(Modern Love)
The producer’s second album is a granular dissection of cumbia rebajada, forcing the listener to focus on the strangeness of every moment in her ambient soundworld

Mexican-American producer Delia Beatriz, AKA Debit, has a talent for making historical sounds her own. Her 2022 breakthrough, The Long Count, featured woozy, ambient soundscapes made from electronically processed samples of ancient Maya flutes. On her latest record, Desaceleradas (Decelerated), Beatriz turns her attention to the 90s trend of cumbia rebajada. Slowing the Afro-Latin dance genre of cumbia to a sludgy tempo, cumbia rebajada is a dub-influenced take on a typically upbeat, party-driven sound. DJ Gabriel Dueñez popularised the style with his bootleg cassettes; two of his earliest releases now form the basis of Beatriz’s experiments.

Landing somewhere between composer William Basinski’s Disintegration Loops and DJ Screw’s chopped’n’screwed production style, Desaceleradas slows the shaker-rattling, synth syncopations of cumbia rebajada into unrecognisable ambient territory. La Ronda y el Sonidero and Vinilos Trasnacionales contain hints of the signature cumbia shuffle and twanging synth melody, but Beatriz’s added tape hiss, reverb and melodic warping transform the style into an eerie, ethereal soundworld of nightmare fairground music and yearning drones.