The actor Paul Hilton brilliantly inhabits the character of a ranting working-class academic in this debut novel

Some books feel so suited to the audio format that they could have been written with the voice in mind. All My Precious Madness is one of those. Mark Bowles’s debut novel, which won the audiobook fiction category at the inaugural British Audio awards (where, full disclosure, I was a judge), is a deliciously sweary monologue from a middle-aged malcontent.

A sideways reflection on working-class identity and masculinity, the novel gives voice to Henry Nash, a man of little patience. Sitting in a London coffee shop and trying to write a monograph of his father, he rains judgment on the other patrons whose obnoxious phone calls he can’t help but overhear. An Oxford graduate turned writer and academic, Nash lives in a Soho flat where he has been known to furtively drop eggs on passersby who disturb him with their drunken racket.

Anthony Hopkins and Kathy Burke on acting, Jacinda Ardern and Nicola Sturgeon on politics, plus Margaret Atwood on a life well lived

Not all memoirists are keen to share their life stories. For Margaret Atwood, an author who has sold more than 40m books, the idea of writing about herself seemed “Dead boring. Who wants to read about someone sitting at a desk messing up blank sheets of paper?” Happily, she did it anyway. Book of Lives: A Memoir of Sorts (Chatto & Windus) is a 624-page doorstopper chronicling Atwood’s life and work, and a tremendous showcase for her wisdom and wit. Helen Garner’s similarly chunky, Baillie Gifford prize-winning How to End a Story (Weidenfeld & Nicolson) is a diary collection spanning 20 years and provides piquant and puckish snapshots of the author’s life, work and her unravelling marriages. Mixing everyday observation and gossipy asides with profound self-examination, it is spare in style and utterly moreish.

In Arundhati Roy’s Mother Mary Comes to Me (Hamish Hamilton) and Jung Chang’s Fly, Wild Swans (William Collins), formidable mothers get top billing. In the former, The God of Small Things author reveals how her mother, whose own father was a violent drunk, stood up to the patriarchy and campaigned for women’s rights, but was cruel to her daughter. Describing her as “my shelter and my storm”, Roy reflects on Mary’s contradictions with candour and compassion. Fly, Wild Swans is the sequel to Chang’s bestselling Wild Swans, picking up where its predecessor left off and reflecting how that book was only made possible by the author’s mother, who shared family stories and kept her London-dwelling daughter apprised of events in China.