This summer has 28 Days Later, I Know What You Did Last Summer and The Karate Kid franchises coming back to life but what should come next?

The Thin Man series should not be rebooted so much as remixed, shaken a little and strained into crystal coupes. These glamorous 1930s capers starred the debonair duo of William Powell and Myrna Loy as frisky husband-and-wife sleuths Nick and Nora Charles, who solve crimes while cracking wise and necking cocktails, accompanied by their precocious wire fox terrier Asta. There were six films in the original run, starting with 1934’s The Thin Man, an adaptation of the Dashiell Hammett novel of the same name, and ending in 1947. The perfect recipe for a new Thin Man film would comprise two charismatic movie stars with sizzling chemistry, the kind who look stunning in evening dress, but who can also ad lib their own gags, a cavalcade of plot twists and saucy co-stars, a happy ending, and of course a scene-stealing pooch. It’s good, old-fashioned fun, but that’s why it’s so timeless, and a formula that can run and run – until the ice bucket is empty. Pamela Hutchinson

At the Phoenix Arts Museum, a new exhibition displays different approaches to comedy within photography

Humor stands in a strange relationship to the art world. Often ranked as a lesser aspiration for the work of a true artist, when humor does find its way into the graphic arts, it’s as more of a condiment than the main dish.

How refreshing then to see the Phoenix Art Museum’s substantial new exhibition, Funny Business, which boldly and decisively leaps into the realm of comedic photography. Showcasing humor from a wealth of angles, including slapstick, whimsical, acid, surreal, ironic, parody and so many more, the show offers ample opportunity to consider just what purpose laughter serves – and to enjoy a hearty laugh or two on a summer’s day.