It falls on Wonder Man to free the Avengers and mount a resistance against Emperor Doom.

Marvel is also currently exploring a similar concept in the One World Under Doom crossover, which again sees Doom crown himself Emperor of a surprisingly docile and grateful planet.

Could we see elements of Emperor Doom when it comes to Downey’s version of the iconic villain? It’s definitely possible. The Russos have made it clear that Doom is someone who sees himself as the hero of his own story. He thinks he’s doing what has to be done to save the Marvel multiverse. Maybe we’ll see him crown himself emperor in Avengers: Doomsday, rallying the entire world to his cause. We suspect a great many people in the MCU would be only too happy to pledge their life to a guy with Tony Stark’s face.

Doctor Doom as Iron Man

As seen in: Infamous Iron Man #1-12 (2016)

To be honest, we’re still trying to wrap our heads around the surprise reveal that Downey has been cast as Doctor Doom. Why bring back the most recognizable MCU actor to play a completely different character? What’s the significance of the fact that Doom looks like Tony Stark? Is he a version of Tony from another universe where things worked out differently, or is he merely using Tony’s face to further his own agenda?

Those are all questions we probably won’t see answered until Avengers: Doomsday hits theaters. But it certainly can’t hurt to look at one of the comics that explores the Iron Man/Doctor Doom relationship in greater depth.

For that, we recommend looking at 2016’s Infamous Iron Man, part of Brian Michael Bendis' larger Invincible Iron Man run. This series is set after the events of 2015’s Secret Wars. No longer a God Emperor, Victor von Doom has been healed in body and soul. He’s determined to prove himself a hero worthy of the mantle of Iron Man. And because Tony Stark himself is comatose at this point, there’s no one to actually stop Doom from giving it an honest go.

Will Infamous Iron Man have a direct influence on Avengers: Doomsday and Secret Wars? It’s hard to say. Though, if nothing else, we wouldn’t be surprised if the MCU draws on Doom’s character design in this series as it introduces a Tony Stark-ified version of Doctor Doom. Downey’s character may look less like the traditional Doom than he does this version that wears a silver and green Iron Man armor.

Doom firmly believes he’s the hero.

But again, we know that Downey’s character is someone who sees himself as being in the right. Doom firmly believes he’s the hero. There may be elements of Infamous Iron Man that work their way into that portrayal of Doom. He’s a character who needs to win hearts and minds if he’s going to carry out his plan of saving the multiverse.

Invisible Woman and Namor’s Sexual Tension

As seen in: Fantastic Four - 1 2 3 4 (2002)

With all the spectacle and cosmic stakes going on in these next two Avengers movies, it’s all the more important they find time to focus on the smaller character moments. They need to be perfectly balanced enough to satisfy even Thanos himself. Avengers: Infinity War accomplished that task by giving us moments of levity between Spider-Man, Iron Man, and Doctor Strange and zeroing in on the doomed romance between Elizabeth Olsen’s Scarlet Witch and Paul Bettany’s Vision. Endgame was basically one long fat joke at the expense of Chris Hemsworth’s Thor.

How will Avengers: Doomsday lighten the mood? We suspect that’s going to fall on Namor’s brawny shoulders. Anyone who’s read a Fantastic Four comic featuring Namor will know that the King of Atlantis has the hots for Susan Storm. Heck, he makes Wolverine’s deep infatuation with Jean Grey seem normal by comparison. Sue, for her part, has never really reciprocated Namor’s love over the years, but that’s never stopped his incessant flirtation. Hey, he’s a fish king. He’s not used to being told no.

Given that Doomsday is the first MCU movie to include both Vanessa Kirby’s Sue and Tenoch Huerta Mejía’s Namor, we can only assume we’re going to see this sexual tension play out on the big screen. Expect some of the movie’s more comedic moments to come as Namor woos Sue and she rebuffs his advances. As for Pedro Pascal’s Reed? If he’s anything like the comic book version, he may be too oblivious to notice. Sue may wind up leading Namor on just to get a rise out of her single-minded science dork of a husband.

Again, there are any number of comics the movie could draw from in this area. Namor’s unrequited love for Sue goes back a long time. But if Doomsday pulls from any one FF comic, we’d guess it would be 2002’s Fantastic Four: 1 2 3 4. That book, which is unusually dark for an FF story, may be the closest Sue has ever come to actually responding to Namor’s advances. 1 2 3 4 is also a very Doom-centric story, so that makes it all the more likely the screenwriters might have consulted this hidden gem of a Marvel comic.

And there you have it. If you want to do your homework before Avengers: Doomsday hits theaters in May 2026, you know what to read. But what Marvel storylines do you most want to see adapted in these next two Avengers movies? Let us know in the comments.

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